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Satire in the Elizabethan Era: An Activistic Art (Routledge Studies in Renaissance Literature and Culture)
by William JonesThis book argues that the satire of the late Elizabethan period goes far beyond generic rhetorical persuasion, but is instead intentionally engaged in a literary mission of transideological "perceptual translation." This reshaping of cultural orthodoxies is interpreted in this study as both authentic and "activistic" in the sense that satire represents a purpose-driven attempt to build a consensual community devoted to genuine socio-cultural change. The book includes explorations of specific ideologically stabilizing satires produced before the Bishops’ Ban of 1599, as well as the attempt to return nihilistic English satire to a stabilizing theatrical form during the tumultuous end of the reign of Elizabeth I. Dr. Jones infuses carefully chosen, modern-day examples of satire alongside those of the Elizabethan Era, making it a thoughtful, vigorous read.
Satire, Instruction and Useful Knowledge in Eighteenth-Century Britain: The Enlightenment Mock Arts
by Paddy BullardLong before the Industrial Revolution was deplored by the Romantics or documented by the Victorians, eighteenth-century British writers were thinking deeply about the function of literature in an age of invention. They understood the significance of 'how-to' knowledge and mechanical expertise to their contemporaries. Their own framing of this knowledge, however, was invariably satirical, critical, and oblique. While others compiled encyclopaedias and manuals, they wrote 'mock arts'. This satirical sub-genre shaped (among other works) Swift's Gulliver's Travels, Sterne's Tristram Shandy, and Edgeworth's Belinda. Eighteenth-century satirists and poets submitted to a general paradox: the nature of human skilfulness obliged them to write in an indirect and unpractical way about the practical world. As a result, their explorations of mechanical expertise eschewed useable descriptions of the mechanical trades. They wrote instead a long and peculiar line of books that took apart the very idea of an instructional literature: the Enlightenment Mock Arts.
Satire or Evasion?: Black Perspectives on Huckleberry Finn
by James S. Leonard Thomas A. Tenney Thadious M. DavisThough one of America's best known and loved novels, Mark Twain's Adventures of Huckleberry Finn has often been the object of fierce controversy because of its racist language and reliance on racial stereotypes. This collection of fifteen essays by prominent African American scholars and critics examines the novel's racist elements and assesses the degree to which Twain's ironies succeed or fail to turn those elements into a satirical attack on racism. Ranging from the laudatory to the openly hostile, these essays include personal impressions of Huckleberry Finn, descriptions of classroom experience with the book, evaluations of its ironic and allegorical aspects, explorations of its nineteenth-century context, and appraisal of its effects on twentieth-century African American writers. Among the issues the authors contend with are Twain's pervasive use of the word "nigger," his portrayal of the slave Jim according to the conventions of the minstrel show "darky," and the thematic chaos created by the "evasion" depicted in the novel's final chapters. Sure to provoke thought and stir debate, Satire or Evasion? provides a variety of new perspectives on one of this country's most troubling classics. Contributors. Richard K. Barksdale, Bernard W. Bell, Mary Kemp Davis, Peaches M. Henry, Betty Harris Jones, Rhett S. Jones, Julius Lester, Donnarae MacCann, Charles H. Nichols, Charles H. Nilon, Arnold Rampersad, David L. Smith, Carmen Dubryan, John H. Wallace, Kenny Jackson Williams, Fredrick Woodard
Satiric Advice on Women and Marriage: From Plautus to Chaucer
by Warren S. SmithScholars of classics and religion, mostly British or American, sample satiric attitudes about women and marriage written in Latin from about 200 BC through Walter Map in the 12th century, with two closing chapters on Chaucer writing in Middle English during the 14th. Among their topics are Roman education and Greek rhetorical thought on marriage, advice on sex by the self-defeating satirists, Jerome and the asceticization of satire, change and continuity in pagan thought and Christian invective on women and marriage from Antiquity to the Middle Ages, and antifeminism in the High Middle Ages. Annotation ©2004 Book News, Inc. , Portland, OR (booknews. com)
The Satirist: His Temperament, Motivation, And Influence
by Theodore DraperSatire takes as its subject the absurdity of human beings, their societies, and the institutions they create. For centuries, satirists themselves, scholars, critics, and psychologists have speculated about the satirist's reasons for writing, temperament, and place in society. The conclusions they have reached are sometimes contradictory, sometimes complementary, sometimes outlandish. In this volume, Leonard Feinberg brings together the major theories about the satirist, to provide in one book a summary of the problems that specialists have examined intensively in numerous books and articles.In part 1, Feinberg examines the major theories about the motivation of the satirist, and then proposes that "adjustment" comes most closely to answering this question. In his view, the satirist resolves his ambivalent relation to society through a playfully critical distortion of the familiar. The personality of the satirist, the apparently paradoxical elements of his nature, the problem of why so many great humorists are sad men, and the contributions of psychoanalysts are explored in part 2, where Feinberg contends that the satirist is not as abnormal as he has sometimes been made to seem, and that if he is a neurotic he shares traits of emotional or social alienation with many others. Part 3 explores the beliefs of satirists and their relation to the environment within which they function, particularly in the contexts of politics, religion, and philosophy. Feinberg stresses the ubiquity of the satirist and suggests that there are a great many people with satiric temperaments who fail to attain literary expression.Ranging with astonishing breadth, both historical and geographical, The Satirist serves as both an introduction to the subject and an essential volume for scholars. Brian A. Connery's introduction provides an overview of Feinberg's career and situates the volume in the intellectual currents in which it was written.
The Satthianadhan Family Album
by Eunice De SouzaMiscellaneous writings of the members of the Satthianadhan family, edited by Eunice de Souza.
Saturn's Moons: A W.G Sebald Handbook
by Jo CatlingThe German novelist, poet and critic W. G. Sebald (1944-2001) has in recent years attracted a phenomenal international following for his evocative prose works such as Die Ausgewanderten (The Emigrants), Die Ringe des Saturn (The Rings of Saturn) and Austerlitz, spellbinding elegiac narratives which, through their deliberate blurring of genre boundaries and provocative use of photography, explore questions of Heimat and exile, memory and loss, history and natural history, art and nature. Saturn's Moons: a W. G. Sebald Handbook brings together in one volume a wealth of new critical and visual material on Sebald's life and works, covering the many facets and phases of his literary and academic careers -- as teacher, as scholar and critic, as colleague and as collaborator on translation. Lavishly illustrated, the Handbook also contains a number of rediscovered short pieces by W. G. Sebald, hitherto unpublished interviews, a catalogue of his library, and selected poems and tributes, as well as extensive primary and secondary bibliographies, details of audiovisual material and interviews, and a chronology of life and works. Drawing on a range of original sources from Sebald's Nachlass - the most important part of which is now held in the Deutsches Literaturarchiv Marbach - Saturn's Moons6g will be an invaluable sourcebook for future Sebald studies in English and German alike, complementing and augmenting recent critical works on subjects such as history, memory, modernity, reader response and the visual. The contributors include Mark Anderson, Anthea Bell, Ulrich von Buelow, Jo Catling, Michael Hulse, Florian Radvan, Uwe Schuette, Clive Scott, Richard Sheppard, Gordon Turner, Stephen Watts and Luke Williams. Jo Catling teaches in the School of Literature at the University of East Anglia and Richard Hibbitt in the Department of French at the University of Leeds.
The Satyricon: the Apocolocyntosis
by Petronius SenecaPerhaps the strangest - and most strikingly modern - work to survive from the ancient world, The Satyricon relates the hilarious mock epic adventures of the impotent Encolpius, and his struggle to regain virility. Here Petronius brilliantly brings to life the courtesans, legacy-hunters, pompous professors and dissolute priestesses of the age - and, above all, Trimalchio, the archetypal self-made millionaire whose pretentious vulgarity on an insanely grand scale makes him one of the great comic characters in literature. Seneca's The Apocolocyntosis, a malicious skit on 'the deification of Claudius the Clod', was designed by the author to ingratiate himself with Nero, who was Claudius' successor. Together, the two provide a powerful insight into a darkly fascinating period of Roman history.
Saudi Women Writers: Sociopolitical and Literary Landscapes
by null Basma A. Al MutlaqSaudi Women Writers: Sociopolitical and Literary Landscapes details the achievements of Saudi women fiction writers from the 1960s up to the present day, many of whose works have yet to be published in English translation.This book explores how various Saudi women writers’ works reflect deep social, religious and political changes over several key phases: the secularism of the 1960s and 1970s; the 1980s religious revival, or saḥwa; the post-saḥwa period; and the era of globalization. Engaging with intersectional feminism, that studies women’s texts as a multifaceted space of identity, power and agency, with the capacity to critique, and possibly dismantle, traditional hierarchies, especially amidst evolving social, religious and political landscapes. By examining the works of Samira Khashugji, Qmasha al-Olayyan, Omima al-Khamis, Zaineb Hefny, Badriya al-Beshir, Raja al-Sanea, Saba al-Herz and Warda Abdul Malik, this book charts a fresh course in literary criticism, moving beyond restrictive and monolithic perspectives.Saudi Women Writers: Sociopolitical and Literary Landscapes is an important and unique text which will be of use to both students and scholars of Gender Studies, Literature, Middle Eastern Studies, and Politics.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
Saul: A Drama, in Three Parts (Second Edition)
by Charles Heavysege Douglas LochheadCharles Heavysege's chief and best-known work, the long-verse drama and tragedy Saul, was published in Montreal in 1857. Coventry Patmore, reviewing Saul in the North British Review, ranked it as the greatest English poem published outside Great Britain. Hawthorne, Emerson, and Longfellow were all enthusiastic in their praise, and the play went into three editions. Saul is a drama of 135 scenes containing the remarkable character of the fallen angel Malzah, who has been compared by critics to Shakespeare’s Caliban. Itis a powerful presentation of the tormented soul caught in a world of order and universal degree. Its main interest is to be found in the psychological frankness - Saul's recognition of his demon resonates with the deeper implication of the recognition of the döppelgänger - and in passages of sinewy verse written with a directness that anticipates E.J. Pratt.
Saul and Selected Poems: A Poem in Three Cantos
by Charles Heavysege Sandra Djwa Douglas LochheadSaul and Selected Poems is an original and useful introduction to the work and poetic personality of Charles Heavysege (1816-76), an important but currently neglected nineteenth-century Canadian writer. Heavysege was handicapped by a limited education and a lack of public support, yet nonetheless established himself in Great Britain and America as the 'leading intellect of [the] Dominion' in a period when native literature was scantily regarded. His struggle to express himself and to find an audience for his work mirrors the dilemma of the émigré writer of his time. Heavysege's work is related in this volume to the early nineteenth-century English revival of poetic drama, and seen in the context of the Canadian cultural milieu of the 1860s. Saul is a powerful presentation of the tormented soul caught in a world of order and universal degree. Its main interest is to be found in the psychological frankness - Saul's recognition of his demon resonates with the deeper implication of the recognition of the döppelgänger - and in passages of sinewy verse written with a directness that anticipates E.J. Pratt. The text of Saul and 'Jezebel,' selections from Jephthah's Daughter, an original commentary on the major poems, a bibliography, and a review of Heavysege criticism are all included in this volume. (Literature of Canada 19)
Saul Bellow: "I Was a Jew and an American and a Writer" (The Modern Jewish Experience)
by Gerald SorinSaul Bellow: "I Was a Jew and an American and a Writer" offers a fresh and original perspective on the life and works of Saul Bellow, the Nobel Prize winner in Literature in 1976. Author Gerald Sorin emphasizes Bellow's Jewish identity as fundamental to his being and the content and meaning of his fiction. Bellow's work from the 1940s to 2000, when he wrote his last novel at the age of 84, centers on the command in Deuteronomy to "Choose life" as distinct from nihilistic withdrawal and the defense of meaninglessness.Although Bellow disdained the label of "American Jewish Writer," Sorin conjectures that he was an outstanding representative of the classification. Bellow and the characters in his fiction not only choose life but also explore what it means to live a good life, however difficult that may be to define, and regardless of how much harder it is to achieve. For Sorin, Bellow realized that at least two obstacles stood in the way: the imperfection of the world and the frailty of the human pursuer.Saul Bellow: "I Was a Jew and an American and a Writer" provides a new and insightful narrative of the life and works of Saul Bellow. By using Bellow's deeply internalized Jewishness and his remarkable imagination and creativity as a lens, Sorin examines how he captured the shifting atmosphere of postwar American culture.
Saul Steinberg's Literary Journeys: Nabokov, Joyce, and Others
by Jessica R. FeldmanSaul Steinberg’s inimitable drawings, paintings, and assemblages enriched the New Yorker, gallery and museum shows, and his own books for more than half a century. Although the literary qualities of Steinberg’s work have often been noted in passing, critics and art historians have yet to fathom the specific ways in which Steinberg meant drawing not merely to resemble writing but to be itself a type of literary writing. Jessica R. Feldman's Saul Steinberg’s Literary Journeys, the first book-length critical study of Steinberg’s art and its relation to literature, explores his complex literary roots, particularly his affinities with modernist aesthetics and iconography. The Steinberg who emerges is an artist of far greater depth than has been previously recognized. Feldman begins her study with a consideration of Steinberg as a reader and writer, including a survey of his personal library. She explores the practice of modernist parody as the strongest affinity between Steinberg and the two authors he repeatedly claimed as his "teachers"—Vladimir Nabokov and James Joyce. Studying Steinberg’s art in tandem with readings of selected works by Nabokov and Joyce, Feldman explores fascinating bonds between Steinberg and these writers, from their tastes for parody and popular culture to their status as mythmakers, émigrés, and perpetual wanderers. Further, Feldman relates Steinberg’s uniquely literary art to a host of other authors, including Rimbaud, Baudelaire, Flaubert, Gogol, Tolstoy, and Defoe. Generously illustrated with the artist’s work and drawing on invaluable archival material from the Saul Steinberg Foundation, this innovative fusion of literary history and art history allows us to see anew Steinberg’s art.
Saussure’s Linguistics, Structuralism, and Phenomenology: The Course in General Linguistics after a Century
by Beata StawarskaThis is the first English-language guidebook geared at an interdisciplinary audience that reflects relevant scholarly developments related to the legacy and legitimacy of Ferdinand de Saussure's Course in General Linguistics (1916) today. It critically assesses the relation between materials from the Course and from the linguist’s Nachlass (works unpublished or even unknown at Saussure’s death, some of them recently discovered). This book pays close attention to the set of oppositional pairings: the signifier and the signified, la langue (language system) and la parole (speech), and synchrony and diachrony, that became the hallmark of structuralism across the humanities. Sometimes referred to as the “Saussurean doctrine,” this hierarchical conceptual apparatus becomes revised in favor of a horizontal set of relations, which co-involves speaking subjects and linguistic structures. This book documents the continued relevance of Saussure’s linguistics in the 21st Century, and it sheds light on its legacy within structuralism and phenomenology. The reader can consult the book on its own, or in tandem with the 1916 Course.
The Savage and Modern Self: North American Indians in Eighteenth-Century British Literature and Culture
by Robbie RichardsonThe Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.
The Savage And The City In The Work Of T. S. Eliot (Oxford English Monographs)
by Robert CrawfordThe twin concerns of primitive and metropolitan life nourished T.S. Eliot's imagination through his childhood and student years and developed to mould and underpin his writing. Ranging from Dr Sweany of St Louis and Eliot's intense interest in anthropology to his interest in Victorian urbanwriting and popular American models, this book throws new light on Eliot's major works, particularly on The Waste Land and Sweeney Agonistes. In understanding how a great poet obsessively and continually brought together `savages' and the sophisticated as well as slum-dwelling members of modernurban society, we can see his work afresh as possessing remarkable and profound excitement as well as unusual integrity.
The Savage Detectives Reread (Rereadings)
by David KurnickThe Savage Detectives elicits mixed feelings. An instant classic in the Spanish-speaking world upon its 1998 publication, a critical and commercial smash on its 2007 translation into English, Roberto Bolaño’s novel has also been called an exercise in 1970s nostalgia, an escapist fantasy of a romanticized Latin America, and a publicity event propped up by the myth of the bad-boy artist.David Kurnick argues that the controversies surrounding Bolaño’s life and work have obscured his achievements—and that The Savage Detectives is still underappreciated for the subtlety and vitality of its portrait of collective life. Kurnick explores The Savage Detectives as an epic of social structure and its decomposition, a novel that restlessly moves between the big configurations—of states, continents, and generations—and the everyday stuff—parties, jobs, moods, sex, conversation—of which they’re made. For Kurnick, Bolaño’s book is a necromantic invocation of life in history, one that demands surrender as much as analysis.Kurnick alternates literary-critical arguments with explorations of the novel’s microclimates and neighborhoods—the little atmospheric zones where some of Bolaño’s most interesting rethinking of sexuality, politics, and literature takes place. He also claims that The Savage Detectives holds particular interest for U.S. readers: not because it panders to them but because it heralds the exhilarating prospect of a world in which American culture has lost its presumptive centrality.
The Savage in Literature: Representations of 'primitive' society in English fiction 1858-1920 (Routledge Library Editions: The Nineteenth-Century Novel #37)
by Brian V. StreetFirst published in 1975, this study is concerned with the representation of non-European people in English popular fiction in the period from 1858-1920. It examines the developments in thinking about people across the world and shows how they affected writers’ views of evolution, race, heredity and of the life of the so-called ‘primitive’ man. This book will be of interest to those studying 19th century literature.
Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo
by Peter RichardsonA superbly crafted study of Hunter S. Thompson’s literary formation, achievement, and continuing relevance. Savage Journey is a "supremely crafted" study of Hunter S. Thompson's literary formation and achievement. Focusing on Thompson's influences, development, and unique model of authorship, Savage Journey argues that his literary formation was largely a San Francisco story. During the 1960s, Thompson rode with the Hell's Angels, explored the San Francisco counterculture, and met talented editors who shared his dissatisfaction with mainstream journalism. Author Peter Richardson traces Thompson's transition during this time from New Journalist to cofounder of Gonzo journalism. He also endorses Thompson's later claim that he was one of the best writers using the English language as both a musical instrument and a political weapon. Although Thompson's political commentary was often hyperbolic, Richardson shows that much of it was also prophetic. Fifty years after the publication of Fear and Loathing in Las Vegas, and more than a decade after his death, Thompson's celebrity continues to obscure his literary achievement. This book refocuses our understanding of that achievement by mapping Thompson's influences, probing the development of his signature style, and tracing the reception of his major works. It concludes that Thompson was not only a gifted journalist, satirist, and media critic, but also the most distinctive American voice in the second half of the twentieth century.
Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks
by Peter GayA revelatory work that examines the intricate relationship between history and literature, truth and fiction--with some surprising conclusions. Focusing on three literary masterpieces--Charles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)--Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel. Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. A New York Times Notable Book and a Best Book of 2002.
Savagism and Civilization: A Study of the Indian and the American Mind
by Roy Harvey PearceFirst published in 1953, revised in 1964, and presented here with a new foreword by Arnold Krupat and new postscript by the author, Roy Harvey Pearce's "Savagism and Civilization" is a classic in the genre of history of ideas. Examining the political pamphlets, missionaries' reports, anthropologists' accounts, and the drama, poetry, and novels of the 18th and early 19th centuries, Professor Pearce traces the conflict between the idea of the noble savage and the will to Christianize the heathen and appropriate their land, which ended with the near extermination of Native American culture.
Save The Cat!: The Last Book on Screenwriting You'll Ever Need
by Blake SnyderThis fun-to-read insiders guide reveals the truth about what it takes to craft and sell a script. After a lucrative 20-year career that includes working with some of the top producers in Hollywood, Snyder opens up his notebooks and shows how he creates, develops, beats out and writes a screenplay that accommodates the business practices of the script buyers.
Save the Cake! (Bright Owl Books)
by Molly CoxeKate and Nate baked a cake. Can they keep it safe from Snake? This fun photographic easy-to-read story features the long "a" vowel sound. Kane Press's new series of super simple easy-to-reads, Bright Owl Books, adds Molly Coxe's five fun photographic long vowel stories, which are each only around 100–200 words. Molly Coxe's stories help kids learn to read by teaching the basic building blocks of reading—vowel sounds. With a note to parents and teachers at the beginning and story starters at the end, these books give kids the perfect start on educational success. Bright Owl Books make bright owl readers!
Save the Cat! Writes a Novel: The Last Book On Novel Writing You'll Ever Need (Save the Cat!)
by Jessica BrodyThe first novel-writing guide from the best-selling Save the Cat! story-structure series, which reveals the 15 essential plot points needed to make any novel a success.Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot that will captivate--and a novel that will sell.
Save the Cat! Writes a Young Adult Novel: The Ultimate Guide to Writing a YA Bestseller (Save the Cat!)
by Jessica BrodyAn indispensable guide in the bestselling Save the Cat! story structure series that reveals the 15 essential plot points needed to make any young adult novel a success, from an accomplished novelist and the author of Save the Cat! Writes a Novel.In Save the Cat! Writes a Young Adult Novel, prolific author and story coach Jessica Brody presents a comprehensive story structure guide for anyone who wants to write a young adult novel by applying the famed Save the Cat! screenwriting methodology to the world of YA fiction. In this book, you will learn: • The fifteen &“beats&” (or plot points) that are necessary for crafting a successful story with a compelling character arc—including the Opening Image, Catalyst, Fun and Games, Bad Guys Close In, Dark Night of the Soul, and Finale• The ten universal story genres that will help you drill into what makes your type of story work, including those most commonly found in young adult novels like Rites of Passage, Superhero, Buddy Love, Institutionalized, and Golden Fleece• Quirky, original insights and writing tips like &“Save the Cat,&” the &“Shard of Glass,&” and the &“Dark Night Epiphany,&” that help you craft a story that will thrill and captivate teen readersFilled with practical advice, easy-to-follow templates, and &“beat sheets&” analyzing the structure of popular young adult novels such as Leigh Bardugo&’s Six of Crows, John Green&’s The Fault in Our Stars, and Lois Lowry&’s The Giver, this book is the ultimate reference for anyone who&’s ever dreamed of writing their own young adult bestseller.