- Table View
- List View
Sir Thomas More V2 (The Pickering Masters)
by Robert SoutheyIn 1829 Robert Southey published a book of his imaginary conversations with the original Utopian: Sir Thomas More; or Colloquies on the Progress and Prospects of Society. The product of almost two decades of social and political engagement, Colloquies is Southey’s most important late prose work, and a key text of late 'Lake School' Romanticism. It is Southey’s own Espriella’s Letters (1807) reimagined as a dialogue of tory and radical selves; Coleridge’s Church and State (1830) cast in historical dramatic form. Over a series of wide-ranging conversations between the Ghost of More and his own Spanish alter-ego, ‘Montesinos’, Southey develops a richly detailed panorama of British history since the 1530s - from the Reformation to Catholic Emancipation. Exploring issues of religious toleration, urban poverty, and constitutional reform, and mixing the genres of dialogue, commonplace book, and picturesque guide, the Colloquies became a source of challenge and inspiration for important Victorian writers including Macaulay, Ruskin, Pugin, and Carlyle.
Sir Walter Scott on Novelists and Fiction (Routledge Revivals)
by Ioan WilliamsFirst published in 1968, this collection of essays and reviews represents all that Sir Walter Scott wrote on the subject of novels and novelists, and will be invaluable for the study of Scott, both as novelist and critic. The work provides a survey of the novel at an important period of its development and offers an historical perspective not normally available in one volume.
Sirappu Tamizh (Advanced Tamil) 11th Standard - Tamilnadu Board
by State Council of Educational Research TrainingSirappu Tamizh (Advanced Tamil) Textbook for the 11th Standard Students, preparing for Tamil Nadu State Board Exam.
Sirappu Tamizh (Advanced Tamil) 12th Standard - Tamilnadu Board
by State Council of Educational Research TrainingSirappu Tamizh (Advanced Tamil) Textbook for the 12th Standard Students, preparing for Tamil Nadu State Board Exam.
The Siren and the Seashell: And Other Essays on Poets and Poetry (Texas Pan American Series)
by Octavio PazOctavio Paz has long been known for his brilliant essays as well as for his poetry. Through the essays, he has sought to confront the tensions inherent in the conflict between art and society and to achieve a unity of their polarities. The Siren and the Seashell is a collection of Paz’s essays, focusing on individual poets and on poetry in general. The first five poets he treats are Latin American: Sor Juana Inés de la Cruz, Rubén Darío, José Juan Tablada, Ramón López Velarde, and Alfonso Reyes. Then there are essays on Robert Frost, e. e. cummings, Saint-John Perse, Antonio Machado, and Jorge Guillén. Finally, there are Paz’s reflections on the poetry of solitude and communion and the literature of Latin America. Each essay is more than Paz’s impressions of one person or issue; each is the occasion for a wider discussion of cultural, historical, psychological, and philosophical themes. The essays were selected from Paz’s writing between 1942 and 1965 and provide an overview of the development of his thinking and an exploration of the ideas central in his works.
The Siren and the Seashell: And Other Essays on Poets and Poetry (Texas Pan American Series)
by Octavio PazOctavio Paz has long been known for his brilliant essays as well as for his poetry. Through the essays, he has sought to confront the tensions inherent in the conflict between art and society and to achieve a unity of their polarities. The Siren and the Seashell is a collection of Paz's essays, focusing on individual poets and on poetry in general. The first five poets he treats are Latin American: Sor Juana Inés de la Cruz, Rubén Darío, José Juan Tablada, Ramón López Velarde, and Alfonso Reyes. Then there are essays on Robert Frost, e. e. cummings, Saint-John Perse, Antonio Machado, and Jorge Guillén. Finally, there are Paz's reflections on the poetry of solitude and communion and the literature of Latin America. Each essay is more than Paz's impressions of one person or issue; each is the occasion for a wider discussion of cultural, historical, psychological, and philosophical themes. The essays were selected from Paz's writing between 1942 and 1965 and provide an overview of the development of his thinking and an exploration of the ideas central in his works.
Sirens
by Joshua MohrAcclaimed novelist Joshua Mohr provides a captivating and complicated account of his years of substance abuse and culpability in his non-fiction debut. Employing the characterization and chimerical prose for which he has been lauded, Mohr traces his childhood swilling fuzzy navels as a latch-key kid, through his first failed marriage, parenthood, heart-surgery, and his everyday struggle against relapse.
Sirens of the Western Shore: The Westernesque Femme Fatale, Translation, and Vernacular Style in Modern Japanese Literature
by Indra LevyIndra Levy introduces a new archetype in the study of modern Japanese literature: the "Westernesque femme fatale," an alluring figure who is ethnically Japanese but evokes the West in her physical appearance, lifestyle, behavior, and, most important, her use of language. She played conspicuous roles in landmark works of modern Japanese fiction and theater.Levy traces the lineage of the Westernesque femme fatale from her first appearance in the vernacularist fiction of the late 1880s to her development in Naturalist fiction of the mid-1900s and, finally, to her spectacular embodiment by the modern Japanese actress in the early 1910s with the advent of Naturalist theater. In all cases the Westernesque femme fatale both attracts and confounds the self-consciously modern male intellectual through a convention-defying use of language. What does this sirenlike figure reveal about the central concerns of modern Japanese literature? Levy proposes that the Westernesque femme fatale be viewed as the hallmark of an intertextual exoticism that prizes the strange beauty of modern Western writing.By illuminating the exoticist impulses that gave rise to this archetype, Levy offers a new understanding of the relationships between vernacular style and translation, original and imitation, and writing and performance within a cross-cultural context. A seamless blend of narrative, performance, translation, and gender studies, this work will have a profound impact on the critical discourse on this formative period of modern Japanese literature.
Siria, el país de las almas rotas: De la revolución al califato del ISIS
by Javier Espinosa Mónica G. PrietoEl estremecedor relato de la guerra civil siria desde dentro, desde primera línea, por los reporteros Javier Espinosa y Mónica G. Prieto. Cuando la revolución se extendió por Siria en marzo de 2011, pocos podían esperar que manifestaciones pacíficas fueran reprimidas con bombardeos aéreos, armas químicas y una cuidada estrategia para fomentar el odio sectario que avivó las diferencias religiosas consagrando al país al conflicto civil y haciendo de Siria un tablero de juegos para el mundo. Conscientes de la dimensión del problema, Javier Espinosa y Mónica G. Prieto cubrieron desde los primeros días los entresijos de la tragedia, cruzando ilegalmente fronteras y exponiéndose a la salvaje represión del régimen de El Asad hasta que el extremismo devoró la revolución y el secuestro de uno de ellos, a manos del ISIS, elevó hasta lo insoportable su nivel de implicación. Inquietante y estremecedor, este vibrante relato desenmaraña las complejas dinámicas subyacentes al conflicto civil sirio, exponiendo un tema de total y triste actualidad, contado desde el terreno y desde dentro.
Sissy Insurgencies: A Racial Anatomy of Unfit Manliness
by Marlon B. RossIn Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington’s practice of cleaning as an iteration of sissiness, Baldwin’s self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
Sista, Speak!: Black Women Kinfolk Talk about Language and Literacy
by Sonja L. LanehartThe demand of white, affluent society that all Americans should speak, read, and write "proper" English causes many people who are not white and/or middle class to attempt to "talk in a way that feel peculiar to [their] mind," as a character in Alice Walker's The Color Purple puts it.<P><P> In this book, Sonja Lanehart explores how this valorization of "proper" English has affected the language, literacy, educational achievements, and self-image of five African American women--her grandmother, mother, aunt, sister, and herself.<P>Through interviews and written statements by each woman, Lanehart draws out the life stories of these women and their attitudes toward and use of language. Making comparisons and contrasts among them, she shows how, even within a single family, differences in age, educational opportunities, and social circumstances can lead to widely different abilities and comfort in using language to navigate daily life. Her research also adds a new dimension to our understanding of African American English, which has been little studied in relation to women.
Sister Bernadette's Barking Dog
by Kitty Burns FloreyOnce wildly popular in grammar schools across the country, sentence diagramming has fallen out of fashion. But are we that much worse for not knowing the word-mapping method?Now, in this illustrated personal history that any language lover will adore, Kitty Burns Florey explores the rise and fall of sentence diagramming, including its invention by a mustachioed man named Brainerd "Brainy" Kellogg and his wealthy accomplice Alonzo Reed ... the inferior "balloon diagram" predecessor ... and what diagrams of sentences by Hemingway, Welty, Proust, Kerouac and other famous writers reveal about them.Florey also offers up her own common-sense approach to learning and using good grammar. And she answers some of literature's most pressing questions: Was Mark Twain or James Fenimore Cooper a better grammarian? What are the silliest grammar rules? And what's Gertude Stein got to do with any of it?
Sister in Sorrow: Life Histories of Female Holocaust Survivors from Hungary
by Ilana RosenSister in Sorrow offers a glimpse into the world of Hungarian Holocaust survivors through the stories of fifteen survivors, as told by thirteen women and two spouses presently living in Hungary and Israel. Analyzing the accounts as oral narratives, author Ilana Rosen uses contemporary folklore studies methodologies to explore the histories and the consciousness of the narrators as well as the difficulty for present-day audiences to fully grasp them. Rosen's research demonstrates not only the extreme personal horrors these women experienced but also the ways they cope with their memories. In four sections, Rosen interprets the life histories according to two major contemporary leading literary approaches: psychoanalysis and phenomenology. This reading encompasses both the life spans of the survivors and specific episodes or personal narratives relating to the women's identity and history. The psychoanalytic reading examines focal phases in the lives of the women, first in pre-war Europe, then in World War II and the Holocaust, and last as Holocaust survivors living in the shadow of loss and atrocity. The phenomenological examination traces the terms of perception and of the communication between the women and their different present-day non-survivor audiences. An appendix contains the complete life histories of the women, including their unique and affecting remembrances. Although Holocaust memory and narrative have figured at the center of academic, political, and moral debates in recent years, most works look at such stories from a social science perspective and attempt to extend the meaning of individual tales to larger communities. Although Rosen keeps the image of the general group--be it Jews, female Holocaust survivors, Israelis, or Hungarians--in mind throughout this volume, the focus of Sister in Sorrow is the ways the individual women experienced, told, and processed their harrowing experiences. Students of Holocaust studies and women's studies will be grateful for the specific and personal approach of Sister in Sorrow.
The Sisterhood: How a Network of Black Women Writers Changed American Culture
by Courtney ThorssonOne Sunday afternoon in February 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan’s Brooklyn apartment to eat gumbo, drink champagne, and talk about their work. Calling themselves “The Sisterhood,” the group—which also came to include Audre Lorde, Paule Marshall, Margo Jefferson, and others—would get together once a month over the next two years, creating a vital space for Black women to discuss literature and liberation.The Sisterhood tells the story of how this remarkable community transformed American writing and cultural institutions. Drawing on original interviews with Sisterhood members as well as correspondence, meeting minutes, and readings of their works, Courtney Thorsson explores the group’s everyday collaboration and profound legacy. The Sisterhood advocated for Black women writers at trade publishers and magazines such as Random House, Ms., and Essence, and eventually in academic departments as well—often in the face of sexist, racist, and homophobic backlash. Thorsson traces the personal, professional, and political ties that brought the group together as well as the reasons for its dissolution. She considers the popular and critical success of Sisterhood members in the 1980s, the uneasy absorption of Black feminism into the academy, and how younger writers built on the foundations the group laid. Highlighting the organizing, networking, and community building that nurtured Black women’s writing, this book demonstrates that The Sisterhood offers an enduring model for Black feminist collaboration.
Sisterhood Is Forever: The Women's Anthology for a New Millennium
by Robin MorganThirty years after Robin Morgan's groundbreaking anthology, Sisterhood Is Powerful -- named by The American Librarians' Association one of "The 100 Most Influential Books of the Twentieth Century" -- comes this landmark new collection for the twenty-first century. Sisterhood Is Forever -- with over 60 original essays Morgan commissioned from well-known feminist leaders plus energetic Gen X and Y activists -- is a composite mural of the female experience in America: where we've been, where we are, where we're going. The stunning scope of topics ranges from reproductive, health, and environmental issues to workplace inequities and the economics of women's unpaid labor; from globalization to the politics of aging; from cyberspace, violence against women, and electoral politics to spirituality, the law, the media, and academia. The deliberately audacious mix of contributors spans different generations, races, ethnicities, and sexual preferences: CEOs, housewives, rock stars, farmers, scientists, prostituted women, politicians, women in prison, firefighters, disability activists, artists, flight attendants, an army general, an astronaut, an anchorwoman, even a pair of teens who edit a girls' magazine. Each article celebrates the writer's personal voice -- her humor, passion, anger, and the integrity of her perspective -- while offering the latest data on women's status, political analysis, new "how-to" tools for activism, and visionary yet practical strategies for the future -- strategies needed now more than ever. Robin Morgan's own contributions are everything her readers expect: prophetic, powerfully argued, unsentimentally lyrical. From her introduction: "The book you hold in your hands is a tool for the future -- a future also in your hands." Edna Acosta-Belén Carol J. Adams Margot Adler Natalie Angier Ellen Appel-Bronstein Mary Baird Brenda Berkman Christine E. Bose Kathy Boudin Ellen Bravo Vednita Carter Wendy Chavkin Kimberlé Crenshaw Gail Dines Paula DiPerna Helen Drusine Andrea Dworkin Eve Ensler Barbara Findlen Mary Foley Patricia Friend Theresa Funiciello Carol Gilligan Sara K. Gould Ana Grossman The Guerrilla Girls Beverly Guy-Sheftall Kathleen Hanna Laura Hershey Anita Hill Florence Howe Donna M. Hughes Karla Jay Mae C. Jemison Carol Jenkins Claudia J. Kennedy Alice Kessler-Harris Clara Sue Kidwell Frances Kissling Sandy Lerner Suzanne Braun Levine Barbara Macdonald Catharine A. MacKinnon Jane Roland Martin Debra Michals Robin Morgan Jessica Neuwirth Judy Norsigian Eleanor Holmes Norton Grace Paley Emma Peters-Axtell Cynthia Rich Amy Richards Cecile Richards Carolyn Sachs Marianne Schnall Pat Schroeder Patricia Silverthorn Eleanor Smeal Roslyn D. Smith Gloria Steinem Mary Thom Jasmine Victoria Faye Wattleton Marie Wilson Helen Zia
A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome
by Melissa DabakisThis project is made possible through support from the Terra Foundation for American Art.When Elizabeth Cady Stanton penned the Declaration of Sentiments for the first women’s rights convention, held in Seneca Falls, New York, in 1848, she unleashed a powerful force in American society. In A Sisterhood of Sculptors, Melissa Dabakis outlines the conditions under which a group of American women artists adopted this egalitarian view of society and negotiated the gendered terrain of artistic production at home and abroad. Between 1850 and 1876, a community of talented women sought creative refuge in Rome and developed successful professional careers as sculptors. Some of these women have become well known in art-historical circles: Harriet Hosmer, Edmonia Lewis, Anne Whitney, and Vinnie Ream. The reputations of others have remained, until now, buried in the historical record: Emma Stebbins, Margaret Foley, Sarah Fisher Ames, and Louisa Lander. At midcentury, they were among the first women artists to attain professional stature in the American art world while achieving international fame in Rome, London, and other cosmopolitan European cities. In their invention of modern womanhood, they served as models for a younger generation of women who adopted artistic careers in unprecedented numbers in the years following the Civil War.At its core, A Sisterhood of Sculptors is concerned with the gendered nature of creativity and expatriation. Taking guidance from feminist theory, cultural geography, and expatriate and postcolonial studies, Dabakis provides a detailed investigation of the historical phenomenon of women’s artistic lives in Rome in the mid-nineteenth century. As an interdisciplinary examination of femininity and creativity, it provides models for viewing and interpreting nineteenth-century sculpture and for analyzing the gendered status of the artistic profession.
A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome
by Melissa DabakisThis project is made possible through support from the Terra Foundation for American Art.When Elizabeth Cady Stanton penned the Declaration of Sentiments for the first women’s rights convention, held in Seneca Falls, New York, in 1848, she unleashed a powerful force in American society. In A Sisterhood of Sculptors, Melissa Dabakis outlines the conditions under which a group of American women artists adopted this egalitarian view of society and negotiated the gendered terrain of artistic production at home and abroad. Between 1850 and 1876, a community of talented women sought creative refuge in Rome and developed successful professional careers as sculptors. Some of these women have become well known in art-historical circles: Harriet Hosmer, Edmonia Lewis, Anne Whitney, and Vinnie Ream. The reputations of others have remained, until now, buried in the historical record: Emma Stebbins, Margaret Foley, Sarah Fisher Ames, and Louisa Lander. At midcentury, they were among the first women artists to attain professional stature in the American art world while achieving international fame in Rome, London, and other cosmopolitan European cities. In their invention of modern womanhood, they served as models for a younger generation of women who adopted artistic careers in unprecedented numbers in the years following the Civil War.At its core, A Sisterhood of Sculptors is concerned with the gendered nature of creativity and expatriation. Taking guidance from feminist theory, cultural geography, and expatriate and postcolonial studies, Dabakis provides a detailed investigation of the historical phenomenon of women’s artistic lives in Rome in the mid-nineteenth century. As an interdisciplinary examination of femininity and creativity, it provides models for viewing and interpreting nineteenth-century sculpture and for analyzing the gendered status of the artistic profession.
Sisters of Gore: Seven Gothic Melodramas by British Women, 1790-1843 (Garland Reference Library Of The Humanities Ser.)
by John FranceschinaThe plays collected in Sisters of Gore span the development of Gothic melodrama from the 1790s to the 1840s.
Sisters of the Spirit: Three Black Women's Autobiographies of the Nineteenth Century (Religion In North America Ser.)
by William L. Andrews"Sisters of the Spirit . . . should interest a wider audience. . . . These fascinating accounts can stand on their own. . . . Mr. Andrews has made them even more accessible by providing a comprehensive introduction and helpful footnotes . . . but he does not intrude on the text itself." —New York Times Book Review" . . . informative and inspiring reading." —The Journal of American HistoryJarena Lee, Zilpha Elaw, and Julia Foote underwent a revolution in their own sense of self that helped to launch a feminist revolution in American religious life and in American society as a whole.
Sisters of Tomorrow: The First Women of Science Fiction (Early Classics Of Science Fiction Ser.)
by Lisa Yaszek Patrick B. SharpFor nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about "boys and their toys," pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp's critical annotation and author biographies link women's work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.
The Site of Petrarchism: Early Modern National Sentiment in Italy, France, and England (Parallax: Re-visions of Culture and Society)
by William J. KennedyDrawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth.Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I.Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists.
Site Reading
by David J. AlworthSite Reading offers a new method of literary and cultural interpretation and a new theory of narrative setting by examining five sites--supermarkets, dumps, roads, ruins, and asylums--that have been crucial to American literature and visual art since the mid-twentieth century. Against the traditional understanding of setting as a static background for narrative action and character development, David Alworth argues that sites figure in novels as social agents. Engaging a wide range of social and cultural theorists, especially Bruno Latour and Erving Goffman, Site Reading examines how the literary figuration of real, material environments reorients our sense of social relations. To read the sites of fiction, Alworth demonstrates, is to reveal literature as a profound sociological resource, one that simultaneously models and theorizes collective life.Each chapter identifies a particular site as a point of contact for writers and artists--the supermarket for Don DeLillo and Andy Warhol; the dump for William Burroughs and Mierle Laderman Ukeles; the road for Jack Kerouac, Joan Didion, and John Chamberlain; the ruin for Thomas Pynchon and Robert Smithson; and the asylum for Ralph Ellison, Gordon Parks, and Jeff Wall--and shows how this site mediates complex interactions among humans and nonhumans. The result is an interdisciplinary study of American culture that brings together literature, visual art, and social theory to develop a new sociology of literature that emphasizes the sociology in literature.
Sites of Southern Memory: The Autobiographies of Katharine Du Pre Lumpkin, Lillian Smith, and Pauli Murray
by Darlene O'DellIn southern graveyards through the first decades of the twentieth century, the Confederate South was commemorated by tombstones and memorials, in Confederate flags, and in Memorial Day speeches and burial rituals. Cemeteries spoke the language of southern memory, and identity was displayed in ritualistic form--inscribed on tombs, in texts, and in bodily memories and messages. Katharine DuPre Lumpkin, Lillian Smith, and Pauli Murray wove sites of regional memory, particularly Confederate burial sites, into their autobiographies as a way of emphasizing how segregation divided more than just southern landscapes and people.Darlene O'Dell here considers the southern graveyard as one of three sites of memory--the other two being the southern body and southern memoir--upon which the region's catastrophic race relations are inscribed. O'Dell shows how Lumpkin, Smith, and Murray, all witnesses to commemorations of the Confederacy and efforts to maintain the social order of the New South, contended through their autobiographies against Lost Cause versions of southern identity. Sites of Southern Memory elucidates the ways in which these three writers joined in the dialogue on regional memory by placing the dead southern body as a site of memory within their texts. In this unique study of three women whose literary and personal lives were vitally concerned with southern race relations and the struggle for social justice, O'Dell provides a telling portrait of the troubled intellectual, literary, cultural, and social history of the American South.
Sites of Translation: What Multilinguals Can Teach Us about Digital Writing and Rhetoric (Sweetland Digital Rhetoric Collaborative)
by Laura GonzalesWinner of the 2016 Sweetland Digital Rhetoric Collaborative Book Prize Sites of Translation illustrates the intricate rhetorical work that multilingual communicators engage in as they translate information for their communities. Blending ethnographic and empirical methods from multiple disciplines, Laura Gonzales provides methodological examples of how linguistic diversity can be studied in practice, both in and outside the classroom, and provides insights into the rhetorical labor that is often unacknowledged and made invisible in multilingual communication. Sites of Translation is relevant to researchers and teachers of writing as well as technology designers interested in creating systems, pedagogies, and platforms that will be more accessible and useful to multilingual audiences. Gonzales presents multilingual communication as intellectual labor that should be further valued in both academic and professional spaces, and supported by multilingual technologies and pedagogies that center the expertise of linguistically diverse communicators.