- Table View
- List View
Roald Dahl ABC
by Roald DahlLearn the alphabet with Roald Dahl, the World&’s No. 1 Storyteller! This deluxe board book is the perfect way to learn the alphabet. Featuring beloved art created by Quentin Blake from Roald Dahl&’s classic books, this is perfect for libraries, the youngest classrooms, and baby shower gifts to start a child&’s bookshelf.
The Roar On The Other Side: A Guide For Student Poets
by Suzanne U. ClarkFor all its storied past and lofty reputation, poetry is really just the art of noticing, naming, and comparing the stuff of this world. Unlike the eye of modern science (which sees the world as a giant specimen for us to dissect), poetry fosters and nurtures life by finding wonder in the nooks and crannies of ordinary life. Suzanne U. Clark, a longtime poet and teacher, offers The Roar on the Other Side as an introductory guide for students (junior high and up). Clear and imaginative, this book makes poetry approachable. Students will emerge from this book with a good handle on the basics of writing poetry and a new appreciation for the awesome world in which we live.
The Robber with a Witch's Head: More Stories from the Great Treasury of Sicilian Folk and Fairy Tales Collected by Laura Gonzenbach
by Jack Zipes Laura GonzenbachThe Robber with the Witch's Head presents almost fifty new stories about demons and clever maidens and princes. Bursting with life, this is a storyteller's dream, full of adventure and magic, translated by Jack Zipes.
Robbing The Mother: Women in Faulkner
by Deborah ClarkeWilliam Faulkner claimed that it may be necessary for a writer to “rob his mother,” should the need arise. “If a writer has to rob his mother, he will not hesitate; the ‘Ode on a Grecian Urn’ is worth any number of old ladies,” he remarked. This study of Faulkner's paradoxical attitude toward women, particularly mothers, will stimulate debate and concern, for his novels are shown here to have presented them as both a source and a threat to being and to language. “My reading of Faulkner,” the author says, “attempts more than an identification of female stereotypes and an examination of misogyny, for Faulkner, who almost certainly feared and mistrusted women, also sees in them a mysterious, often threatening power, which is often aligned with his own creativity and the grounds of his own fiction.” Drawing on both American and French feminist criticism, Robbing the Mother explores Faulkner's artistic vision through the maternal influence in such works as The Sound and the Fury; As I Lay Dying; Sanctuary; Absalom, Absalom!; The Hamlet; Light in August; and The Wild Palms.
Robert A. Heinlein: Learning Curve
by William H. Patterson Jr.Robert A. Heinlein (1907-1988) is generally considered the greatest American science fiction writer of the 20th century. A famous and bestselling author in later life, he started as a navy man and graduate of Annapolis who was forced to retire because of tuberculosis. A socialist politician in the 1930s, he became one of the sources of Libertarian politics in the USA in his later years. His most famous works include the Future History series (stories and novels collected in The Past Through Tomorrow and continued in later novels), Starship Troopers, Stranger in a Strange Land, and The Moon is a Harsh Mistress. Given his desire for privacy in the later decades of his life, he was both stranger and more interesting than one could ever have known. This is the first of two volumes of a major American biography. This volume is about Robert A. Heinlein's life up to the end of the 1940s and the mid-life crisis that changed him forever.
Robert A. Heinlein: Learning Curve, 1907–1948 (Robert A. Heinlein)
by William H. Patterson Jr.For the first time, the real story of the life of Robert A. Heinlein in the authorized biography Robert A. Heinlein (1907-1988) is generally considered the greatest American SF writer of the 20th century. A famous and bestselling author in later life, he started as a navy man and graduate of Annapolis who was forced to retire because of tuberculosis. A socialist politician in the 1930s, he became one of the sources of Libertarian politics in the USA in his later years. His most famous works include the Future History series (stories and novels collected in The Past Through Tomorrow and continued in later novels), Starship Troopers, Stranger in a Strange Land, and The Moon is a Harsh Mistress. Given his desire for privacy in the later decades of his life, he was both stranger and more interesting than one could ever have known. This is the first of two volumes of a major American biography. This volume is about Robert A. Heinlein's life up to the end of the 1940s and the mid-life crisis that changed him forever.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Robert Antelme: Humanity, Community, Testimony
by Martin Crowley"Best known for his 1947 memoir L'Espece humaine, Robert Antelme (1917-1990) is a central figure in the history of the European response to the Nazi concentration camps. In this first study in any language to be devoted to Antelme's work, Martin Crowley reveals the author's vital yet insufficiently recognized influence on recent thought in France and elsewhere about such questions as the nature of community and the indivisibility of humanity. He explores the conclusions Antelme drew from his deportation and his involvement with the post-war French left, and provides the first detailed textual criticism of L'Espece humaine. Examining the responses to the author's writing by such figures as Blanchot, Perec, Agamben, Nancy and Derrida, Crowley demonstrates Antelme's key contribution to the development of modern European thought."
Robert Armin and Shakespeare's Performed Songs
by Catherine A. HenzeAfter Robert Armin joined the Chamberlain's Men, singing in Shakespeare's dramas catapulted from 1.25 songs and 9.95 lines of singing per play to 3.44 songs and 29.75 lines of singing, a virtually unnoticed phenomenon. In addition, many of the songs became seemingly improvisatory—similar to Armin's personal style as an author and solo comedian. In order to study Armin's collaborative impact, this interdisciplinary book investigates the songs that have Renaissance music that could have been heard on Shakespeare's stage. They occur in some of Shakespeare's most famous plays, including Much Ado About Nothing, Twelfth Night, Hamlet, and The Tempest. In fact, Shakespeare's plays, as we have them, are not complete. They are missing the music that could have accompanied the plays’ songs. Significantly, Renaissance vocal music, far beyond just providing entertainment, was believed to alter the bodies and souls of both performers and auditors to agree with its characteristics, directly inciting passions from love to melancholy. By collaborating with early modern music editor and performing artist Lawrence Lipnik, Catherine Henze is able to provide new performance editions of seventeen songs, including spoken interruptions and cuts and rearrangement of the music to accommodate the dramatist's words. Next, Henze analyzes the complete songs, words and music, according to Renaissance literary and music primary sources, and applies the new information to interpretations of characters and scenes, frequently challenging commonly held literary assessments. The book is organized according to Armin's involvement with the plays, before, during, and after the comic actor joined Shakespeare's company. It offers readers the tools to interpret not only these songs, but also vocal music in dramas by other Renaissance playwrights. Moreover, Robert Armin and Shakespeare's Performed Songs, written with non-specialized terminology, provides a gateway to new areas of research and interpretation in an increasingly significant interdisciplinary field for all interested in Shakespeare and early modern drama.
Robert Bloomfield, Romanticism and the Poetry of Community (The Nineteenth Century Series)
by Simon J. WhiteRobert Bloomfield, whom John Clare described as 'the most original poet of the age,' was a widely read and critically acclaimed poet throughout the first decade of the nineteenth century, and remained popular until the beginning of the twentieth century. Yet until now, no modern critic has undertaken a full-length study of his poetry and its contexts. Simon J. White considers the relationship between Bloomfield's poetry and that of other Romantic poets. For example, her argues that Wordsworth's poetics of rural life was in some respects a response to Bloomfield's The Farmer's Boy. White considers Bloomfield's emphasis on the importance of local tradition and community in the lives of labouring people. In challenging the idea that the formal and rhetorical innovation of Wordsworth and Coleridge was principally responsible for the emergence of a new kind of poetry at the turn of the eighteenth century, he also shows that it is impossible to understand how the lyric and the literary ballad evolved during the Romantic period without considering Bloomfield's poetry. White's authoritative study demonstrates that, on the contrary, Bloomfield's poetry was pivotal in the development of Romanticism.
Robert Browning: Selected Poetry and Prose
by Robert BrowningFirst Published in 1991. This edition draws upon a wide range pf Browning's poetry and prose, inducing selections from his 'Dramatic Lyrics', 'Dramatic Romances and Lyrics' and 'Men and Women' and 'Dramatis Personae' collections, as well as extracts from his correspondence with Elizabeth Barrett. Aidan Day's introduction chronicles the events both of Browning's life and of his development as a poet.
Robert Browning: A Collection of Critical Essays (Routledge Library Editions: Victorian Poetry #1)
by Philip DrewFirst published in 1966. This title complies a selection of critical articles by various authors on the poetry of Robert Browning. The editor has collected a number of important general studies of Browning’s mind and art by English and American critics, as well as studies on individual poems. This book will be of interest to students of literature.
Robert Browning (Routledge Guides to Literature)
by Stefan HawlinAccessibly written throughout, this guidebook covers biographical details, information on the historical and social contexts of Browning's work, an overview of the full range of his work and a survey of the major critical debates surrounding him and his work.
Robert Browning: The Critical Heritage (Critical Heritage Ser.)
by Boyd Litzinger Donald SmalleyFirst published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Robert Browning (Studies In Eighteenth and Nineteenth Century Literature Series)
by John Woolford Daniel KarlinRobert Browning (1812-89) rivals Tennyson as the major Victorian poet with such important works as Dramatic Lyrics, Dramatic Romances and Lyrics, Men and Women, Dramatic Personae and the monumental The Ring and the Book. He is known for his development of the dramatic monologue in which he recreated the world of Renaissance Italy, and provided subtle and complex explorations of character. Here, Daniel Karlin and John Woolford provide a thematic survey of Browning's often difficult work, using key poems as a common point of reference. The themes covered include: styles, genres, the mind, the world, interaction and criticism. This excellent survey will be of value to students of Victorian literature and modernism.
Robert Browning: Selected Poems (Longman Annotated English Poets)
by John Woolford Daniel Karlin Joseph PhelanRobert Browning (1812 – 1889) was one of the defining figures of the Victorian age. Famous in his lifetime for his elopement and marriage to Elizabeth Barratt, his critical reputation grew steadily in the years following her early death. Browning’s mastery of dramatic verse was evident throughout his career, from such chillingly unforgettable monologues as ‘My Last Duchess’ and ‘Porphyria’ to the mature work included in his collection Dramatis Personae. This selection, chosen by leading scholars, reveals the innovation, complexity and profound psychological insight that have ensured Browning’s enduring reputation and his continuing appeal to readers today. Browning: Selected Poems results from a completely fresh appraisal of the canon, text and context of the writer’s work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the development of Browning’s art. An introduction and chronology offer useful background material, whilst annotations and headnotes provide details of composition, publication, sources and contemporary reception. This authoritative yet accessible selection should become the first point of reference for scholar, student and general reader alike.
Robert Browning's Language
by Donald S. HairWhat are the influences that shaped the language used by one of the nineteenth century's greatest writers? How did his religious beliefs, the books he owned, the paintings and music he loved, affect almost sixty years' output of poems, plays, essays, and letters? This book attempts to define Browning's understanding of the nature and use of words and syntax by considering not only a full range of texts from the 1833 Pauline to the 1889 Asolando, but also the ideas important to Browning, the historical context in which he lived, and the other artistic passions that played a part in his life. In this companion volume to Tennyson's Language, Donald Hair establishes Browning's place at the crossroads between empirical and idealist traditions and explains his "double view" of language, arguing that both Locke and the Congregationalists found language to be at the same time empty and a God-given essential. The Victorian age's anti-theatrical bias, which Browning came to share, and his reading of predecessors, principally Quarles, Bunyan, Donne, and Smart, also shaped his understanding of the diction of poetry. Hair conceives of Browning's language as a theoretical whole, encompassing words, genres, rhyme, syntax, and phonetics. He also links Browning's interest in music with his rhyming, the most essential and characteristic feature of his prosody, and relates his interest in painting to the interpretation of the visual image in the emblem and in typology.
Robert Burns: The Critical Heritage (Critical Heritage Ser.)
by Donald A. LowThe Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels.The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
Robert Burns and the Philosophers (Routledge Studies in Romanticism)
by J Walter McGintyThis volume expounds the influence of Robert Burns’s reading of Philosophy on his life and work, supplementing this with his personal encounters with those philosophers he met. The work begins with the Homespun Philosophy of his early years under the tutelage of William Burnes and John Murdoch, then examines in detail some of the texts of John Locke, Adam Smith and Francis Hutcheson, including other writers who reflect Hutcheson’s thinking. Further chapters include the exploration on Thomas Reid, Dugald Stewart, Archibald Alison and William Greenfield. Robert Burns and the Philosophers does not purport to be a work of philosophy but rather to show the poet’s reaction to the subject and the development of his understanding. This work opens up a subject that hitherto has been almost unexplored.
Robert Burns and the United States of America: Poetry, Print, and Memory 1786–1866
by Arun SoodThis book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland’s “National Poet”, his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.
Robert Burns and Transatlantic Culture (Ashgate Series In Nineteenth-century Transatlantic Studies)
by Sharon Alker Leith DavisWhile recent scholarship has usefully positioned Burns within the context of British Romanticism as a spokesperson of Scottish national identity, Robert Burns and Transatlantic Culture considers Burns's impact in the United States, Canada, and South America, where he has served variously as a site of cultural memory and of creative negotiation. Ambitious in its scope, the volume is divided into five sections that explore: transatlantic concerns in Burns's own work, Burns's early publication in North America, Burns's reception in the Americas, Burns's creation as a site of cultural memory, and extra-literary remediations of Burns, including contemporary digital representations. By tracing the transatlantic modulations of the poet and songwriter and his works, Robert Burns and Transatlantic Culture sheds new light on the circuits connecting Scotland and Britain with the evolving cultures of the Americas from the late eighteenth century to the present.
Robert Burton and the Transformative Powers of Melancholy (Literary and Scientific Cultures of Early Modernity)
by Stephanie ShirilanFew English books are as widely known, underread, and underappreciated as Robert Burton’s The Anatomy of Melancholy. Stephanie Shirilan laments that modern scholars often treat the Anatomy as an unmediated repository of early modern views on melancholy, overlooking the fact that Burton is writing a cento - an ancient form of satire that quotes and misquotes authoritative texts in often subversive ways - and that his express intent in so doing is to offer his readers literary therapy for melancholy. This book explores the ways in which the Anatomy dispenses both direct physic and more systemic medicine by encouraging readers to think of melancholy as a privileged mental and spiritual acuity that requires cultivation and management rather than cure. Refuting the prevailing historiography of anxious early modern embodiment that cites Burton as a key witness, Shirilan submits that the Anatomy rejects contemporary Neostoic and Puritan approaches to melancholy. She reads Burton’s erraticism, opacity, and theatricality as modes of resistance against demands for constancy, transparency, and plainness in the popular literature of spiritual and moral hygiene of his day. She shows how Burton draws on rhetorical, theological, and philosophical traditions that privilege the transformative powers of the imagination in order to celebrate melancholic impressionability for its capacity to inspire and engender empathy, charity, and faith.
Robert Burton’s Rhetoric: An Anatomy of Early Modern Knowledge (RSA Series in Transdisciplinary Rhetoric #12)
by Susan WellsPublished in five editions between 1621 and 1651, The Anatomy of Melancholy marks a unique moment in the development of disciplines, when fields of knowledge were distinct but not yet restrictive. In Robert Burton’s Rhetoric, Susan Wells analyzes the Anatomy, demonstrating how its early modern practices of knowledge and persuasion can offer a model for transdisciplinary scholarship today.In the first decades of the seventeenth century, Robert Burton attempted to gather all the existing knowledge about melancholy, drawing from professional discourses including theology, medicine, and philology as well as the emerging sciences. Examining this text through a rhetorical lens, Wells provides an account of these disciplinary exchanges in all their subtle variety and abundant wit, showing that questions of how knowledge is organized and how it is made persuasive are central to rhetorical theory. Ultimately, Wells argues that in addition to a book about melancholy, Burton’s Anatomy is a meditation on knowledge.A fresh interpretation of The Anatomy of Melancholy, this volume will be welcomed by scholars of early modern English and the rhetorics of health and medicine, as well as those interested in transdisciplinary work and rhetorical theory.
Robert Burton’s Rhetoric: An Anatomy of Early Modern Knowledge (RSA Series in Transdisciplinary Rhetoric)
by Susan WellsPublished in five editions between 1621 and 1651, The Anatomy of Melancholy marks a unique moment in the development of disciplines, when fields of knowledge were distinct but not yet restrictive. In Robert Burton’s Rhetoric, Susan Wells analyzes the Anatomy, demonstrating how its early modern practices of knowledge and persuasion can offer a model for transdisciplinary scholarship today.In the first decades of the seventeenth century, Robert Burton attempted to gather all the existing knowledge about melancholy, drawing from professional discourses including theology, medicine, and philology as well as the emerging sciences. Examining this text through a rhetorical lens, Wells provides an account of these disciplinary exchanges in all their subtle variety and abundant wit, showing that questions of how knowledge is organized and how it is made persuasive are central to rhetorical theory. Ultimately, Wells argues that in addition to a book about melancholy, Burton’s Anatomy is a meditation on knowledge.A fresh interpretation of The Anatomy of Melancholy, this volume will be welcomed by scholars of early modern English and the rhetorics of health and medicine, as well as those interested in transdisciplinary work and rhetorical theory.
Robert Chambers of Edinburgh: Victorian Polymath and Educator
by Iris MacfarlaneThis is a book on the life and times of Robert Chambers, founder of W. & R. Chambers publishers. Although there are now books based on some of his letters and on the impact of one of his books, The Vestiges of Natural Creation, there are no books on the whole man and his life. Written by Iris Macfarlane with Alan Macfarlane, the book weaves together three strands. At one level, it is a biography of Chambers and his family; the portrait of a rise from absolute poverty to great wealth and influence. At the second it provides the context of his life by the way of a portrait of nineteenth century Edinburgh as seen through his eyes. At the third it explores the intellectual and organisational revolutions embodied in his life, the explorations in history, folklore, geology, publishing, education and many other fields which made him one of the most exciting thinkers of his age. It is based on extensive archival research among the Chambers’ archives in Edinburgh and conversations with his descendants.Please note: This title is co-published with Social Science Press, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Robert Coover and the Generosity of the Page
by Stephane VanderhaegheRobert Coover and the Generosity of the Page is an unconventional study of Robert Coover's work from his early masterpiece The Origin of the Brunists (1966) to the recent Noir (2010). Written in the second person, it offers a self-reflexive investigation into the ways in which Coover's stories often challenge the reader to resist the conventions of sense-making and even literary criticism. By portraying characters lost in surroundings they often fail to grasp, Coover's work playfully enacts a "(melo)drama of cognition" that mirrors the reader's own desire to interpret and make sense of texts in unequivocal ways. This tendency in Coover's writing is indicative of a larger refusal of the ready-made, of the once-and-for-all or the authoritative, celebrating instead, in its generosity, the widening of possibilities--thus inevitably forcing the reader-critic to acknowledge the arbitrariness and artificiality of her responses.