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Romanticism, Rousseau, Switzerland
by Angela EsterhammerThis collection brings together current research on topics that – separately and together – are perennially important to Romantic studies: the life and work of Jean-Jacques Rousseau, and the landscape and history of his native Switzerland. Some of the essays re-orient Rousseau back to his Swiss context, while others address a Rousseauean Switzerland, a landscape indelibly coloured for writers and travellers by his presence. Among the authors discussed are Dorothy and William Wordsworth, Byron, Mary Shelley, James Boswell, Frances Brooke, Walter Scott, Felicia Hemans, and the Swiss cartoonist Rodolphe T#65533;pffer. Topics include Rousseau's relevance to Romantic-era discoveries and debates on education, botany, automata, and suicide. Delving into Romanticism's engagement with Switzerland, these essays examine the rise of alpine and literary tourism, technologies of the picturesque, and representations and reconstructions of Swiss landscape in verbal and visual media.
Romanticism, Self-Canonization, and the Business of Poetry (Cambridge Studies in Romanticism)
by Michael GamerThis is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers.
Romanticism, Sincerity and Authenticity
by Tim Milnes Kerry SinananThe categories of authenticity and sincerity, treated sceptically since the early twentieth century, remain indispensable for the study of Romantic literature and culture. This book, focusing on authors including Wordsworth, Macpherson and Austen, highlights their complexities, showing how they can become meaningful to current critical debates.
The Romantics: The Context Of English Literature (Routledge Library Editions: Romanticism #24)
by Stephen PrickettFirst published in 1981. This book aims to show Romanticism as a response to certain questions – in literature, art, religion, philosophy and politics – that were being asked increasingly towards the end of the eighteenth century. The essays focus on growth and change (in society and the individual), nature, feeling and reason, and subjectivism – examining how these questions arose, why they were felt to be important and the kinds of answers that, consciously or unconsciously, the Romantics provided. This title will be of interest to students of literature, history and philosophy.
Romantics and the Era of Early Flight
by John GilroyThis book explores the significance of flight to Romantic literature. Although the Romantic movement and the age of ballooning coincided, there has been a curious and long-time tendency to forget that flight was not impossible during this period. This study details the importance of this new technology to Romantic authors, primarily English Romantic poets. It combines accounts of the exploits and experiences of early balloonists with references to Romantic texts, using ballooning lore to illuminate a range of Romantic writings. The balloonists are seen as not just supplying these writers with a new code of metaphors, but as colleagues engaged in similarly imaginative enterprises. The book uncovers an ‘aerial imagination’ shared by a large number of writers in the Romantic period that has its origins in the balloon adventures of the 1780s and following two decades. It will appeal to scholars and students of Romantic cultural history, as well as those interested in Romantic poetry and the history of early aeronautics.
The Romantics and the May Day Tradition (The\nineteenth Century Ser.)
by Essaka JoshuaThis important contribution to both Romantic and cultural studies situates literature by Wordsworth, Southey, Hunt, Clare, and Blake within the context of folklore and popular customs associated with May Day. Romantic responses to May Day bring into focus a range of issues now regarded as central to the writing of the period - the natural world, city life, the pastoral, regional and national identities, popular culture, cultural degeneration, and cultural difference. Essaka Joshua explores new connections between these issues in the context of a set of heterogeneous cultural practices that are rooted in the traditions and activities of diverse social groups. She shows how Romantic writers have positioned themselves in relation to what has become known as the public sphere, and the way in which they articulate an understanding of the common sphere as a site of plebeian self-expression. Joshua's nuanced account acknowledges the full complexity of class formations and inter-class relationships and permits noncanonical and canonical texts such as the Prelude, Songs of Innocence and Experience, and 'The Village Minstrel' to be reinterpreted in a cultural context that has not been previously explored by literary critics.
A Romantics Chronology, 1780-1832 (Author Chronologies Series)
by Martin GarrettThis book covers the life and work of a wide range of writers from Coleridge to Wollstonecraft, Hemans, Beckford and their contemporaries. Also encompassing a wealth of material on contexts from the treason trials of 1794 to the coming of gas-light to the London stage in 1817, it provides a panorama of one of the richest periods in British culture.
Romantiere: Zoopoetik bei Wieland und Wezel (Cultural Animal Studies #10)
by Adrian RobanusDiese literaturwissenschaftliche Studie befasst sich mit Konzeptionen des Tiers in der Spätaufklärung. In der Anthropologie des 18. Jahrhunderts sind Tiere wichtige Grenzfiguren. Das gilt sowohl für ‚das Tier‘ als abstrakte Kategorie als auch für konkrete Tiere – am prominentesten den Affen. Auch im politischen Denken der Aufklärung tauchen häufig tierliche Reflexionsfiguren auf, etwa Wölfe oder Löwen. Die Arbeit erforscht, wie zeitgenössische Romane von Wieland und Wezel aus diesen Tierfigurationen eine Zoopoetik entwickeln. Der spezifische ‚Gebrauch‘ der Romantiere in den untersuchten Texten macht die Funktion von Tierkonzeptionen für Anthropologie und Politik des 18. Jahrhunderts besser verstehbar.
Romantische Ökologien: Vielfältige Naturen um 1800 (Neue Romantikforschung #4)
by Roland Borgards Frederike Middelhoff Barbara ThumsDer Band widmet sich der Frage, wie sich europäische Romantiken im Zeitraum zwischen ca. 1790 und 1850 mit ökologischen Theoremen und umweltbezogenen Problembereichen auseinandersetzen. Die Aufsätze dieses interdisziplinären Sammelbandes untersuchen dabei insbesondere den spezifischen Beitrag, den die Künste bei der Ausgestaltung und Formierung eines modernen ökologischen Denkens leisten, das seit Ende des 18. Jahrhunderts Gestalt annimmt, in den 1860er Jahren mit Ernst Haeckels Definition der ‚Ökologie‘ terminologisch grundiert wird und bis heute unser Verständnis von ökologischen Zusammenhängen prägt. Der Band bereichert auf diese Weise die bereits lebendige Forschungslandschaft der Environmental Humanities im Allgemeinen, des Romantic Ecocriticism im Speziellen und fragt mit Blick auf die ‚Romantischen Ökologien‘ nicht nur nach der Diversität und den konfliktreichen Bruchlinien ökologischer Denkformen um 1800, sondern auch nach dem Stellenwert, dem Eigen- und möglicherweise Mehrwert des Ästhetischen sowie, damit verknüpft, nach der Rolle des Romantischen für die Entstehung, Reflexion und Transformation eines ökologischen Denkens.
Romantischer Realismus: Literarhistorische Kontinuität im 19. Jahrhundert (Abhandlungen zur Literaturwissenschaft)
by Christoph GardianRomantik und Realismus werden in der Literaturgeschichtsschreibung vorwiegend als Gegensätze beschrieben. Ihre Rekonstruktion als dichotome Epochen verstellt aber den Blick auf die Kontinuitäten zwischen den beiden großen Literaturbewegungen des 19. Jahrhunderts, auf ihre gemeinsamen Problemfelder und Strategien zur Problembewältigung. Denn weshalb beziehen sich Texte in der zweiten Hälfte des 19. Jahrhunderts permanent auf eine Literatur, die sie als ›Romantik‹ kennzeichnen und aus der Welt schaffen wollen? Weshalb bearbeiten Texte, die als ›realistische‹ positioniert werden, über einen Zeitraum von immerhin gut 50 Jahren Konzepte und Themenkomplexe, die erkennbar ihren Anfang in der von ihnen abgelehnten und als obsolet konzipierten Romantik nehmen? Weshalb lassen sie fortwährend romantische Figuren auftreten oder romantische Motive handlungsleitend ein? Ganz offenbar handelt es sich beim Romantischen, das der Realismus bestreitet, um einen unerledigten Problemkomplex. Ausgehend vondiesen Beobachtungen stellt sich das Verhältnis von romantischer und realistischer Literatur weniger als epochale Dichotomie, sondern vielmehr als konstitutives Wechselverhältnis dar – als komplementäre Konstellation vor einem gemeinsamen Problemhorizont. Romantische und realistische Literatur lassen sich als alternative und gleichwohl parallele Strategien im Umgang mit historischen Transformationsprozessen auffassen, die ungeachtet ihrer markierten Konkurrenz kaum jemals ungemischt zur Anwendung kommen. Romantische und realistische Tendenzen treten in wechselseitiger Abhängigkeit auf. Dabei geht es sowohl den programmatisch romantisierenden als auch den programmatisch realistischen Texten um nicht weniger als die Gestaltung gesellschaftlicher Realität. Auf der Grundlage einer anderen Begründungsgeschichte der deutschsprachigen Literatur im 19. Jahrhundert lassen sich Beschreibungsmodelle für kulturelle Identifikations- und Transformationsprozesse gewinnen. Die untersuchten literarischen Texte formulieren ebenso Konzepte für den Umgang mit kulturellem Wandel wie sie Konstellationen kulturellen Wandels als Positionskämpfe zwischen romantischen und realistischen Akteuren konfigurieren.
Rome Against Caratacus: The Roman Campaigns in Britain AD 48-58
by Graham WebsterThe Roman Conquest of Britain in AD 43 was one of the most important turning points in the history of the British Isles. It left a legacy still discernible today in the form of archaeological remain, road networks, land divisions and even language.In his much-acclaimed trilogy, now up-dated and revised, Dr Webster builds up a fascinating and lively picture of Britain in the first century AD and discussed in detail the various types of evidence and the theories based upon it.Caratacus' last stand against the Romans has a central place in the folklore of the Welsh Marches, where many a hill is claimed to be the site of the famous battle. But, as Graham Webster shows, this epic encounter was not only real history but also part of an intricate ten-year series of campaigns conducted after the initial conquest of Britain.By interpreting the ancient historical accounts and piecing together the masses of archaeological evidence, Dr Webster has brilliantly reconstructed this central period of the Claudian Conquest of Britain and its immediate aftermath.
Rome Eternal: The City as Fatherland
by Guy LanoueWhat does 'Roman' mean? How does the mythical city touch people's identities, values and attitudes? In the long-established and official imaginary of the West, Rome is the citta dell'arte, the city of faith, an heirloom city inspired by the traces of ancient Empire, by the brooding aura of the Church, by Hollywood fairy-tale romance, and by the spicy tang of veiled decadence. But what of its contemporary residents? Are they now merely guides and waiters servicing throngs of tourists indifferent to the city's contemporary charms? Guy Lanoue, a former resident of Rome, explores how Romans live the modern myth of Rome Eternal. Since the 19th century, it has defined an important community, the fatherland, a home-spun society where the rules of everyday life become 'tradition': ways of eating, dressing, making and keeping friends and acquaintances, 'proper' ways of speaking and a hard to define but nonetheless tangible air of composure. Guy Lanoue is a Professor of Anthropology at the Universite de Montreal.
Rome, Postmodern Narratives of a Cityscape (Warwick Series in the Humanities #2)
by Dom HoldawayUntil the mid-twentieth century the Western imagination seemed intent on viewing Rome purely in terms of its classical past or as a stop on the Grand Tour. This collection of essays looks at Rome from a postmodern perspective, including analysis of the city's 'unmappability', its fragmented narratives and its iconic status in literature and film.
Romeo and Juliet: Critical Essays (Shakespearean Criticism)
by John F. AndrewsOriginally published in 1993. Presenting excerpts and articles on the themes and characters from the most famous story of young lovers, this collection brings together scholarship relating to the language, performance, and impact of the play. Ordered in three parts, the chapters cover analysis, reviews and interpretation from a wide ranging array of sources, from the play’s contemporary commenters to literary critics of the early 1990’s. The volume ends with an article by the editor on the action in the text which concludes the final section of 8 pieces looking at the story as being a product of Elizabethan Culture. It considers the attitude to the friar, to morality and suicide, the stars and fate, and gender differences. Comparisons are made to Shakespeare’s source as well as to productions performed long after the Bard’s death.
Romeo and Juliet (Short, Sharp Shakespeare Stories #27)
by Anna ClaybourneO Romeo, Romeo! Wherefore art thou Romeo?Two families at war, and a pair of young, star-crossed lovers caught in the crossfire... Listen on, through romance and heartbreak, to discover the tragic story at the heart of Romeo and Juliet, one of Shakespeare's most famous plays.As well as the story, this audiobook contains information about the background to Romeo and Juliet, its major themes, language, and Shakespeare's life during the time he was writing the play. Poisons, and their application in 16th century England, are also examined, to give the context in which the play was written.The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Fun sound effects and atmospheric music accompany each narration, making them a great introduction to "the Bard" for children.(P) 2023 Hodder & Stoughton Limited
Romeo and Juliet: The 30-Minute Shakespeare
by Nick NewlinPlanning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited."The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun!This cutting of ROMEO AND JULIET is edited to four key scenes, starting with the lyrical prologue and the foreboding opening brawl, which is played out in slow motion to music. Also included are the timeless balcony scene; the harsh scolding of Juliet by her father; and the final moments at the tomb.The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
Romeo and Juliet (Shakespeare Made Easy)
by William ShakespeareA Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
Romeo And Juliet (Sparknotes Literature Guide)
by William ShakespeareTHE MOST INFLUENTIAL WRITER IN ALL OF English literature, William Shakespeare was born in 1564 to a successful middle-class glove-maker in Stratford-upon-Avon, England. Shakespeare attended grammar school, but his formal education proceeded no further. In 1582 he married an older woman, Anne Hathaway, and had three children with her. Around 1590 he left his family behind and traveled to London to work as an actor and playwright. Public and critical success quickly followed, and Shakespeare eventually became the most popular playwright in England and part-owner of the Globe Theater. His career bridged the reigns of Elizabeth I (ruled 1558-1603) and James I (ruled 1603-1625), and he was a favorite of both monarchs. Indeed, James granted Shakespeare's company the greatest possible compliment by bestowing upon its members the title of King's Men. Wealthy and renowned, Shakespeare retired to Stratford and died in 1616 at the age of fifty-two. At the time of Shakespeare's death, literary luminaries such as Ben Jonson hailed his works as timeless.
Romeo And Juliet (Shakespeare Classics)
by William ShakespeareNow you can reach today's adolescents with the universal messages of great literature. Presented in traditional play script format, each title features simplified language, easy-to-read type size, and strict adherence to the tone and integrity of the original play.
Romeo and Juliet
by William Shakespeare David BevingtonThis book contains the complete text of "Romeo and Juliet" on the left-hand page, side-by-side with an easy-to-understand translation on the right.
Romeo And Juliet (Shakespeare Made Easy)
by William Shakespeare Alan DurbandHere are the books that help teach Shakespeare plays without the teacher constantly needing to explain and define Elizabethan terms, slang, and other ways of expression that are different from our own. Each play is presented with Shakespeare's original lines on each left-hand page, and a modern, easy-to-understand "translation" on the facing right-hand page. All dramas are complete, with every original Shakespearian line, and a full-length modern rendition of the text.
Romeo and Juliet
by William Shakespeare Rex GibsonThe Arden Shakespeare is the established scholarly edition of Shakespeare's plays. Now in its third series, Arden offers the best in contemporary scholarship. Each volume guides you to a deeper understanding and appreciation of Shakespeare's work.
Romeo And Juliet: A Classic Retelling (Holt Mcdougal Library, High School Nextext Series)
by William Shakespeare McDougal-Littell Publishing StaffRomeo and Juliet is the most famous love story of all time.
Romeo and Juliet (Simply Shakespeare)
by William Shakespeare Jenny Mueller<p>This lyrical tragedy of two star-crossed lovers and their feuding families is one of the world's most famous love stories. Books in this new, illustrated series present complete texts of Shakespeare's plays. However, the lines are set up so students can see the bard's original poetic phrases printed side-by-side and line-by-line with a modern translation. <p>Shakespeare's plays were popular entertainment for London's theatergoers. His Globe Theatre was the equivalent of a Broadway theater in today's New York. The plays have endured, but over the course of 400+ years, the English language has changed in many ways—which is why today's students often find Shakespeare's idiom difficult to comprehend. <p>Simply Shakespeare offers an excellent solution to their problem. Introducing each play is a general essay covering Shakespeare's life and times. At the beginning of each of the five acts in every play, a two-page spread describes what is about to take place. The story's background is explained, followed by brief descriptions of key people who will appear in the act, details students should watch for as the story unfolds, discussion of the play's historical context, how the play was staged in Shakespeare's day, and explanation of puns and plays on words that occur in characters' dialogues. <p>Identifying icons preceding each of these study points are printed in a second color, then are located again as cross-references in the play's original text. For instance, where words spoken by a person in the play offer insights into his or another character's personality, the "Characters" icon will appear as a cross-reference in both the introductory spread and the play proper. Following each act, a closing spread presents questions and discussion points for use as teachers' aids. Guided by the inspiring format of this fine new series, both teachers and students will come to understand and appreciate the genius of Shakespeare as never before.</p>
Romeo and Juliet (The Folger Shakespeare Library)
by William Shakespeare Paul Werstine Barbara MowatThe Literature Made Easy Series is more than just plot summaries. Each book describes a classic novel and drama by explaining themes, elaborating on characters, and discussing each author's unique literary style, use of language, and point of view. Extensive illustrations and imaginative, enlightening use of graphics help to make each book in this series livelier, easier, and more fun to use than ordinary literature plot summaries. An unusual feature, "Mind Map" is a diagram that summarizes and interrelates the most important details that students need to understand about a given work. Appropriate for middle and high school students.