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A Portrait of the Artist as a Young Man (Norton Critical Editions #0)
by James Joyce“This richly filled Norton Critical Edition contains a reliably edited and annotated text of A Portrait of the Artist as a Young Man; extracts from some of Joyce’s other works; historical, religious, aesthetic, and literary writings from the novel’s time period; and recent critical essays that consider the novel from a wide range of positions and approaches. This edition is sure to be welcomed by instructors, students, and readers of all kinds.” ?Michael Groden, Western University, Canada This Norton Critical Edition includes: Hans Walter Gabler’s acclaimed text of Joyce’s 1916 coming-of-age novel, accompanied by Gabler’s introduction and textual notes. Preface and revised and expanded explanatory annotations by John Paul Riquelme. Other writings by James Joyce closely related to A Portrait of the Artist as a Young Man, new to the Second Edition. Nine illustrations. “Backgrounds and Contexts,” including a wealth of materials, topically organized: “Political Nationalism: Irish History, 1798–1916,” “The Irish Literary and Cultural Revival,” “Religion,” and “Aesthetic Backgrounds.” Twelve major critical assessments, seven of them new to the Second Edition. A selected bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need. “A Portrait of the Artist as a Young Man is a work essential to a complete understanding of the Modernist movement. The Norton Critical Edition presents Joyce’s novel impeccably edited by Hans Walter Gabler and a series of background and critical essays astutely chosen by John Paul Riquelme. It will enhance any high school, college, or graduate course in which it is taught.” ?Michael Patrick Gillespie, Florida International University
Portrait of the Artist as a Young Man: The Modernist Classic Novel By James Joyce (James Joyce Archive)
by James JoyceFirst published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
A Portrait of the Artist as a Young Man (SparkNotes Literature Guide Series)
by SparkNotesA Portrait of the Artist as a Young Man (SparkNotes Literature Guide) by James Joyce Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
A Portrait of the Artist as a Young Man (MAXNotes Literature Guides)
by Matthew MitchellREA's MAXnotes for James Joyce's A Portrait of the Artist as a Young Man MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises
by Anastasia Salter Mel StanfillIncreasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media making—the “fanboy auteur.” Figures like Joss Whedon are both one of “us” and one of “them.” This is a strategy of marketing and branding—it is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur.In A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E L James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture. This book is particularly timely given current discourse, including such incidents as the controversy surrounding Joss Whedon’s so-called feminism, the publication of Harry Potter and the Cursed Child, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood.
The Portrait of the Lover
by Maurizio BettiniThere are a surprising number of stories from antiquity about people who fall in love with statues or paintings, and about lovers who use such visual representations as substitutes for an absent beloved. In a charmingly conversational, witty meditation on this literary theme, Maurizio Bettini moves into a wide-ranging consideration of the relationship between self and image, the nature of love in the ancient world, the role of representation in culture, and more. Drawing on historical events and cultural practices as well as literary works, The Portrait of the Lover is a lucid excursion into the anthropology of the image.The majority of the stories and poems Bettini examines come from Greek and Roman classical antiquity, but he reaches as far as Petrarch, Da Ponte, and Poe. The stories themselves—ranging from the impassioned to the bizarre, and from the sublime to the hilarious—serve as touchstones for Bettini's evocative explorations of the role of representation in literature and in culture. Although he begins with a consideration of lovers' portraits, Bettini soon broadens his concerns to include the role of shadows, dreams, commemorative statues, statues brought to life, and vengeful statues—in short, an entire range of images that take on a life of their own.The chapters shift skillfully from one theme to another, touching on the nature of desire, loss, memory, and death. Bettini brings to the discussion of these tales not only a broad learning about cultures but also a delighted sense of wonder and admiration for the evocative power and endless variety of the stories themselves.
Portrait of the Manager as a Young Author: On Storytelling, Business, and Literature (Untimely Meditations #12)
by Philipp SchonthalerWhat happens to the relationship between business and literature when storytelling becomes a privileged form of communication for organizations. Corporations love a good story. Microsoft employs a chief storyteller, who heads a team of twenty-five corporate storytellers. IBM, Coca-Cola, and the World Bank are among other organizations that have worked with storytelling methods. And, of course, Steve Jobs was famous for his storytelling. Today, narrative is a privileged form of communication for organizations. In Portrait of the Manager as a Young Author, Philipp Schönthaler explains this unlikely alliance between business and storytelling. The contradictions are immediately apparent. If, as the philosopher Hans Blumenberg writes, stories are told to pass the time, managers would seem to have little time to spare. And yet, Schönthaler reports, stories are useful in handling complexity. When digital information flows too quickly and exceeds the capacity of the human brain, narrative can provide communicative efficiency and effectiveness. Words and numbers both vouch for truth, are both instrumentalized by management, and are inextricably interdependent. What happens, if narrative becomes ubiquitous? Does the commercialization of narratives have an effect on literature? Through the lens of storytelling, Schönthaler explores the relationship between economics and literature and describes a form of writing that takes place in their shared spheres. Most books on storytelling in the corporate world are written by business writers; this book offers the perspective of an award-winning literary author, who considers both the impact of storytelling on business and the impact of business on literature.
Portrait Stories
by Michal Peled GinsburgWhat makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision.
Portraits: The Hasidic Legacy of Elie Wiesel (SUNY series in Contemporary Jewish Thought)
by David PattersonElie Wiesel identified himself as a Vizhnitzer Hasid, who was above all things a witness to the testimony and teaching of the Jewish tradition at the core of the Hasidic tradition. While he is well known for his testimony on the Holocaust and as a messenger to humanity, he is less well known for his engagement with the teachings of Jewish tradition and the Hasidic heritage that informs that engagement. Portraits illuminates Wiesel's Jewish teachings and the Hasidic legacy that he embraced by examining how he brought to life the sages of the Jewish tradition. David Patterson reveals that Wiesel's Hasidic engagement with the holy texts of the Jewish tradition does not fall into the usual categories of exegesis or hermeneutics and of commentary or textual analysis. Rather, he engages not the text but the person, the teacher, and the soul. This book is a summons to remember the testimony reduced to ashes and the voices that cry out from those ashes. Just as the teaching is embodied in the teachers, so is the tradition embodied in their portraits.
Portraits and Observations: The Essays Of Truman Capote
by Truman CapotePerhaps no twentieth century writer was so observant and elegant a chronicler of his times as Truman Capote. Whether he was profiling the rich and famous or creating indelible word-pictures of events and places near and far, Capote's eye for detail and dazzling style made his reportage and commentary undeniable triumphs of the form. Portraits and Observations is the first volume devoted solely to all the essays ever published by this most beloved of writers. From his travel sketches of Brooklyn, New Orleans, and Hollywood, written when he was twenty-two, to meditations about fame, fortune, and the writer's art at the peak of his career, to the brief works penned during the isolated denouement of his life, these essays provide an essential window into mid-twentieth-century America as offered by one of its canniest observers. Included are such celebrated masterpieces of narrative nonfiction as "The Muses Are Heard" and the short nonfiction novel "Handcarved Coffins," as well as many long-out-of-print essays, including portraits of Isak Dinesen, Mae West, Marcel Duchamp, Humphrey Bogart, and Marilyn Monroe. Among the highlights are "Ghosts in Sunlight: The Filming of In Cold Blood, "Preface to Music for Chameleons, in which Capote candidly recounts the highs and lows of his long career, and a playful self-portrait in the form of an imaginary self-interview. The book concludes with the author's last written words, composed the day before his death in 1984, the recently discovered"Remembering Willa Cather," Capote's touching recollection of his encounter with the author when he was a young man at the dawn of his career. Portraits and Observations puts on display the full spectrum of Truman Capote's brilliance. Certainly, Capote was, as Somerset Maugham famously called him, "a stylist of the first quality." But as the pieces gathered here remind us, he was also an artist of remarkable substance.
Portraits de traducteurs (Regards sur la traduction)
by Jean DelisleCe recueil de portraits nous fait pénétrer dans l’intimité de dix traducteurs qui appartiennent à diverse époques : XVIe, XVIIIe, XIXe et XXe siècles. Les textes traduits vont de l’article de presse aux Saintes Écritures, en passant par la tragédie grecque, le roman, la poésie, le conte, le « polar » et les traités de droit. Réintroduisant la subjectivité dans le discours sur la traduction, ces portraits contribuent au nécessaire recentrement de l’attention sur la personne de traducteur. Lorsqu’il a entrepris telle ou telle traduction, quelle était sa visée réelle ? S’est-il plié docilement aux contraintes inhérentes à cet exercice de réénonciation interlinguistique et interculturelle ? A-t-il transgressé certaines de ces contraintes ? Où a-t-il travaillé ? À quelle époque ? Pour qui ? À quelle fin ? Dans quelles circonstances ? Quels facteurs externes ont pu infléchir sa manière de traduire, l’amener à modifier le texte original, voire à s’autocensurer ? Autant de questions dont il faut chercher les réponses en dehors des textes traduits. Publié en français
Portraits of Edo and Early Modern Japan: The Shogun’s Capital in Zuihitsu Writings, 1657–1855
by Gerald GroemerThis volume presents a series of five portraits of Edo, the central region of urban space today known as Tokyo, from the great fire of 1657 to the devastating earthquake of 1855. This book endeavors to allow Edo, or at least some of the voices that constituted Edo, to do most of the speaking. These voices become audible in the work of five Japanese eye-witness observers, who notated what they saw, heard, felt, tasted, experienced, and remembered. “An Eastern Stirrup,” presents a vivid portrait of the great conflagration of 1657 that nearly wiped out the city. “Tales of Long Long Ago,” details seventeenth-century warrior-class ways as depicted by a particularly conservative samurai. “The River of Time,” describes the city and its flourishing cultural and economic development during the late eighteenth and early nineteenth centuries. “The Spider’s Reel” looks back at both the attainments and calamities of Edo in the 1780s. Finally, “Disaster Days,” offers a meticulous account of Edo life among the ruins of the catastrophic 1855 tremor. Read in sequence, these five pieces offer a unique “insider’s perspective” on the city of Edo and early modern Japan.
Portraits of Literacy Across Families, Communities, and Schools: Intersections and Tensions
by Jim Anderson Maureen Kendrick Theresa Rogers Suzanne SmytheDesigned to stimulate debate and critical thinking and to draw readers' attention to the ideological nature of literacy education across a broad range of literacy contexts, this book crosses traditional boundaries between the study of family, community, and school literacies to offer a unique global perspective on multiple literacies, from theory to case studies of various settings. These examples suggest ways that literacy practices should be created by simultaneously shaping relationships and identity, and by privileging particular literacy practices in particular situations. The dialogue within the book among chapter authors writing across traditionally distinct fields highlights the interconnections among diverse literacy sites and stimulates the pursuit of a more integrated and interdisciplinary approach to literacy education. The critical and dialogic approach serves to challenge and extend many conventional notions surrounding literacy education in communities, schools, and families.Portraits of Literacy Across Families, Communities, and Schools: Intersections and Tensions is particularly relevant for scholars and students in the area of literacy, broadly speaking, including family literacy, community literacy, adult literacy, critical language studies, multiliteracies, youth literacy, English as a second language, language and social policy, and global literacy. Additionally, the inclusion of studies derived from a variety of research methods and designs makes this is a useful text in research methodology courses that aim to present and analyze real-life examples of literacy research designs and methods.
Portraits of Promise: Voices of Successful Immigrant Students (Youth Development and Education Series)
by Michael SadowskiBy 2040, more than 30 percent of students in the United States will be immigrants or the children of immigrants. What factors can help these young people thrive in school, despite the many obstacles they face? And how can school staff best support immigrant students&’ academic and personal success? In Portraits of Promise, educators hear from the ultimate experts—successful newcomer students. Drawing on the students&’ own stories, the book highlights the kinds of support and resources that help students engage positively with school culture, establish supportive peer networks, form strong bonds with teachers, manage competing expectations from home and school, and navigate the challenges of high-stakes testing and the college application process.
Portraits of Promise: Voices of Successful Immigrant Students
by Michael Sadowski Carola Suárez-OrozcoBy 2040, more than 30 percent of students in the United States will be immigrants or the children of immigrants. What factors can help these young people thrive in school, despite the many obstacles they face? And how can school staff best support immigrant students' academic and personal success? In Portraits of Promise, educators hear from the ultimate experts--successful newcomer students. Drawing on the students' own stories, the book highlights the kinds of support and resources that help students engage positively with school culture, establish supportive peer networks, form strong bonds with teachers, manage competing expectations from home and school, and navigate the challenges of high-stakes testing and the college application process.
Portraits of the L2 User
by Vivian CookPortraits of the L2 User treats second language users in their own right rather than as failed native speakers. It describes a range of psychological and linguistic approaches to diverse topics about L2 users. It thus provides an innovative overview of current second language acquisition theories, results and methods, seen from a common perspective.
Portraits of Violence: War and the Aesthetics of Disfigurement
by Suzannah BiernoffPortraits of Violence explores the image and idea of facial disfigurement in one of its most troubling modern formations, as a symbol and consequence of war. It opens with Nina Berman’s iconic photograph Marine Wedding, which provoked a debate about the medical, military, and psychological response to serious combat injuries. While these issues remain urgent, it is equally crucial to interrogate the representation of war and injury. The concepts of valor, heroism, patriotism, and courage assume visible form and do their cultural work when they are personified and embodied. The mutilated or disabled veteran’s body can connote the brutalizing, dehumanizing potential of modern combat. Suzannah Biernoff draws on a wide variety of sources mainly from WWI but also contemporary photography and computer games. Each chapter revolves around particular images: Marine Wedding is discussed alongside Stuart Griffiths’ portraits of British veterans; Henry Tonks’ drawings of WWI facial casualties are compared to the medical photographs in the Gillies Archives; the production of portrait masks for the severely disfigured is approached through the lens of documentary film and photography; and finally the haunting image of one of Tonks’s patients reappears in BioShock, a highly successful computer game. The book simultaneously addresses a neglected area in disability studies; puts disfigurement on the agenda for art history and visual studies; and makes a timely and provocative contribution to the literature on the First World War.
Portraiture and British Gothic Fiction: The Rise of Picture Identification, 1764–1835
by Kamilla ElliottExamples from British writers of the eighteenth and nineteenth centuries show how portraits became a new mode of identity for the middle class.Traditionally, kings and rulers were featured on stamps and money, the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of "picture identification" (driver’s licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates.Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power.Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature’s best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work.
Portraying Authorship: Juan Manuel and the Rhetoric of Authority (Toronto Iberic #88)
by Anita SavoPortraying Authorship argues that the medieval Castilian writer Juan Manuel fashioned a seemingly modern authorial persona from the accumulation and synthesis of medieval authorial roles. In the manuscript culture of medieval Castile and across Latin Europe, writers typically referred to their work in ways that corresponded to their role in the bookmaking process: scribes took credit for preserving the works of others, compilers for combining disparate texts in productive ways, commentators for explaining obscure works, and authors for writing their own words. Combining literary analysis with book history, Anita Savo reveals how Juan Manuel forged his authorial persona, “Don Juan,” by adopting all four medieval writerly roles, thereby reaping the ethical benefits of each one. Each chapter in Portraying Authorship highlights a different authorial role to show how Don Juan – and others who wrote in his name – assumed responsibility for that role and adapted its rhetoric to his vernacular literary project. The book concludes that Don Juan’s authorial self-portrait not only gave the humanist writers of the fifteenth century a model to imitate, but also persuaded subsequent scribes, editors, and translators to portray him as an individual author. In doing so, Portraying Authorship illuminates how Juan Manuel’s concept of authorship helped to secure him a privileged position in narratives of Spanish literary history.
Portuguese: An Essential Grammar (Routledge Essential Grammars)
by Amelia P. Hutchinson Janet Lloyd Cristina SousaThis new edition of Portuguese: An Essential Grammar is a practical reference guide to the most important aspects of modern European Portuguese. Combining traditional and function-based grammar, the book sets out the complexities of Portuguese in short, readable sections. Explanations are clear, free from jargon and substantiated by examples. Throughout, the emphasis is on Portuguese as used by native speakers. This third edition: reflects the new orthographic agreement; includes an expanded section on verbs and pronouns, as well as a new section on syntax; provides authentic examples to illustrate grammar in context; focuses on Portuguese as used in Portugal and Africa; links to Basic Portuguese: A Grammar and Workbook, which offers a valuable set of language practice exercises; includes a detailed contents list and index for easy access to information. An important addition to Routledge’s collection of grammars on the variants of Portuguese, this is an ideal reference source for the learner and user of European Portuguese. It is suitable for either independent study or for students in schools, colleges, universities and adult classes of all types.
Portuguese as an Additional Language (SpringerBriefs in Linguistics)
by Ana C. NevesThis book focuses on Portuguese as an additional language and its young learners in threecase studies within the Portuguese-speaking world: Portuguese as a second language inCape Verde, Portuguese as a heritage language in Switzerland and Portuguese as a foreignlanguage in Macao SAR. The term “additional language” is used as an umbrella term for allthree contexts.An analysis of these three case studies is presented, with a focus on the organization of explicit and implicit language policies with regards to population mobility and also motivational issues, language attitudes and language use by the sample population.
Portuguese Modernisms: Multiple Perspectives in Literature and the Visual Arts
by Steffen DixFor a more encompassing and stimulating picture of Modernism seen as a movement of the 20th century, a broad spectrum of work across many countries we must explore its diversity. Portuguese Modernism manifested itself both in visual art and in literature, and made a vigorous contribution to this time of profound cultural change. Indeed, the sociocultural transformations that marked the early 20th century in Portugal are still current. This volume provides a critical guide for students and teachers, contributed by an array of scholars with unparalleled knowledge of the period, its artists and its writers. Steffen Dix is Research Fellow at the Institute of Social Science, University of Lisbon; Jeronimo Pizarro is Research Fellow at the Linguistics Centre, University of Lisbon.
Poscensura (Flash Ensayo): ¿Somos tan cabrones como parece por las redes sociales?
by Juan Soto IvarsEntonces... ¿somos tan cabrones como parece por las redes sociales? En palabras del autor «¿Bastarían ciento cuarenta caracteres para que un psiquiatra diagnosticase una psicopatía?» Juan Soto Ivars pone sobre la mesa el odio artificial que se gasta en las redes haciendo hincapié en todas aquellas personas que por sus mensajes podrían ser tachadas de «infames», «piscópatas» o «inmorales». El tema no es tan sencillo de analizar cuando descubres que las redes sociales enmascaran al verdadero individuo.
The Position of Spoons: And Other Intimacies
by Deborah LevyFrom twice Booker-shortlisted author Deborah Levy, a feast of observations about everything from the particular beauty of lemons on a table, to the muses that have shaped her life, to the streets of Paris.In The Position of Spoons, Deborah Levy invites us into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her.From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn, the richness of the author&’s own.Each page draws upon Levy&’s life in exalting ways, encapsulating the wonderful precision and astonishing depth of her writing, as she seamlessly shifts between and mediates on questions of morality, language, suburbia, gender, consumerism, and the poetics of everyday living. From the child born in South Africa, to her teenage years in Britain, to her travels across the world as a young woman, each page is a beautiful, tender composition of the questioning self: a portrait of Deborah Levy&’s writing life and intellectual vitality in all its dimensions.
The Position of the German Language in the World
by Ulrich AmmonThe Position of the German Language in the World focuses on the global position of German and the factors which work towards sustaining its use and utility for international communication. From the perspective of the global language constellation, the detailed data analysis of this substantial research project depicts German as an example of a second-rank language. The book also provides a model for analysis and description of international languages other than English. It offers a framework for strengthening the position of languages such as Arabic, Chinese, French, Portuguese, Spanish and others and for countering exaggerated claims about the global monopoly position of English. This comprehensive handbook of the state of the German language in the world was originally published in 2015 by Walter de Gruyter in German and has been critically acclaimed. Suitable for scholars and researchers of the German language, the handbook shows in detail how intricately and thoroughly German and other second-rank languages are tied up with a great number of societies and how these statistics support or weaken the languages’ functions and maintenance.