- Table View
- List View
The Critical Path and Other Writings on Critical Theory, 1963-1975
by Alvin A. Lee Eva Kushner Jean O'GradyThis volume, which collects Northrop Frye's writings on the theory of literary criticism from the middle period of his career, includes one of Frye's own favourites, The Critical Path (1971). A highly important marker of Frye's career, The Critical Path openly addresses topics that he had previously been reluctant to discuss as fully, including the importance of literature to society, the responsibilities of critics, and the deeper rationales for studying literature.Filled with insightful texts that indicate his transition from literary critic to a theorist of language, myth, and human culture, this edition helps to illuminate many of the ideas and arguments that would appear later in The Great Code and Words with Power. Accompanied by the rigorous scholarship for which the series is renowned, this is another valuable contribution to literary criticism and theory.
The Critical Pulse: Thirty-Six Credos by Contemporary Critics
by Jeffrey J. Williams Heather SteffenThis unprecedented anthology asks thirty-six leading literary and cultural critics to elaborate on the nature of their profession. With the humanities feeling the pinch of financial and political pressures, and its disciplines resting on increasingly uncertain conceptual ground, there couldn't be a better time for critics to reassert their widespread relevance and purpose. These credos boldly defend the function of criticism in contemporary society and showcase its vitality in the era after theory. Essays address literature and politics, with some focusing on the sorry state of higher education and others concentrating on teaching and the fate of the humanities. All reflect the critics' personal, particular experiences. Deeply personal and engaging, these stories move, amuse, and inspire, ultimately encouraging the reader to develop his or her own critical credo with which to approach the world. Reflecting on the past, looking forward to the future, and committed to the power of productive critical thought, this volume proves the value of criticism for today's skeptical audiences.
The Critical Pulse: Thirty-Six Credos by Contemporary Critics
by Jeffrey J. Williams Heather SteffenThis unprecedented anthology asks thirty-six leading literary and cultural critics to elaborate on the nature of their profession. With the humanities feeling the pinch of financial and political pressures, and its disciplines resting on increasingly uncertain conceptual ground, there couldn't be a better time for critics to reassert their widespread relevance and purpose. These credos boldly defend the function of criticism in contemporary society and showcase its vitality in the era after theory.Essays address literature and politics, with some focusing on the sorry state of higher education and others concentrating on teaching and the fate of the humanities. All reflect the critics' personal, particular experiences. Deeply personal and engaging, these stories move, amuse, and inspire, ultimately encouraging the reader to develop his or her own critical credo with which to approach the world. Reflecting on the past, looking forward to the future, and committed to the power of productive critical thought, this volume proves the value of criticism for today's skeptical audiences.Contributors: Andrew Ross, Amitava Kumar, Lisa Lowe, Vincent B. Leitch, Craig Womack, Jeffrey J. Williams, Marc Bousquet, Katie Hogan, Michelle A. Massé, John Conley, Heather Steffen, Paul Lauter, Cary Nelson, David B. Downing, Barbara Foley, Michael Bérubé, Victor Cohen, Gerald Graff, William Germano, Ann Pellegrini, Bruce Robbins, Kenneth Warren, Diana Fuss, Lauren Berlant, Toril Moi, Morris Dickstein, Rita Felski, David R. Shumway, Mark Bauerlein, Devoney Looser, Stephen Burt, Mark Greif, Kathleen Fitzpatrick, Mark McGurl, Frances Negrón-Muntaner, Judith Jack Halberstam
The Critical Reception of Charles Dickens, 1833-1841 (Routledge Revivals)
by Kathryn ChittickThis bibliography, first published in 1989, brings together a number of reviews of the early Dickens which appeared in contemporary magazines, newspapers, and quarterlies during the eight years between 1833 and 1841. The chronological arrangement of reviews, both of Dickens and others, forms the core of this study. This book is perfect for those studying Dickens and his works in-depth.
The Critical Review or Annals of Literature, 1756-1763 Vol 1
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 10
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 11
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 12
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 13
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 14
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 15
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 16
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 2
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 3
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 4
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 5
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 6
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 7
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 8
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Review or Annals of Literature, 1756-1763 Vol 9
by James G BaskerThe "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The Critical Turn in Language and Intercultural Communication Pedagogy: Theory, Research and Practice (Routledge Studies in Language and Intercultural Communication)
by Adriana Raquel Díaz Maria DasliThis edited research volume explores the development of what can be described as the ‘critical turn’ in intercultural communication pedagogy, with a particular focus on modern/foreign language education. The main aim is to trace the realisations of this critical turn against a background of unequal power relations, and to illuminate the role that radical culture educators can play in the making of a more democratic and egalitarian social order. The volume takes as a starting point the idea that criticality draws on a number of intellectual traditions, which do not always focus on social and political critique, and argues that because ideological hegemony impacts on the meanings that people create and share, intercultural communication pedagogy ought to locate itself within wider socio-political contexts. With reference points drawn from critical and transnational social theory, critical pedagogy and intercultural theory, contributors to this volume provide readers with powerful ways that show how this can be achieved, and together assess the impact that their understanding of criticality can make on modern/foreign language education. The volume is divided into three major parts, namely: ‘theorising critically’, ‘researching critically’ and ‘teaching critically’.
The Critical Twilight: Explorations in the Ideology of Anglo-American Literary Theory from Eliot to McLuhan (Routledge Revivals)
by John FeketeFirst published in 1977, this book was the first to map extensively the ideological typography of the Anglo-American tradition of literary theory. It interrogates, comprehensively and in detail, the assumptions and categorical development within critical ideas from I. A. Richards and T. S. Eliot, through John Crowe Ransom and the New Criticism, to Northrop Frye and Marshall NcLuhan. This analysis reveals the Anglo-American tradition of literary-cultural theory is most properly intelligible within the overall field of social consciousness as an ideology of progressive cultural rationalization. Against a background of ideological development since nineteenth-century Romanticism, John Fekete illuminates the boundaries of literary ideology in relation to the shapes and changes of modern culture and society.
The Critical Writings of Oscar Wilde: An Annotated Selection
by Oscar WildeAn authoritative edition of Oscar Wilde’s critical writings shows how the renowned dramatist and novelist also transformed the art of commentary.Though he is primarily acclaimed today for his drama and fiction, Oscar Wilde was also one of the greatest critics of his generation. Annotated and introduced by Wilde scholar Nicholas Frankel, this unique collection reveals Wilde as a writer who transformed criticism, giving the genre new purpose, injecting it with style and wit, and reorienting it toward the kinds of social concerns that still occupy our most engaging cultural commentators.“Criticism is itself an art,” Wilde wrote, and The Critical Writings of Oscar Wilde demonstrates this philosophy in action. Readers will encounter some of Wilde’s most quotable writings, such as “The Decay of Lying,” which famously avers that “Life imitates Art far more than Art imitates life.” But Frankel also includes lesser-known works like “The American Invasion,” a witty celebration of modern femininity, and “Aristotle at Afternoon Tea,” in which Wilde deftly (and anonymously) carves up his former tutor’s own criticism. The essays, reviews, dialogues, and epigrams collected here cover an astonishing range of themes: literature, of course, but also fashion, politics, masculinity, cuisine, courtship, marriage—the breadth of Victorian England. If today’s critics address such topics as a matter of course, it is because Wilde showed that they could. It is hard to imagine a twenty-first-century criticism without him.
The Criticism of Henry Fielding (Routledge Revivals)
by Ioan WilliamsFirst published in 1970, this selection of Fielding’s criticism is an important contribution to our understanding of Fielding and his age. It directs considerable light upon Fielding’s own critical views, with regard both to his own works and to eighteenth-century life and literature at large. The volume includes many of Fielding’s well-known and important statements on literature, society and morals, as well as many which are now difficult to obtain. The selection presents the full range of Fielding’s criticism, showing the relations between his statements concerning literature and his opinions on other matters, and drawing on the complete body of his work. The editor has provided a large-scale analytical introduction.
The Critics and the Prioress: Antisemitism, Criticism, and Chaucer's Prioress's Tale
by Hannah Johnson Heather BlurtonOf all the Canterbury Tales, Geoffrey Chaucer’s Prioress’s Tale, in which a young schoolboy is murdered by Jews for singing a song in praise of the Virgin Mary, poses a problem to contemporary readers because of the anti-semitism of the story it tells. Both the Tale’s anti-semitism and its “Chaucerianism”— its fitness or aptness as part of the Chaucerian canon—are significant topics of reflection for modern readers, who worry about the Tale’s ethical implications as well as Chaucer’s own implications. Over the past fifty years, scholars have asked whether the anti-semitism in the tale is that of the Prioress? Or of Chaucer the pilgrim? Or of Chaucer the author? Or, indeed, whether one ought to discuss anti-semitism in the Prioress’s Tale at all, considering the potential anachronism of expecting medieval texts to conform to contemporary ideologies. The Critics and the Prioress responds to a critical stalemate between the demands of ethics and the entailments of methodology. The book addresses key moments in criticism of the Prioress’s Tale—particularly those which stage an encounter between historicism and ethics—in order to interrogate these critical impasses while suggesting new modes for future encounters. It is an effort to identify, engage, and reframe some significant—and perennially repeated—arguments staked out in this criticism, such as the roles of gender, aesthetics, source studies, and the appropriate relationship between ethics and historicism. The Critics and the Prioress will be an essential resource for Chaucer scholars researching as well as teaching the Prioress’s Tale. Scholars and students of Middle English literature and medieval culture more generally will also be interested in this book’s rigorous analysis of contemporary scholarly approaches to expressions of anti-semitism in Chaucer’s England.