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The Bright Book of Life: Novels to Read and Reread
by Harold BloomIn his first book devoted exclusively to narrative fiction, America's most original and controversial literary critic and legendary Yale professor writes trenchantly about fifty-two masterworks spanning the Western tradition.Perhaps no other literary critic but Harold Bloom could--or would--undertake a project of this immensity. And certainly no other critic could bring to it the extraordinary knowledge, understanding, and insight that are the hallmark of Bloom's every book. Ranging across centuries and continents, this final book of his career, gives us the inimitable critic on Don Quixote and Book of Numbers; Wuthering Heights and Absalom, Absalom; Les Miserables and Blood Meridian; Vanity Fair and Invisible Man; The Captain's Daughter and The Reef. He writes about works by Austen, Balzac, Dickens, Tolstoy, James, Conrad, Lawrence, Wolff, Le Guin, Sebald, and many more. Whether you have already read these books, or intend to, or simply care about the importance and power of fiction, Harold Bloom serves as an unparalleled guide through the pages of these 52 masterpieces of the genre.
The British Book Trade and Spanish American Independence: Education and Knowledge Transmission in Transcontinental Perspective
by Eugenia Roldán VeraThe British Book Trade and Spanish American Independence is a pioneering study of the export of books from Britain to early-independent Spanish America, which considers all phases of production, distribution, reading, and re-writing of British books in the region, and explores the role that these works played in the formation of national identities in the new countries. Analysing in particular the publishing house of Rudolph Ackermann, which dominated the export of British books in Spanish to the former colonies in the 1820s, it discusses the ways in which the printed form of these publications affected the knowledge conveyed by them. After a survey of the peculiar characteristics of print culture in early-independent Spanish America and the trends in the import of European books in the region, the author examines the operation of Ackermann's publishing enterprise. She shows how the collaborative nature of this enterprise, involving a number of Spanish American diplomats as sponsors and Spanish exiles as writers and translators, shaped the characteristics of its publications, and how the notion of 'useful knowledge' conveyed by them was deployed in the service of both commercial and educational concerns. The hitherto unexplored mechanisms of book import, distribution, wholesale and retailing in Spanish America in the 1820s are also analysed as is the way in which the significance of the knowledge transmitted by those books shifted in the course of their production and distribution. The author examines how the question-and-answer form of Ackermann's textbooks constrained both publishers and writers and oriented their readers' relation with the texts. She then looks at the various ways in which foreign knowledge was appropriated in the construction of individual, social, national, and continental identities; this is done through the study of a number of individual reading experiences and through the analysis of the editions and adaptations of Ackermann's textbooks during the nineteenth century.
The British Council and Anglo-Greek Literary Interactions, 1945-1955 (British School at Athens - Modern Greek and Byzantine Studies #6)
by Peter Mackridge David RicksIn the immediate aftermath of the Second World War, and with British political influence over Greece soon to be ceded to the United States, there was a considerable degree of cultural interaction between Greek and British literati. Sponsored or assisted by the British Council, this interaction was notable for its diversity and quality alike. Indeed, the British Council in Greece made a more significant contribution to local culture in that period than at any other time, and perhaps in any other country. Many of the participants – among them Patrick Leigh Fermor, Steven Runciman, and Louis MacNeice – are well known, while others deserve to be better known than they are today. But what has been less fully discussed, and what the volume sets out to do, is to explore the two-way relations between Greek and British literary production in which the British Council played a particularly important role until the outbreak of armed conflict in Cyprus in 1955, which rendered further contacts of this kind difficult. Close attention is paid to the variety of ways – marked by personal affinities and allegiances, but also by political tensions – in which the British Council functioned as an agent of interaction in a climate where a complex blend of traditional Anglophilia or Philhellenism found itself encountering a new post-war and Cold War environment. What is distinctive about the volume, beyond the inclusion of much recent archival research, is its attention to the British Council as part of the story of Greek letters, and not just as a place in which various British men and women of letters worked. The British Council found itself, sometimes more through improvisation and personal affinities than through careful planning, at the heart of some key developments, notably in terms of important periodical publications which had a lasting influence on Greek letters. Though in the cultural forum that influence was arguably to be less pervasive than that of France, with its more ambitious cultural outreach, or than that of the USA in later decades, the role of the British Council in Greece in this crucial period of Greek (and indeed European) post-war history continues to make a rich case study in cultural politics. This volume thus fills a gap in the rich bibliography on Anglo-Greek relations and contributes to a wider scholarly and public discussion about cultural politics.
The British Novel of Ideas: George Eliot to Zadie Smith
by Rachel Potter Matthew TauntonThe novel of ideas is an important form that is both under-theorised and largely neglected in accounts of the development of the novel in the twentieth and twenty-first centuries. This book sets out the history of this critical hostility, which took hold as the aesthetic protocols of literary modernism became established among key literary tastemakers in Britain. It then proposes a revaluation and a critical reclamation of the novel of ideas, showcasing a range of perceptive, sympathetic, and sensitive ways of reading novels in which discursive argumentation is foregrounded and where the clash of ideas is vital to the novelistic effect. Through thematic chapters as well as new accounts of key novelists in the British tradition-including George Eliot, H. G. Wells, Doris Lessing and Kamila Shamsie-this book repositions the novel of ideas as a major form in modern British literature.
The British Press and the Greek Crisis, 1943–1949: Orchestrating the Cold-War ‘Consensus’ in Britain (Palgrave Studies in the History of the Media)
by Gioula KoutsopanagouThis book provides the first detailed analysis of how interactions between government policy and Fleet Street affected the political coverage of the Greek civil war, one of the first major confrontations of the Cold War. During this period the exponential growth of media influence was an immensely potent weapon of psychological warfare. Throughout the 1940s the press maintained its position as the most powerful medium and its influence remained unchallenged. The documentary record shows that a British media consensus was more fabricated than spontaneous, and the tools of media persuasion and manipulation were extremely important in building acceptance for British foreign policy. Gioula Koutsopanagou examines how this media consensus was influenced and molded by the British government and how Foreign Office channels were key to molding public attitudes to British foreign policy. These channels included system of briefings given by the News Department to the diplomatic correspondents, and the contacts between embassies and the British foreign correspondents.
The British Press, Public Opinion and the End of Empire in Africa: The 'Wind of Change', 1957-60 (Britain and the World)
by Rosalind CoffeyThis book provides fresh insights into how the British press affected both British perceptions of decolonisation in Africa and British policy towards it during the ‘wind of change’ period. It also reveals, for the first time, the extent to which British newspaper coverage was of relevance to African and white settler readerships. British newspapers informed the political strategies and civic cultures of African activists,nationalists, liberal whites in Africa, the staunchest of white settler communities, and the first governments of independent African states and their opponents. The British press, British public opinion and British journalists became etched into the lived experiences of the end of empire affecting Anglo-African and Anglo-settler relations to this day. Arguing that the press cast a transnational web of influence over the decolonisation process in Africa, the author explores the relationships between the British, African and settler public and political spheres, and highlights the mediating power of the British press during the late 1950s. The book draws from a range of British newspapers, official government documents, newspaper archives, interviews, memoirs, autobiographies and articles printed in African and white settler papers. It will be of interest to historians of decolonisation, Africa, the media and the British Empire.
The British Stake In Japanese Modernity: Readings in Liberal Tradition and Native Modernism (Routledge Studies in Twentieth-Century Literature)
by Michael GardinerThis book describes firstly a Japanese modernity which is readable not only as a modernising, but also as a Britishing, and secondly modernist attempts to overhaul this British universalism in some well-known and some less-known Japanese texts. From the mid-nineteenth century, and particularly as hastened by the spectre of China in the First Opium War, Japan’s modernity was bound up with a convergence with British Newtonian cosmology, something underscored by the British presence in Meiji Japan and the British education of key Meiji state-makers. Moreover the thinking behind Britain’s own unification in the long eighteenth century, particularly the Scottish Enlightenment, is echoed strikingly faithfully in the 1860s-70s work of Fukuzawa Yukichi, Nakamura Masanao, and other writers in the ‘Japanese Enlightenment’. However, from around the end of the Meiji era, we can see a concerted and pointed response to this British universalism, its historiography, its basis in the sovereign individual subject, and its spatial mapping of the world. Elements of this response can be read in texts including Natsume Sōseki’s Kokoro, Watsuji Tetsurō’s Fūdo (Climate and Culture), Tanizaki Jun’ichirō’s In’ei Raisan (In Praise of Shadows), Kawabata Yasunari’s Yukiguni (Snow Country), and various work of the mid-period Kyoto School. Rarely understood in terms of its British specificity, this response should have something to say to modernist studies more generally, since it aimed at a pluralism and de-universalisation that was difficult for mainstream British modernism itself. Indeed the strength of this de-universalisation may be precisely why these ‘native’ Japanese modernist tendencies have not much been accepted as modernism within the Anglophone academy, despite this field’s apparent widening of its ground in the twenty-first century.
The British Superhero
by Chris MurrayChris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in America, resulting in some contrasting approaches to the figure of the superhero. He identifies the origins of the superhero and supervillain in nineteenth-century popular culture such as the penny dreadfuls and boys' weeklies and in science fiction writing of the 1920s and 1930s. He traces the emergence of British superheroes in the 1940s, the advent of "fake" American comics, and the reformatting of reprinted material. Murray then chronicles the British Invasion of the 1980s and the pivotal roles in American superhero comics and film production held by British artists today. This book will challenge views about British superheroes and the comics creators who fashioned them. Murray brings to light a gallery of such comics heroes as the Amazing Mr X, Powerman, Streamline, Captain Zenith, Electroman, Mr Apollo, Masterman, Captain Universe, Marvelman, Kelly's Eye, Steel Claw, the Purple Hood, Captain Britain, Supercats, Bananaman, Paradax, Jack Staff, and SuperBob. He reminds us of the significance of many such creators and artists as Len Fullerton, Jock McCail, Jack Glass, Denis Gifford, Bob Monkhouse, Dennis M. Reader, Mick Anglo, Brendan McCarthy, Alan Moore, Grant Morrison, Dave Gibbons, and Mark Millar.
The British and Anglo-Irish Thing-Essay from 1701 to 2021: Of Broomsticks and Doughnuts (Routledge New Textual Studies in Literature)
by Daniel SchneiderWhile the it-narrative, the thing-poem and thing theatre have been around for some time, the essay – which is often considered literature’s fourth genre – is still lacking its thing-subgenre. Yet, particularly British and Anglo-Irish literature display a long, albeit so far implicit tradition of texts that can be categorised as ‘thing-essays’: Starting with Jonathan Swift’s “Meditation upon a Broomstick” (1701) and continuing until today, these texts draw broader insights from the contemplation of a material item of daily life. This book provides the first theoretical conceptualisation of this genre. Bringing elements from essay studies and the New Materialisms together, it shows why the essay lends itself particularly well to literarisations of the personal relationships that people foster to everyday objects. While the idiosyncrasies of each essay show the versatility of thing-essays, the study also seeks to unearth changing attitudes towards things – and thus towards people’s material surroundings in general – throughout time. In order to account for such synchronic and diachronic differences in thing-essays, this study develops a typology of three modes via which things can be approached essayistically. In the book’s second part, this framework will be employed in close readings and historicisations of 14 thing-essays from 1701 until 2021. Ranging from satire to sentimental writing, from religion to consumerism, from class to gender differences, from feelings of nationality to exoticism, from the French Revolution to Freud and from art to everyday life, the stylistic and thematic broadness of these thing-essays ultimately shows the multifarious connections between human life and materiality.
The British and Irish Short Story Handbook (Wiley Blackwell Literature Handbooks #33)
by David MalcolmThe British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction. It includes a wide-ranging analysis of non-canonical and non-realist writers as well as the major authors and their works, providing a comprehensive and much-needed appraisal of this area. Guides readers through the development of the short story and critical issues involved in discussions of short fiction Offers a detailed discussion of the range of genres in the British and Irish short story Includes extensive analysis of non-canonical writers, such as Hubert Crackanthorpe, Ella D’Arcy, T.F. Powys, A.E. Coppard, Julian Maclaren-Ross, Mollie Panter-Downes, Denton Welch, and Sylvia Townsend Warner Provide a wide-ranging discussion of non-realist and experimental short stories Includes a large section on the British short story in the Second World War
The Broadcast Century and Beyond: A Biography of American Broadcasting
by Michael C Keith Robert L HilliardThe Broadcast Century and Beyond is a popular history of the most influential and innovative industry of the century. The story of broadcasting is told in a direct and informal style, blending personal insight and authoritative scholarship to fully capture the many facets of this dynamic industry. The book vividly depicts the events, people, programs, and companies that made television and radio dominant forms of communication. The latest edition includes coverage of all the technologies that have emerged over the past decade and discusses the profound impact they have had on the broadcasting industry in political, social, and economic spheres. "Broadcasting" as a whole has been completely revolutionized with the advent of YouTube, podcasting, iphones, etc, and the authors show how this closing of world-wide broadcasting channels affects the industry.
The Broadcast News Toolkit: Inside the Digital Newsroom
by Kirsten Johnson Jodi RadoshThe Broadcast News Toolkit focuses on the writing, shooting, and production of broadcast news across multimedia platforms in a non-technical and visually engaging way. Covering a range of different story forms in broadcast news (RDR, FS, VO, VO/SOT, PKG, and Liveshots), this book illustrates basic audio/video shooting and editing techniques through straightforward examples, including online video tutorials that can be accessed via a QR code within the book. Specific issues relating to online content, social media, and audience engagement are discussed in detail, and the authors further explore why trust in news media is declining, the impact that fake news and deep fake videos have on media credibility in newsrooms, and what can be done to increase the perceived credibility of the news. Students will also learn how to write leads and teases that will keep viewers engaged. This is an ideal text for undergraduate and graduate students of Broadcast and Multimedia Journalism who are looking for a clear and concise guide to the modern digital newsroom.
The Broadcaster's Guide to RBDS
by Scott WrightThis handbook is intended to give the broadcast industry an authoritative guide to the Radio Data System (RDS), also called Radio Broadcast Data System (RBDS). Since the standard's adoption, about 700 stations have begun broadcasting RDS in the United States. There is a wide variety of encoding equipment with prices starting as low as $400, and over 30 models of RDS receivers have been introduced for cars, home receivers, portable and even PC receivers. Automobile manufacturer's such as General Motors, Ford, Audi, and Porsch now offer RDS on new vehicles. Yet despite all the support equipment in place, the FM broadcaster has been reluctant to implement and utilize this service, mainly because of a lack of understanding of what RDS can do for the station. This book finally provides the information required to understand RDS and its possibilities on a variety of levels, so that everyone involved in radio can make the most of it. Station owner, program director, salesperson, and talent alike will find the information he or she requires to maximize the possibilities of this new technology. Each feature of the system is explained in terms of its practical implementation at the station, and interviews with broadcasters currently using the system add a hands-on perspective. Scott Wright is a recognized pioneer in RDS development. As the designer of Delco Electronics' first RDS receiver, he has been extremely active in the development of the RDS standard in the US and in efforts to educate the broadcast community about its potential. He has represented Delco at the European Broadcasting Union's (EBU) RDS Forum and is currently the Chairman of the National Radio Systems Committee RBDS Subcommittee, the US standard-setting body. He is also a member of the Electronics Industries Association's (EIA) RDS Forum.
The Broadview Anthology Of British Literature: The Renaissance And The Early Seventeenth Century
by Kate Flint Joseph Black Barry V. Qualls Claire Waters Isobel Grundy Roy Liuzza Anne Lake Prescott Don LePan Jerome J. McGann Leonard ConnollyIn all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. <p><p> The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. <p> For the third edition of this volume a considerable number of changes have been made. Newly prepared, for example, is a substantial selection from Baldassare Castiglione’s The Courtier, presented in Thomas Hoby’s influential early modern English translation. Thomas Kyd’s The Spanish Tragedy is another major addition. Also new to the anthology are excerpts from Thomas Dekker’s plague pamphlets. We have considerably expanded our representation of Elizabeth I’s writings and speeches, as well as providing several more cantos from Edmund Spenser’s Faerie Queene and adding selections from Sir Philip Sidney’s Arcadia. We have broadened our coverage, too, to include substantial selections of Irish, Gaelic Scottish, and Welsh literature. (Perhaps most notable of the numerous authors in this section are two extraordinary Welsh poets, Dafydd ap Gwilym and Gwerful Mechain.) Mary Sidney Herbert’s writings now appear in the bound book instead of on the companion website. Margaret Cavendish, previously included in volume 3 of the full anthology, will now also be included in this volume; we have added a number of her poems, with an emphasis on those with scientific themes. <p< The edition features two new Contexts sections: a sampling of “Tudor and Stuart Humor,” and a section on “Levellers, Diggers, Ranters, and Covenanters.” New materials on emblem books and on manuscript culture have also been added to the “Culture: A Portfolio” contexts section. <p> There are many additions the website component as well―including Thomas Deloney’s Jack of Newbury also published as a stand-alone BABL edition). We are also expanding our online selection of transatlantic material, with the inclusion of writings by John Smith, William Bradford, and Anne Bradstreet.
The Broadview Anthology Of Medieval Arthurian Literature
by Elizabeth Edwards Kathy CawseyThis teaching anthology collects texts from the vast archive of medieval Arthurian literature. It includes selections from mainstream canonical authors, such as Geoffrey of Monmouth and Sir Thomas Malory, and more peripheral works, such as the Melech Artus (a twelfth-century Hebrew text) and the Dutch Morien (featuring a black knight). In this it differs from other anthologies of medieval Arthuriana: it is more inclusive and diverse than previous collections. Characters and authors showcase the diversity of race, religion, gender, and gender orientation of the Arthurian tradition. As well, this anthology and its accompanying website include a variety of genres, ranging from visual art to sculpture, from historical chronicles to romance and drama. Arthurian works, while concentrated in England, France, and Wales, are found across medieval Europe; this anthology therefore includes texts from Iceland to Greece. The Broadview Anthology of Medieval Arthurian Literature is ideally suited to teaching: it includes full texts, such as Chrétien de Troyes’s Knight of the Cart, Chaucer’s “Wife of Bath’s Tale,” and the anonymous Sir Gawain and the Green Knight, for classes that wish to study a whole work in depth; it also includes shorter excerpts of parallel incidents, such as the Uther and Igraine story, so that students can compare a story’s treatment by different authors. Marginal glosses assist students with the Middle English texts, while introductory notes and explanatory footnotes give students necessary background information.
The Broadview Anthology of American Literature Volume B: 1820 to Reconstruction
by Justine S. Murison Christopher Looby Christine Bold Hsuan L. Hsu Rodrigo Lazo Rachel Greenwald Smith Derrick R. Spires Michael Everton Laura L. Mielke Christina Roberts Joe Rezek Alisha KnightAbout the Anthology <p><p>Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. <p><p>Volume A, which covers Beginnings to 1820, is available separately or packaged together with Volume B; a concise volume covering Beginnings to Reconstruction is also available. Volumes covering Reconstruction to the Present are in development. <p><p>Highlights of Volume B: 1820 to Reconstruction <p><p>• Complete texts of Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno <p><p>• In-depth, Contexts sections on such topics as “Nature and the Environment,” “Expansion, Native American Expulsion, and Manifest Destiny,” “Gender and Sexuality,” and “Oratory” <p><p>• Broader and more extensive coverage of African American oral literature than in competing anthologies <p><p>• Full author sections in the anthology are devoted to authors such as George Moses Horton, Jane Johnston Schoolcraft, José Maria Heredia, Black Hawk, and many others <p><p>• Extensive online component offers well over a thousand pages of additional readings and other resources Read less
The Broadview Anthology of Expository Prose: Third Edition
by Don LePan Laura Buzzard Nora Ruddock Alexandria StuartThe third edition of this anthology has been substantially revised and updated for a contemporary American audience; a selection of classic essays from earlier eras has been retained, but the emphasis is very much on twenty-first-century expository writing. Works of different lengths and levels of difficulty are represented, as are narrative, descriptive and persuasive essays―and, new to this edition, lyric essays. For the new edition there are also considerably more short pieces than ever before; a number of op-ed pieces are included, as are pieces from blogs and from online news sources. The representation of academic writing from several disciplines has been increased―and in some cases the anthology also includes news reports presenting the results of academic research to a general audience. Also new to this edition are essays from a wide range of the most celebrated essayists of the modern era―from James Baldwin, Susan Sontag, Joan Didion, and Annie Dillard to Eula Biss and Ta-Nehisi Coates. <p><p> The anthology remains broad in its thematic coverage, but certain themes receive special emphasis―notably, issues of race, class, and culture in twenty-first century America. <p> For the new edition the headnotes have been expanded, providing students with more information as to the context in which each piece was written. Questions and suggestions for discussion have been moved online to the instructor website.
The Broadview Pocket Guide to Writing: A Concise Handbook for Students
by Karen Weingarten Don LePan Corey Frost Doug Babington Maureen OkunThe Broadview Pocket Guide to Writing is a concise volume presenting essential material from the full Broadview Guide to Writing. Included are summaries of key grammatical points; a glossary of usage; advice on various forms of academic writing; coverage of punctuation and writing mechanics; helpful advice on how to research academic papers; and much more. Four commonly-used styles of citation and documentation are covered-MLA, APA, Chicago, and CSE. The revised fourth edition includes full coverage of the 2016 MLA Style changes.
The Broken Estate
by James WoodThis book recalls an era when criticism could change the way we look at the world. In the tradition of Matthew Arnold and Edmund Wilson, James Wood reads literature expansively, always pursuing its role and destiny in our lives. In a series of essays about such figures as Melville, Flaubert, Chekhov, Virginia Woolf, and Don DeLillo, Wood relates their fiction to questions of religious and philosophical belief. He suggests that the steady ebb of the sea of faith has much to do with the revo-lutionary power of the novel, as it has developed over the last two centuries. To read James Wood is to be shocked into both thinking and feeling how great our debt to the novel is. In the grand tradition of criticism, Wood's work is both commentary and literature in its own right--fiercely written, polemical, and richly poetic in style. This book marks the debut of a masterly literary voice.
The Broken Estate: Essays on Literature and Belief
by James WoodThis book recalls an era when criticism could change the way we look at the world. In the tradition of Matthew Arnold and Edmund Wilson, James Wood reads literature expansively, always pursuing its role in our lives.
The Bronte Sisters: Selected Poems (Fyfield Books)
by Anne Bronte Charlotte Bronte Emily Jane BronteAlthough the Brontës have long fascinated readers of fiction and biography, their poetry was all too little known until this pioneering selection by Stevie Davies, the novelist and critic. Charlotte (1816-1855) is certainly a competent poet, and Anne (1820-1849) developed a distinctive voice, while Emily (1818-1848) is one of the great women poets in English. Read together with their novels, the poems movingly elucidate the ideas around which the narratives revolve. And they surprise us out of our conventional notions of the sisters' personalities: Emily's rebelliousness, for example, is counterbalanced here by great tenderness. This selection of over seventy poems gives an idea of the variety of thought and feeling within each author's work, and of the way in which the poems of these three remarkable writers parallel and reflect each other.
The Brontes (Longman Critical Readers)
by Patricia InghamThe novels of Charlotte and Emily Bronte have become canonical texts for the application of twentieth century literary and cultural theory. Along with the work of their sister, Anne, their texts are regarded as a sources of diversity in themselves, full of conflictual material which different schools of criticism have analysed and interpreted. This book shows how the Brontes writings engage with the major issues which dominate twentieth century theoretical work. The essays are grouped under broad schools of theory- biographical; feminist; marxist; psychoanalytical and postcolonial.
The Brontes: The Critical Heritage
by Miriam AllottFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
The Brontë Cabinet: Three Lives in Nine Objects
by Deborah LutzAn intimate portrait of the lives and writings of the Brontë sisters, drawn from the objects they possessed. In this unique and lovingly detailed biography of a literary family that has enthralled readers for nearly two centuries, Victorian literature scholar Deborah Lutz illuminates the complex and fascinating lives of the Brontës through the things they wore, stitched, wrote on, and inscribed. By unfolding the histories of the meaningful objects in their family home in Haworth, Lutz immerses readers in a nuanced re-creation of the sisters' daily lives while moving us chronologically forward through the major biographical events: the death of their mother and two sisters, the imaginary kingdoms of their childhood writing, their time as governesses, and their determined efforts to make a mark on the literary world. From the miniature books they made as children to the blackthorn walking sticks they carried on solitary hikes on the moors, each personal possession opens a window onto the sisters' world, their beloved fiction, and the Victorian era. A description of the brass collar worn by Emily's bull mastiff, Keeper, leads to a series of entertaining anecdotes about the influence of the family's dogs on their writing and about the relationship of Victorians to their pets in general. The sisters' portable writing desks prove to have played a crucial role in their writing lives: it was Charlotte's snooping in Emily's desk that led to the sisters' first publication in print, followed later by the publication of Jane Eyre and Wuthering Heights. Charlotte's letters provide insight into her relationships, both innocent and illicit, including her relationship with the older professor to whom she wrote passionately. And the bracelet Charlotte had made of Anne and Emily's intertwined hair bears witness to her profound grief after their deaths. Lutz captivatingly shows the Brontës anew by bringing us deep inside the physical world in which they lived and from which their writings took inspiration.
The Brontë Novels (Routledge Revivals)
by W. A. CraikFirst published in 1968, this reissue of Dr. Craik’s critical appreciation of the completed novels of Charlotte, Emily and Anne Brontë is seminal for the way in which it shifts emphasis away from the Brontë family biography towards a detailed critical analysis of the novels themselves. Separate chapters are given to each of the seven novels. The author’s aims and techniques in each are assessed and Dr. Craik shows what light the books throw on each other, how they are related to the novels of the Brontë’s predecessors, and how the Brontë novels compare with their great contemporaries in the nineteenth century novel.