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Sophia Parnok: The Life and Work of Russia's Sappho
by Diana L. Burgin"The weather in Moscow is good, there's no cholera, there's also no lesbian love... Brrr! Remembering those persons of whom you write me makes me nauseous as if I'd eaten a rotten sardine. Moscow doesn't have them--and that's marvellous." Anton Chekhov, writing to his publisher in 1895. Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life. Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters. Despite her unique contribution to modern Russian lyricism however, Parnok's life and work have essentially been forgotten. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles. From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues. Parnok's approach to her sexuality was equally forthright. Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence. Diana Burgin's extensively researched life of Parnok is deliberately woven around the poet's own account, visible in her writings. The book is divided into seven chapters, which reflect seven natural divisions in Parnok's life. This lends Burgin's work a particular poetic resonance, owing to its structural affinity with one of Parnok's last and greatest poetic achievements, the cycle of love lyrics Ursa Major. Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation. Parnok's poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet. Burgin's work is essential reading for students of Russian literature, lesbian history and women's studies.
Sophia Parnok: The Life and Work of Russia's Sappho (The Cutting Edge: Lesbian Life and Literature Series)
by Diana L. BurginThe weather in Moscow is good, there's no cholera, there's also no lesbian love...Brrr! Remembering those persons of whom you write me makes me nauseous as if I'd eaten a rotten sardine. Moscow doesn't have them--and that's marvellous."-Anton Chekhov, writing to his publisher in 1895 Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life. Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters. Despite her unique contribution to modern Russian lyricism however, Parnok's life and work have essentially been forgotten. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles. From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues. Parnok's approach to her sexuality was equally forthright. Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence. Diana Burgin's extensively researched life of Parnok is deliberately woven around the poet's own account, visible in her writings. The book is divided into seven chapters, which reflect seven natural divisions in Parnok's life. This lends Burgin's work a particular poetic resonance, owing to its structural affinity with one of Parnok's last and greatest poetic achievements, the cycle of love lyrics Ursa Major. Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation. Parnok's poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet. Burgin's work is essential reading for students of Russian literature, lesbian history and women's studies.
Sophie la girafe: Peekaboo ABC (Sophie la Girafe)
by DKLearn your alphabet with Sophie! Teach your child all about letters through colorful and familiar objects, from apples to tigers to zebras--with peekaboo surprises to keep your little one's attention!
Sophistical Rhetoric in Classical Greece (Studies in Rhetoric & Communication)
by John PoulakosAn expert in rhetoric offers a new perspective on the ancient concept of sophistry, exploring why Plato, Isocrates, and Aristotle found it objectionable.In Sophistical Rhetoric in Classical Greece, John Poulakos argues that a proper understanding of sophistical rhetoric requires a grasp of three cultural dynamics of the fifth century B.C.: the logic of circumstances, the ethic of competition, and the aesthetic of exhibition. Traced to such phenomena as everyday practices, athletic contests, and dramatic performances, these dynamics defined the role of sophistical rhetoric in Hellenic culture and explain why sophistry has traditionally been understood as inconsistent, agonistic, and ostentatious.In his discussion of ancient responses to sophistical rhetoric, Poulakos observes that Plato, Isocrates, and Aristotle found sophistry morally reprehensible, politically useless, and theoretically incoherent. At the same time, they produced their own version of rhetoric that advocated ethical integrity, political unification, and theoretical coherence. Poulakos explains that these responses and alternative versions were motivated by a search for solutions to such historical problems as moral uncertainty, political instability, and social disorder. Poulakos concludes that sophistical rhetoric was as necessary in its day as its Platonic, Isocratean, and Aristotelian counterparts were in theirs.
Sophocles: The Classical Heritage (Routledge Revivals)
by Roger DaweSophocles: The Classical Heritage, first published in 1996, contains a diverse collection of reflection, ranging from the 16th century to the 20th, on one of the three great Attic tragedians, the author of perhaps the most famous play of all time. With the entire notion of ‘Western culture’ under duress, the need to establish continuity from antiquity to modernity is as pressing as ever. Each essay, selected by Professor Dawe, explores a theme or concept derived from the tragic vision of the Sophoclean universe which is still of relevance today. An enormous range of topics is investigated, in a variety of modes and styles: the linguistic challenges of translation, the psychology of Sigmund Freud, Enlightenment critiques, the history of performance conventions, dramatic structure and technique, and issues facing the modern director. Overall, Professor Dawe offers a staggering selection of responses, which cumulatively demonstrate the continuing importance and fascination of Sophocles’ legacy.
Sophocles: A Study of His Theater in Its Political and Social Context
by Jacques JouannaHere, for the first time in English, is celebrated French classicist Jacques Jouanna's magisterial account of the life and work of Sophocles. Exhaustive and authoritative, this acclaimed book combines biography and detailed studies of Sophocles' plays, all set in the rich context of classical Greek tragedy and the political, social, religious, and cultural world of Athens's greatest age, the fifth century.Sophocles was the commanding figure of his day. The author of Oedipus Rex and Antigone, he was not only the leading dramatist but also a distinguished politician, military commander, and religious figure. And yet the evidence about his life has, until now, been fragmentary.Reconstructing a lost literary world, Jouanna has finally assembled all the available information, culled from inscriptions, archaeological evidence, and later sources. He also offers a huge range of new interpretations, from his emphasis on the significance of Sophocles' political and military offices (previously often seen as honorary) to his analysis of Sophocles' plays in the mythic and literary context of fifth-century drama.Written for scholars, students, and general readers, this book will interest anyone who wants to know more about Greek drama in general and Sophocles in particular. With an extensive bibliography and useful summaries not only of Sophocles' extant plays but also, uniquely, of the fragments of plays that have been partially lost, it will be a standard reference in classical studies for years to come.
Sophocles: The Theban Plays (Cambridge Greek And Latin Classics Ser.)
by SophoclesLinked by their common setting in Thebes, Antigone, Oedipus the King, and Oedipus at Colonus stand at the fountainhead of world drama. This volume presents a new, and accurate yet poetic and playable translation by playwright Don Taylor, who has also directed plays for a BBC-TV production.
Sophocles' Philoctetes and the Great Soul Robbery
by Norman AustinNorman Austin brings both keen insight and a life-long engagement with his subject to this study of Sophocles' late tragedyPhiloctetes, a fifth-century BCE play adapted from an infamous incident during the Trojan War. InSophocles' "Philoctetes" and the Great Soul Robbery, Austin examines the rich layers of text as well as context, situating the play within the historical and political milieu of the eclipse of Athenian power. He presents a study at once of interest to the classical scholar and accessible to the general reader. Though the play, written near the end of Sophocles' career, is not as familiar to modern audiences as his Theban plays,Philoctetesgrapples with issues-social, psychological, and spiritual-that remain as much a part of our lives today as they were for their original Athenian audience.
Sophocles' Tragic World: Divinity, Nature, Society
by Charles SegalIn a series of engagingly written interconnected essays, Segal studies five of Sophocles' seven extant plays: Ajax, Oedipus Tyrannus, Philoctetes, Antigone, and the often neglected Trachinian Women.
Sor Juana Inés de la Cruz and the Gender Politics of Knowledge in Colonial Mexico (New Hispanisms: Cultural and Literary Studies)
by Stephanie KirkEach of the book's five chapters evokes a colonial Mexican cultural and intellectual sphere: the library, anatomy and medicine, spirituality, classical learning, and publishing and printing. Using an array of literary texts and historical documents and alongside secondary historical and critical materials, the author Stephanie Kirk demonstrates how Sor Juana used her poetry and other works to inscribe herself within the discourses associated with these cultural institutions and discursive spheres and thus challenge the male exclusivity of their precepts and precincts. Kirk illustrates how Sor Juana subverted the masculine character of erudition, writing herself into an all-male community of scholars. From there, Sor Juana clearly questions the gender politics at play in her exclusion, and undermines what seems to be the inextricable link previously forged between masculinity and institutional knowledge. Sor Juana Inés de la Cruz and the Gender Politics of Knowledge in Colonial Mexico opens up new readings of her texts through the lens of cultural and intellectual history and material culture in order to shed light on the production of knowledge in the seventeenth-century colonial Mexican society of which she was both a product and an anomaly.
Sorcery & Cecelia: Or, The Enchanted Chocolate Pot (The Cecelia and Kate Novels #1)
by Patricia C. Wrede Caroline StevermerTwo young ladies contend with the Royal College of Wizards in Regency London: First in the series filled with &“magical twists and turns&” (San Diego Union-Tribune). Since they were children, cousins Kate and Cecelia have been inseparable. But in 1817, as they approach adulthood, their families force them to spend a summer apart. As Cecelia fights boredom in her small country town, Kate visits London to mingle with the brightest lights of English society. At the initiation of a powerful magician into the Royal College of Wizards, Kate finds herself alone with a mysterious witch who offers her a sip from a chocolate pot. When Kate refuses the drink, the chocolate burns through her dress and the witch disappears. It seems that strange forces are convening to destroy a beloved wizard, and only Kate and Cecelia can stop the plot. But for two girls who have to contend with the pressures of choosing dresses and beaux for their debuts, deadly magic is only one of their concerns. This ebook features illustrated biographies of Patricia C. Wrede and Caroline Stevermer including rare photos and never-before-seen documents from the authors&’ personal collections.
Sordid Images: The Poetry of Masculine Desire
by Steve ClarkIn this extraordinary and bold book, S.H. Clark explores and constructs a history of poetic misogyny. For the first time, a wide range of English poetry by men is examined for evidence of the articulation of heterosexual masculine desires. But Clark goes beyond a straightforward oppositional model of reading the male canon, to ask how we read this work 'after feminism', and whether it is possible to value these texts as misogynist texts in the light of feminist theory? Sordid Images is a challenging, controversial book. It will excite and unsettle its readers, and inspire many to look again at some of the cornerstone works of English literature.
The Sorrows of Fat City: A Selection of Literary Essays and Reviews
by George P. Garrett"The Sorrows of Fat City" is a representative sampling of critical literary essays written by George Garrett and published between 1957 and 1990. One of America's most accomplished and highly acclaimed writers, poet and novelist Garrett has been writing book reviews and critical essays since the outset of his career. In this volume, he treats several subjects including the Elizabethans, writers who have influenced him, the work of William Faulkner, Southern literature, and contemporary writers.
Sorry, No English: 50 Tips to Improve your Communication with Speakers of Limited English
by Craig StortiHave you ever struggled to communicate with a limited-English speaker? Have you been frustrated by unsuccessful interactions with non-native English speakers? Did you know there is a simple solution to improve cross-cultural communication in English?What most of us native speakers overlook in these situations is that the problem here may not be the limited English of the other person; it could be our English. And while we certainly can't do anything about the former, we can do a great deal about the latter.This short book gives 50 practical tools to help you become aware of and adapt your own language to completely transform exchanges with limited-English speakers and greatly increase the chances of a satisfying outcome for both you and the limited-English speaker you're trying to help or serve. And the good news is: it is not that difficult and it is entirely in the hands of the native speaker.Craig Storti is a nationally known figure with over 30 years of experience in the field of intercultural communications and cross-cultural adaptation, and the author of several standard works, including Culture Matters, a cross-cultural workbook used by the U. S. government in over 90 countries. He has successfully led workshops on cultural diversity for Fortune 500 companies, hotels such as Marriott, diplomats, civil servants, and foreign aid workers. But it was his 90-minute segments on common mistakes native speakers make when talking to limited-English speakers and how participants could improve interactions that became the most popular and useful aspect of his training. This much-needed book is ideal for anyone working in a public-facing job from government to hospitality, health care, international organizations, human resources, cross-cultural and diversity training, English as a second language teaching, foreign aid, or those with a love of language, culture and communication.
Sorry, No English: 50 Tips to Improve your Communication with Speakers of Limited English
by Craig StortiHave you ever struggled to communicate with a limited-English speaker? Have you been frustrated by unsuccessful interactions with non-native English speakers? Did you know there is a simple solution to improve cross-cultural communication in English?What most of us native speakers overlook in these situations is that the problem here may not be the limited English of the other person; it could be our English. And while we certainly can't do anything about the former, we can do a great deal about the latter.This short book gives 50 practical tools to help you become aware of and adapt your own language to completely transform exchanges with limited-English speakers and greatly increase the chances of a satisfying outcome for both you and the limited-English speaker you're trying to help or serve. And the good news is: it is not that difficult and it is entirely in the hands of the native speaker.Craig Storti is a nationally known figure with over 30 years of experience in the field of intercultural communications and cross-cultural adaptation, and the author of several standard works, including Culture Matters, a cross-cultural workbook used by the U. S. government in over 90 countries. He has successfully led workshops on cultural diversity for Fortune 500 companies, hotels such as Marriott, diplomats, civil servants, and foreign aid workers. But it was his 90-minute segments on common mistakes native speakers make when talking to limited-English speakers and how participants could improve interactions that became the most popular and useful aspect of his training. This much-needed book is ideal for anyone working in a public-facing job from government to hospitality, health care, international organizations, human resources, cross-cultural and diversity training, English as a second language teaching, foreign aid, or those with a love of language, culture and communication.
Souffles-Anfas
by Olivia Harrison Teresa Villa-IgnacioSouffles-Anfas: A Critical Anthology from the Moroccan Journal of Culture and Politics introduces and makes available, for the first time in English, an incandescent corpus of experimental leftist writing from North Africa. Founded in 1966 by Abdellatif Laâbi and a small group of avant-garde Moroccan poets and artists and banned in 1972, Souffles-Anfas was one of the most influential literary, cultural, and political reviews to emerge in postcolonial North Africa. An early forum for tricontinental postcolonial thought and writing, the journal published texts ranging from experimental poems, literary manifestos, and abstract art to political tracts, open letters, and interviews by contributors from the Maghreb, the Middle East, Africa, Europe, and the Americas. The essays, poems, and artwork included in this anthology--by the likes of Abdelkebir Khatibi, Tahar Ben Jelloun, Albert Memmi, Etel Adnan, Sembene Ousmane, René Depestre, and Mohamed Melehi--offer a unique window into the political and artistic imaginaries of writers and intellectuals from the Global South, and resonate with particular acuity in the wake of the Arab Spring. A critical introduction and section headnotes make this collection the perfect companion for courses in postcolonial theory, world literature, and poetry in translation.
Soul and Form (Columbia Themes in Philosophy, Social Criticism, and the Arts)
by Georg LukácsGyörgy Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text.For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukács wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukács's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukácsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.
Soul and Mind in Greek Thought. Psychological Issues in Plato and Aristotle (Studies in the History of Philosophy of Mind #20)
by Marcelo D. Boeri Yasuhira Y. Kanayama Jorge MittelmannThis book offers new insights into the workings of the human soul and the philosophical conception of the mind in Ancient Greece. It collects essays that deal with different but interconnected aspects of that unified picture of our mental life shared by all Ancient philosophers who thought of the soul as an immaterial substance. The papers present theoretical discussions on moral and psychological issues ranging from Socrates to Aristotle, and beyond, in connection with modern psychology. Coverage includes moral learning and the fruitfulness of punishment, human motivation, emotions as psychic phenomena, and more. Some of these topics directly stemmed from the Socratic dialectical experience and its tragic outcome, whereas others found their way through a complex history of refinements, disputes, and internal critique. The contributors present the gradual unfolding of these central themes through a close inspection of the relevant Ancient texts. They deliver a wide-ranging survey of some central and mutually related topics. In the process, readers will learn new approaches to Platonic and Aristotelian psychology and action theory. This book will appeal to graduate students and researchers in Ancient philosophy. Any scholar with a general interest in the history of ideas will also find it a valuable resource.
Soul at the White Heat: Inspiration, Obsession, and the Writing Life
by Joyce Carol OatesA new collection of critical and personal essays on writing, obsession, and inspiration from National Book Award-winning and New York Times bestselling author Joyce Carol Oates."Why do we write?"With this question, Joyce Carol Oates begins an imaginative exploration of the writing life, and all its attendant anxieties, joys, and futilities, in this collection of seminal essays and criticism. Leading her quest is a desire to understand the source of the writer's inspiration--do subjects haunt those that might bring them back to life until the writer submits? Or does something "happen" to us, a sudden ignition of a burning flame? Can the appearance of a muse-like Other bring about a writer's best work?In Soul at the White Heat, Oates deploys her keenest critical faculties, conjuring contemporary and past voices whose work she deftly and creatively dissects for clues to these elusive questions. Virginia Woolf, John Updike, Emily Dickinson, Henry James, J. M. Coetzee, Margaret Atwood, Joan Didion, Zadie Smith, and many others appear as predecessors and peers--material through which Oates sifts in acting as literary detective, philosopher, and student. The book is at its most thrilling when watching the writer herself at work, and Oates provides rare insight into her own process, in candid, self-aware dispatches from the author's own writing room. The New York Times Book Review has raved, "who better than Joyce Carol Oates . . . to explicate the craft of writing?" Longtime admirers of Joyce Carol Oates's novels as well as her prose will discover much to be inspired by and obsess upon themselves in this inventive collection from an American master.
The Soul of an Indian
by Kent NerburnOhiyesa, a Dakota Indian also known as Charles Alexander Eastman, is one of America's most fascinating and overlooked individuals. Born in Minnesota in 1858, he obtained postgraduate degrees and advised U.S. presidents before returning to traditional living in native forests. This reissue contains Ohiyesa's insights on spirit, the human experience, and white culture's impact on Native American culture.
The Soul of Creative Writing
by Richard Goodman"I have a faith in language," said the poet W. S. Merwin. "It's the ultimate achievement that we as a species have evolved so far." Language is a deep ocean of living words, as varied as undersea life. It is a gift inherited by each person when he or she is born; it can be corrupted and regulated, but it cannot be owned. It is an enormous, complex, inexhaustible gift. The Soul of Creative Writing is a tribute to language and to its potentials. It explores the elements of language, style, rhythm, sound, and the choice of the right word. Richard Goodman paints an image of how language can produce a life and meaning that otherwise cannot exist in the symbols themselves.Goodman's stunningly creative collection was written after a lifetime of working and struggling with language. He collects rich examples from writers of the past and present, both great and small, and uses them to illustrate how each element of our written language can be used. The book begins with an analysis of words and how they can be used to create music on the page. Goodman uncovers the strength of words, writing about the shades of meaning that make the search for the exact word both arduous and immensely rewarding. He discusses how to find the proper title and how to find a fitting subject. He show how to create nonfiction work that is vivid and memorable through the use of the same techniques fiction writers employ.Goodman's volume is written with humor and clarity--with fascination and reverence. Writers will find it an indispensable source of creative inspiration and instruction. In Goodman's words, "reading is a tour of a writer's efforts at manipulating language to create art, to create flesh and blood and mountains, cities, homes, and gardens out of inky symbols on the page." To literary critics, this book will be a guide to understanding the tools and devices of great writing.
The Soul of Creativity
by Roberta Rosenthal KwallIn the United States, human creativity is historically understood to be motivated by economic concerns. However, this perspective fails to account for the reality that human creativity is also often the result of internal motivations having nothing to do with money. This book addresses what motivates human creativity and how the law governing authors' rights should be shaped in response to these motivations. On a practical level, it illustrates how integrating a fuller appreciation of the inspirational dimension of the creative process will allow us to think more expansively about legal protections for authors. Many types of creators currently lack the legal ability to compel attribution for their work, to prevent misattribution, and to safeguard their work from unwanted modifications. Drawing from a number of diverse sources, including literary, philosophical, and religious works, this book offers real solutions for crafting legal measures that facilitate an author's ability to safeguard his or her work without entirely sacrificing the intellectual property policies in practice in the United States today.
The Soul of Nietzsche'S beyond Good and Evil
by Maudemarie Clark David DudrickThis book presents a provocative new interpretation of Beyond Good and Evil, arguably Nietzsche's most important work. The problem is that it appears to express merely a loosely connected set of often questionable opinions. Can Nietzsche really be an important philosopher if this is his most important book? Maudemarie Clark and David Dudrick address this question with a close reading that emphasizes how Nietzsche writes. They argue that the first part of Beyond Good and Evil presents coherent and interconnected arguments for subtle and well-thought-out positions on traditional issues. Nietzsche's infamous doctrine of the will to power turns out to be a compelling account of the structure and origin of the human soul. And although he rejects some aspects of traditional philosophy, Nietzsche's aim is to show how philosophy's traditional aspirations to seek both the true and the good can be fulfilled. Beyond Good and Evil turns out to be a major work of philosophy and Nietzsche's masterpiece.
The Soul Of Place
by Linda LappinIn this engaging creative writing workbook, novelist and poet Linda Lappin presents a series of insightful exercises to help writers of all genres--literary travel writing, memoir, poetry, fiction, creative nonfiction--discover imagery and inspiration in the places they love. Lappin departs from the classical concept of the Genius Loci, the indwelling spirit residing in every landscape, house, city, or forest--to argue that by entering into contact with the unique energy and identity of a place, writers can access an inexhaustible source of creative power. The Soul of Place provides instruction on how to evoke that power. The writing exercises are drawn from many fields--architecture, painting, cuisine, literature and literary criticism, geography and deep maps, Jungian psychology, fairy tales, mythology, theater and performance art, metaphysics--all of which offer surprising perspectives on our writing and may help us uncover raw materials for fiction, essays, and poetry hidden in our environment. An essential resource book for the writer’s library, this book is ideal for creative writing courses, with stimulating exercises adaptable to all genres. For writers or travelers about to set out on a trip abroad, The Soul of Place is the perfect road trip companion, attuning our senses to a deeper awareness of place.
The Soul of Prince Caspian
by Gene VeithThrough best-selling books and now blockbuster motion pictures, C. S. Lewis's masterpiece "The Chronicles of Narnia" has captured the hearts and imaginations of millions of children and adults. When Lewis wrote this acclaimed series more than half a century ago, many considered it a mere children's allegory and missed the rich spiritual meaning of the Christian faith that Lewis was clearly communicating.In The Soul of the Lion, the Witch and the Wardrobe, Gene Veith revealed the mysteries and meanings of the first Narnia book. And now with the motion picture release of the second in the series, Veith returns to dig deeply into the biblical message behind this beloved story.In The Soul of Prince Caspian, Veith reveals how Lewis takes on the modern mindset that has literally forgotten Christ--just as Narnia has forgotten Aslan. As Veith unlocks the story of Prince Caspian, you'll discover how Lewis's other writings add depth and clarity to his message. And you'll see that, while Prince Caspian may be about the fantastic land of Narnia, it's also about your world.