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The Romantic Tradition in Germany: An Anthology with Critical Essays and Commentaries
by Ronald TaylorOriginally published in 1970, this book surveys the central philosophical and aesthetic doctrines which characterize German Romanticism. A selection of literary, philosophical and political essays by some of the most important German Romantic thinkers illustrates the principal themes: these range from philosophical idealism and aesthetic subjectivism to folklore and emergent German nationalism, from exotica and medievalism to irrationality and the metaphysics of music. Introductory essays explain the significance of the particular aspects of the Romantic tradition which are revealed in each passage, and commentaries not only elucidate allusions and references which are not immediately identifiable, but draw attention to wider issues, either in the work of that author or in the context of 19th Century German culture as a whole.
Romantic Tragedies
by Reeve ParkerTroubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'.
Romantic Vacancy: The Poetics of Gender, Affect, and Radical Speculation (SUNY series, Studies in the Long Nineteenth Century)
by Kate SingerRomantic Vacancy argues that, at the cult of sensibility's height, Romantic writers found alternative tropes of affect to express movement beyond sensation and the body. Grappling with sensibility's claims that sensation could be translated into ideas and emotions, poets of vacancy rewrote core empiricist philosophies that trapped women and men in sensitive bodies and, more detrimentally, in ideological narratives about emotional response that gendered subjects' bodies and minds. Kate Singer contends that affect's genesis occurs instead through a series of figurative responses and movements that loop together human and nonhuman movements of mind, body, and nature into a posthuman affect. This book discovers a new form of Romantic affect that is dynamically linguistic and material. It seeks to end the long tradition of holding women and men writers of the Romantic period as separate and largely unequal. It places women writers at the forefront of speculative thinking, repositions questions of gender at the vanguard of Romantic-era thought, revises how we have long thought of gender in the period, and rewrites our notions of Romantic affect. Finally, it answers pivotal questions facing both affect studies and Romanticism about interrelations among language, affect, and materiality. Readers will learn more about the deep history of how poetic language can help us move beyond binary gender and its limiting intellectual and affective ideologies.
Romantic Wars: Studies in Culture and Conflict, 1793–1822 (The Nineteenth Century Series)
by Gaurav SharmaRomantic Wars is a collection of eight specially commissioned essays focusing on the relations between British Romantic culture (poetry, fiction, painting, and non-fictional prose) and the Revolutionary and Napoleonic wars. Whilst in recent years much attention has been paid to the influence of the French Revolution on British Romanticism, comparatively little has been written about the effects of war. This book takes, as its central thesis, the idea that Romanticism is facilitated and conditioned by a culture of hostility. Whether this is manifested in Blakean visions of 'mental warfare', or in socio-historical reflections on the links between conflict and nationhood, the essays in this volume seek to correct a prevailing assumption that the culture of this period is unaffected by discourses of violence. Through a combination of individual case studies - detailed readings of warfare in Coleridge, Byron, Charlotte Smith and Austen - and wider-ranging survey discussions, including essays on the representation of the British sailor and war poetry by women, the book provides a timely reflection on the texts and contexts of the first 'Great War'. The book is aimed at literary specialists and historians working in the areas of Romanticism and European history. It will also appeal to general readers with an interest in early nineteenth-century writing and British culture.
Romantic Women Writers and Arthurian Legend
by Katie GarnerThis book reveals the breadth and depth of women's engagements with Arthurian romance in the late eighteenth and early nineteenth centuries. Tracing the variety of women's responses to the medieval revival through Gothic literature, travel writing, scholarship, and decorative gift books, it argues that differences in the kinds of Arthurian materials read by and prepared for women produced a distinct female tradition in Arthurian writing. Examining the Arthurian interests of the best-selling female poets of the day, Felicia Hemans and Letitia Elizabeth Landon, and uncovering those of many of their contemporaries, the Arthurian myth in the Romantic period is a vibrant location for debates about the function of romance, the role of the imagination, and women's place in literary history.
Romantic Women Writers Reviewed, Part I Vol 1
by Ann R Hawkins Stephanie EckrothThis multi-volume reset collection will addresses significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers Reviewed, Part I Vol 2
by Ann R Hawkins Stephanie EckrothThis multi-volume reset collection will addresses significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers Reviewed, Part I Vol 3
by Ann R Hawkins Stephanie EckrothThis multi-volume reset collection will addresses significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers Reviewed, Part II vol 4 (Women Writers Reviewed Ser.)
by Ann R. Hawkins, Ann R. Hawkins and Stephanie EckrothThis multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers Reviewed, Part II vol 5 (Women Writers Reviewed Ser.)
by Ann R. HawkinsThis multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers Reviewed, Part II vol 6
by Ann R Hawkins Stephanie EckrothThis multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers Reviewed, Part III vol 7 (Women Writers Reviewed Ser.)
by Ann R. Hawkins and Stephanie EckrothThis multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers Reviewed, Part III vol 8 (Women Writers Reviewed Ser.)
by Ann R. HawkinsThis multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers Reviewed, Part III vol 9 (Women Writers Reviewed Ser.)
by Ann R. Hawkins and Stephanie EckrothThis multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Romantic Women Writers, Revolution, and Prophecy
by Orianne SmithConvinced that the end of the world was at hand, many Romantic women writers assumed the role of the female prophet to sound the alarm before the final curtain fell. Orianne Smith argues that their prophecies were performative acts in which the prophet believed herself to be authorized by God to bring about social or religious transformation through her words. Utilizing a wealth of archival material across a wide range of historical documents, including sermons, prophecies, letters and diaries, Orianne Smith explores the work of prominent women writers - from Hester Piozzi to Ann Radcliffe, from Helen Maria Williams to Anna Barbauld and Mary Shelley - through the lens of their prophetic influence. As this book demonstrates, Romantic women writers not only thought in millenarian terms, but they did so in a way that significantly alters our current critical view of the relations between gender, genre, and literary authority in this period.
Romantic Writings: An Introductory Anthology (Approaching Literature)
by Stephen BygraveRomantic Writings is an ideal introduction to the cultural phenomenon of Romanticism - one of the most important European literary movements and the cradle of 'Modern' culture. Here you will find an accessible introduction to the well-known male Romantic writers - Blake, Wordsworth, Coleridge, Byron, Shelley and Keats. Alongside are chapters dealing with poems by Charlotte Smith, Mary Robinson, Ann Barbauld, Elizabeth Barrett Browning which challenge the idea that these men are the only Romantic writers. As a further counterpoint the book also includes discussion of two German Romantic short stories by Kleist and Hoffman. Throughout, close-reading of texts is matched by an insistence on reading them in their historical context. Romantic Writings offers invaluable discussions of issues such as the notion of the Romantic artist; colonialism and the exotic; and the particular situation of women writers and readers.
Romanticism: Keywords (Keywords in Literature and Culture (KILC).)
by Frederick BurwickCompiles 70 of the key terms most frequently used or discussed by authors of the Romantic period – and most often deliberated by critics and literary historians of the era. Offers an indispensable resource for understanding the ideas and differing interpretations that shaped the Romantic period Includes keywords spanning Abolition and Allegory, through Madness and Monsters, to Vision and Vampires Features in-depth descriptions of each entry’s direct meaning and connotations in relation to its usage and thought in literary culture Provides deep insights into the political, social, and cultural climate of one of the most expressive periods of Western literary history Draws on the author’s extensive experience of teaching, lecturing, and writing on Romantic literature
Romanticism: A Literary and Cultural History
by Carmen Casaliggi Porscha FermanisThe Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
Romanticism (Longman Critical Readers)
by Cynthia ChaseThe essays in this volume have all been carefully chosen by Cynthia Chase to exemplify the most important strands in contemporary critical thought on Romantic literature, in particular the best of recent feminist, deconstructive, and new historicist writing. They include contributions from critics such as Paul de Man, Mary Jacobus, Marjorie Levinson and Jerome Christensen. The collection, with its substantial introduction and judicious selection of key work, explains the significance of recent critical debate by relating it to fundamental critical questions that define Romanticism. Through the course of their analyses the essays offer answers to perhaps the most essential question posed by the Romantic period: what is the role of language in history?
Romanticism (The New Critical Idiom)
by Aidan DayRomanticism was a revolutionary intellectual and artistic movement which generated some of the most popular and influential texts in British and American literary history. This clear and engaging guide introduces the history, major writers and critical issues of this crucial era. This fully updated second edition includes: Discussion of a broad range of writers including William Blake, Mary Wollstonecraft, William Wordsworth, Lord Byron, John Keats, Ralph Waldo Emerson, H.D. Thoreau, Frederick Douglas A new chapter on American Romanticism Discussion of the romantic sublime or romantic imagination An engagement with critical debates such as postcolonialism, gender studies and ecocriticism.
Romanticism: Self-definition (The Critical Idiom Reissued #2)
by Lilian R. FurstFirst published in 1969, this work traces the evolution of Romanticism and in doing so, demonstrates its novelty as an imaginative and emotional perception of the world in contrast to the rationalistic approach which was dominant in the seventeenth century. It identifies the fundamental similarities between Romantic writing in England, France and Germany as well as their differences brought about by divergent literary and social backgrounds. The book is concluded by a review of the problems that arise from a simple definition of Romanticism.
Romanticism: Comparative Discourses (The\nineteenth Century Ser.)
by Diane Long HoevelerExploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron, and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. Each section features individual essays providing critical re-readings of nine Romantic texts and four Romantic topoi. Whether writing on Charlotte Smith's The Old Manor House or Anne Brontë's Agnes Grey, on rescue operas or criminal drama, the contributors, who include Marjean Purinton, Kari Lokke, Rodney Farnsworth, and Jeffrey Cass, expand our understanding of Romantic modes of argumentation.
Romanticism: Critical Essays in American Literature (Routledge Library Editions: Romanticism #2)
by JAMES BARBOUR AND THOMAS QUIRKFirst published in 1986. This outstanding collection of major essays by some of America’s finest literary scholars and critics provides students of American literature with a unique perspective of America’s Romantic literature. Some of these essays make connections between authors or define Romanticism in terms of one of the works; others address major issues during the period; others offer a framework for specific works; and, finally, some give interpretations for the reader. All of the essays offer distinctive voices that will engage students in this rich and memorable period of American literature.
Romanticism: Comparative Discourses (Routledge Library Editions: Romanticism)
by Larry H. Peer and Diane Long HoevelerFirst published in 2006. Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. This title aims to expand the readers understand of Romantic modes of argumentation, and will be of interest to students of literature.
Romanticism: An Anthology (Blackwell Anthologies #5)
by Duncan WuThis new edition of the groundbreaking Romanticism: An Anthology is the only book of its kind to contain complete texts of a wide range of Romantic works, including Blake's Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen; Wordsworth and Coleridge's Lyrical Ballads (1798); Wordsworth's Two-Part Prelude; early and revised versions of Coleridge's 'The Eolian Harp', 'This Lime-Tree Bower my Prison', 'Frost at Midnight', and 'The Ancient Mariner'; Shelley's Prometheus Unbound, Epipsychidion and Adonais; Byron's Childe Harold's Pilgrimage Canto III and Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism. Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism. Includes all texts from the third edition, with the addition of Keats's Isabella and Shelley's Epipsychidion, as well as a selection of the poems of Walter Scott Includes a wider and deeper selection of texts by the Big Six male poets (Blake, Wordsworth, Coleridge, Keats, Byron and Shelley) than any competing volume Includes a generous range of texts by female Romantic poets All editorial materials, including annotations, author headnotes, and prefatory materials, have been revised for the new edition The only book to contain complete texts, edited for this volume from manuscript and early printed sources by Wu, along with explanatory annotations and author headnotes Contains everything teachers and students require for an in-depth survey of the principal writings to emerge from the British Romantic period The most widely-used teaching anthology in the field in the UK Companion website features a dynamic timeline detailing significant events of the romantic period and providing images, suggestions for further reading and useful links to other online resources: www.romanticismanthology.com