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South Asian Writers, Latin American Literature, and the Rise of Global English (Cambridge Studies in World Literature)
by Roanne KantorEver since T.B. Macaulay leveled the accusation in 1835 that 'a single shelf of a good European library was worth the whole native literature of India,' South Asian literature has served as the imagined battleground between local linguistic multiplicity and a rapidly globalizing English. In response to this endless polemic, Indian and Pakistani writers set out in another direction altogether. They made an unexpected journey to Latin America. The cohort of authors that moved between these regions include Latin-American Nobel laureates Pablo Neruda and Octavio Paz; Booker Prize notables Salman Rushdie, Anita Desai, Mohammed Hanif, and Mohsin Hamid. In their explorations of this new geographic connection, Roanne Kantor claims that they formed the vanguard of a new, multilingual world literary order. Their encounters with Latin America fundamentally shaped the way in which literature written in English from South Asia exploded into popularity from the 1980s until the mid-2000s, enabling its global visibility.
South Carolina PASS Coach, Social Studies (Grade #5)
by CoachThis book provides instruction and practice with all the important skills you need to know, and gives you practice answering the kinds of questions you will see on your state's test. The Coach book is organized into chapters and lessons, and includes a Pretest and Posttest. Before you begin the first chapter, your teacher may want you to take the Pretest, which will help you identify skill areas that need improvement. Once you and your teacher have identified those skills, you can select the corresponding skills lessons and start with those. Or, you can begin with the first chapter of the book and work through to the end. After you have finished all the lessons in the book, you can take the Posttest to see how much you've improved. And even if you did well on the Pretest, you'll probably do better on the Posttest because practice makes perfect!
The South in Black and White
by Mckay JenkinsIf the nation as a whole during the 1940s was halfway between the Great Depression of the 1930s and the postwar prosperity of the 1950s, the South found itself struggling through an additional transition, one bound up in an often violent reworking of its own sense of history and regional identity. Examining the changing nature of racial politics in the 1940s, McKay Jenkins measures its impact on white Southern literature, history, and culture. Jenkins focuses on four white Southern writers--W. J. Cash, William Alexander Percy, Lillian Smith, and Carson McCullers--to show how they constructed images of race and race relations within works that professed to have little, if anything, to do with race. Sexual isolation further complicated these authors' struggles with issues of identity and repression, he argues, allowing them to occupy a space between the privilege of whiteness and the alienation of blackness. Although their views on race varied tremendously, these Southern writers' uneasy relationship with their own dominant racial group belies the idea that "whiteness" was an unchallenged, monolithic racial identity in the region.
South Korean Popular Culture in the Global Context: Beyond the Fandom (Routledge Research on Korea)
by Sojin LimThis book explores the recent landscape of Korean popular culture, including celebrity diplomacy, political activism, and inter-Korean relations in the era of ‘ontact’, with a special focus on K-pop and K-drama. Utilising the interdisciplinary approach, along with theoretical accounts, it redefines popular culture and its true power – beyond soft power – including discussions of how the pandemic and the use of online platforms have coincidently or effectively influenced recent phenomena surrounding Korean popular culture. It reveals both the possibilities and pitfalls of Hallyu diplomacy and the UN’s celebrity diplomacy more broadly, and highlights how, through the mobilisation of a large internet fanbase, the modern K-pop ‘standom’ can influence political discourse. The book also features an examination of the political significance of the K-drama through which it highlights the potential of popular media to impact inter-Korean relations and inform current international understanding and perception of the Korean conflict. Dealing with the wider scope of Korean popular culture this book will be a valuable resource to students and scholars of South Korea, international relations, public diplomacy, political activism, and cultural and media studies.
South Picene (Routledge World Languages)
by Raoul ZamponiSouth Picene is the pre-Roman language spoken in the Adriatic sector of central Italy. This book presents a description of what we know about the structure of this language. South Picene is (together with Umbrian, Oscan, Latin, and Faliscan) one of the few members of the Italic branch of the Indo-European family and is also one of the European languages with the oldest existing texts (550 BCE). Besides a grammatical outline of the language, the book contains the linguistic (and often stylistic) analysis of all the 21 inscriptions that compose the South Picene epigraphic corpus and a word list. South Picene will be of interest to students and scholars of Indo-European languages, Italic languages, and in general, ancient languages of the Italian peninsula.
South Seas Encounters: Nineteenth-Century Oceania, Britain, and America (The Nineteenth Century Series)
by Richard Fulton Peter Hoffenberg Stephen Hancock Allison PaynterSouth Seas Encounters examines several key types of encounters between the many-faceted worlds of Oceania, Britain and the United States in the formative nineteenth century. The eleven essays collected in this volume focus not only on the effect of the two powerful, industrialized colonial powers on the cultures of the Pacific, but the effect of those cultures on the Western cultural perceptions of themselves and the wider world, including understanding encounters and exchanges in ways which do not underemphasize the agency and consequences for all participating parties. The essays also provide insights into the causes, unfolding, and consequences for both sides of a series of significant ethnographic, political, cultural, scientific, educational, and social encounters. This volume makes a significant contribution to increasing scholarly interest in Oceania’s place in British and American nineteenth-century cultural experiences. South Seas Encounters investigates these significant interactions and how they changed the ways that Oceanic, British, and American cultures reflected on themselves and their place in the wider world.
The South That Wasn't There: Postsouthern Memory and History (Southern Literary Studies)
by Michael KreylingOnce, history and "the South" dwelt in close proximity. Representations of the South in writing and on film assumed everybody knew what had happened in place and time to create the South. Today, our vision of the South varies, and there is less "there there" than ever before.In The South That Wasn't There, Michael Kreyling explores a series of literary situations in which memory and history seem to work in odd and problematic ways. Looking at Toni Morrison's masterpiece Beloved, he tests the viability of applying Holocaust and trauma studies to the poetics and politics of remembering slavery. He then turns to Robert Penn Warren's grapplings with his personal memory of racism, which culminated in his attempt to confront the evil directly in his book Who Speaks for the Negro? In a chapter on the court contest between Margaret Mitchell's estate and Alice Randall over Randall's parody The Wind Done Gone, Kreyling treats neglected issues such as the status of literary sequels and parody in an age of advanced commodification of the South.Kreyling's searching inquiry into the intersection of the southern warrior narrative and the shocks dealt America by the Vietnam War uncovers what appears to be the deliberate yet unconscious use of southern Civil War memory in a time of national identity crisis. He follows that up with a comparison of Faulkner's appropriation of Caribbean memory in Absalom, Absalom! and Madison Smartt Bell's in his trilogy on Toussaint Louverture and the Haitian revolution.Finally, Kreyling examines some new manifestations of southern memory, including science fiction as embodied in Octavia Butler's novel Kindred, "mockumentary" in Kevin Willmott's film C.S.A., and postmodern cinema parody in Lars Von Trier's Manderlay.Lively and frequently confrontational, The South That Wasn't There offers a thought-provoking reexamination of our literary conceptions about the South.
South Toward Home: Travels in Southern Literature
by Margaret EbyA literary travelogue into the heart of classic Southern literature. What is it about the South that has inspired so much of America's greatest literature? And why, when we think of Flannery O'Connor or William Faulkner or Harper Lee, do we think of them not just as writers, but as Southern writers? In South Toward Home, Margaret Eby--herself a Southerner--travels through the South in search of answers to these questions, visiting the hometowns and stomping grounds of some of our most beloved authors. From Mississippi (William Faulkner, Eudora Welty, Richard Wright) to Alabama (Harper Lee, Truman Capote) to Georgia (Flannery O'Connor, Harry Crews) and beyond, Eby looks deeply at the places that these authors lived in and wrote about. South Toward Home reveals how these authors took the people and places they knew best and transmuted them into lasting literature. Side by side with Eby, we meet the man who feeds the peacocks at Andalusia, the Georgia farm where Flannery O'Connor wrote her most powerful stories; we peek into William Faulkner's liquor cabinet to better understand the man who claimed civilization began with distillation and the "postage stamp of native soil" that inspired him; and we go in search of one of New Orleans's iconic hot dog vendors, a job held by Ignatius J. Reilly in John Kennedy Toole's A Confederacy of Dunces. From the library that showed Richard Wright that there was a way out to the courtroom at the heart of To Kill a Mockingbird, Eby grapples with a land fraught with history and mythology, for, as Eudora Welty wrote, "One place understood helps us understand all places better." Combining biographical detail with expert criticism, Eby delivers a rich and evocative tribute to the literary South.
The Southern Bantu Languages: Handbook of African Languages (Linguistic Surveys of Africa #19)
by Clement M. DokeFor the purposes of this volume, originally published in 1954, two southern zones of Bantu have been included - south of the Zambesi and east of the Kalahari. The book discusses the phonetic and morphological characteristics of these 2 zones and a classification of the groups, clusters and dialects is provided. For comparative purposes detailed information on some striking dialectical forms is given in the appendices.
Southern Comforts: Drinking and the U.S. South (Southern Literary Studies)
by Scott Romine Alison Arant John Stromski Susan Zieger Cara Koehler Matthew Sutton Caleb Doan J. Gerald Kennedy Katharine Burnett Zackary Vernon Monica Carol Miller Ellen Lansky David A. Davis Jenna Sciuto Christopher Rieger Jerod Ra'Del Hollyfield Robert Rea Hannah C. Griggs Jennie Lightweis-GoffMoving beyond familiar myths about moonshiners, bootleggers, and hard-drinking writers, Southern Comforts explores how alcohol and drinking helped shape the literature and culture of the U.S. South. Edited by Conor Picken and Matthew Dischinger, this collection of seventeen thought-provoking essays proposes that discussions about drinking in southern culture often orbit around familiar figures and mythologies that obscure what alcohol consumption has meant over time. Complexities of race, class, and gender remain hidden amid familiar images, catchy slogans, and convenient stories. As the first collection of scholarship that investigates the relationship between drinking and the South, Southern Comforts challenges popular assumptions by examining evocative topics drawn from literature, music, film, city life, and cocktail culture. Taken together, the essays collected here illustrate that exaggerated representations of drinking oversimplify the South’s relationship to alcohol, in effect absorbing it into narratives of southern exceptionalism that persist to this day. From Edgar Allan Poe to Richard Wright, Bessie Smith to Johnny Cash, Bourbon Street tourism to post-Katrina disaster capitalism and more, Southern Comforts: Drinking and the U.S. South uncovers the reciprocal relationship between mythologies of drinking and mythologies of region.
Southern Gaul and the Mediterranean
by Alex MullenThe interactions of the Celtic-speaking communities of Southern Gaul with the Mediterranean world have intrigued commentators since antiquity. This book combines sociolinguistics and archaeology to bring to life the multilingualism and multiple identities of the region from the foundation of the Greek colony of Massalia in 600 BC to the final phases of Roman Imperial power. It builds on the interest generated by the application of modern bilingualism theory to ancient evidence by modelling language contact and community dynamics and adopting an innovative interdisciplinary approach. This produces insights into the entanglements and evolving configurations of a dynamic zone of cultural contact. Key foci of contact-induced change are exposed and new interpretations of cultural phenomena highlight complex origins and influences from the entire Mediterranean koine. Southern Gaul reveals itself to be fertile ground for considering the major themes of multilingualism, ethnolinguistic vitality, multiple identities, colonialism and Mediterraneanization.
Southern Hyperboles: Metafigurative Strategies of Narration (Southern Literary Studies)
by Michał ChoińskiIn Southern Hyperboles: Metafigurative Strategies of Narration, Michał Choiński confronts the often paradoxical and excessive elements of southern literature, focusing on dominant narrative modes and representation strategies in works produced from the early 1930s to the late 1950s. With renewed attention to renderings of the gothic and grotesque, Choiński argues that modernist literature from the U.S. South often deploys the trope of hyperbole, which escalates contrasts and disrupts the sense of the normal. By focusing on how writers processed the South via narratives of hyperbolic excess, Southern Hyperboles explores a mode of comprehension forged from the tensions of a segregated, patriarchal society driven by racial and social decorum. Moving chronologically, Choiński traces distinct manifestations of hyperbolic metalogic in the works of seven authors: Katherine Anne Porter, William Faulkner, Lillian Smith, Katherine Du Pre Lumpkin, Tennessee Williams, Flannery O’Connor, and Harper Lee. The mode of hyperbole identified by Choiński relies on a clash of opposites, along with the rapid intensification of disharmonious ideas pushed to extremes, leading to an ultimate break in established decorum. The shock produced by hyperbole generates a momentary state of confusion that soon dissipates, allowing recipients to reach a new understanding of their surrounding world.Melding an innovative use of rhetorical theory with fine-grained analysis of literary texts, Southern Hyperboles elucidates contradictory and interlocking issues related to memory, social trauma, grotesquerie, and troubled mythologies that permeate the U.S. South.
Southern Literature, Cold War Culture, and the Making of Modern America
by Jordan J. DominyDuring the Cold War, national discourse strove for unity through patriotism and political moderation to face a common enemy. Some authors and intellectuals supported that narrative by casting America’s complicated history with race and poverty as moral rather than merely political problems. Southern Literature, Cold War Culture, and the Making of Modern America examines southern literature and the culture within the United States from the period just before the Cold War through the civil rights movement to show how this literature won a significant place in Cold War culture and shaped the nation through the time of Hillbilly Elegy.Tackling cultural issues in the country through subtext and metaphor, the works of authors like William Faulkner, Lillian Smith, Robert Penn Warren, Eudora Welty, Ralph Ellison, Alice Walker, and Walker Percy redefined “South” as much more than a geographical identity within an empire. The “South” has become a racially coded sociopolitical and cultural identity associated with white populist conservatism that breaks geographical boundaries and, as it has in the past, continues to have a disproportionate influence on the nation’s future and values.
Southern Min: Comparative Phonology and Subgrouping (Routledge Studies in East Asian Linguistics)
by Bit-Chee KwokSouthern Mǐn refers to a group of Chinese dialects spoken mainly in Southeast China and Taiwan. This group occupies a special position in the study of Chinese dialects, not only because of its large population of speakers (around 48 million) but also because of its preservation of various archaic linguistic features long lost in other dialects. In this book, B.C. Kwok applies the comparative method on new fieldwork data to reconstruct the common sound system of ‘Proto-Southern Mǐn’, from which all modern Southern Mǐn varieties emerged. The syllable initials, finals and tonal categories of Proto-Southern Mǐn are illustrated by more than 500 examples. In addition, this book offers an alternative view on the subgrouping of 12 Southern Mǐn varieties. It proposes that the Quánzhōu dialect and the Zhāngzhōu dialect form the two main branches of the dialect group. This book should be of great interest to advanced students and scholars in the fields of historical linguistics and Chinese dialectology.
Southern Postcolonialisms: The Global South and the 'New' Literary Representations
by Sumanyu SatpathySouthern Postcolonialisms is an anthology of critical essays on new literary representations from the Global South that seeks to re-invent/reorient the ideological, disciplinary, aesthetic, and pedagogical thrust of Postcolonial Studies in accordance with the new and shifting politico-economic realities/transactions between the North and the South, as well as within the Global South, in an era of globalization. Since the emergence of Postcolonial Theory in the 1980s, the shape of the world has changed dramatically. Old Cold War boundaries have shifted in the wake of the collapse of communism, Globalization, on an unprecedented scale, has dramatically changed the meaning of time and space. The rise of the US as a new imperial power has profound implications for the world order. In the South, new emerging markets have challenged the older division of industrial ‘first world’ and non-industrial ‘third world’.In most parts of the world, the academy is struggling to keep up with these developments. One result has been a major transnational turn in the humanities and social sciences. Terms like ‘world history’, ‘globalization’, ‘glocalization’ and ‘transnationalism’ now dominate academic agendas worldwide. These changing circumstances raise far-reaching questions. What does the new emerging world order mean for established models of postcolonial theory? Is postcolonialism as a field of study being overtaken by models of globalization and transnationalism? What implications do the new configurations in the South have for postcolonial theory? This volume, drawn from a major literary conference at Delhi University, provides a set of perspectives on these questions. With a majority of contributions by scholars from the South, these research articles have a dual focus – they revisit older debates on postcolonial theory, while suggesting new perspectives and directions.
Southern Writers on Writing
by Susan CushmanContributions by Julie Cantrell, Katherine Clark, Susan Cushman, Jim Dees, Clyde Edgerton, W. Ralph Eubanks, John M. Floyd, Joe Formichella, Patti Callahan Henry, Jennifer Horne, Ravi Howard, Suzanne Hudson, River Jordan, Harrison Scott Key, Cassandra King, Alan Lightman, Sonja Livingston, Corey Mesler, Niles Reddick, Wendy Reed, Nicole Seitz, Lee Smith, Michael Farris Smith, Sally Palmer Thomason, Jacqueline Allen Trimble, M. O. Walsh, and Claude Wilkinson The South is often misunderstood on the national stage, characterized by its struggles with poverty, education, and racism, yet the region has yielded an abundance of undeniably great literature. In Southern Writers on Writing, Susan Cushman collects twenty-six writers from across the South whose work celebrates southern culture and shapes the landscape of contemporary southern literature. Contributors hail from Mississippi, Alabama, Louisiana, Tennessee, Georgia, South Carolina, North Carolina, Virginia, and Florida. Contributors such as Lee Smith, Michael Farris Smith, W. Ralph Eubanks, and Harrison Scott Key, among others, explore issues like race, politics, and family and the apex of those issues colliding. It discusses landscapes, voices in the South, and how writers write. The anthology is divided into six sections, including “Becoming a Writer;” “Becoming a Southern Writer;” “Place, Politics, People;” “Writing about Race;” “The Craft of Writing;” and “A Little Help from My Friends.”
Southernizing Sociolinguistics: Colonialism, Racism, and Patriarchy in Language in the Global South (Routledge Critical Studies in Multilingualism)
by Sinfree Makoni Bassey E. AntiaThis innovative collection offers a pan-Southern rejoinder to hegemonies of Northern sociolinguistics. It showcases voices from the Global South that substitute alternative and complementary narrations of the link between language and society for canonical renditions of the field. Drawing on Southern epistemologies, the volume critically explores the entangled histories of racial colonialism, capitalism, and patriarchy in perpetuating prejudice in and around language as a means of encouraging the conceptualization of alternative epistemological futures for sociolinguistics. The book features work by both established and emerging scholars, and is organized around four parts: The politics of the constitution of language, and its metalanguage, in the Global South; Who gets published in sociolinguistics? Language in the Global South and the social inscription of difference; and Learning and the quotidian experience of language in the Global South. This book will be of interest to scholars in sociolinguistics, applied linguistics, critical race and ethnic studies, and philosophy of knowledge.
Southey (Routledge Library Editions: Romanticism #7)
by Kenneth CurryFirst published in 1975. Southey first made his reputation, when he was a very young man, as a poet. Although he is now remembered primary for his poetry, this title reveals how he excelled in many other genres as well. Examination of Southey’s life reveals an attractive and humane personality, at ease among his books, his family and a wide and impressive range of friends, including Wordsworth, Coleridge, Lamb, Landor and Scott. This title will be of interest to students of literature.
Southland
by Nina RevoyrA compelling story of race, love, murder, and history against the backdrop of an ever-changing Los Angeles. "I'm an LA native with a lot of love for LA crime fiction, but instead of preaching to the noir choir about The Long Goodbye, I'd like to gush about Southland by Nina Revoyr. It's a brilliant, ambitious, moving literary crime novel about two families in South Los Angeles and their tangled history between the 1930s and the 1990s. The central mystery is the death of four black boys in a Japanese-American man's store during the Watts Rebellion of 1965. It's a powerful book, one that I think about often, as well as a huge influence on my work. Right up there with Chandler." --Stephanie Cha (of the LARB) in GQ on "The Greatest Crime Novelists on Their Favorite Crime Novels Ever" "A story about injustice dressed up as a detective novel, Southland reminds us that activism is both an ongoing project and a deeply personal choice." --Vallaire Wallace in Electric Lit on "The Novel That Shows Us How to Face our Past to Change Our Future" "Jackie Ishida's grandfather had a store in Watts where four boys were killed during the riots in 1965, a mystery she attempts to solve." --New York Times Book Review, Ross MacDonald on "Where Noir Lives in the City of Angels" "It is the kind of saga that often epitomizes and shocks LA--friction and violence between races and cultures." --Los Angeles Times, named one of the 20 Essential LA Crime Books "When I started working on Your House Will Pay, I hoped to write something that was half as smart and affecting as Southland. Revoyr's novel takes place in the Crenshaw district of Los Angeles, following two families--one black, one Japanese--over several decades. It's a character-driven saga with the engine of a crime novel, unravelling a horrific multiple murder that took place in the chaotic days of the Watts Rebellion in 1965." --The Guardian (UK), one of Steph Cha's Top 10 Books About Trouble in Los Angeles "[A]n absolutely compelling story of family and racial tragedy. Revoyr's novel is honest in detailing southern California's brutal history, and honorable in showing how families survived with love and tenacity and dignity." --Susan Straight, author of Highwire Moon Southland brings us a fascinating story of race, love, murder and history, against the backdrop of an ever-changing Los Angeles. A young Japanese-American woman, Jackie Ishida, is in her last semester of law school when her grandfather, Frank Sakai, dies unexpectedly. While trying to fulfill a request from his will, Jackie discovers that four African-American boys were killed in the store Frank owned during the Watts Riots of 1965. Along with James Lanier, a cousin of one of the victims, Jackie tries to piece together the story of the boys' deaths. In the process, she unearths the long-held secrets of her family's history. Southland depicts a young woman in the process of learning that her own history has bestowed upon her a deep obligation to be engaged in the larger world. And in Frank Sakai and his African-American friends, it presents characters who find significant common ground in their struggles, but who also engage each other across grounds--historical and cultural--that are still very much in dispute. Moving in and out of the past--from the internment camps of World War II, to the barley fields of the Crenshaw District in the 1930s, to the streets of Watts in the 1960s, to the night spots and garment factories of the 1990s--Southland weaves a tale of Los Angeles in all of its faces and forms.
Southscapes
by Thadious M. DavisIn this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies. Basing her analysis on texts by Ernest Gaines, Richard Wright, Alice Walker, Natasha Trethewey, Olympia Vernon, Brenda Marie Osbey, Sybil Kein, and others, Davis reveals how these writers reconstitute racial exclusion as creative black space, rather than a site of trauma and resistance. Utilizing the social and political separation epitomized by segregation to forge a spatial and racial vantage point, Davis argues, allows these writers to imagine and represent their own subject matter and aesthetic concerns. Focusing particularly on Louisiana and Mississippi, Davis deploys new geographical discourses of space to expand analyses of black writers' relationship to the South and to consider the informing aspects of spatial narratives on their literary production. She argues that African American writers not only are central to the production of southern literature and new southern studies, but also are crucial to understanding the shift from modernism to postmodernism in southern letters. A paradigm-shifting work, Southscapes restores African American writers to their rightful place in the regional imagination, while calling for a more inclusive conception of region.
Southwest Asia: The Transpacific Geographies of Chicana/o Literature
by Jayson Gonzales Sae-SaueChicana/o literature is justly acclaimed for the ways it voices opposition to the dominant Anglo culture, speaking for communities ignored by mainstream American media. Yet the world depicted in these texts is not solely inhabited by Anglos and Chicanos; as this groundbreaking new book shows, Asian characters are cast in peripheral but nonetheless pivotal roles. Southwest Asia investigates why key Chicana/o writers, including Américo Paredes, Rolando Hinojosa, Oscar Acosta, Miguel Méndez, and Virginia Grise, from the 1950s to the present day, have persistently referenced Asian people and places in the course of articulating their political ideas. Jayson Gonzales Sae-Saue takes our conception of Chicana/o literature as a transnational movement in a new direction, showing that it is not only interested in North-South migrations within the Americas, but is also deeply engaged with East-West interactions across the Pacific. He also raises serious concerns about how these texts invariably marginalize their Asian characters, suggesting that darker legacies of imperialism and exclusion might lurk beneath their utopian visions of a Chicana/o nation. Southwest Asia provides a fresh take on the Chicana/o literary canon, analyzing how these writers have depicted everything from interracial romances to the wars Americans fought in Japan, Korea, and Vietnam. As it examines novels, plays, poems, and short stories, the book makes a compelling case that Chicana/o writers have long been at the forefront of theorizing U.S.-Asian relations.
Southwest Passage: The Yanks in the Pacific
by John Lardner Alex BelthAt a time when few Americans had visited Australia, journalist John Lardner sailed down under with the U.S. armed forces as one of the first American war correspondents in the Pacific theater. With his excellent sense of humor and gift for narrative, Lardner penned vignettes of MacArthur’s arrival and his reception in Melbourne and a flight with the daring Dutch flier Capt. Hans Smits. More frequently, Lardner wrote about the ordinary day and the average person. Traveling throughout the country, in Southwest Passage Lardner offers a glimpse of Australia in the 1940s and generates warmth and admiration for World War II fighters in the Pacific, whether Australian, New Zealander, aboriginal, or American. For generations of readers who have learned about World War II with the benefit of hindsight, Lardner’s tone, style, and selected topics give more than just entertaining anecdotes about the military in the Pacific; they are a view into the culture and society of midcentury America.
Southwestern Women Writers and the Vision of Goodness: Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church, Alice Marriott
by Catharine Savage BrosmanThis book, a project in literary history and criticism, examines five women authors of the American Southwest, two well known, three much less so: They stand out for their striving to give a woman's voice to aspects of the Southwest as it was during their lifetimes. All five authors displayed sensitivity to and concern for southwestern landscapes, arts, and people; they valued harmony in human relationships and endeavors; they were interested in the past and sought to preserve it. Marked differences in experience, temperaments, talents, and perspectives exist among them, however, although their common feminine condition supposes some similarity of approach, including limitations (biological and, to some degree, social).
Souvenirs of a Blown World: Sketches for the Sixties, Writings about America, 1966-1973
by Gregory McdonaldBestselling author of the Fletch series Gregory Mcdonald presents firsthand accounts of major events during the sixties and interviews with Joan Baez, Abbie Hoffman, Krishnamurti, Phil Ochs, Andy Warhol, and others. The year was 1966, and fresh off the heels of his controversial debut novel Running Scared, Mcdonald was hired to write for the Boston Globe with the instruction to "Go and have fun and write about it, and if you end up cut and bleeding on the sidewalk, call the office." Souvenirs of a Blown World is an exuberant account of the people, the encounters, and emotions that raced through the nation during those indelible years.You will follow a war-battered young soldier through the steamy quagmire of Vietnam, attend a barbeque bash in Dallas for the opening of John Wayne's two hundred and first picture, watch Jack Kerouac booze himself into hallucinatory eloquence, and run through the streets of Chicago during the 1968 Democratic National Convention. Captured in kaleidoscopic prose, this is the vanished world of America's revolt, the explosive second adolescence that shook old institutions to their foundations . . . the time we must relive and understand if we are to understand and live through our own.