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Scatter 1: The Politics of Politics in Foucault, Heidegger, and Derrida
by Geoffrey BenningtonWhat if political rhetoric is unavoidable, an irreducible part of politics itself? In contrast to the familiar denunciations of political horse-trading, grandstanding, and corporate manipulation from those lamenting the crisis in liberal democracy, this book argues that the “politics of politics,” usually associated with rhetoric and sophistry, is, like it or not, part of politics from the start.Denunciations of the sorry state of current politics draw on a dogmatism and moralism that share an essentially metaphysical and Platonic ground. Failure to deconstruct that ground generates a philosophically and politically debilitating selfrighteousness that this book attempts to understand and undermine.After a detailed analysis of Foucault’s influential late concept of parrhesia, which is shown to be both philosophically and politically insufficient, close readings of Heidegger, Kierkegaard, and Derrida trace complex relations between sophistry, rhetoric, and philosophy; truth and untruth; decision; madness and stupidity in an exploration of the possibility of developing an affirmative thinking of politics that is not mortgaged to the metaphysics of presence.It is suggested that Heidegger’s complex accounts of truth and decision must indeed be read in close conjunction with his notorious Nazi commitments but nevertheless contain essential insights that many strident responses to those commitments ignore or repress. Those insights are here developed—via an ambitious account of Derrida’s often misunderstood interruption of teleology—into a deconstructive retrieval of the concept of dignity.This lucid and often witty account of a crucial set of developments in twentieth-century thought prepares the way for a more general re-reading of the possibilities of political philosophy that will be undertaken in Volume 2 of this work, under the sign of an essential scatter that defines the political as such.
Scatter 2: Politics in Deconstruction
by Geoffrey BenningtonThis book deconstructs the whole lineage of political philosophy, showing the ways democracy abuts and regularly undermines the sovereignist tradition across a range of texts from the Iliad to contemporary philosophy.Politics is an object of perennial difficulty for philosophy—as recalcitrant to philosophical mastery as is philosophy’s traditional adversary, poetry. That difficulty makes it an attractive topic for any deconstructive approach to the tradition from which we inherit our language and our concepts. Scatter 2 pursues that deconstruction, often starting with, and sometimes departing from, the work of Jacques Derrida by attending to the concepts of sovereignty on the one hand and democracy on the other. The book begins by following the fate of a line from Homer’s Iliad, where Odysseus asserts that “the rule of many is no good thing, let there be one ruler, one king.” The line, Bennington shows, is quoted, misquoted, and progressively Christianized by Aristotle, Philo Judaeus, Suetonius, the early Church Fathers, Aquinas, Dante, Ockham, Marsilius of Padua, Jean Bodin, Etienne de la Boétie, up to Carl Schmitt and Erik Peterson, and even one of the defendants at the Nuremberg trials, before being discussed by Derrida himself. In the book’s second half, Bennington begins again with Plato and Aristotle and tracks the concept of democracy as it regularly abuts and undermines that sovereignist tradition. In detailed readings of Hobbes and Rousseau, Bennington develops a notion of “proto-democracy” as a possible name for the scatter that underlies and drives the political as such and that will always prevent politics from achieving its aim of bringing itself to an end.
Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History (Black Lives in the Diaspora: Past / Present / Future)
by Laura HeltonDuring the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history.Scattered and Fugitive Things tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Laura E. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, Scattered and Fugitive Things reveals Black collecting as a radical critical tradition that reimagines past, present, and future.
Scenarios: Aguirre, the Wrath of God; Every Man for Himself and God Against All; Land of Silence and Darkness; Fitzcarraldo
by Werner HerzogI do not follow ideas, I stumble into stories or into people; and I know that this is so big, I have to make a film. Very often, films come like uninvited guests, like burglars in the middle of the night. They are in your kitchen; something is stirring, you wake up at 3 a.m. and all of a sudden they come wildly swinging at you.When I write a screenplay, I write it as if I have the whole film in front of my eyes. Then it is very easy for me, and I can write very, very fast. It is almost like copying. But of course sometimes I push myself; I read myself into a frenzy of poetry, reading Chinese poets of the eighth and ninth century, reading old Icelandic poetry, reading some of the finest German poets like Hölderlin. All of this has absolutely nothing to do with the idea of my film, but I work myself up into this kind of frenzy of high-caliber language and concepts and beauty.And then sometimes I push myself by playing music, for example, a piano concerto by Beethoven, and I play it and write furiously. But none of this is an answer to the question of how you focus on a single idea for a film. And then, during shooting, you have to depart from it sometimes, while keeping it alive in its essence. —Werner Herzog, on filmmakingWerner Herzog doesn&’t write traditional screenplays. He writes fever dreams brimming with madness, greed, humor, and dark isolation that can shift dramatically during production—and have materialized into extraordinary masterpieces unlike anything in film today. Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.
Scenarios II: Signs of Life; Even Dwarfs Started Small; Fata Morgana; Heart of Glass
by Werner HerzogThe second in a series: the master filmmaker&’s prose scenarios for four of his notable filmsOn the first day of editing Fata Morgana, Werner Herzog recalls, his editor said: &“With this kind of material we have to pretend to invent cinema.&” And this, Herzog says, is what he tries to do every day. In this second volume of his scenarios, the peerless filmmaker&’s genius for invention is on clear display. Written in Herzog&’s signature fashion—more prose poem than screenplay, transcribing the vision unfolding before him as if in a dream—the four scenarios here (three never before translated into English) reveal an iconoclastic craftsman at the height of his powers.Along with his template for the film poem Fata Morgana (1971), this volume includes the scenarios for Herzog&’s first two feature films, Signs of Life (1968) and Even Dwarfs Started Small (1970), along with the hypnotic Heart of Glass (1976). In a brief introduction, Herzog describes the circumstances surrounding each scenario, inviting readers into the mysterious process whereby one man&’s vision becomes every viewer&’s waking dream.
Scenarios III: Stroszek; Nosferatu, Phantom of the Night; Where the Green Ants Dream; Cobra Verde
by Werner HerzogFor the first time in English, and in his signature prose poetry, the film scripts of four of Werner Herzog&’s early works &“Herzog doesn&’t write traditional scripts,&” Film International remarked of the master filmmaker&’s Scenarios I and II. &“Instead, he writes scenarios which are like a hybrid of film, fiction, and prose poetry.&”Continuing a series that Publishers Weekly pronounced &“compulsively readable . . . equal parts challenging and satisfying, infuriating and enlightening,&” Scenarios III presents, for the first time in English, the shape-shifting scripts for four of Werner Herzog&’s early films: Stroszek; Nosferatu, Phantom of the Night; Where the Green Ants Dream; and Cobra Verde. We can observe Herzog&’s working vision as each of these scenarios unfolds in a form often dramatically different from the film&’s final version—as, in his own words, Herzog works himself up into &“this kind of frenzy of high-caliber language and concepts and beauty.&”With Scenarios I and II, this volume completes the picture of Herzog&’s earliest work, affording a view of the filmmaker mastering his craft, well on his way to becoming one of the most original, and most celebrated, artists in his field.
Scene Book, The
by Sandra ScofieldA treasure-trove of scene-writing wisdom from award-winning author and teacher Sandra Scofield To write a good scene, you have to know the following: Every scene has an EVENT Every scene has a FUNCTION in the narrative Every scene has a STRUCTURE: a beginning, middle, and end Every scene has a PULSE The Scene Book is a fundamental guide to crafting more effective scenes in fiction. In clear, simple language, Sandra Scofield shows both the beginner and the seasoned writer how to build better scenes, the underpinning of any good narrative. .
The Scene of the Voice: Thinking Language after Affect (SUNY series in Contemporary Continental Philosophy)
by Michael EngThe recent turns to affect and aesthetics in the humanities and the interpretive social sciences have been productive for reflecting on the crucial role sensibility plays in the constitution of the social. However, these scholarly developments construct their interventions by dismissing the attention to language that was central to the linguistic and cultural turns of previous eras and by claiming that language is an obstacle to experiencing the reality of difference to which they maintain only sensibility can grant access. By analyzing the figure of the voice in the work of Martin Heidegger and the continental thinkers who follow him, The Scene of the Voice shows that the dismissal of language in favor of sensibility requires overlooking their common connection in the problem of mimesis. As this book ultimately argues, artificially separating language and sensibility results in a failure to encounter affect, the relation to difference affect is said to name, and the experience of thinking affect is taken to provoke.
Scene-writing for Film and TV
by Simon van der BorghFocusing on an integral aspect of screenplays, this book takes students and writers at all levels through the process of understanding and writing better scenes. It interrogates the functions of a scene and how writers can then apply this knowledge to their own film and television scripts. Author Simon van der Borgh familiarises the screenwriter with the fundamental aspects of a scene, looking at what a scene is, the characters involved, the action depicted, dialogue, setting, and style. Featuring original scenes which show the practice of scene-writing and the application of ideas and approaches alongside in-depth analysis and critique, the book explores the process and approach to scene-writing and how to learn and improve methods of telling dynamic, engaging and moving stories of diverse types and formats on screen. With a strong focus on practice-based advice, the book includes exercises at every step to enable writers to build on and extend their knowledge and skills with confidence and clarity chapter by chapter. Exploring the film and TV scene with its different types, forms, and functions, it is the ideal book for aspiring screenwriters and students of screenwriting and filmmaking at all levels, as well as directors, producers and actors looking to better understand the contextual and sub-textual motivations intended by the writer.
Scenes from Shakespeare (Comparative Literature and Cultural Studies #7)
by Harry LevinFirst published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Scenes of Attention: Essays on Mind, Time, and the Senses
by Burnett, D. Graham; Smith, Justin E. H.Are we paying enough attention? At least since the nineteenth century, critics have alleged a widespread and profound failure of attentiveness—to others, to ourselves, to the world around us, to what is truly worthy of focus. Why is there such great anxiety over attention? What is at stake in understanding attention and the challenges it faces?This book investigates attention from a range of disciplinary perspectives, including philosophy, history, anthropology, art history, and comparative literature. Each chapter begins with a concrete scene whose protagonists are trying—and often failing—to attend. Authors examine key moments in the history of the study of attention; pose attention as a philosophical problem; explore the links between attention, culture, and technology; and consider the significance of attention for conceptualizations of human subjectivity. Readers encounter nineteenth-century experiments in boredom, ornithologists conveying sound through field notations, wearable attention-enhancing prosthetics, students using online learning platforms, and inquiries into attention as a cognitive state and moral virtue.Amid mounting concern about digital mediation of experience, the rise of “surveillance capitalism,” and the commodification of attention, Scenes of Attention deepens the thinking that is needed to protect the freedom of attention and the forms of life that make it possible.
Scenes of Sympathy: Identity and Representation in Victorian Fiction
by Audrey JaffeIn Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.
Scenes, Semiotics and The New Real: Exploring the Value of Originality and Difference
by Chris BrownThis book provides a semiotic analysis of 'scenes', powerful vehicles for introducing new ideas, perspectives and behaviours, as a concept. In particular, it examines the types of scene that exist; explores their effectiveness in spreading new ideas; and considers their vital role in introducing originality and difference in modern society.
Scenes, Semiotics and the New Real: Exploring the Value of Originality and Difference
by Chris BrownScenes, Semiotics and the New Real.
The Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011 (Routledge Advances in Theatre & Performance Studies)
by Lara Maleen KippInfluential contemporary British playwright and director Howard Barker has been engaging with the scenography of the Wrestling School’s productions since 1998. Despite this active involvement in the design of set, costume, lighting, and sound, no in-depth published study on this aspect of his work exists to date. This monograph therefore offers the first comprehensive and detailed analysis of Barker’s scenographic practice. Combining aesthetic analysis of play texts and production records with original interview materials, this book presents the first full-length foray into Barker’s scenography. It features extracts from conversations with designers working with Barker, and with Barker himself. In addition, it presents the first printed versions of select set and costume designs by Barker. With the first fully detailed analysis of Barker’s scenographic work, this book will be a vital read for scholars and postgraduates of Barker Studies, contemporary British and European drama, theatre, and scenography.
The Scent of Ancient Magic
by Britta K. AgerMagic was a fundamental part of the Greco-Roman world. Curses, erotic spells, healing charms, divination, and other supernatural methods of trying to change the universe were everyday methods of coping with the difficulties of life in antiquity. While ancient magic is most often studied through texts like surviving Greco-Egyptian spellbooks and artifacts like lead curse tablets, for a Greek or Roman magician a ritual was a rich sensual experience full of unusual tastes, smells, textures, and sounds, bright colors, and sensations like fasting and sleeplessness. Greco-Roman magical rituals were particularly dominated by the sense of smell, both fragrant smells and foul odors. Ritual practitioners surrounded themselves with clouds of fragrant incense and perfume to create a sweet and inviting atmosphere for contact with the divine and to alter their own perceptions; they also used odors as an instrumental weapon to attack enemies and command the gods. Elsewhere, odiferous herbs were used equally as medical cures and magical ingredients. In literature, scent and magic became intertwined as metaphors, with fragrant spells representing the dangers of sensual perfumes and conversely, smells acting as a visceral way of envisioning the mysterious action of magic. The Scent of Ancient Magic explores the complex interconnection of scent and magic in the Greco-Roman world between 800 BCE and CE 600, drawing on ancient literature and the modern study of the senses to examine the sensory depth and richness of ancient magic. Author Britta K. Ager looks at how ancient magicians used scents as part of their spells, to put themselves in the right mindset for an encounter with a god or to attack their enemies through scent. Ager also examines the magicians who appear in ancient fiction, like Medea and Circe, and the more metaphorical ways in which their spells are confused with perfumes and herbs. This book brings together recent scholarship on ancient magic from classical studies and on scent from the interdisciplinary field of sensory studies in order to examine how practicing ancient magicians used scents for ritual purposes, how scent and magic were conceptually related in ancient literature and culture, and how the assumption that strong scents convey powerful effects of various sorts was also found in related areas like ancient medical practices and normative religious ritual.
The Scent of the Father: Essay on the Limits of Life and Science in sub-Saharan Africa (Critical South)
by Valentin-Yves MudimbeValentin-Yves Mudimbe is a Congolese philosopher, novelist, poet, essayist, and academic, widely considered to be one of the most important African thinkers of his generation. The ideas and arguments he has developed in his writings since the 1970s, including The Invention of Africa, have been hugely influential across many disciplines and established his reputation as one of the essential postcolonial thinkers of our time. In The Scent of the Father, Mudimbe set himself the task of shedding light on the complex links that bind Africa to the West and determine the exercise of thought and knowledge practices, particularly in relation to the social sciences. For Africa to escape the West, says Mudimbe, it must become aware of what remains Western in the very concepts and forms of thought that allow it to think against the West, and be alert to the possibility that the recourse against the West might be just another ruse that the West uses for its own ends. Africa must elucidate the modalities of the integration of Africans into the myths of the West, while at the same time aiming at the readaptation of the African psyche in the wake of the violence it has suffered. This seminal work by a leading African thinker will be of great interest to anyone concerned with the legacies of colonialism and the debates on decolonization and decoloniality in the social and human sciences.
Schau-Prozesse: Gericht und Theater als Bühnen des Politischen (Literatur und Recht #8)
by Kerstin Wilhelms Stefan ArnoldGerichtsprozesse wie der NSU-Prozess haben große mediale Aufmerksamkeit erfahren und sind zum Stoff von zahlreichen Theaterinszenierungen geworden. Solche publikumswirksamen ‚Schau-Prozesse‘ zeigen, wie Gericht und Theater zu Bühnen des Politischen werden. Dabei wird deutlich, dass Recht und Theater viel fundamentaler verbunden sind, als bislang diskutiert: Sie konstituieren sich gegenseitig. Theatrale Elemente sind für das Recht unverzichtbar und umgekehrt prägen Rechtsinszenierungen das Theater. Die Beiträge des interdisziplinären Bandes analysieren diese Wechselseitigkeit und fokussieren die politische Performance im Theater und im Recht.
Scheherazade or the Future of the English Novel Thamyris or Is There a Future for Poetry? Saxo Grammaticus Deucalion or the Future of Literary Criticism: Today and Tomorrow Volume Twenty-One
by Carruthers, Trevelyan, Weekley, WestScheherazade Or the Future of the English Novel John Carruthers Originally published in 1928 "A brilliant essay…" Daily Herald A survey of contemporary fiction in England and America lends to the conclusion that the literary and scientific influences of the last fifty years have combined to make the novel of today predominantly analytic. The author argues that it has therefore gained in psychological subtlety, but lost its form and how this may be regained is put forward in the conclusion. 90pp Thamyris Or Is There a Future for Poetry? R C Trevelyan Originally published in 1925 "Learned, sensible and very well-written." New Statesman This volume examines the possibilities of development for modern poetry. 90pp Saxo Grammaticus First Aid for the Best-Seller Ernest Weekley Originally published in 1930 "A very shocking collection of vile phrases from contemporary writers." Daily News Authored by the philologist Ernest Weekley, this volume represents the original emergency grammar manual for time-pressed best-selling writers. 88pp Deucalion Or the Future of Literary Criticism Geoffrey West Originally published in 1930 This book discusses the true function of criticism and asks how modern criticism is performing it. 86pp
Schelling’s Reception in Nineteenth-Century British Literature
by Giles WhiteleyThis book examines the various ways in which the German philosopher Friedrich Schelling was read and responded to by British readers and writers during the nineteenth century. Challenging the idea that Schelling’s reception was limited to the Romantics, this book shows the ways in which his thought continued to be engaged with across the whole period. It follows Schelling’s reception both chronologically and conceptually as it developed in a number of different disciplines in British aesthetics, literature, philosophy, science and theology. What emerges is a vibrant new history of the period, showing the important role played by reading and responding to Schelling, either directly or more diffusely, and taking in a vast array of major thinkers during the period. This book, which will be of interest not only to historians of philosophy and the history of ideas, but to all those dealing with Anglo-German reception during the nineteenth century, reveals Schelling to be a kind of uncanny presence underwriting British thought.
Schindler's List (SparkNotes Film Guide)
by SparkNotesSchindler's List (SparkNotes Film Guide) Making the reading experience fun! SparkNotes Film Guides are one-stop guides to great works of film–masterpieces that are the foundations of filmmaking and film studies. Inside each guide you&’ll find thorough, insightful overviews of films from a variety of genres, styles, and time periods. Each film guide contains:Information about the director and the context in which the film was made Thoughtful analysis of major characters Details about themes, motifs, and symbols Explanations of the most important lines of dialogue In-depth discussions about what makes a film so remarkable SparkNotes Film Guides are an invaluable resource for students or anyone who wants to gain a deeper understanding of the great films they know and love.
Schlüsselkompetenz Zuhören (Fit for Future)
by Anke AmesHaben Sie noch ein Ohr fürs Wesentliche? Für Ihre Geschäftspartner, Ihre Kollegen, Ihre Mitarbeiter und nicht zuletzt für Ihr engstes Umfeld? Oder kommunizieren auch Sie schon vorwiegend einseitig über Smartphone, E-Mail und Co? Die zunehmende Digitalisierung und Zeitnot unserer Leistungsgesellschaft erschweren den echten zwischenmenschlichen Austausch.Dieses Buch stellt die häufig unterschätzte und manchmal sogar in Vergessenheit geratene Fähigkeit des Zuhörens in den Fokus. Es zeigt auf, wie echtes Zuhören im Job gelingt und welche Vorteile dies mit sich bringt. Zuhören schafft Verbindung und wird in Zukunft eine der wichtigsten beruflichen Schlüsselkompetenzen werden.Über die Buchreihe "Fit for Future"Die Zukunft wird massive Veränderungen im Arbeits- und Privatleben mit sich bringen. Tendenzen gehen sogar dahin, dass die klassische Teilung zwischen Arbeitszeit und Freizeit nicht mehr gelingen wird. Eine neue Zeit – die sogenannte „Lebenszeit“ – beginnt. Laut Bundesregierung werden in den nächsten Jahren viele Berufe einen tiefgreifenden Wandel erleben und in ihrer derzeitigen Form nicht mehr existieren. Im Gegenzug wird es neue Berufe geben, von denen wir heute noch nicht wissen, wie diese aussehen oder welche Tätigkeiten diese beinhalten werden. Betriebsökonomen schildern mögliche Szenarien, dass eine stetig steigende Anzahl an Arbeitsplätzen durch Digitalisierung und Robotisierung gefährdet sind. Die Reihe „Fit for future“ beschäftigt sich eingehend mit dieser Thematik und bringt zum Ausdruck, wie wichtig es ist, sich diesen neuen Rahmenbedingungen am Markt anzupassen, flexibel zu sein, seine Kompetenzen zu stärken und „Fit for future“ zu werden. Der Initiator der Buchreihe Peter Buchenau lädt hierzu namhafte Experten ein, ihren Erfahrungsschatz auf Papier zu bringen und zu schildern, welche Kompetenzen es brauchen wird, um auch künftig erfolgreich am Markt zu agieren. Ein Buch von der Praxis für die Praxis, von Profis für Profis. Leser und Leserinnen erhalten „einen Blick in die Zukunft“ und die Möglichkeit, ihre berufliche Entwicklung rechtzeitig mitzugestalten.
Schlüsselwerke der Journalismusforschung
by Wiebke Loosen Armin SchollWie in anderen Forschungsfeldern gibt es auch in der Journalismusforschung Schlüsseltexte, die ein Forschungsgebiet erschlossen haben, auf dem weitere Forschung aufbaut. Der Band versammelt solche Schlüsselwerke und stellt sie in Kurzbeschreibungen vor. Zusätzlich werden sie in den Forschungskontext eingebettet und ihre Wirkung auf den weiteren Fortgang der Forschungstradition erläutert. Schließlich werden sie in Bezug auf ihre Bedeutung für aktuelle Fragen und Themen der Journalismusforschung eingeschätzt.
Schlüsselwerke der Medienwissenschaft
by Ivo RitzerDer Band stellt ausgewählte Positionen und zentrale Ideen im disziplinären Rahmen der Medienwissenschaft vor. Schwerpunkte liegen auf medienphilosophischen Ansätzen und einer kulturtheoretischen Perspektive, die sich vor einem dezidiert geisteswissenschaftlichen Horizont konturiert. Dabei versteht der Band sich nicht nur als Handbuch und Nachschlagewerk für Studierende wie Lehrende, er soll vielmehr auch einen eigenen Beitrag zur medienwissenschaftlichen Theoriebildung leisten.
Schlüsselwerke: Theorien (in) der Kommunikationswissenschaft
by Ralf Spiller Christian Rudeloff Thomas DöblerDer Band gibt eine kompakte Übersicht zu zentralen Theorien (in) der Kommunikationswissenschaft. Insgesamt werden 28 Schlüsselwerke aus der Mikro-, Meso und Makro-Ebene vorgestellt. Ziel ist es, Studierende und Dozierende in den Stand zu versetzen, ein wesentliches Werk in dessen Kontext zu verstehen und in die jeweilige Fachdiskussion einzuordnen. Darüber hinaus wird in diesem Band die Frage diskutiert, welches analytische und empirische Potenzial von den „Klassikern“ in Zeiten digitaler Kommunikation ausgeht.