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Ready to Trample on All Human Law: Finance Capitalism in the Fiction of Charles Dickens (Studies in Major Literary Authors)
by Paul A. JarvieThis book explores the relationship between Dickens’s novels and the financial system. Elements of Dickens’s work form a critique of financial capitalism. This critique is rooted in the difference between use-value and exchange-value, and in the difference between productive circulations and mere accumulation. In a money-based society, exchange-value and accumulation dominate to the point where they infect even the most important and sacred relationships between parts of society and individuals. This study explores Dickens’s critique from two very different points of view. The first is philosophical, from Aristotle’s distinction between "chrematistic" accumulation and "economic" use on money through Marx’s focus on the teleology of capitalism as death. The second view is that of nineteenth-century financial journalism, of "City" writers like David Morier Evans and M. L. Meason,, who, while functioning as "cheerleaders" for financial capitalism, also reflected some of the very real "dis-ease" associated with capital formation and accumulation. The core concepts of this critique are constant in the novels, but the critique broadens and becomes more pessimistic over time. The ill effects of living in a money-based society are presented more as the consequences of individual evil in earlier novels, while in the later books they are depicted as systemic and pervasive. Texts discussed include Nicholas Nickleby, A Christmas Carol, Little Dorrit and Our Mutual Friend.
Ready to Write 1: A First Composition Text (3rd Edition)
by Karen Lourie Blanchard Christine Baker RootReady to Write 1, Third Edition, is a revision of Get Ready to Write, the first book in the highly-successful three-book Ready to Write series. The book teaches beginning students the composition skills they need to be successful writers in and out of the classroom. A fresh new design, updated content throughout, and a host of new activities reinforce the approach that has made the Ready to Write series a classroom favorite for more than two decades. Features: Updated examples and model paragraphs illustrate organizing elements such as topic sentences, supporting details, and signal words. Step-by-step activities guide students in comparing and contrasting, describing, analyzing data, writing test answers, and summarizing. Varied, contextualized writing tasks help students with real-life tasks. Editing and proofreading exercises encourage students to refine their writing skills. New Grammar Guide section presents important grammar points and practice items to boost accuracy. Ready to Write also includes: Ready to Write 2 Ready to Write 3
Readygen Text Collection: Grade 5 (Readygen #Vol 1)
by Scott ForesmanFor non-Common Core products and pricing, please contact your Account General Manager.
Readygen Text Collection: Grade 5 (Readygen #Vol. 2)
by Scott ForesmanReadygen 2016 Text Collection Grade 5 Volume 2
Real and Imagined Women: Gender, Culture and Postcolonialism
by Rajeswari Sunder RajanAn essential addition to the postcolonial debate which offers a challenging mode of `reading resistance' which destroys the stereotyped and sensationalised humanist image of the `third world woman' as victim.
The Real And The Sacred: Picturing Jesus In Nineteenth-century Fiction
by Jefferson J. A. GatrallThe figure of Jesus appears as a character in dozens of nineteenth-century novels, including works by Balzac, Flaubert, Dickens, Dostoevsky, and others. The Real and the Sacred focuses in particular on two fiction genres: the Jesus redivivus tale and the Jesus novel. In the former, Christ makes surprise visits to earth, from rural Flanders (Balzac) and Muscovy (Turgenev) to the bustling streets of Paris (Flaubert), Seville (Dostoevsky), Berlin, and Boston. In the latter, the historical Jesus wanders through the picturesque towns and plains of first-century Galilee and Judea, attracting followers and enemies. In short, authors subjected Christ, the second person of the Christian trinity, to the realist norms of secular fiction. Thus the Jesus of nineteenth-century fiction was both situated within a specific time and place, whether ancient or modern, and positioned before the gaze of increasingly daring literary portraitists. The highest artistic challenge for authors was to paint, using mere words, a faithful picture of Jesus in all his humanity. The incongruity of a sacred figure inhabiting secular literary forms nevertheless tested the limits of modern realist style no less than the doctrine of Christ’s divinity. The international “quest of the historical Jesus” has been amply documented within the context of nineteenth-century biblical scholarship. Yet there has been no broad-based comparative study devoted to the depiction of Jesus in prose fiction over the same time period. The Real and the Sacred offers a comprehensive survey of this body of fiction, examining both the range of its Christ types and the varying formal means through which these types were represented. The nineteenth century—despite forecasts of God's death at the time—not only revived older Christ types but also witnessed the rise of new ones, including le Christ proletaire, the Mormon Christ, the Buddhist Christ, and the Tolstoyan Christ. Novelists played a crucial role in the invention and popularization of the historical Jesus in particular, one of modernity's major figures. These pioneering works of fiction, written by authors of diverse religious and national backgrounds, laid the formal groundwork for an enduring fascination with the historical Jesus in later fiction and film, from Mikhail Bulgakov's Master and Margarita to Mel Gibson's The Passion of the Christ. The book is enhanced by a gallery of illustrations of the historical Jesus as depicted by nineteenth-century artists.
The Real Beatrix Potter
by Nadia CohenA revealing and surprising biography of the woman who defied Victorian expectations and gave the world Peter Rabbit. Beatrix Potter&’s children&’s books have enchanted generations of young readers who adored the characters she created as well as her distinctive illustrations. Born into a typically repressed Victorian family, Beatrix was expected to achieve little more than finding herself a rich husband, and thus her parents felt there was no point in bothering to educate her. But the Potters underestimated their daughter. Stifled by the lack of stimulation, she educated herself in art and science, and developed a great love of the natural world. The success of The Tale of Peter Rabbit proved her to be creative genius who could have become the toast of the London literary scene—but when her fiancé tragically died, Beatrix retreated to the Lake District where she reinvented herself as a successful farmer, a canny businesswoman, and an early environmental pioneer. Passionately campaigning to save the area from development, she helped establish the National Trust, and despite her great wealth Beatrix lived out her days in humble anonymity. From a journalist who has authored biographies of Roald Dahl and A.A. Milne, this is an in-depth look at the woman behind the beloved books.
The Real Chekhov: An Introduction to Chekhov's Last Plays (Routledge Library Editions: Russian and Soviet Literature #9)
by David MagarshackWhat is Chekhov’s method of ensuring audience participation? What does his stage direction ‘through tears’ mean? What happens between the first and second acts of The Seagull? Is there any reason for the despondency in Chekhov’s drama? This book, first published in 1972, discusses these questions and many other issues around Chekhov’s last four plays. David Magarshack, the leading translator and biography of many of Russia’s greatest writers, closely examines Chekhov’s work for the relevant facts about his writing, and demonstrates that no reliance should be placed on the so-called subtext which can introduce all sorts of irrelevancies arising from pre-conceived ideas about the plays. A careful reading of Chekhov’s text itself is all that is needed to correct the familiar distortions of his characters and themes.
Real Communication
by Dan O’hair Mary Wiemann Dorothy Imrich Mullin Jason TevenReal Communication uses stories from real people and the world around us as the foundation for the liveliest introduction to human communication available today. Professors and students alike have fallen in love with Real Communication's down-to-earth writing style, its current scholarship, and its wealth of learning and teaching tools. They also appreciate how Real Communication strives to weave together the discipline's different strands with CONNECT, a feature that shows students how to apply concepts across interpersonal, small group, and public speaking contexts.
Real Communication
by Dan O’hair Mary Wiemann Dorothy Imrich Mullin Jason TevenReal Communication uses the liveliest stories from real people and the world around us as the foundation for teaching the theory and skills of human communication available today. Professors and students alike have fallen in love with the authors'down-to-earth writing style and commitment to providing the most current scholarship that reflects the world we live in, from the challenges that arise with pervasive digital media to new ways for understanding listening goals. They also appreciate how Real Communication weaves together the discipline's different strands with "Connect," a feature that shows students how to apply concepts across interpersonal, small group, and public speaking contexts.
Real Communication: An Introduction (Budget Bks.)
by Mary Wiemann Dorothy Imrich Mullin Jason Teven Dan O'HairReal Communication continues to prove its reputation as the most current human communication text available. This new edition provides today�s students with the critical skills they now need most: to be able to objectively encounter increasingly digital communication contexts, examine the theory and concepts underpinning them, and competently respond in a professional, healthy, and intentional way. Utilizing a social-scientific approach to communication, the text uses engaging stories which work as small case studies that students learn to see and analyze as communication situations, discovering theory played out in practice. Authored by a leading team of communication scholars and instructors, this authoritative text helps students become social scientists in communication to confront and adapt to the challenges of today�s digital age.
Real English: The Grammar of English Dialects in the British Isles (Real Language Series)
by James Milroy Lesley MilroyWhile it is accepted that the pronunciation of English shows wide regional differences, there is a marked tendency to under-estimate the extent of the variation in grammar that exists within the British Isles today. In addressing this problem, Real English brings together the work of a number of experts on the subject to provide a pioneer volume in the field of the grammar of spoken English.
Real Essays Interactive: A Brief Guide to Writing Essays
by Susan AnkerReal Essays Interactive offers practical coverage of essay writing skills in a brief, interactive, and affordable format. The print component offers the essentials of Anker's accessible writing instruction along with select exercises. As with all books in the Anker series, Real Essays Interactive motivates students with its message that writing is an essential and achievable skill and encourages students to connect what they learn with their own goals and with the needs and expectations of the larger world.
Real Essays With Readings: Writing For Success in College, Work, and Everyday Life (Fourth Edition)
by Susan AnkerReal Essays delivers the powerful message that good writing, thinking, and reading skills are both essential and achievable. From the inspiring stories told by former students in Profiles of Success to the practical strategies for community involvement in the new Community Connections, Real Essays helps students to connect the writing class with their real lives and with the expectations of the larger world. So that students don't get overwhelmed, the book focuses first on the most important things in each area, such as the Four Most Serious Errors in grammar; the Four Basics of each rhetorical strategy; and the academic skills of summary, analysis, and synthesis. Read the preface.
Real Essays with Readings: Writing Projects for College, Work, and Everyday Life 3rd Ed
by Susan AnkerReal Essays is the essay-level book in Susan Anker's highly successful series of writing texts that motivate students with their message that writing is an essential skill in college and in real life-and that this skill is achievable. It maintains its emphasis on what really matters by focusing on the four most serious errors (fragments, run-ons, subject-verb agreement problems, and verb form problems) and gives students what they need to succeed in college and become stronger academic writers.
Real Estate
by Deborah LevyFrom one of the great thinkers and writers of our time, comes the highly anticipated final installment in Deborah Levy's critically acclaimed "living autobiography" series."I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it--but we must also knock it down."Following the international critical acclaim of The Cost of Living, this final volume of Deborah Levy's "living autobiography" is an exhilarating, thought-provoking, and boldly intimate meditation on home and the spectres that haunt it.
Real Feature Writing (Routledge Communication Ser.)
by Abraham AamidorReal Feature Writing emphasizes story shape and structure by illustrating several distinct types of feature and non-fiction stories, all drawn from the real world. Author Abraham Aamidor presents a collection of distinct non-deadline story types (profile, trend, focus, advocacy, and more), providing an introduction to each story type, a full-text example, a critical analysis of the example, and clear directions for producing similar stories. In this second edition, Aamidor and his guest contributors (all with real-world journalistic experience) demonstrate in clear, honest language how to write features. New for this edition are:*updated examples of feature writing, integrated throughout the text;*a chapter on ethical journalism, which takes a critical look at propaganda;*a chapter on international perspectives, including coverage of issues in the Middle East;*chapters on research, freelancing, content editing, copyediting, and literary journalism.This text is appropriate for upper-level journalism students, and will be a valuable resource for freelance writers and young working journalists needing guidance on writing features.
Real Folks: Race and Genre in the Great Depression
by Sonnet RetmanDuring the Great Depression, people from across the political spectrum sought to ground American identity in the rural know-how of "the folk. " At the same time, certain writers, filmmakers, and intellectuals combined documentary and satire into a hybrid genre that revealed the folk as an anxious product of corporate capitalism, rather than an antidote to commercial culture. In Real Folks, Sonnet Retman analyzes the invention of the folk as figures of authenticity in the political culture of the 1930s, as well as the critiques that emerged in response. Diverse artists and intellectuals--including the novelists George Schuyler and Nathanael West, the filmmaker Preston Sturges, and the anthropologist Zora Neale Hurston--illuminated the fabrication and exploitation of folk authenticity in New Deal and commercial narratives. They skewered the racist populisms that prevented interracial working-class solidarity, prophesized the patriotic function of the folk for the nation-state in crisis, and made their readers and viewers feel self-conscious about the desire for authenticity. By illuminating the subversive satirical energy of the 1930s, Retman identifies a rich cultural tradition overshadowed until now by the scholarly focus on Depression-era social realism.
The Real George Eliott
by Lisa TippingsThe Real George Eliot revisits the life of the groundbreaking nineteenth century novelist. Eliot was a writer who explored such important questions as the role of women in society and the education they were allowed to access, religion and the restrictions it could sometimes place on individuals, and the struggle between a person’s public and private persona. Her own private life was the cause of much speculation and notoriety. Eliot chose to ignore most of the conventions of Victorian society in order to pursue her own happiness, and her relationship with George Henry Lewes scandalized many members of ‘polite’ society. Regardless of this, however, she overcame such prejudice and in later life enjoyed the company of some of the greatest thinkers and academics of the time, and this is a testament to her formidable intelligence. The fact that she is still so widely read today, is a sign of the longevity of her skills as a writer.
Real-ish: Audiences, Feeling, and the Production of Realness in Contemporary Performance
by Kelsey JacobsonIn the “post-truth” era, the question of how people perceive things to be real, even when they are not based in fact, preoccupies us. Lessons learned in the theatre – about how emotion and affect produce an experience of realness – are more relevant than ever.Real-ish draws on extensive interviews with audience members about their perceptions of realness in documentary, participatory, historical, and immersive performances. In studying these forms that make up the theatre of the real, Kelsey Jacobson considers how theatrical experiences of realness not only exist as a product of their real-world source material but can also unfurl as real products in their own right. Using the concept of real-ish-ness – which captures the complex feeling that is generated by engaging with elements of reality – the book examines how audiences experience the apparently real within the time and space of a performance, and how it is closely tied to the immediacy and intimacy experienced in relation to others.When feeling – rather than fact –becomes a way of knowing truths about the world, understanding the cultivation and circulation of such feelings of realness is paramount. In exploring this process, Real-ish centres audience voices and, perhaps most importantly, audience feelings during performance.