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Poetry, Politics, and Culture: Argument in the Work of Eliot, Pound, Stevens, and Williams
by Harold KaplanA salient feature of modern poetics is its direct connection with cultural history and politics. Among the great American poets of the twentieth century, Wallace Stevens and William Carlos Williams offer a significant contrast with T. S. Eliot and Ezra Pound. Where the latter advocated a theocentric or reactionary response to the cultural crises of modernity, the former affirmed an essentially humanist and democratic social and aesthetic ethos. In Poetry, Politics, and Culture, Harold Kaplan offers a penetrating comparative study of these representative and distinctively influential poets.All four poets wrote in an atmosphere of cultural crisis following World War I, caught as they were between outmoded belief systems and various forms of artistic and political nihilism. While each believed in poetry as a source of cultural values and beliefs, they nevertheless experienced loss of confidence in their own vocation in a world characterized by scientific, rationalist thinking and the mundane struggle for survival. For each, therefore, the poetic imagination was a means of restoring order, or building a new civilization out of chaos. In trying to define a revitalized culture, the four exemplified the perennial quarrel between Europe and America.
Poetry, Politics and Culture: Essays on Indian Texts and Contexts
by Akshaya KumarThis book maps the journey of the Indian poetic imagination—in Hindi, Panjabi and Indian English—from its original quasi-spiritual longings to its activist interventions in the public domain. As Indian poetry of the post-1990s gravitates towards a non-Orientalised postcolonial nationalism, it seeks to rewrite and disseminate the shifting coordinates of nationalist imagination in terms of the dissent of the subaltern discontents of the nation. The book is interdisciplinary: it studies Indian poetry from the new emerging imperatives of postcolonialism, new historiography (subaltern, dalit and diasporas), nationalism, and cultural studies. Covering the two major north Indian languages—Hindi and Punjabi—along with poetry in Indian English, the book is a close textual study of about 150 poetry collections in these languages. It is path-breaking in its study of secular poetry written in the so-called vernaculars, with critical attention to its participation in the political as well as cultural processes of nation-making. This cutting-edge book should be of interest to scholars of Indian writings in English, Hindi and Panjabi, gender studies, dalit and diaspora studies, postcolonial poetry and to students reading South Asian literature and culture.
Poetry, Print, and the Making of Postcolonial Literature
by Nathan Suhr-SytsmaPoetry, Print, and the Making of Postcolonial Literature reveals an intriguing history of relationships among poets and editors from Ireland and Nigeria, as well as Britain and the Caribbean, during the mid-twentieth-century era of decolonization. The book explores what such leading anglophone poets as Seamus Heaney, Christopher Okigbo, and Derek Walcott had in common: 'peripheral' origins and a desire to address transnational publics without expatriating themselves. The book reconstructs how they gained the imprimatur of both local and London-based cultural institutions. It shows, furthermore, how political crises challenged them to reconsider their poetry's publics. Making substantial use of unpublished archival material, Nathan Suhr-Sytsma examines poems in print, often the pages on which they first appeared, in order to chart the transformation of the anglophone literary world. He argues that these poets' achievements cannot be extricated from the transnational networks through which their poems circulated - and which they in turn remade.
Poetry Report: Creative Ideas and Publishing Strategies For Aspiring Poets
by Jim Walker Mark ShawThe authors present poetry as a living, dynamic art and offer a process (not instructions) for creating one's own poetry. Creating a book of poetry and seeking publication are also themes in this book.
Poetry Today: A Critical Guide to British Poetry 1960-1995
by Anthony ThwaiteThis is the most authoritative and up to date survey of contemporary British poetry 1960-1995. It is the third version but second edition published by Longman of a successful survey that first appeared 30 years ago, and provides a succinct and accessible overview of British poets, movements and themes, ideal for English courses and the general reader alike.
The Poetry Toolkit: For Readers and Writers
by William HarmonThe Poetry Toolkit: For Readers and Writers provides students with the essential intellectual and practical tools necessary to read, understand, and write poetry. Explains the most important elements of poetry in clear language and an easily accessible manner Offers readers both the expertise of an established scholar and the insights of a practicing poet Draws on examples from more than 1,500 years of English literature
Poetry Unbound: Poems and New Media from the Magic Lantern to Instagram
by Mike ChasarIt’s become commonplace in contemporary culture for critics to proclaim the death of poetry. Poetry, they say, is no longer relevant to the modern world, mortally wounded by the emergence of new media technologies. In Poetry Unbound, Mike Chasar rebuts claims that poetry has become a marginal art form, exploring how it has played a vibrant and culturally significant role by adapting to and shaping new media technologies in complex, unexpected, and powerful ways.Beginning with the magic lantern and continuing through the dominance of the internet, Chasar follows poetry’s travels off the page into new media formats, including silent film, sound film, and television. Mass and nonprint media have not stolen poetry’s audience, he contends, but have instead given people even more ways to experience poetry. Examining the use of canonical as well as religious and popular verse forms in a variety of genres, Chasar also traces how poetry has helped negotiate and legitimize the cultural status of emergent media. Ranging from Citizen Kane to Leave It to Beaver to best-selling Instapoet Rupi Kaur, this book reveals poetry’s ability to find new audiences and meanings in media forms with which it has often been thought to be incompatible. Illuminating poetry’s surprising multimedia history, Poetry Unbound offers a new paradigm for understanding poetry’s still evolving place in American culture.
Poetry Wars: Verse and Politics in the American Revolution and Early Republic (Early American Studies)
by Colin WellsDuring America's founding period, poets and balladeers engaged in a series of literary "wars" against political leaders, journalists, and each other, all in the name of determining the political course of the new nation. Political poems and songs appeared regularly in newspapers (and as pamphlets and broadsides), commenting on political issues and controversies and satirizing leaders like Thomas Jefferson and Alexander Hamilton. Drawing on hundreds of individual poems—including many that are frequently overlooked—Poetry Wars reconstructs the world of literary-political struggle as it unfolded between the Stamp Act crisis and the War of 1812.Colin Wells argues that political verse from this period was a unique literary form that derived its cultural importance from its capacity to respond to, and contest the meaning of, other printed texts—from official documents and political speeches to newspaper articles and rival political poems. First arising during the Revolution as a strategy for subverting the authority of royal proclamations and congressional declarations, poetic warfare became a ubiquitous part of early national print culture. Poets representing the emerging Federalist and Republican parties sought to wrest control of political narratives unfolding in the press by engaging in literary battles.Tracing the parallel histories of the first party system and the rise and eventual decline of political verse, Poetry Wars shows how poetic warfare lent urgency to policy debates and contributed to a dynamic in which partisans came to regard each other as threats to the republic's survival. Breathing new life into this episode of literary-political history, Wells offers detailed interpretations of scores of individual poems, references hundreds of others, and identifies numerous terms and tactics of the period's verse warfare.
Poetry's Afterlife: Verse in the Digital Age
by Kevin SteinAt a time when most commentators fixate on American poetry's supposed "death," Kevin Stein's Poetry's Afterlife instead proposes the vitality of its aesthetic hereafter. The essays of Poetry's Afterlife blend memoir, scholarship, and personal essay to survey the current poetry scene, trace how we arrived here, and suggest where poetry is headed in our increasingly digital culture. The result is a book both fetchingly insightful and accessible. Poetry's spirited afterlife has come despite, or perhaps because of, two decades of commentary diagnosing American poetry as moribund if not already deceased. With his 2003 appointment as Illinois Poet Laureate and his forays into public libraries and schools, Stein has discovered that poetry has not given up its literary ghost. For a fated art supposedly pushing up aesthetic daisies, poetry these days is up and about in the streets, schools, and universities, and online in new and compelling digital forms. It flourishes among the people in a lively if curious underground existence largely overlooked by national media. It's this second life, or better, Poetry's Afterlife, that his book examines and celebrates. Kevin Stein is Caterpillar Professor of English and Director of the Creative Writing Program at Bradley University and has served as Illinois Poet Laureate since 2003, having assumed the position formerly held by Gwendolyn Brooks and Carl Sandburg. He is the author of numerous books of poetry and criticism.
Poetry's Data: Digital Humanities and the History of Prosody
by Meredith MartinWhy literary studies must confront digital mediationWe live and research in a technologically mediated landscape in which old models of reading and researching—methods that presume an autonomous, single scholar gathering resources and making claims—no longer hold. Scholars have yet to theorize either the embeddedness of their sources inside multiple layers of mediation or their own place in an information ecosystem that demands our active participation. In Poetry&’s Data, Meredith Martin explores what current access to data might mean for mapping the discourse of poems. Martin&’s account of her work learning about digital humanities so that she could build a database of historic prosodic materials becomes a through line in a narrative that chronicles how literature has understood poetry&’s data—its sounds—from the sixteenth century to the present day.Digital knowledge infrastructures have historical antecedents that scholars have been trained to theorize. And yet, as Martin points out, we have not been trained to identify and navigate, let alone critique, the current landscape of knowledge production. Through five chapters and five examples from the Princeton Prosody Archive, Martin shows that the histories of mediation and format are essential to the teaching of poetry and poetic form.
Poets and Puritans
by T. R. GloverOriginally published in 1915, the essays in this book deal with 9 English writers – as diverse in outlook and temperament as Bunyan and Boswell; poets and Puritans and men who were neither. The book examines each writer in his historical and social context – facing problems in art or religion and life in general.
Poets and the Fools Who Love Them: A Memoir in Essays
by Richard KatrovasPoets and the Fools Who Love Them blends autobiography with cultural commentary and meditates on creative writing as a cottage industry within humanities higher education. Celebrated poet and memoirist Richard Katrovas examines his picaresque early years with a criminal father, a beleaguered mother, and four siblings as state and federal authorities pursued the family across the highways of America. His freewheeling, wide-ranging essays consider, among other social constructs, the relation of crime and art, and the relation of both to the authority of the state, particularly in terms of race and class. Katrovas speaks candidly about how white privilege facilitated his father’s criminal career, as a lifestyle of larceny and used-car scams, perpetuated state to state, would have surely had different implications for a family of color. Drawing on his adulthood in academe, Katrovas’s memoir in essays chronicles a quest to locate surrogate fathers among older poets and other creative writers, and reflects upon the ways in which that search has affected his role as the father to three Czech American daughters. The book flows from the love of a poet for other poets, for the “community of poets,” one likened to a “gang of priests” and a “herd of bears.” Katrovas maintains that most lovers of poets are themselves poets, and those lovers of poets who are not themselves poets are saints.At its heart, Poets and the Fools Who Love Them contemplates, with care and unabashed honesty, the role of art and the artist in the madcap twenty-first century.
A Poet’s Ashram: Rabindranath Tagore’s Experimental Community in Colonial India
by Sukalyan ChandaThe remarkably creative life Rabindranath Tagore (1861–1941) lived has long been an area of scholarly enquiry. Yet, surprisingly, his role as the founder of an experimental ashram community remains unexplored. A Poet’s Ashram retrieves his idea of his ashram through an exploration of his writings on the institutions he built.The ashram community Tagore endeavoured to create in Santiniketan during the period 1901–1941 was his response to the question of modernity. Through his effort to reinvent the ancient Indian ideal of the ashram, he articulated his idea of a mode of collective living that was meant to be grounded in a set of ethical values derived from India’s civilizational inheritance. This book traces the history of how his ashram school evolved into a community that practised egalitarianism, inclusiveness and creativity through its daily existence. It explores a range of nineteenth- and twentieth-century discourses and Tagore’s engagement with them in order to situate that idea within its historical context, a critical juncture in the history of modern India and the world. This book’s reading of his project unravels its anti-colonial underpinnings and the commonalities it shared with some of the other similar experimental communities that challenged illiberal ideologies and power relations during the early twentieth century.Meticulously researched and perceptively written, this book will be of interest to students and researchers of history, political science, culture studies and postcolonial studies. It will also be of interest to educationists, educators and those interested in colonial modernity, modern Indian history, philosophy of education, institution building, peace, inclusivity and sustainability.
The Poet's Freedom
by Susan StewartWhy do we need new art? How free is the artist in making? And why is the artist, and particularly the poet, a figure of freedom in Western culture? The MacArthur Award-winning poet and critic Susan Stewart ponders these questions in The Poet's Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work. Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poets--Plato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create. A book about the pleasures of making and thinking as means of life, The Poet's Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature.
The Poet's Freedom: A Notebook on Making
by Susan StewartWhy do we need new art? How free is the artist in making? And why is the artist, and particularly the poet, a figure of freedom in Western culture? The MacArthur Award–winning poet and critic Susan Stewart ponders these questions in The Poet’s Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work.Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poets—Plato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create. A book about the pleasures of making and thinking as means of life, The Poet’s Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature.
A Poet's Glossary
by Edward HirschA major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art.Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
Poets in the Public Sphere: The Emancipatory Project of American Women's Poetry, 1800-1900
by Paula Bernat BennettBased entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life.
The Poets, Isabella Whitney, Anne Dowriche, Elizabeth Melville [Colville], Aemilia Lanyer, Rachel Speght, Diane Primrose and Anne, Mary and Penelope Grey: Printed Writings 1500–1640: Series I, Part Two, Volume 10 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1500-1640: Series I, Part Two)
by Betty S. TravitskyIsabella Whitney is the earliest Englishwoman known to have written original secular poetry in English for publication. The Copy of a Letter contains four poems written in the personae of persons jilted in love. The only known copy of this volume is held at the Bodleian Library and is reproduced here. Whitney’s second collection A Sweet Nosgay contains poetry in traditional stanzas and in prose format. Reproduced here is the unique copy held at the British Library. The French Historie by Anne Dowriche takes as its subject three events from the religious wars in France: the affair of the Rue St Jacques (1557); the Martyrdom of Annas Burgeus (1559) and the St Bartholomew’s Massacre (1572). Her work takes as its source Thomas Tymme’s The Three Partes of Commentaries, Containing the whole and perfect discourse of the Civill warres in Fraunce (1574). We reproduce here the fine copy of The French Historie held at the Huntington Library and also append two short poems thought to be hers. Ane Godlie Dreame, Compylit in Scottish Meter is Elizabeth Melville’s first person account of a pilgrim who is guided through the afterworld. While many of the variations in the different editions are merely accidental, there are some substantial changes. As an aid to bibliographic study of the poem therefore, copies of the following four editions are reproduced here: 1603 National Library of Scotland; 1604 National Library of Scotland; 1606 Huntington Library; 1620 British Library. Aemilia Lanyer was the first woman writing in English to produce a substantial volume of poetry designed to be printed and to attract patrongage. The Salve Deus Rex Judaeorum was published in 1611 and contains a series of poems to individual patrons, two short prose dedications, a title poem on Christ’s passion and the first country house poem printed in English. The volume is arguably the first genuinely feminist publication in England: all its dedicatees are women and the poem on the passion argu
Poet's Journal (Amplify Core Knowledge Language Arts, Grade 5 #Unit 3)
by Amplify EducationNIMAC-sourced textbook
Poet's Journal: Grade 5 Unit 3 (CKLA #First Edition)
by Amplify Education Inc.POET'S JOURNAL GRADE 5 UNIT 3
Poet's Market 2020: The Most Trusted Guide for Publishing Poetry (Market #2020)
by Robert Lee BrewerThe Most Trusted Guide to Publishing Poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2020, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 33nd edition of Poet's Market offers articles devoted to the craft and business of poetry, including the art of finishing a poem, ways to promote your new book, habits of highly productive poets, and more.
Poet's Market 34th Edition: The Most Trusted Guide to Publishing Poetry
by edited by Robert Lee BrewerThe Most Trusted Guide to Publishing Poetry, fully revised and updatedWant to get your poetry published? There's no better tool for making it happen than Poet's Market, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 34th edition of Poet's Market offers: • Hundreds of updated listings for poetry-related book publishers, publications, contests, and more • Insider tips on what specific editors want and how to submit poetry • Articles devoted to the craft and business of poetry, including how to track poetry submissions, perform poetry, and find more readers • 77 poetic forms, including guidelines for writing them • 101 poetry prompts to inspire new poetry
The Poet's Mistake
by Erica McAlpineWhat our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read.
Poets Of Action - Wilson Knight: Incorporating Essays from The Burning Oracle
by Wilson KnightFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.