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Russian as a Transnational Language: Resonance, Remembrance, Renewal (Routledge Critical Studies in Multilingualism)
by Solovova, Edited by OlgaThis collection contributes to emerging work in critical sociolinguistics, using a multidisciplinary and multiscalar approach to understanding the diasporic experience in the Russian-speaking world. The volume expands on research in the sociolinguistics of mobility, multilingualism, and diaspora studies. It critically examines the ways in which transnational Russian identities are perceived and discursively enacted in online and offline spaces, and how this interplay contributes to diasporic identification across the globe. In highlighting a range of critical methodologies at multiple scalar levels − across family, national, and global lines − the book raises key questions about what binds and distinguishes individuals belonging to diverse communities of Russian speakers. It likewise interrogates established notions of memory, nostalgia, authenticity, and belonging, as well as perceptions of futurity and change. This book will be of particular interest to students and scholars in sociolinguistics, multilingualism, language and education, and linguistic anthropology.
Russian at your Fingertips (The Fingertips Series)
by LexusFirst published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.
Russian Bible Wars
by Stephen K. BataldenAlthough biblical texts were known in Church Slavonic as early as the ninth century, translation of the Bible into Russian came about only in the nineteenth century. Modern scriptural translation generated major religious and cultural conflict within the Russian Orthodox church. The resulting divisions left church authority particularly vulnerable to political pressures exerted upon it in the twentieth century. Russian Bible Wars illuminates the fundamental issues of authority that have divided modern Russian religious culture. Set within the theoretical debate over secularization, the volume clarifies why the Russian Bible was issued relatively late and amidst great controversy. Stephen Batalden's study traces the development of biblical translation into Russian and of the 'Bible wars' that then occurred in the nineteenth and twentieth centuries in Russia. The annotated bibliography of the Russian Bible identifies the different editions and their publication history.
Russian Children's Literature and Culture (Children's Literature and Culture)
by Marina Balina Larissa RudovaSoviet literature in general and Soviet children’s literature in particular have often been labeled by Western and post-Soviet Russian scholars and critics as propaganda. Below the surface, however, Soviet children’s literature and culture allowed its creators greater experimental and creative freedom than did the socialist realist culture for adults. This volume explores the importance of children’s culture, from literature to comics to theater to film, in the formation of Soviet social identity and in connection with broader Russian culture, history, and society.
A Russian Doll & Other Stories
by Suzanne Jill Levine Adolfo Bioy CasaresThis collection of traditional and experimental stories by Argentinian novelist Bioy Casares ( The Adventures of a Photographer in La Plata ) offers sophisticated, seamless prose, as well as magical realism and biting political satire. - Publishers Weekly A Russian Doll and Other Stories is the ninth collection of short fiction by one of this century's premier Argentinian writers who, with his fellow countrymen Julio Cortázar and Jorge Luis Borges, helped change the world's perception of Latin American literature. Bioy Casares's narratives are elegant and urbane, his style precise and streamlined, as he paces his characters through seriocomic traps of fate--ensnared by love, impelled by lust, ambition, or plain greed, even metamorphosed by pharmaceuticals. These are not stories in a psychological mode but like the image of the Russian doll of the title piece are carefully wrought congeries of intractable selves within selves.
The Russian Folktale by Vladimir Yakovlevich Propp (Series in Fairy-Tale Studies)
by Vladimir Yakovlevich Propp Sibelan E. S. Forrester Jack ZipesVladimir Propp is the Russian folklore specialist most widely known outside Russia thanks to the impact of his 1928 book Morphology of the Folktale-but Morphology is only the first of Propp's contributions to scholarship. This volume translates into English for the first time his book The Russian Folktale, which was based on a seminar on Russian folktales that Propp taught at Leningrad State University late in his life. Edited and translated by Sibelan Forrester, this English edition contains Propp's own text and is supplemented by notes from his students. <p><p> The Russian Folktale begins with Propp's description of the folktale's aesthetic qualities and the history of the term; the history of folklore studies, first in Western Europe and then in Russia and the USSR; and the place of the folktale in the matrix of folk culture and folk oral creativity. The book presents Propp's key insight into the formulaic structure of Russian wonder tales (and less schematically than in Morphology, though in abbreviated form), and it devotes one chapter to each of the main types of Russian folktales: the wonder tale, the "novellistic" or everyday tale, the animal tale, and the cumulative tale. Even Propp's bibliography, included here, gives useful insight into the sources accessible to and used by Soviet scholars in the third quarter of the twentieth century. <p><p> Propp's scholarly authority and his human warmth both emerge from this well-balanced and carefully structured series of lectures. An accessible introduction to the Russian folktale, it will serve readers interested in folklore and fairy-tale studies in addition to Russian history and cultural studies.
Russian Formalism: A Metapoetics
by Peter SteinerRussian Formalism, one of the twentieth century's most important movements in literary criticism, has received far less attention than most of its rivals. Examining Formalism in light of more recent developments in literary theory, Peter Steiner here offers the most comprehensive critique of Formalism to date. Steiner studies the work of the Formalists in terms of the major tropes that characterized their thought. He first considers those theorists who viewed a literary work as a mechanism, an organism, or a system. He then turns to those who sought to reduce literature to its most basic element—language—and who consequently replaced poetics with linguistics. Throughout, Steiner elucidates the basic principles of the Formalists and explores their contributions to the study of poetics, literary history, the theory of literary genre, and prosody. Russian Formalism is an authoritative introduction to the movement that was a major precursor of contemporary critical thought.
Russian Formalist Criticism: Four Essays, Second Edition (Regents Critics)
by Lee T. Lemon Marion J. Reis Gary Saul MorsonThe Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then, however, they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists’ short history. Victor Shklovsky’s pioneering “Art as Technique” (1917) defines the literary as a way to make us see familiar things as if for the first time. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Boris Tomashevsky’s “Thematics” (1925) inventories the elements of stories. In “The Theory of the ‘Formal Method’” (1927), Boris Eichenbaum defends Russian Formalism against various attacks. An able champion, he describes Formalism’s evolution, notes its major figures and works, clears away decayed axioms, and rescues literature from “primitive historicism” and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.
Russian Function Words: Conjunctions, Interjections, Parenthetical Words, Particles, and Prepositions
by Marina Rojavin Alexander RojavinRussian Function Words: Meanings and Use is a collection of 463 prepositions, conjunctions, particles, interjections, and parenthetical words. This book provides a semantic, syntactic, and stylistic analysis of each word, accompanying the explanation with examples of the word’s usage in discourse in contemporary, everyday Russian and analogous translations into English. Consequently, it allows users to develop an understanding of contemporary grammatical, lexical, and stylistic norms, with the aim of mastering these critical words. This book also includes a multitude of idioms and sayings that users will learn to use in the appropriate context. Intermediate and advanced students, instructors, and translators will find this a useful supplement to their existing resources. It also serves as a helpful reference for independent learners at all levels.
The Russian Graphosphere, 1450-1850
by Simon FranklinThe 'graphosphere' is the dynamic space of visible words. Graphospheres mutate, they are reconfigured with changes in technology, in modes of production, in social structures, in fashion and taste. The graphospheric environment can be public or private, monumental or ephemeral. This book explores a new approach to the study of writing, with a focus on Russia during its 'long early modernity' from the late fifteenth century to the early nineteenth century. Taking an inclusive approach, it charts unmapped territory, uncovers sources that have almost entirely escaped attention and therefore provides, in the first instance, a unique reference guide to cultures of writing in Russia over four hundred years. Besides generating fresh insights into distinctive features of Russian culture, this outward-looking and accessible book offers a pioneering case study for the wider comparative exploration of the significance of technologies of the word.
Russian Historiography from 1880 to 1905: Pavel N. Miliukov and the Moscow School (New Perspectives on Central and Eastern European Studies #6)
by Thomas M. BohnIn Russian historiography, the Moscow School’s paradigm shift from political and legal history to social and economic history was markedly driven by Pavel Miliukov (1859-1943), the late leader of the Constitutional Democrats and foreign minister of the Provisional Government. Russian Historiography from 1880 to 1905 develops a narrative of historical sociology’s advancement through the Moscow School under Miliukov’s influence and provides a window into his decision making as a political figure who based his leadership not on public opinion but on the effectiveness of historical processes.
The Russian Horizon: An Anthology (Routledge Library Editions: Russian and Soviet Literature #11)
by N. Gangulee, H. G. WellsThis book, first published in 1943, is a literary anthology purposefully presenting a picture of the Soviet Union to a new audience in the West. It collects together a rich variety of pre-revolutionary Russian literature as well as a host of Soviet literature. Together they reveal the dynamic character of Russian literature, and provide a useful contrast between the two styles of pre- and post-revolutionary writings.
Russian in a Contemporary World: A Textbook for Intermediate Russian
by Elena Simms Tatiana RomanovaRussian in a Contemporary World is an intermediate textbook with a focus on improving oral and written skills of the Russian language by encouraging students’ creative potential with their use of language in a contemporary society, such as media, TV, art, and technology. Key features of the textbook include: Use of original texts and application of material by choosing topics which reflect the students’ general interests, according to a survey conducted among Humanities undergraduates and which are essential for students of Russian language, culture, and society; Practical skills: the textbook allows students to process primary text sources, summarising, writing, and expressing their views on certain sociopolitical issues; Raises issues which are being widely discussed in present-day Russia and introduces trends in the development of modern Russian society; Providing feedback: students can check their work against answer keys that feature in a number of exercises as well as find discussions on different grammatical topics in the Appendix. Aimed at B1-B2 and Intermediate-Mid students of Russian, this is the ideal textbook for those aiming to improve their Russian whilst gaining knowledge of contemporary Russian culture and society. With answer keys and grammar topics included, the textbook is also ideal for independent study.
Russian in Plain English: A Very Basic Russian Starter for Complete Beginners
by Natalia V. ParkerRussian in Plain English enables complete beginners to acquire the skill of reading words written in Cyrillic independently, with no English transcription or imitated pronunciation, within a short period of time. This book introduces the Cyrillic alphabet gradually, feeding in the letters and their various pronunciation aspects one by one over its ten units, thus building a complete picture of the Russian sound and writing systems. It also highlights the interrelationship of the two systems and helps learners to see the logic behind the use of the Cyrillic alphabet. In addition, the book teaches learners to produce Russian word stress on a marked syllable, contributing to stress acquisition. Furthermore, the book explains the basic grammatical features of Russian words and the rules of how to put them into sentences, enabling learners to start saying things in Russian from Unit 1. It employs some findings of research in language processing, helping learners to start building their speaking and reading skills. This book is an essential guide for all beginners, including students and independent learners.
The Russian Language Today
by Larissa Ryazanova-Clarke Terence WadeThe Russian Language Today provides the most up-to-date analysis of the Russian language. The Russian language has changed dramatically in recent years, becoming inundated by new words, mainly from American English. The authors focus on the resulting radical changes in Russian vocabulary and grammar.Supported throughout by extracts from contemporary press and literary sources, this is a comprehensive overview of present-day Russian and an essential text for all students of the Russian language.
Russian Learners' Dictionary: 10,000 Russian Words in Frequency Order
by Nicholas BrownThis dictionary contains 10,000 Russian words in order of importance starting with the most common and finishing with words that occur about 8 times in a million. All the words have English translations, many have examples of usage and the entries include information on stress and grammatical irregularities. There is also a complete alphabetical index to the words in the list.A learner who knows all or most of these 10,000 words can be regarded as competent in Russian for all normal purposes. The list takes you from a beginner's core vocabulary through to postgraduate level.
Russian Learners' Dictionary: 10,000 Russian Words in Frequency Order
by Nicholas BrownThis dictionary contains 10,000 Russian words in order of importance starting with the most common and finishing with words that occur about 8 times in a million. All the words have English translations, many have examples of usage and the entries include information on stress and grammatical irregularities. There is also a complete alphabetical index to the words in the list.A learner who knows all or most of these 10,000 words can be regarded as competent in Russian for all normal purposes. The list takes you from a beginner's core vocabulary through to postgraduate level.
Russian Literature: A Very Short Introduction
by Catriona KellyRather than presenting a conventional chronology of Russian literature, this book explores the place and importance in Russian culture of all types of literature. How and when did a Russian national literature come into being? What shaped its creation? How have the Russians regarded their literary language? The book uses the figure of Pushkin--'the Russian Shakespeare'--as a recurring example, as his work influenced every Russian writer who came after him, whether they wrote prose or verse. It furthermore examines why Russian writers are venerated, how they've been interpreted inside Russia and beyond, and the influences of the folk tale tradition, orthodox religion, and the West.
Russian Literature: 1988-1994
by Norman N. ShneidmanThe collapse of the Soviet Union brought about radical changes in the Russian literary world. With the state's relinquishment of control over literary production, writers acquired freedom of expression and publication. State publishing houses, now self-supporting enterprises, stopped printing money-losing books and turned to foreign detective novels and erotic literature, effecting a considerable shift in popular taste. The writer, no longer a producer of ideology, has been recast as a struggling competitor in a free-market environment. Focusing on the current Russian literary scene, Russian Literature, 1988-1994 examines these recent changes. Beginning with a general overview of the political, intellectual, and social atmosphere in the country and its effect on artistic creativity, Shneidman surveys the period's literature. He considers the work of succeeding generations of prose fiction writers: the 'old guard,' the writers of the intermediate generation, and the younger authors of perestroika, whose works first appeared in print after Gorbachev's ascent to power. The writing of this last group is divided into three categories: novels written in the style of conventional Russian realism; works that combine realistic prose with modernist narrative techniques; and the body of work that constitutes Russian post-modernism. Exploring artistic and social issues in an integrated manner, the volume will be of interest not only to students of Russian literature but also to those concerned with the culture and social life of the former Soviet Union.
Russian Literature, 1995-2002
by Norman N. ShneidmanWriters have a difficult time making a living in contemporary Russia. Market-driven publishing companies have pushed serious domestic prose to the fringes of their output and few people have money to buy books. The disintegration of the Soviet Union in 1991 led Russian society to become polarized between an increasingly prosperous minority and a very poor majority. This divide is also mirrored within the writing community, with some writers supporting conservative, nationalist pro-Soviet thinking, and others, liberal, democratic, pro-Western thought.N.N. Shneidman, in the tradition of his previous volumes ? Soviet Literature in the 1970s; Soviet Literature in the 1980s; Russian Literature, 1988?1994 ? investigates the Russian literary scene with special emphasis on the relationship between thematic substance and the artistic quality of recently published prose. Despite the many challenges besetting it, Shneidman argues convincingly that literary activity in Russia continues to be dynamic and vibrant. The future development of Russian literature may depend on general economic, political, and social factors, but a new generation of talented writers is fast moving past older forms of ideology and embracing new ways of thinking about Russia.
Russian Literature and the Classics (Routledge Harwood Studies in Russian and European Literature)
by Paul Allen Miller Peter I. Barta David H. J. LarmourRussian Literature and the Classics attempts to fill a gap. To date there has been no book-length, systematic study of the impact of antiquity on Russian literature and culture. While by no means claiming to offer a comprehensive approach, the authors focus on various aspects of the influence which the Classics have had on Russian literature at particularly significant junctures - the beginning of the nineteenth century; the age of the great Russian realist novel; the "Silver Age"; Stalin's terror; the "Thaw" after 1956; and the period just before the collapse of Soviet society. In their introductory essay the editors offer an overview of the Classical Tradition. In it, they provide an insight into the contrasting ways in which that tradition manifested itself in the literatures of Western Europe and of Russia.
Russian Literature from Pushkin to the Present Day (Routledge Library Editions: Russian and Soviet Literature #12)
by Richard HareThis book, first published in 1947, examines the truly vital and enduring qualities of the leading Russian writers, as literature and as interesting documents of phases of Russian history. This is one of the most striking features of Russian literature since Pushkin – it treated artistically social and political issues that in the more prosperous and stable Western world were dealt with through journalism, mainly. This book analyses Russian literature’s propensity for providing reassurance and guidance to withstand the harsher elements of Russian society by examining some of its leading writers.
Russian Literature Since 1991
by Evgeny DobrenkoRussian Literature since 1991 is the first comprehensive, single-volume compendium of modern scholarship on post-Soviet Russian literature. The volume encompasses broad, complex and diverse sources of literary material - from ideological and historical novels to experimental prose and poetry, from nonfiction to drama. Written by an international team of leading experts on contemporary Russian literature and culture, it presents a broad panorama of genres in post-Soviet literature such as postmodernism, magical historicism, hyper-naturalism (in drama), and the new lyricism. At the same time, it offers close readings of the most prominent works published in Russia since the end of the Soviet regime and elimination of censorship. The collection highlights the interdisciplinary context of twenty-first-century Russian literature and can be widely used both for research and teaching by specialists in and beyond Russian studies, including those in post-Cold War and post-communist world history, literary theory, comparative literature and cultural studies.
Russian Modernism in the Memories of the Survivors: The Duvakin Interviews, 1967–1974
by Slav N. Gratchev Margarita MarinovaIn the late 1960s and early 1970s, Soviet philologist, literary dissident, and university professor Viktor Duvakin made it his mission to interview the members of the artistic avant-garde who had survived the Russian Revolution, Stalin’s purges, and the Second World War. Based on archival materials held at the Moscow State University Library, Russian Modernism in the Memories of the Survivors catalogues six interviews conducted by Duvakin. The interviewees talk about their most intimate life experiences and give personal accounts of their interactions with famous writers and artists such as Vsevolod Meyerhold, Sergei Eisenstein, and Marina Tsvetaeva. They offer insights into the world of Russian emigrants in Prague and Paris, the uprising against the Communist government, what it was like to work at the United Nations after the Second World War, and other important aspects of life in the Soviet Union and Europe during the first half of the twentieth century. Archival photographs, as well as hundreds of annotations to the text, are included to help readers understand the historical and cultural context of the interviews. The unique and previously unpublished materials in Russian Modernism in the Memories of the Survivors will be of great interest to anyone who wants to learn more about this fascinating period in Soviet history.
Russian Montparnasse: Transnational Writing in Interwar Paris (Palgrave Studies in Modern European Literature)
by Maria RubinsThis book reassesses the role of Russian Montparnasse writers in the articulation of transnational modernism generated by exile. Examining their production from a comparative perspective, it demonstrates that their response to urban modernity transcended the Russian master narrative and resonated with broader aesthetic trends in interwar Europe.