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The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate
by Norma BarzmanThe horrors of the McCarthy era.
The Red Badge of Courage (SparkNotes Literature Guide Series)
by SparkNotesThe Red Badge of Courage (SparkNotes Literature Guide) by Stephen Crane Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Red, Black, and Jew: New Frontiers in Hebrew Literature
by Stephen KatzBetween 1890 and 1924, more than two million Jewish immigrants landed on America's shores. The story of their integration into American society, as they traversed the difficult path between assimilation and retention of a unique cultural identity, is recorded in many works by American Hebrew writers. Red, Black, and Jew illuminates a unique and often overlooked aspect of these literary achievements, charting the ways in which the Native American and African American creative cultures served as a model for works produced within the minority Jewish community. Exploring the paradox of Hebrew literature in the United States, in which separateness, and engagement and acculturation, are equally strong impulses, Stephen Katz presents voluminous examples of a process that could ultimately be considered Americanization. Key components of this process, Katz argues, were poems and works of prose fiction written in a way that evoked Native American forms or African American folk songs and hymns. Such Hebrew writings presented America as a unified society that could assimilate all foreign cultures. At no other time in the history of Jews in diaspora have Hebrew writers considered the fate of other minorities to such a degree. Katz also explores the impact of the creation of the state of Israel on this process, a transformation that led to ambivalence in American Hebrew literature as writers were given a choice between two worlds. Reexamining long-neglected writers across a wide spectrum, Red, Black, and Jew celebrates an important chapter in the history of Hebrew belles lettres.
The Red Brush: Writing Women of Imperial China (Harvard East Asian Monographs #231)
by Wilt L. Idema Beata GrantOne of the most exciting recent developments in the study of Chinese literature has been the rediscovery of an extremely rich and diverse tradition of women's writing of the imperial period (221 B.C.E.-1911 C.E.). <p><p> Many of these writings are of considerable literary quality. Others provide us with moving insights into the lives and feelings of a surprisingly diverse group of women living in Confucian China, a society that perhaps more than any other is known for its patriarchal tradition. <p><p> Because of the burgeoning interest in the study of both premodern and modern women in China, several scholarly books, articles, and even anthologies of women's poetry have been published in the last two decades. This anthology differs from previous works by offering a glimpse of women's writings not only in poetry but in other genres as well, including essays and letters, drama, religious writing, and narrative fiction. <p><p> The authors have presented the selections within their respective biographical and historical contexts. This comprehensive approach helps to clarify traditional Chinese ideas on the nature and function of literature as well as on the role of the woman writer.
Red Comet: The Short Life and Blazing Art of Sylvia Plath
by Heather Clark&“Finally, the biography that Sylvia Plath deserves . . . A spectacular achievement.&” —Ruth Franklin, author of Shirley Jackson: A Rather Haunted LifeThe highly anticipated new biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art.With a wealth of never-before-accessed materials--including unpublished letters and manuscripts; court, police, and psychiatric records; and new interviews--Heather Clark brings to life the brilliant daughter of Wellesley, Massachusetts who had poetic ambition from a very young age and was an accomplished, published writer of poems and stories even before she became a star English student at Smith College in the early 1950s. Determined not to read Plath's work as if her every act, from childhood on, was a harbinger of her tragic fate, Clark evokes a culture in transition, in the shadow of the atom bomb and the Holocaust, as she explores Plath's world: her early relationships and determination not to become a conventional woman and wife; her conflicted ties to her well-meaning, widowed mother; her troubles at the hands of an unenlightened mental-health industry; her Cambridge years and thunderclap meeting with Ted Hughes, a marriage of true minds that would change the course of poetry in English; and much more. Clark's clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath's suicide promotes a deeper understanding of her final days, with their outpouring of first-rate poems. Along with illuminating readings of the poems themselves, Clark's meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.
Red-Handed: Busting the Real Story of Lisa Moore's Caught
by Mike LandryThe true stories that inspired Lisa Moore’s latest novel Caught. When journalist Mike Landry called Lisa Moore for an interview, he began by listing four names, and asking, “What do these names mean to you?” The award-winning author of Alligator and February paused and took a deep breath. Not one of the names appears in Caught, but their stories were more entwined with Moore’s fictional account of Newfoundland drug-running in the 1970s than even the author knew. In this profile of Moore, fate, fortune, freedom and the little town of Ferryland, Newfoundland, come together to form a picture of Canada’s greatest writer at the peak of her form. Originally published in Salon, New Brunswick’s home for fine art and culture in the Telegraph-Journal, Anansi Digital offers Red-Handed for the first time to a national audience.
Red Herrings and White Elephants: The Origins of the Phrases We Use Everyday
by Albert Jack"Mad hatter . . . pie in the sky . . . egg on your face." We use these phrases every day, yet how many of us know what they really mean or where they came from? From "bringing home the bacon to leaving no stone unturned," the English language is peppered with hundreds of common idioms borrowed from ancient traditions and civilizations throughout the world. In "Red Herrings and White Elephants," Albert Jack has uncovered the amazing and sometimes downright bizarre stories behind many of our most familiar and eccentric modes of expression: If you happen to be a "bootlegger," your profession recalls the Wild West outlaws who sold illegal alcohol by concealing slender bottles of whiskey in their boots. If you're on "cloud nine," you owe a nod to the American Weather Bureau's classification of clouds, the ninth topping out all others at a mountainous 40,000 feet. If you opt for the "hair of the dog" the morning after, you're following the advice of medieval English doctors, who recommended rubbing the hair of a dog into the wound left by the animal's bite. A delightful compendium of anecdotes on everything from "minding your p's and q's to pulling out all the stops," "Red Herrings and White Elephants" is an essential handbook for language-lovers of all ages.
Red Herrings & White Elephants: The Origins of the Phrases We Use Every Day
by Albert JackThe international bestseller. “Amusing and informative . . . [takes] you on a trip through the most fascinating and richest regions of the English language.” —Knutsford Guardian (UK)Mad hatter . . . pie in the sky . . . egg on your face. We use these phrases every day, yet how many of us know what they really mean or where they came from?From bringing home the bacon to leaving no stone unturned, the English language is peppered with hundreds of common idioms borrowed from ancient traditions and civilizations throughout the world. In Red Herrings & White Elephants, Albert Jack has uncovered the amazing and sometimes downright bizarre stories behind many of our most familiar and eccentric modes of expression . . . If you happen to be a bootlegger, your profession recalls the Wild West outlaws who sold illegal alcohol by concealing slender bottles of whiskey in their boots. If you’re on cloud nine, you owe a nod to the American Weather Bureau’s classification of clouds, the ninth topping out all others at a mountainous 40,000 feet. If you opt for the hair of the dog the morning after, you’re following the advice of medieval English doctors, who recommended rubbing the hair of a dog into the wound left by the animal’s bite.A delightful compendium of anecdotes on everything from minding your Ps and Qs to pulling out all the stops, Red Herrings & White Elephants is an essential handbook for language-lovers of all ages.
Red Hot Root Words: Mastering Vocabulary with Prefixes, Suffixes and Root Words
by Dianne DrazeHelp students improve their mastery of the English language and acquire the keys for understanding thousands of words by studying Greek and Latin word parts (prefixes, root words, and suffixes). This is one of the most complete, usable presentations of vocabulary development using word parts you will find. A knowledge of word parts gives students a head start on decoding words in reading and testing situations. This is the first book in the two-book series. Each of the well-developed lessons in this text includes: * one to three word parts along with meanings and sample words, * five vocabulary words that use the prefixes or root words, * definitions and sample sentences for each of the five words, * a practice exercise that lets students apply knowledge of the words and their meanings, and * a one-page review worksheet for one or two lessons that presents more unique opportunities to work with the prefixes and root words andto see how they are combined with suffixes. In addition to the student pages, the teacher's information includes: * an extensive listing of the most common prefixes, root words, and suffixes; * their meanings and sample words; * additional words for each lesson; and * lesson ideas to supplement the word being studied. For older students, use 'Red Hot Root Words, Book2' . Grades 3-5
Red Ink: Native Americans Picking Up the Pen in the Colonial Period (SUNY series, Native Traces)
by Drew LopenzinaThe Native peoples of colonial New England were quick to grasp the practical functions of Western literacy. Their written literary output was composed to suit their own needs and expressed views often in resistance to the agendas of the European colonists they were confronted with. Red Ink is an engaging retelling of American colonial history, one that draws on documents that have received scant critical and scholarly attention to offer an important new interpretation grounded in indigenous contexts and perspectives. Author Drew Lopenzina reexamines a literature that has been compulsively "corrected" and overinscribed with the norms and expectations of the dominant culture, while simultaneously invoking the often violent tensions of "contact" and the processes of unwitnessing by which Native histories and accomplishments were effectively erased from the colonial record. In a compelling narrative arc, Lopenzina enables the reader to travel through a history that, however familiar, has never been fully appreciated or understood from a Native-centered perspective.
Red Land, Red Power: Grounding Knowledge In the American Indian Novel
by Sean Kicummah TeutonIn lucid narrative prose, Sean Kicummah Teuton studies the stirring literature of "Red Power," an era of Native American organizing that began in 1969 and expanded into the 1970s. Teuton challenges the claim that Red Power thinking relied on romantic longings for a pure Indigenous past and culture. He shows instead that the movement engaged historical memory and oral tradition to produce more enabling knowledge of American Indian lives and possibilities. Looking to the era's moments and literature, he develops an alternative, "tribal realist" critical perspective to allow for more nuanced analyses of Native writing. In this approach, "knowledge" is not the unattainable product of disinterested observation. Rather it is the achievement of communally mediated, self-reflexive work openly engaged with the world, and as such it is revisable. For this tribal realist position, Teuton enlarges the concepts of Indigenous identity and tribal experience as intertwined sources of insight into a shared world. While engaging a wide spectrum of Native American writing, Teuton focuses on three of the most canonized and, he contends, most misread novels of the era--N. Scott Momaday's House Made of Dawn (1968), James Welch's Winter in the Blood (1974), and Leslie Marmon Silko's Ceremony (1977). Through his readings, he demonstrates the utility of tribal realism as an interpretive framework to explain social transformations in Indian Country during the Red Power era and today. Such transformations, Teuton maintains, were forged through a process of political awakening that grew from Indians' rethought experience with tribal lands and oral traditions, the body and imprisonment, in literature and in life.
The Red Land to the South: American Indian Writers and Indigenous Mexico (Indigenous Americas)
by James H. CoxThe forty years of American Indian literature taken up by James H. Cox—the decades between 1920 and 1960—have been called politically and intellectually moribund. On the contrary, Cox identifies a group of American Indian writers who share an interest in the revolutionary potential of the indigenous peoples of Mexico—and whose work demonstrates a surprisingly assertive literary politics in the era.By contextualizing this group of American Indian authors in the work of their contemporaries, Cox reveals how the literary history of this period is far more rich and nuanced than is generally acknowledged. The writers he focuses on—Todd Downing (Choctaw), Lynn Riggs (Cherokee), and D&’Arcy McNickle (Confederated Salish and Kootenai)—are shown to be on par with writers of the preceding Progressive and the succeeding Red Power and Native American literary renaissance eras.Arguing that American Indian literary history of this period actually coheres in exciting ways with the literature of the Native American literary renaissance, Cox repudiates the intellectual and political border that has emerged between the two eras.
Red Magic: The World’s Best Fairy Tales Collected and Arranged by Romer Wilson
by Jack Zipes Kay NielsenWith a Preface and biographies from Jack Zipes, as well as the original illustrations by Kay Nielsen, this collection of fairy tales originally published by the award-winning Romer Wilson – Green Magic (1928), Silver Magic (1929), and Red Magic (1930) – offers a combination of classic fairy tales, alongside lesser known, global and diverse tales. Red Magic contains such classics as “Aladdin and the Wonderful Lamp” from the Arabian Nights, “A Child’s Dream on a Star” by Dickens, and “The Chimera” by Hawthorne. It also contains previously unpublished tales such as “Princess Silver Silk” and “The Enchanted Deer.” It was Romer Wilson’s intention to combine the familiar with the unknown, and to introduce authors and cultures from a variety of countries. As a researcher, Wilson uncovered a remarkable amount of stories from other countries that remain unknown today. This collection gives voice to unique and intriguing tales that inspire children to have a better understanding of how people and their stories are alike despite major differences. Through his Preface and commentary, Jack Zipes shows how all three books are a means to bring people together in the name of peace and justice. These books will, therefore, be of interest to anyone researching or studying fairy tales, folklore and children’s literature, as well as global or comparative literature and social justice.
Red Migrations: Transnational Mobility and Leftist Culture after 1917
by Philip Gleissner Bradley A. GorskiTogether with a new political, social, and cultural order, the Bolshevik Revolution also brought about a spatial revolution. Changed patterns, motivations, and impacts of migration collided with new cultural forms and aesthetic mandates. Red Migrations highlights the various multidirectional and multilateral transnational movements of leftist thinkers, artists, and writers. The book draws on avant-garde poets such as David Burliuk, Marxist theoreticians such as János Mácza, and “fellow travellers” such as Langston Hughes, revealing how leftists of all stripes were inspired and at times impelled by the Soviet Revolution to cross borders. It explores how the resulting circulation of ideas, aesthetic forms, and individuals not only contributed enormously to the ferment of creative activity in the early Soviet years, but also deeply informed international leftist aesthetics and political practice throughout the twentieth century. The robust and diverse transnational networks created by these circulations are at the centre of this volume. With original archival research and insightful analyses, Red Migrations sheds light on the ideals, aspirations, and disappointments of leftist transnationalism from the 1920s through the 1960s and the aesthetic forms they engendered.
Red Modernism: American Poetry and the Spirit of Communism (Hopkins Studies in Modernism)
by Mark StevenHow did modernist poetry respond—both thematically and technically—to communism?In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem.Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism’s unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.
The Red Pony (SparkNotes Literature Guide Series)
by SparkNotesThe Red Pony (SparkNotes Literature Guide) by John Steinbeck Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Red Scare Racism and Cold War Black Radicalism (Race, Rhetoric, and Media Series)
by James ZeiglerDuring the early years of the Cold War, racial segregation in the American South became an embarrassing liability to the international reputation of the United States. For America to present itself as a model of democracy in contrast to the Soviet Union's totalitarianism, Jim Crow needed to end. While the discourse of anticommunism added the leverage of national security to the moral claims of the civil rights movement, the proliferation of Red Scare rhetoric also imposed limits on the socioeconomic changes necessary for real equality. Describing the ways anticommunism impaired the struggle for civil rights, James Zeigler reconstructs how Red Scare rhetoric during the Cold War assisted the black freedom struggle's demands for equal rights but labeled “un-American” calls for reparations. To track the power of this volatile discourse, Zeigler investigates how radical black artists and intellectuals managed to answer anticommunism with critiques of Cold War culture. Stubbornly addressed to an American public schooled in Red Scare hyperbole, black radicalism insisted that antiracist politics require a leftist critique of capitalism. Zeigler examines publicity campaigns against Dr. Martin Luther King Jr.'s alleged Communist Party loyalties and the import of the Cold War in his oratory. He documents a Central Intelligence Agency-sponsored anthology of ex-Communist testimonials. He takes on the protest essays of Richard Wright and C. L. R. James, as well as Frank Marshall Davis's leftist journalism. The uncanny return of Red Scare invective in reaction to President Obama's election further substantiates anticommunism's lasting rhetorical power as Zeigler discusses conspiracy theories that claim Davis groomed President Obama to become a secret Communist. Long after playing a role in the demise of Jim Crow, the Cold War Red Scare still contributes to the persistence of racism in America.
The Red Tent (SparkNotes Literature Guide Series)
by SparkNotesThe Red Tent (SparkNotes Literature Guide) by Anita Diamant Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Red Top: Being a Reporter - Ethically, Legally and with Panache
by Bill ColesRed Top has everything an aspiring reporter needs to know about newspaper journalism. Written in easily digestible bite-size chapters, the book is packed with extraordinary stories that explain what it's really like to be a front-line reporter. Included is a full breakdown on the two key skills of how to interview and how to dig up exclusives. Plus tips on dealing with the mad-masters, the editors; writing a news story; and what the hell to do when a libel writ comes thudding onto your desk.Bill Coles has been a journalist for 25 years and was The Sun's New York Correspondent, Political Correspondent and Royal Reporter. He has written for a huge variety of papers from The Wall Street Journal to the Mail, the Scotsman and Prima Baby Magazine.He has also covered some of the world's biggest news stories - as well as some of the most bizarre --Bill Clinton's year-long sex scandal with his intern Monica Lewinsky.-The Boston murder trial of the British nanny Louise Woodward (with five Sun front pages in a row).-Buying $10,000 of lottery tickets in Miami-A blind-date with Ivana Trump - in a stretch limo.-Becoming one of Company magazine's Bachelors of the Year.-Flying from New York to the Inca trail in Peru - to eat a giant guinea-pig.-Posing naked for a Sun centrefold - with nothing but a copy of The Sun to hide his modesty.
Red Tourism in China: Commodification of Propaganda (Routledge Contemporary China Series)
by Chunfeng LinThis book analyzes the phenomenally profitable “Red Tourism” industry in China, in which visitors make pilgrimages to sites of historical significance to the Communist Party of China and the Chinese Revolution. The book examines Red Tourism in connection with the transforming power relations between the state and the private, communication in the socialist past, and the current round of capitalization, against the backdrop of the world’s second largest economy. By re-evaluating the conventional notion of propaganda through the lens of neutral xuanchuan propaganda, the book presents a nuanced look at the social space of Red Tourism, revealing that propaganda should be conceived as a commodity, an industry, or even a media system similar to the news media. Drawn from combining fieldwork and cultural analysis spanning a decade, this book will be of interest to students and scholars of communication studies, tourism, and Chinese politics.
RedakBot
by Ramón KadelDer Journalismus ist im Wandel – nicht nur aufgrund des Medienstrukturwandels durch Digitalisierung und Internet, sondern auch aufgrund neuer Technologien, die erstmals sogar ein Stück weit die Existenzberechtigung des Berufsbilds infrage stellen. Werden Journalisten also durch künstliche Intelligenz ersetzt? Nein! Denn KI im Journalismus ist ein „Frenemy“: Freund und Feind zugleich. Freund, wenn man sich auf den KI-Journalismus vorbereitet, Feind für diejenigen, die ihr Mindset nicht ändern können und die neuen Technologien ausschließlich als Bedrohung sehen. Mit der Lektüre dieses Buches sollen Journalisten und Redakteure sowie Volontäre und Studenten im Bereich der Kommunikationswissenschaften konkrete Ideen im Kopf haben, wie sie sich auf die Zeit des KI-Journalismus erfolgreich vorbereiten. Es regt an, innovativ zu sein, und von den neuen Möglichkeiten, die redaktionelle Bots bieten, zu partizipieren – und schließlich zu profitieren. Die Frage ist nicht, ob „RedakBots“ unsere Arbeitswelt verändern, sondern wann dies passiert. Das Buch bereitet darauf vor.
The Redbook: A Manual on Legal Style
by Bryan GarnerBryan A. Garner's Redbook: A Manual on Legal Style, 4th Edition (Coursebook)
Redeemer Nation in the Interregnum: An Untimely Meditation on the American Vocation
by William V. SpanosRedeemer Nation in the Interregnum interrogates the polyvalent role that American exceptionalism continues to play after 9/11. Whereas American exceptionalism is often construed as a discredited Cold War–era belief structure, Spanos persuasively demonstrates how it operationalizes an apparatus of biopolitical capture that saturates the American body politic down to its capillaries.The exceptionalism that Redeemer Nation in the Interregnum renders starkly visible is not a corrigible ideological screen. It is a deeply structured ethos that functions simultaneously on ontological, moral, economic, racial, gendered, and political registers as the American Calling. Precisely by refusing to answer the American Calling, by rendering inoperative (in Agamben’s sense) its covenantal summons, Spanos enables us to imagine an alternative America.At once timely and personal, Spanos’s meditation acknowledges the priority of being. He emphasizes the dignity not simply of humanity but of all phenomena on the continuum of being, “the groundless ground of any political formation that would claim the name of democracy.”
Redeeming Transcendence in the Arts: Bearing Witness to the Triune God
by Jeremy BegbieHow can the arts witness to the transcendence of the Christian God? Many people believe that there is something transcendent about the arts, that they can awaken a profound sense of awe, wonder, and mystery, of something &“beyond&” this world—even for those who may have no use for conventional forms of Christianity. In this book Jeremy Begbie—a leading voice on theology and the arts—employs a biblical, Trinitarian imagination to show how Christian involvement in the arts can be shaped by the distinctive vision of God&’s transcendence opened up in and through Jesus Christ.
Redeeming Words: Language and the Promise of Happiness in the Stories of Döblin and Sebald (SUNY series, Intersections: Philosophy and Critical Theory)
by David Michael Kleinberg-LevinIn this probing look at Alfred Döblin's 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald—writers with radically different styles working in different historical moments—have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.