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Spenser: The Faerie Queene (Longman Annotated English Poets)
by A. C. HamiltonThe Faerie Queene is a scholarly masterpiece that has influenced, inspired, and challenged generations of writers, readers and scholars since its completion in 1596. Hamilton's edition is itself, a masterpiece of scholarship and close reading. It is now the standard edition for all readers of Spenser. The entire work is revised, and the text of The Faerie Queene itself has been freshly edited, the first such edition since the 1930s. This volume also contains additional original material, including a letter to Raleigh, commendatory verses and dedicatory sonnets, chronology of Spenser's life and works and provides a compilation of list of characters and their appearances in The Faerie Queene.
Spenser and Ovid
by Syrithe PughIn Spenser and Ovid, Syrithe Pugh gives the first sustained account of Ovid's presence in the Spenser canon, uncovering new evidence to reveal the thematic and formal debts many of Spenser's poems owe to Ovid, particularly when considered in the light of an informed understanding of all of Ovid's work. Pugh's reading presents a challenge to New Historicist assumptions, as she contests both the traditional insistence on Virgil as Spenser's prime classical model and the idea it has perpetuated of Spenser as Elizabeth I's imperial propagandist. In fact, Pugh locates Ovid's importance to Spenser precisely in his counter-Virgilian world view, with its high valuation of faithful love, concern for individual freedom, distrust of imperial rule, and the poet's claim to vatic authority in opposition to political power. Her study spans Spenser's career from the inaugural Shepheardes Calender to what was probably his last poem, The Mutabilitie Cantos, and embraces his work in the genres of pastoral, love poetry, and epic romance.
The Spenser Encyclopedia
by A. C. Hamilton Donald Cheney W. F. Blissett David A. Richardson William W. Barker'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers ElizabethainsEdmund Spenser remains one of Britain's most famous poets. With nearly 700 entries this Encyclopedia provides a comprehensive one-stop reference tool for:* appreciating Spenser's poetry in the context of his age and our own* understanding the language, themes and characters of the poems* easy to find entries arranged by subject.
Spenser, Milton, and the Redemption of the Epic Hero
by Christopher BondThis book studies the interplay of theology and poetics in the three great epics of early-modern England: the Faerie Queene, Paradise Lost, and Paradise Regained. Bond examines the relationship between the poems’ primary heroes, Arthur and the Son, who are godlike, virtuous, and powerful, and the secondary heroes, Redcrosse and Adam, who are human, fallible, and weak. He looks back at the development of this pattern of dual heroism in classical, Medieval, and Italian Renaissance literature, investigates the ways in which Spenser and Milton adapted the model, and demonstrates how the Jesus of Paradise Regained can be seen as the culmination of this tradition. Challenging the opposition between “Calvinist,” “allegorical” Spenser and “Arminian,” “dramatic” Milton, this book offers a new account of their doctrinal and literary affinities within the European epic tradition. Arguing that Spenser influenced Milton in fundamental ways, Bond establishes a firmer structural and thematic link between the two authors, and shows how they transformed a strongly antifeminist genre by the addition of a crucial, although at times ambivalent, heroine. He also proposes solutions to some of the most difficult and controversial theological cruxes posed by these poems, in particular Spenser’s attitude to free will and Milton’s to the Trinity. By providing a deeper understanding of the religious agendas of these epics, this book encourages a rapprochement between scholarly approaches that are too narrowly concerned with either theology or poetics.
Spenser Studies, volume 37 number 1 (2023)
by Spenser StudiesThis is volume 37 issue 1 of Spenser Studies. Spenser Studies is devoted to the study of Edmund Spenser as well as the poetry of Renaissance England. Contributions examine Spenser’s place in literary history, the social and religious contexts of his writing, and the philosophical and conceptual problems he grapples with in his art. The journal also features work on Renaissance literary culture, broadly conceived. Past issues have published studies ranging from the diction of Stephen Hawes to female authorship in Mary Wroth’s Urania to the influence of English Renaissance sonneteers on William Butler Yeats.
Spenser Studies, volume 38 number 1 (2024)
by Spenser StudiesThis is volume 38 issue 1 of Spenser Studies. Spenser Studies is devoted to the study of Edmund Spenser as well as the poetry of Renaissance England. Contributions examine Spenser’s place in literary history, the social and religious contexts of his writing, and the philosophical and conceptual problems he grapples with in his art. The journal also features work on Renaissance literary culture, broadly conceived. Past issues have published studies ranging from the diction of Stephen Hawes to female authorship in Mary Wroth’s Urania to the influence of English Renaissance sonneteers on William Butler Yeats.
Spenserian Moments
by Gordon TeskeyGordon Teskey restores Edmund Spenser to prominence, revealing his epic The Faerie Queene as a grand, improvisatory project on human nature. Teskey compares Spenser to Milton, an avowed follower. While Milton’s rigid ideology is now stale, Spenser’s allegories remain vital, inviting new questions and visions, heralding a constantly changing future.
Spenser's Faerie Queene and the Cult of Elizabeth (Routledge Revivals)
by Robin Headlam WellsFirst published in 1983, Spenser’s Faerie Queene and the Cult of Elizabeth presents The Faerie Queene as a central document in the cult of Elizabeth. It shows how Spenser combines the resources of medieval iconography and Renaissance rhetoric in celebrating the Queen as the predestined ruler of an elect nation. In its introductory discussion of Renaissance poetics, the book emphasises the contemporary belief in the moral function of praise. Particular attention is given to the popular identification of Elizabeth with the Virgin Mary. If Elizabeth’s gender created problems for a poet writing in the heroic mode, at the same time it made available to him a form of praise that no secular poet had been able to use before. While the book contains material of interest to the Renaissance specialist, its lucid style and the valuable background material it provides will appeal to undergraduates reading Spenser for the first time.
Spenser’s Famous Flight
by Patrick CheneyIn Spenser's famous Flight, Patrick Cheney challenges the received wisdom about the shape and goal of Spenser's literary career. He contends that Spenser's idea of a literary career is not strictly the convential Virgilian pattern of pastoral to epic, but a Christian revision of that pattern in light of Petrarch and the Reformation. Cheney demonstrates that, far from changing his mind about his career as a result of disillusionment, Spenser embarks upon and completes a daring progress that secures his status as an Orphic poet. In October, Spenser calls his idea of a literary career the 'famous flight. ' Both classical and Christian culture has authorized the myth of the winged poet as a primary myth of fame and glory. Cheney shows that throughout his poetry Spenser relies on an image of flight to accomplish his highest goal.
Spenser’s Heavenly Elizabeth: Providential History in The Faerie Queene (Queenship and Power)
by Donald StumpThis book reveals the queen behind Edmund Spenser’s The Faerie Queene. Placing Spenser’s epic poem in the context of the tumultuous sixteenth century, Donald Stump offers a groundbreaking reading of the poem as an allegory of Elizabeth I’s life. By narrating the loves and wars of an Arthurian realm that mirrors Elizabethan England, Spenser explores the crises that shaped Elizabeth’s reign: her break with the pope to create a reformed English Church, her standoff with Mary, Queen of Scots, offensives against Irish rebels and Spanish troops, confrontations with assassins and foreign invaders, and the apocalyptic expectations of the English people in a time of national transformation. Brilliantly reconciling moral and historicist readings, this volume offers a major new interpretation of The Faerie Queene.
Spenser's International Style
by David Scott Wilson-OkamuraWhy did Spenser write his epic, The Faerie Queene, in stanzas instead of a classical meter or blank verse? Why did he affect the vocabulary of medieval poets such as Chaucer? Is there, as centuries of readers have noticed, something lyrical about Spenser's epic style, and if so, why? In this accessible and wide-ranging study, David Scott Wilson-Okamura reframes these questions in a larger, European context. The first full-length treatment of Spenser's poetic style in more than four decades, it shows that Spenser was English without being insular. In his experiments with style, Spenser faced many of the same problems, and found some of the same solutions, as poets writing in other languages. Drawing on classical rhetoric and using concepts that were developed by literary critics during the Renaissance, this is an account of long-term, international trends in style, illustrated with examples from Petrarch, Du Bellay, Ariosto, and Tasso.
Spenser's Irish Work: Poetry, Plantation and Colonial Reformation
by Thomas HerronExploring Edmund Spenser's writings within the historical and aesthetic context of colonial agricultural reform in Ireland, his adopted home, this study demonstrates how Irish events and influences operate in far more of Spenser's work than previously suspected. Thomas Herron explores Spenser's relation to contemporary English poets and polemicists in Munster, such as Sir Walter Raleigh, Ralph Birkenshaw and Parr Lane, as well as heretofore neglected Irish material in Elizabethan pageantry in the 1590s, such as the famously elaborate state performances at Elvetham and Rycote. New light is shed here on the Irish significance of both the earlier and later Books of The Fairie Queene. Herron examines in depth Spenser's adaptation of the paradigm of the laboring artist for empire found in Virgil's Georgics, which Herron weaves explicitly with Spenser's experience as an administrator, property owner and planter in Ireland. Taking in history, religion, geography, classics and colonial studies, as well as early modern literature and Irish studies, this book constitutes a valuable addition to Spenser scholarship.
Spenser's World of Glass: A Reading of The Faerie Queene
by Kathleen WilliamsThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966.
The Spice Must Flow: The Story of Dune, from Cult Novels to Visionary Sci-Fi Movies
by Ryan BrittGeek-culture expert Ryan Britt takes us behind the pages and scenes of the science-fiction phenomenon Dune, charting the series' life from cult sci-fi novels to some of the most visionary movies of all time. Using original, deep-access reporting, extensive research, and insightful commentary, The Spice Must Flow brings the true popularity of Dune out into the light for the very first time. With original interviews with the beloved actors and directors behind the films—including Timothée Chalamet, Kyle Maclachlan, Denis Villeneuve, Patrick Stewart, Rebecca Ferguson, Alec Newman, and many more— The Spice Must Flow also examines the far-reaching influence of Dune on art, music, politics, and, most notably, its status as the first ecological science-fiction story specifically concerned with climate change. Britt skillfully and entertainingly guides readers through the history of how the Dune universe has unfolded, including the novel&’s unlikely evolution from a failed piece of journalism about Oregon sand dunes into an epic science-fiction story, the way Herbert&’s work inspired George Lucas, untold stories from the 1984 David Lynch film, the knife-edge balance between blockbuster hit and indie film Timothée Chalamet brings to the 2021 movie, and the exciting future of the franchise. Through a blend of narrative, oral history elements, and fascinating trivia, The Spice Must Flow is the new essential guide to the behind-the-scenes story of Dune. The fiction of Dune is deadly serious, but the real-life story of how it came into existence is full of wonder, surprises, and spice.
Spider Eaters
by Rae YangSpider Eaters is at once a moving personal story, a fascinating family history, and a unique chronicle of political upheaval told by a Chinese woman who came of age during the turbulent years of the Cultural Revolution. With stunning honesty and a lively, sly humor, Rae Yang records her life from her early years as the daughter of Chinese diplomats in Switzerland, to her girlhood at an elite middle school in Beijing, to her adolescent experience as a Red Guard and later as a laborer on a pig farm in the remote northern wilderness. She tells of her eventual disillusionment with the Maoist revolution, how remorse and despair nearly drove her to suicide, and how she struggled to make sense of conflicting events that often blurred the line between victim and victimizer, aristocrat and peasant, communist and counter-revolutionary. Moving gracefully between past and present, dream and reality, the author artfully conveys the vast complexity of life in China as well as the richness, confusion, and magic of her own inner life and struggle. Much of the power of the narrative derives from Yang's multi-generational, cross-class perspective. She invokes the myths, legends, folklore, and local customs that surrounded her and brings to life the many people who were instrumental in her life: her nanny, a poor woman who raised her from a baby and whose character is conveyed through the bedtime tales she spins; her father; and her beloved grandmother, who died as a result of the political persecution she suffered. Spanning the years from 1950 to 1980, Rae Yang's story is evocative, complex, and told with striking candor. It is one of the most immediate and engaging narratives of life in post-1949 China.
Spider Woman's Granddaughters
by Paula Gunn AllenThese 24 compelling and bleakly evocative narratives compiled by Allen, a professor of Native American studies at the University of California, all stress the theme of loss: loss of identity, loss of culture, loss of personal meaning. By juxtaposing traditional stories with contemporary tales, Allen allows readers to see how the same themes, values and perceptions have endured through the centuries, "testaments to cultural persistence, to a vision and a spiritual reality that will not die." Echoes of the traditional "Oshkikwe's Baby," about an old witch who steals babies, can be found in two stories. In Louise Erdrich's "American Horse," a white social worker separates a boy from his mother for his own "good," to the anguish of mother and son.- Publishers Weekly
The Spider's Thread: Metaphor in Mind, Brain, and Poetry (The\mit Press Ser.)
by Keith J. HolyoakAn examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity.In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.
Spielen ist unwahrscheinlich: Eine Theorie der ludischen Aktion
by Hans-Jürgen Arlt Fabian ArltBegründet und entfaltet wird ein Begriff des Spiels, der sich um Lockungen und Drohungen des Unerwarteten dreht. Das Autorenduo ordnet seine Theorie der ludischen Aktion in klassische Konzepte des Spiels ein sowie in den aktuellen Diskurs der Game Studies. Die phänomenale Mannigfaltigkeit des Spiels wird in historischer Perspektive skizziert und in systematischer Weise gegliedert. Die Autoren erläutern medientechnische und kommunikative Voraussetzungen des Booms der Computerspiele und reflektieren die Diskussion über Eskalationen ludischer Gewalt. Kritisch ausgeleuchtet werden Instrumentalisierungen des Spiels, die sich unter dem Stichwort Gamification wachsender Beliebtheit erfreuen. Die auffällige Inflation der Spielmetapher wird in Zusammenhang gebracht mit ludischen Anmutungen in den sozialen Strukturen der modernen und digitalen Gesellschaft.Fabian Arlt, M. A., hat Medienmanagement studiert und promoviert im Studiengang Gesellschafts- und Wirtschaftskommunikation der Universität der Künste (UdK) in Berlin.Prof. Dr. Hans-Jürgen Arlt ist Sozialwissenschaftler und Publizist, er lehrt am Institut für Theorie und Praxis der Kommunikation der Universität der Künste (UdK) in Berlin.
Spielraum: Teaching German through Theater
by Lisa ParkesSpielraum: Teaching German through Theater is a sourcebook and guide for teaching German language and culture, as well as social, cross-cultural, and multi-ethnic tensions, through dramatic texts. This book presents a range of theoretical and practical resources for the growing number of teachers who wish to integrate drama and theater into their foreign-language curriculum. As such, it may be adopted as a flexible tool for teachers seeking ways to reinvigorate their language classrooms through drama pedagogy; to connect language study to the study of literature and culture; to inspire curricular rejuvenation; or to embark on full-scale theater productions. Focusing on specific dramatic works from the rich German-speaking tradition, each chapter introduces unique approaches to a play, theme, and genre, while also taking into account practical issues of performance.
Spielräume des Affektiven: Konzeptionelle und exemplarische Studien zur frühneuzeitlichen Affektkultur
by Kai Bremer Andrea Grewe Meike RühlDer Band eröffnet interdisziplinäre Zugriffe auf die Dynamik affektiver Normen und Normierungen in der Frühen Neuzeit. Welchen Normen war affektives Handeln unterworfen? Gab es geschlechterspezifische Unterschiede, die die Spielräume des Affektiven und die Möglichkeiten, diese zu verändern, prägten? Wie wurden diese Spielräume gesellschaftlich konnotiert und in den Künsten thematisiert? Diese und verwandte Fragen werden konzeptionell und exemplarisch mit Beiträgen aus Theologie, Philosophie, Literatur-, Musik-, Kunst- und Geschichtswissenschaft behandelt.
Spies and Holy Wars: The Middle East in 20th-Century Crime Fiction
by Simon Reeva SpectorIlluminating a powerful intersection between popular culture and global politics, Spies and Holy Wars draws on a sampling of more than eight hundred British and American thrillers that are propelled by the theme of jihad--an Islamic holy war or crusade against the West. Published over the past century, the books in this expansive study encompass spy novels and crime fiction, illustrating new connections between these genres and Western imperialism. Demonstrating the social implications of the popularity of such books, Reeva Spector Simon covers how the Middle Eastern villain evolved from being the malleable victim before World War II to the international, techno-savvy figure in today's crime novels. She explores the impact of James Bond, pulp fiction, and comic books and also analyzes the ways in which world events shaped the genre, particularly in recent years. Worldwide terrorism and economic domination prevail as the most common sources of narrative tension in these works, while military "tech novels" restored the prestige of the American hero in the wake of post-Vietnam skepticism. Moving beyond stereotypes, Simon examines the relationships between publishing trends, political trends and popular culture at large--giving voice to the previously unexamined truths that emerge from these provocative page-turners.
Spilling Ink: A Young Writer's Handbook
by Matt Phelan Ellen Potter Anne MazerLearn How To Write Like The Experts, From The Experts. Practical advice in a perfect package for young aspiring writers. After receiving letters from fans asking for writing advice, accomplished authors Anne Mazer and Ellen Potter joined together to create this guidebook for young writers. The authors mix inspirational anecdotes with practical guidance on how to find a voice, develop characters and plot, make revisions, and overcome writer's block. Fun writing prompts will help young writers jump-start their own projects, and encouragement throughout will keep them at work.
Spilling the Beans in Chicanolandia: Conversations with Writers and Artists
by Frederick Luis AldamaSince the 1980s, a prolific "second wave" of Chicano/a writers and artists has tremendously expanded the range of genres and subject matter in Chicano/a literature and art. Building on the pioneering work of their predecessors, whose artistic creations were often tied to political activism and the civil rights struggle, today's Chicano/a writers and artists feel free to focus as much on the aesthetic quality of their work as on its social content. <P><P>They use novels, short stories, poetry, drama, documentary films, and comic books to shape the raw materials of life into art objects that cause us to participate empathetically in an increasingly complex Chicano/a identity and experience. <P> This book presents far-ranging interviews with twenty-one "second wave" Chicano/a poets, fiction writers, dramatists, documentary filmmakers, and playwrights. Some are mainstream, widely recognized creators, while others work from the margins because of their sexual orientations or their controversial positions. Frederick Luis Aldama draws out the artists and authors on both the aesthetic and the sociopolitical concerns that animate their work. Their conversations delve into such areas as how the artists' or writers' life experiences have molded their work, why they choose to work in certain genres and how they have transformed them, what it means to be Chicano/a in today's pluralistic society, and how Chicano/a identity influences and is influenced by contact with ethnic and racial identities from around the world.
Spilling the Beans on the Cat's Pajamas
by Judy Parkinson"Make no bones about it"--here's a "grand slam" for anyone seeking the meanings of catch phrases and quotes that enrich our everyday speech. It "rounds up the usual suspects"--hundreds of expressions that keep our language flourishing--and makes them easy to find in an A-to-Z format. If "all goes according to plan," you'll soon know: The expressions "all that glitters is not gold" and "apple of the eye" have each been in use for more than 1,000 years. "To bark up the wrong tree" comes from the sport of raccoon hunting. "The big enchilada" was used to describe someone on the infamous Watergate tapes. "Flavor of the month" was a generic advertising phrase of the mid-1940s used to describe new ice cream flavors. "Baker's dozen" is 13, one more than the standard dozen, and goes back to medieval times, when Henry III called for the severe punishment of any bakers caught shortchanging customers. English bakers developed the habit of including an extra loaf of bread when asked for a dozen to ensure that they wouldn't be condemned. "Drop of a hat" alludes to the frontier practice of dropping a hat as a signal for a boxing or wrestling match to begin, usually the only formality observed. "Sleep tight" dates back to when beds were made of rope and straw. Before going to sleep at night, people would have to pull the ropes tight, as they would have loosened during the course of the previous night's sleep. With this clever book on hand, you'll never have to "throw in the towel" during a battle of wits. Make this and all of the Blackboard Books(tm) a permanent fixture on your shelf, and you'll have instant access to a breadth of knowledge. Whether you need homework help or want to win that trivia game, this series is the trusted source for fun facts.
Spinal Catastrophism: A Secret History
by Thomas MoynihanThe historical continuity of spinal catastrophism, traced across multiform encounters between philosophy, psychology, biology, and geology. Drawing on cryptic intimations in the work of J. G. Ballard, Georges Bataille, William Burroughs, André Leroi-Gourhan, Elaine Morgan, and Friedrich Nietzsche, in the late twentieth century Daniel Barker formulated the axioms of spinal catastrophism: If human morphology, upright posture, and the possibility of language are the ramified accidents of natural history, then psychic ailments are ultimately afflictions of the spine, which itself is a scale model of biogenetic trauma, a portable map of the catastrophic events that shaped that atrocity exhibition of evolutionary traumata, the sick orthograde talking mammal. Tracing its provenance through the biological notions of phylogeny and “organic memory” that fueled early psychoanalysis, back into idealism, nature philosophy, and romanticism, and across multiform encounters between philosophy, psychology, biology, and geology, Thomas Moynihan reveals the historical continuity of spinal catastrophism. From psychoanalysis and myth to geology and neuroanatomy, from bioanalysis to chronopathy, from spinal colonies of proto-minds to the retroparasitism of the CNS, from “railway spine” to Elizabeth Taylor's lost gill-slits, this extravagantly comprehensive philosophical adventure uses the spinal cord as a guiding thread to rediscover forgotten pathways in modern thought. Moynihan demonstrates that, far from being an fanciful notion rendered obsolete by advances in biology, spinal catastrophism dramatizes fundamental philosophical problematics of time, identity, continuity, and the transcendental that remain central to any attempt to reconcile human experience with natural history.