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About This Life: Journeys on the Threshold of Memory

by Barry Lopez

A new collection of biographical essays by the esteemed writer ("Arctic Dreams, Of Wolves and Men", among other works). Seven of the 17 essays are personal memory pieces; the others touch on a wide range of travels, adventures, and observations of people and places.

About Writing: Seven Essays, Four Letters, & Five Interviews

by Samuel R. Delany

Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster's Aspects of the Novel and Lajos Egri's Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere.

About Writing

by Gareth L. Powell

Gareth L. Powell would be the first to tell you that he doesn't know everything about being a writer, or about getting published, or about life when your work is in a bookshelf. But his field-guide to publishing, About Writing, is absolutely here to help writers on every stage of their journey.Whether you need a bit of writing inspiration or tips on how to find your voice, are struggling to manage writing alongside a day job, want some no-nonsense advice about working with an agent or a publisher or are all at sea with social media, this updated and expanded guide is a must have.Positive, blunt and refreshingly honest, this is a guide to the practical business of writing from a professional author with a decade's experience, who has navigated working with publishers of all sizes, and walked the path from debut to award-winner. Written with Gareth L. Powell's trademark warmth and wisdom, About Writing is here to help you achieve your goals, and write your own story.Originally published by Luna Press, this new edition contains updated tips, advice and information, plus more than 20,000 words of new material.

About Writing

by Gareth L. Powell

Gareth L. Powell would be the first to tell you that he doesn't know everything about being a writer, or about getting published, or about life when your work is in a bookshelf. But his field-guide to publishing, About Writing, is absolutely here to help writers on every stage of their journey.Whether you need a bit of writing inspiration or tips on how to find your voice, are struggling to manage writing alongside a day job, want some no-nonsense advice about working with an agent or a publisher or are all at sea with social media, this updated and expanded guide is a must have.Positive, blunt and refreshingly honest, this is a guide to the practical business of writing from a professional author with a decade's experience, who has navigated working with publishers of all sizes, and walked the path from debut to award-winner. Written with Gareth L. Powell's trademark warmth and wisdom, About Writing is here to help you achieve your goals, and write your own story.Originally published by Luna Press, this new edition contains updated tips, advice and information, plus more than 20,000 words of new material.

About Writing

by Gareth L. Powell

Gareth L. Powell would be the first to tell you that he doesn't know everything about being a writer, or about getting published, or about life when your work is in a bookshelf. But his field-guide to publishing, About Writing, is absolutely here to help writers on every stage of their journey.Whether you need a bit of writing inspiration or tips on how to find your voice, are struggling to manage writing alongside a day job, want some no-nonsense advice about working with an agent or a publisher or are all at sea with social media, this updated and expanded guide is a must have.Positive, blunt and refreshingly honest, this is a guide to the practical business of writing from a professional author with a decade's experience, who has navigated working with publishers of all sizes, and walked the path from debut to award-winner. Written with Gareth L. Powell's trademark warmth and wisdom, About Writing is here to help you achieve your goals, and write your own story.Originally published by Luna Press, this new edition contains updated tips, advice and information, plus more than 20,000 words of new material.

Aboutness (Carl G. Hempel Lecture Series #3)

by Stephen Yablo

Aboutness has been studied from any number of angles. Brentano made it the defining feature of the mental. Phenomenologists try to pin down the aboutness-features of particular mental states. Materialists sometimes claim to have grounded aboutness in natural regularities. Attempts have even been made, in library science and information theory, to operationalize the notion. But it has played no real role in philosophical semantics. This is surprising; sentences have aboutness-properties if anything does. Aboutness is the first book to examine through a philosophical lens the role of subject matter in meaning. A long-standing tradition sees meaning as truth-conditions, to be specified by listing the scenarios in which a sentence is true. Nothing is said about the principle of selection--about what in a scenario gets it onto the list. Subject matter is the missing link here. A sentence is true because of how matters stand where its subject matter is concerned. Stephen Yablo maintains that this is not just a feature of subject matter, but its essence. One indicates what a sentence is about by mapping out logical space according to its changing ways of being true or false. The notion of content that results--directed content--is brought to bear on a range of philosophical topics, including ontology, verisimilitude, knowledge, loose talk, assertive content, and philosophical methodology. Written by one of today's leading philosophers, Aboutness represents a major advance in semantics and the philosophy of language.

The Aboutness of Writing Center Talk: A Corpus-Driven and Discourse Analysis (Routledge Studies in Rhetoric and Communication)

by Jo Mackiewicz

Writing centers in universities and colleges aim to help student writers develop practices that will make them better writers in the long term and that will improve their draft papers in the short term. The tutors who work in writing centers accomplish such goals through one-to-one talk about writing. This book analyzes the aboutness of writing center talk—what tutors and student writers talk about when they come together to talk about writing. By combining corpus-driven analysis to provide a quantitative, microlevel view of the subject matter and sociocultural discourse analysis to provide a qualitative macrolevel view of tutor-student writer interactions, it further establishes how these two research methods operate together to produce a robust and rigorous analysis of spoken discourse.

Above and Beyond the Writing Workshop

by Shelley Harwayne

When writing workshops first blossomed in classrooms, its hallmarks were genuine curiosity, individual choice, quality conversations, and engaging children's literature. A joyous hum of intention, creativity, and craft enlivened the school day. Today's teachers are often faced with a range of obstacles, as new initiatives are embraced, mandates handed down, and scripted programs are purchased. Sometimes teachers must sacrifice the original principles of the writing workshop and lose the creative venue they provide. Above and Beyond the Writing Workshop is filled with original writing challenges designed to bring back the spirit of the original writing workshop model and encourage teachers to enhance it with invention, innovation, and inspiration. Teaching creative writing is not only possible, but an important process in their instruction. Author Shelley Harwayne invites teachers to keep the workshop spirit alive by: Encouraging professional conversations on classroom ideas and methods between colleagues; Developing writing cues that allow young writers to be inquisitive, outspoken, and independent; Showing how high quality writing can make a difference; Offering an inspired and stimulating outlet for students to express their passions. Harwayne's book will help teachers encourage students to write the world around them, which can generate more critical thinking and make for a more well-rounded child.

Above the Well: An Antiracist Literacy Argument from a Boy of Color

by Asao B. Inoue

Above the Well explores race, language and literacy education through a combination of scholarship, personal history, and even a bit of fiction. Inoue comes to terms with his own languaging practices in his upbring and schooling, while also arguing that there are racist aspects to English language standards promoted in schools and civic life. His discussion includes the ways students and everyone in society are judged by and through tacit racialized languaging, which he labels White language supremacy and contributes to racialized violence in the world today. Inoue’s exploration ranges a wide array of topics: His experiences as a child playing Dungeons and Dragons with his twin brother; considerations of Taoist and Western dialectic logics; the economics of race and place; tacit language race wars waged in classrooms with style guides like Strunk and White’s The Elements of Style; and the damaging Horatio Alger narratives for people of color.

The Abracadabra Kid: A Writer's Life

by Sid Fleischman

The man with the spats rolled up his sleeves and proceeded to pluck a polished red billiard ball out of thin air. Presto! It vanished. Abracadabra! It reappeared. It turned white. It blushed red again. VoiIa! Suddenly there were four billiard balls between this amazing man's fingers. I was stunned. All of this was happening right under my nose. And there was more. He flipped the deck into falling waterfalls of cards, spun them into fans, and thrust a sword through a shower of cards to impale the seven of diamonds -- selected a moment before. I was dazzled. The moment he finished his act and ushered us gawkers back onto the sidewalk, I knew what I wanted to be. Someone else could be president of the United States. I wanted to be a magician.

Abridged Classics: Brief Summaries of Books You Were Supposed to Read but Probably Didn't

by John Atkinson

A collection of irreverent summations of more than 100 well-known works of literature, from Anna Karenina to Wuthering Heights, cleverly described in the fewest words possible and accompanied with funny color illustrations.Abridged Classics: Brief Summaries of Books You Were Supposed to Read but Probably Didn’t is packed with dozens of humorous super-condensed summations of some of the most famous works of literature from many of the world’s most revered authors, including William Shakespeare, Charles Dickens, Emily Brontë, Leo Tolstoy, Jane Austen, Mark Twain, J.R.R. Tolkien, Margaret Atwood, James Joyce, Plato, Ernest Hemingway, Dan Brown, Ayn Rand, and Herman Melville.From "Old ladies convince a guy to ruin Scotland" (Macbeth) to "Everyone is sad. It snows." (War and Peace), these clever, humorous synopses are sure to make book lovers smile.

Abroad: British Literary Traveling Between the Wars

by Paul Fussell

A book about the meaning of travel, about how important the topic has been for writers for two and a half centuries, and about how excellent the literature of travel happened to be in England and America in the 1920s and 30s.

Absalom, Absalom: The Questioning of Fictions

by Robert Dale Parker

From the preface: "This study of Absalom, Absalom! is aimed at the full range of readers, from thoughtful beginners to scholarly specialists in Faulkner studies. Absalom, Absalom! Absalom, Absalom! is forever telling readers already familiar with its tale that they need to start over and look again and forever pressing those who are discovering it for the first time to plunge into whirlwinds of speculation usually reserved for experts. Thus this book is organized so that people can read the novel two or three chapters at a time and then read the corresponding section of this book in the same way a student might attend a class after being asked to read each quarter or so of a long novel."

Absalom, Absalom! (MAXNotes Literature Guides)

by Carol Johnson

REA's MAXnotes for William Faulkner's Absalom, Absalom! MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.

The Absence of Grace

by Harry Berger

The Absence of Grace is a study of male fantasy, representation anxiety, and narratorial authority in two sixteenth-century books, Baldassare Castiglione's Il libro del Cortegiano (1528) and Giovanni Della Casa's Galateo (1558). The interpretive method is a form of close reading the author describes as reconstructed old New Criticism, that is, close reading conditioned by an interest in and analysis of the historical changes reflected in the text. The book focuses on the way the Courtier and Galateo cope with and represent the interaction between changes of elite culture and the changing construction of masculine identity in early modern Europe. More specifically, it connects questions of male fantasy and masculine identity to questions about the authority and reliability of narrators, and shows how these questions surface in narratorial attitudes toward socioeconomic rank or class, political power, and gender. The book is in three parts. Part One examines a distinction and correlation the Courtier establishes between two key terms, (1) sprezzatura, defined as a behavioral skill intended to simulate the attributes of (2) grazia, understood as the grace and privileges of noble birth. Because sprezzatura is negatively conceptualized as the absence of grace it generates anxiety and suspicion in performers and observers alike. In order to suggest how the binary opposition between these terms affected the discourse of manners, the author singles out the titular episode of Galateo, an anecdote about table manners, which he reads closely and then sets in its historical perspective. Part Two takes up the question of sprezzatura in the gender debate that develops in Book 3 of the Courtier, and Part Three explores in detail the characterization of the two narrators in the Courtier and Galateo, who are represented as unreliable and an object of parody or critique.

The Absence of Grace: Sprezzatura and Suspicion in Two Renaissance Courtesy Books

by Harry Berger

The Absence of Grace is a study of male fantasy, representation anxiety, and narratorial authority in two sixteenth-century books, Baldassare Castiglione's Il libro del Cortegiano (1528) and Giovanni Della Casa's Galateo (1558). The interpretive method is a form of close reading the author describes as reconstructed old New Criticism, that is, close reading conditioned by an interest in and analysis of the historical changes reflected in the text. The book focuses on the way the Courtier and Galateo cope with and represent the interaction between changes of elite culture and the changing construction of masculine identity in early modern Europe. More specifically, it connects questions of male fantasy and masculine identity to questions about the authority and reliability of narrators, and shows how these questions surface in narratorial attitudes toward socioeconomic rank or class, political power, and gender. The book is in three parts. Part One examines a distinction and correlation the Courtier establishes between two key terms, (1) sprezzatura, defined as a behavioral skill intended to simulate the attributes of (2) grazia, understood as the grace and privileges of noble birth. Because sprezzatura is negatively conceptualized as the absence of grace it generates anxiety and suspicion in performers and observers alike. In order to suggest how the binary opposition between these terms affected the discourse of manners, the author singles out the titular episode of Galateo, an anecdote about table manners, which he reads closely and then sets in its historical perspective. Part Two takes up the question of sprezzatura in the gender debate that develops in Book 3 of the Courtier, and Part Three explores in detail the characterization of the two narrators in the Courtier and Galateo, who are represented as unreliable and an object of parody or critique.

The Absent God in the Works of William Wordsworth (Routledge Studies in Romanticism)

by Eliza Borkowska

Called by one of its reviewers "Wordsworth’s biographia literaria," this book takes its reader on a fascinating journey into the mind of the poet whose attitude to God and religion points to a major shift in Western culture. The monograph probes the philosophical foundations of Wordsworth’s religious outlook, drawing attention to this First Generation Romantic poet as the author who happened to record in his verse the rise to prominence of some of the intellectual and spiritual challenges and the most troublesome uncertainties that have defined Western man ever since. The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with the companion volume, The Presence of God in the Works of William Wordsworth. These two works can be regarded as contraries—or negatives: one offering an ironically positive reading of Wordsworth’s religious discourse, the other offering a reading which is positively negative.

Absent without Leave: French Literature under the Threat of War

by Denis Hollier

They were not the "Banquet Years," those anxious wartime years when poets and novelists were made to feel embarrassed by their impulse to write literature. And yet it was the attitude of those writers and critics in the 1930s and 1940s that shaped French literature--the ideas of Derrida, Foucault, de Man, Deleuze, and Ricoeur--and has so profoundly influenced literary enterprise in the English-speaking world since 1968. This literary history, the prehistory of postmodernism, is what Denis Hollier recovers in his interlocking studies of the main figures of French literary life before the age of anxiety gave way to the era of existentialist commitment. Georges Bataille, Michel Leiris, Roger Caillois, André Malraux, the early Jean-Paul Sartre are the figures Hollier considers, writers torn between politics and the pleasures of the text. They appear here uneasily balancing the influences of the philosopher and the man of action. These studies convey the paradoxical heroism of writers fighting for a world that would extend no rights or privileges to writers, writing for a world in which literature would become a reprehensible frivolity. If the nineteenth century was that of the consecration of the writer, this was the time for their sacrificial death, and Hollier captures the comical pathos of these writers pursuing the ideal of "engagement" through an exercise in dispossession. His work identifies, as none has before, the master plot for literature that was crafted in the 1940s, a plot in which we are still very much entangled.

Absentees: On Variously Missing Persons

by Daniel Heller-Roazen

An intellectually adventurous account of the role of nonpersons that explores their depiction in literature and challenges how they are defined in philosophy, law, and anthropology In thirteen interlocking chapters, Absentees explores the role of the missing in human communities, asking an urgent question: How does a person become a nonperson, whether by disappearance, disenfranchisement, or civil, social, or biological death? Only somebody can become a “nobody,” but, as Daniel Heller-Roazen shows, the ways of being a nonperson are as diverse and complex as they are mysterious and unpredictable. Heller-Roazen treats the variously missing persons of the subtitle in three parts: Vanishings, Lessenings, and Survivals. In each section and with multiple transhistorical and transcultural examples, he challenges the categories that define nonpersons in philosophy, ethics, law, and anthropology. Exclusion, infamy, and stigma; mortuary beliefs and customs; children’s games and state censuses; ghosts and “dead souls” illustrate the lives of those lacking or denied full personhood. In the archives of fiction, Heller-Roazen uncovers figurations of the missing—from Helen of Argos in Troy or Egypt to Hawthorne’s Wakefield, Swift’s Captain Gulliver, Kafka’s undead hunter Gracchus, and Chamisso’s long-lived shadowless Peter Schlemihl. Readers of The Enemy of All and No One’s Ways will find a continuation of those books’ intense intellectual adventures, with unexpected questions and arguments arising every step of the way. In a unique voice, Heller-Roazen’s thought and writing capture the intricacies of the all-too-human absent and absented.

Absolute Clauses in English from the Systemic Functional Perspective: A Corpus-Based Study (The M.A.K. Halliday Library Functional Linguistics Series)

by Qingshun He Bingjun Yang

​This book focuses on the structural diversity, semantic variability, case choice, stylistic characteristics and diachronic distribution of English absolute clauses. The syntactic roles assumed by absolute clauses in the traditional sense can be categorized into clausal adjuncts, attendant circumstances and appositives. These three types of function correspond to the three hypotactic expansions in the relation system of clause complexes in Systemic Functional Linguistics, i. e. , elaboration, extension and enhancement. This research, therefore, redefines absolute clauses in the framework of SFL and proposes four syntactic types of absolute clauses: absolute paratactic clauses (elaboration), absolute hypotactic clauses (extension and enhancement), absolute projected clauses (fact and act) and absolute embedded clauses (subject). Based on the Brown family corpora, BNC and COHA, this research finds that different function types of absolute clauses differ in terms of their stylistic and diachronic distributions, and both nominative and accusative cases are acceptable.

The Absolutely Awful Alphabet

by Mordicai Gerstein

The alphabet never looked like this before--these letters have drippy noses, scratchy hair, and green teeth. They chase each other and pinch each other, and stick out their tongues. Zany art gives each letter a spectacular new personality, and the humorous, alliterative text is sure to stretch young readers vocabularies. Readers young and old will never forget these twenty-six letters . . . and will never look at the alphabet the same way again.

Absolutely Lucy #1: Absolutely Lucy (Lucy #1)

by Ilene Cooper Amanda Harvey

Bobby Quinn is shy. In fact, he's so shy, he has trouble making friends. But that changes when he gets a squirmy little puppy for his birthday. Unlike Bobby, Lucy isn't shy at all. And to his surprise, she keeps dragging him into all sorts of adventures--and friendships, too! In this heart warming story of a boy and beagle's friendship, Ilene Cooper begins the series that has charmed young readers and dog lovers alike.From the Trade Paperback edition.

Absolution

by Alice McDermott

A riveting account of women’s lives on the margins of the Vietnam War, from the renowned winner of the National Book Award. <p><p> You have no idea what it was like. For us. The women, I mean. The wives. <p><p> American women—American wives—have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on loan to navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. In Saigon in 1963, the two women form a wary alliance as they balance the era’s mandate to be “helpmeets” to their ambitious husbands with their own inchoate impulse to “do good” for the people of Vietnam. <p><p> Sixty years later, Charlene’s daughter, spurred by an encounter with an aging Vietnam vet, reaches out to Tricia. Together, they look back at their time in Saigon, taking wry account of that pivotal year and of Charlene’s altruistic machinations, and discovering how their own lives as women on the periphery—of politics, of history, of war, of their husbands’ convictions—have been shaped and burdened by the same sort of unintended consequences that followed America’s tragic interference in Southeast Asia. <p><p> A virtuosic new novel from Alice McDermott, one of our most observant, most affecting writers, about folly and grace, obligation, sacrifice, and, finally, the quest for absolution in a broken world.

Absorption and Theatricality: On Ghost Trio (Elements in Beckett Studies)

by Conor Carville

Samuel Beckett's 1976 Television play Ghost Trio is one of his most beautiful and mysterious works. It is also the play that most clearly demonstrates Beckett's imaginative and aesthetic engagement with the visual arts and the history of painting in particular. Drawing on the work of Stanley Cavell and Michael Fried, On Ghost Trio demonstrates Beckett's exploration of the relationship between theatricality, absorption and objecthood, and shows how his work anticipates the development of video and installation art. In doing so Conor Carville develops a new and highly original reading of Beckett's art, rooted in both archival sources and philosophical aesthetics.

Abstimmungskampagnen: Politikvermittlung in der Referendumsdemokratie

by Klaus Kamps Heike Scholten

Die Anforderungen an die Politikvermittlung steigen. Um politisch komplexe Themen einer breiten politischen Öffentlichkeit verständlich zu machen, ist der wachsende Zugriff auf Emotionalisierung und Personalisierung zu beobachten. Nicht selten rückt das eigentliche Thema dabei in den Hintergrund. In Demokratien, in denen direktdemokratische Verfahren die politische Praxis bestimmen, verhält sich das anders. Hier werden die politischen Akteure quasi gezwungen das politische Sachgeschehen rechtzeitig und verständlich zu erklären und ihre Positionen zu begründen. ,,Politische Kampagnen in der Referendumsdemokratie" möchte die professionalisierten Kompetenzen in der politischen Kampagnenführung von Akteuren, die politische Kampagnen regelmäßig unter den Bedingungen einer ,,traditionellen" Referendumsdemokratie führen, für Dritte aufarbeiten.

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