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The Delivery Room: A Novel
by Sylvia BrownriggIt is 1998. In the safe haven of her London office—a room her husband jokingly calls "The Delivery Room"—therapist Mira Braverman listens to the stories of her troubled patients, including an aristocratic woman going through an intense infertility drama, an American journalist who is eager to have a baby, and an irritable divorcé who likes to taunt Mira about her Serbian nationality. As the novel unfolds, Mira discovers she is not as distant from her patients' pain as she might once have been: her husband Peter struggles with illness, NATO's threats against her country grow more serious, and submerged truths from her own past seem likely to erupt.Compelling, complex, and always deeply human, The Delivery Room is an engaging examination of the incomplete understandings that course between therapist and patient, and a set of variations on the theme of motherhood—as well as a timely meditation on the meanings of wars fought from a distance, when ordinary citizens have to measure their personal griefs against the outrages experienced by those under attack.
The Deluxe Transitive Vampire: A Handbook Of Grammar For The Innocent, The Eager And The Doomed
by Karen Elizabeth GordonPlayful and practical, this is the style book you can't wait to use, a guide that addresses classic questions of English usage with wit and the blackest of humor. Black-and-white illustrations throughout.
The Dematerialisation of Karl Marx: Literature and Marxist Theory (Foundations Of Modern Literary Theory Ser.)
by Leonard JacksonThis volume constitutes both an attack on modern left wing literary theory - the main product of the last Marxist renaissance in the past thirty years - and a defence of the one element of Marxism which, in the general collapse, modern theorists have been happiest to lose, its economic materialism. It traces Marxist theory from its beginnings in Hegelian idealism to its end in Althusser's structuralism, and concludes that while Marxist economics will not work, and the type of revolution prophesied was fantasy, the principle of historical materialism remains intact and defensible. This will be a key text in literary and cultural studies as well as being of interest to students on philosophy and sociology courses.
The Demon at Agi Bridge and Other Japanese Tales (Translations from the Asian Classics)
by Shirane Haruo ed. Translated by Burton WatsonBurton Watson and Haruo Shirane, renowned translators and scholars, introduce English-speaking readers to the vivid tradition of early and medieval Japanese anecdotal (setsuwa) literature. These orally narrated and written tales drew on both local folk tradition and continental sources. Taken from seven major anthologies of anecdotal literature compiled between the ninth and thirteenth centuries, these dramatic and often amusing stories open a major window onto the foundations of Japanese culture.Out of thousands of setsuwa, Shirane has selected thirty-eight of the most powerful and influential, each of which is briefly introduced. Recounting the exploits of warriors, farmers, priests, and aristocrats, and concerning topics as varied as poetry, violence, power, and sex, these tales reveal the creative origins of a range of literary and dramatic genres, from court tales and travel accounts to no drama and Kabuki. Watson's impeccable translations relay the wit, mystery, and Buddhist sensibility of these protean works, while Shirane's sophisticated analysis illuminates the meaning and context of their compact stories. Capped by an extensive bibliography, this collection fully immerses the reader in the thrilling world of secular and religious tales.
The Demon of the Continent
by Joshua David BellinIn recent years, the study and teaching of Native American oral and written art have flourished. During the same period, there has been a growing recognition among historians, anthropologists, and ethnohistorians that Indians must be seen not as the voiceless, nameless, faceless Other but as people who had a powerful impact on the historical development of the United States. Literary critics, however, have continued to overlook Indians as determinants of American--rather than specifically Native American--literature. The notion that the presence of Indian peoples shaped American literature as a whole remains unexplored.In The Demon of the Continent, Joshua David Bellin probes the complex interrelationships among Native American and Euro-American cultures and literatures from the mid-seventeenth to the mid-nineteenth centuries. He asserts that cultural contact is at the heart of American literature. For Bellin, previous studies of Indians in American literature have focused largely on the images Euro-American writers constructed of indigenous peoples, and have thereby only perpetuated those images. Unlike authors of those earlier studies, Bellin refuses to reduce Indians to static antagonists or fodder for a Euro-American imagination.Drawing on works such as Henry David Thoreau's Walden, William Apess' A Son of the Forest, and little known works such as colonial Indian conversion narratives, he explores the ways in which these texts reflect and shape the intercultural world from which they arose. In doing so, Bellin reaches surprising conclusions: that Walden addresses economic clashes and partnerships between Indians and whites; that William Bartram's Travels encodes competing and interpenetrating systems of Indian and white landholding; that Catherine Sedgwick's Hope Leslie enacts the antebellum drama of Indian conversion; that James Fenimore Cooper and Henry Wadsworth Longfellow struggled with Indian authors such as George Copway and David Cusick for physical, ideological, and literary control of the nation.The Demon of the Continent proves Indians to be actors in the dynamic processes in which America and its literature are inescapably embedded. Shifting the focus from textual images to the sites of material, ideological, linguistic, and aesthetic interaction between peoples, Bellin reenvisions American literature as the product of contact, conflict, accommodation, and interchange.
The Demonic: Literature and Experience
by Ewan FernieAre we either good or bad, and do we really know the difference? Why do we want what we cannot have, and even to be what we’re not? Can we desire others without wanting to possess them? Can we open to others and not risk possession ourselves? And where, in these cases, do we draw the line? Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann. A powerful foreword by Jonathan Dollimore brings out its implications as an intellectual and stylistic breakthrough into new ways of writing criticism. Fernie unfolds an intense and personal vision, not just of Western modernity, but of identity, morality and sex. As much as it’s concerned with the great works, this is a book about life.
The Deorhord: An Old English Bestiary
by Hana VideenMany of the animals we encounter in everyday life, from the creatures in our fields to those in our fantasies, have remained the same since medieval times - but the words we use, and the ways we describe them, have often changed beyond recognition...Old English was spoken over a thousand years ago, when every animal was a deor. In this glittering Old English bestiary we find deors big and small, the ordinary and the extraordinary, the good, the bad and the downright baffling. From walker-weavers (spiders) and grey-cloaked ones (eagles) to moon-heads and teeth-tyrants (historians still don't know!), we discover a world both familiar and strange: where ants could be monsters and panthers could be your friend, where dog-headed men were as real as elephants and where whales were as sneaky as wolves.From the author of The Wordhord comes another delightful dive into the realm of Old English - words and creatures that will change the way you see the world.
The Deorhord: An Old English Bestiary
by Hana VideenAn entertaining tour of Old English words for animals, from the author of The Wordhord: Daily Life in Old EnglishMany of the animals we encounter in everyday life, from pets and farm animals to the wild creatures of field and forest, have remained the same since medieval times. But the words used to name and describe them have often changed beyond recognition, starting with the Old English word for &“animal&” itself, deor (pronounced DAY-or). In The Deorhord, Hana Videen presents a glittering Old English bestiary of animals real and imaginary, big and small, ordinary and extraordinary—the good, the bad, and the downright baffling.From gange-wæfran or walker-weavers (spiders) and hasu-padan or grey-cloaked ones (eagles) to heafdu swelce mona or moon-heads (historians still don&’t know!), The Deorhord introduces a world both familiar and strange: where ants could be monsters and panthers could be your friends, where dog-headed men were as real as elephants, and where whales were as sneaky as wolves. The curious stories behind these words provide vivid insights into the language, literature, and lives of those who spoke Old English—the language of Beowulf—more than a thousand years ago.A delightful journey through the weird and wonderful world of Old English, The Deorhord is a magical menagerie of new creatures and new words for the modern englisc reader to discover.
The Descendants of Cain
by Ji-moon Suh Sun-won Hwang Julie Pickering J. SuhHwang Sun-won, perhaps the most beloved and respected Korean writer of the 20th century, based this extraordinary novel on his own experiences in his North Korean home village between the end of World War II and the eve of the Korean War when Korea had been divided into North and South by its two "liberators" - the United States and the Soviet Union. In this story the Soviet-backed communist party, using the promise of land reform, sets people at each other's throat. Portrayed here is an entire community caught in the political and social firestorm that brings out the selfishness, cruelty and ignorance of simple people, but also shows their loyalty and nobility. Compelling here, too, is a heroine who represents the "eternally feminine" for all Korean men, and the setting, the harsh political, psychic and physical landscape of rural postwar North Korea rarely glimpsed by the outside world. Hwang Sun-won is an artist of consummate delicacy and subtlety, and his writing is marked by keen psychological insight and steely asceticism. While three collections of his short stories have appeared in Hong Kong and the West, "The Descendants of Cain" is the first English translation of a Hwang Sun-won novel.
The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas Hardy
by Kevin Z. MooreThe Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism.
The Description of Egypt from Napoleon to Champollion (War, Culture and Society, 1750–1850)
by Tamar SarfattiThis book is the first study in English of the multi-volume set of texts and engravings of the Description of Egypt, a work produced following the three-year-long Egyptian campaign led by Napoleon Bonaparte in 1798. The book challenges the conventional and rather reductive interpretation of the Description that followed Edward Said's Orientalism, as a summation of an orientalist colonial project. It re-centres the Description in the much more complex and dynamic political and intellectual world of France of the late eighteenth and early nineteenth century and its colonial aspirations. It follows closely the notes, texts, and illustrations of the contributors to the work, the majority of whom were graduates of the first years of the Polytechnic school in Paris, and the well-documented editing process that continued for almost thirty years, in which France moved from Revolution to Empire and Restoration. It shows the ways in which scholarly traditions and newly acquired skills interplay with Enlightenment texts, contemporary politics, and received ideas about antiquity, and how these were reinterpreted and modified – in texts and illustrations – through the encounter with the physical and social worlds of Ottoman Egypt. Using the rich repository of the Description of Egypt the book demonstrates the contribution of antiquarian methods of research to the emerging disciplines of the social sciences.
The Desert Alphabet Book (Jerry Pallotta's Alphabet Books)
by Jerry PallottaThe parched, mysterious deserts of the world are the landscapes for this alphabet array of plants, animals, and phenomena. Meet the colorful Crimson Chat, the deadly Inland Taipan, and the cartwheeling Golden Wheel Spider. Look beneath and beyond the sand for familiar, unfamiliar, and comical desert dwellers.Author Jerry Pallotta and illustrator Mark Astrella invite readers to one of nature's most forbidding environments. And if you feel thirsty after reading about some of the driest places on earth, don't worry. There's a Water-holding frog!
The Desert Remembers My Name: On Family and Writing (Camino del Sol)
by Kathleen J. AlcalaAlthough the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is “a form of illiteracy,” we know exactly what she means.
The Desertmakers: Travel, War, and the State in Latin America (Routledge Research in Travel Writing)
by Javier UriarteThis book studies how the rhetoric of travel introduces different conceptualizations of space and time in scenarios of war during the last decades of the 19th century, in Argentina, Brazil, Paraguay, and Uruguay. By examining accounts of war and travel in the context of the consolidation of state apparatuses in these countries, Uriarte underlines the essential role that war (in connection to empire and capital) has played in the Latin American process of modernization and state formation. In this book, the analysis of British and Latin American travel narratives proves particularly productive in reading the ways in which national spaces are reconfigured, reimagined, and reappropriated by the state apparatus. War turns out to be a central instrument not just for making possible this logic of appropriation, but also for bringing temporal notions such as modernization and progress to spaces that were described — albeit problematically — as being outside of history. The book argues that wars waged against "deserts" (as Patagonia, the sertão, Paraguay, and the Uruguayan countryside were described and imagined) were in fact means of generating empty spaces, real voids that were the condition for new foundations. The study of travel writing is an essential tool for understanding the transformations of space brought by war, and for analyzing in detail the forms and connotations of movement in connection to violence. Uriarte pays particular attention to the effects that witnessing war had on the traveler’s identity and on the relation that is established with the oikos or point of departure of their own voyage. Written at the intersection of literary analysis, critical geography, political science, and history, this book will be of interest to those studying Latin American literature, Travel Writing, and neocolonialism and Empire writing.
The Design of Biographia Literaria (RLE: Wordsworth and Coleridge)
by Catherine M. WallaceFirst published in 1983, this book examines a work whose intricacies have baffled and infuriated generations of readers and proposes a theory of Coleridge’s writing habits that "explain(s) his explanation". The author painstakingly analyses the Biographia’s organising structure distinguishing between the daring conception and often inept execution of Coleridge’s idea of critical discourse. It is argued that Coleridge’s autobiographical format present a richly metaphorical "self" whose literary life has led to the now-famous doctrine of secondary imagination. The author’s command of Coleridge scholarship will shed new light on the Biographia for specialists and non-specialists alike.
The Destruction of Jerusalem in Early Modern English Literature
by Beatrice GrovesThis book explores the fall of Jerusalem and restores to its rightful place one of the key explanatory tropes of early modern English culture. Showing the importance of Jerusalem's destruction in sermons, ballads, puppet shows and provincial drama of the period, Beatrice Groves brings a new perspective to works by canonical authors such as Marlowe, Nashe, Shakespeare, Dekker and Milton. The volume also offers a historically compelling and wide-ranging account of major shifts in cultural attitudes towards Judaism by situating texts in their wider cultural and theological context. Groves examines the continuities and differences between medieval and early modern theatre, London as an imagined community and the way that narratives about Jerusalem and Judaism informed notions of English identity in the wake of the Reformation. Adopting an interdisciplinary approach, this volume will interest researchers and upper-level students of early modern literature, religious studies and theatre.
The Details: On Love, Death and Reading
by Tegan Bennett DaylightA book about the connections we form with literature and each other Tegan Bennett Daylight has led a life in books – as a writer, a teacher and a critic, but first and foremost as a reader. In this deeply insightful and intimate work, Daylight describes how her reading has nourished her life, and how life has informed her reading. In both, she shows us that it&’s the small points of connection – the details – that really matter: what we notice when someone close to us dies, when we give birth, when we make friends. In life&’s disasters and delights, the details are what we can share and compare and carry with us. Daylight writes with invigorating candour and compassion about her mother&’s last days; her own experiences of childbearing and its aftermath (in her celebrated essay &‘Vagina&’); her long admiration of Helen Garner and George Saunders; and her great loves and friendships. Each chapter is a revelation, and a celebration of how books offer not an escape from &‘real life&’ but a richer engagement with the business of living. The result is a work that will truly deepen your relationship with books, and with other readers. The delight is in the details. &‘An intimate and wise celebration of the joy and solace we find in books.&’ Books & Publishing
The Detective Story: An Introduction to the Whodunit
by Saul SchwartzAn American writer, Edgar Allan Poe, created the world's first detective story. Before Poe, there had been puzzle stories, suspense and murder tales, and adventure and horror narratives--but, clearly, as one critic put it, "... there could be no detective stories until there were detectives." This new form of police activity began to evolve at the beginning of the nineteenth century.
The Detective as Historian: History and Art in Historical Crime Fiction
by Ray B. Browne Lawrence A. KreiserReaders of detective stories are turning more toward historical crime fiction to learn both what everyday life was like in past societies and how society coped with those who broke the laws and restrictions of the times. The crime fiction treated here ranges from ancient Egypt through classical Greece and Rome; from medieval and renaissance China and Europe through nineteenth-century England and America. Topics include: Ellis Peter'sBrother Cadfael; Umberto Eco'sName of the Rose; Susanna Gregory'sDoctor Matthew Bartholomew; Peter Heck's Mark Twain as detective; Anne Perry and her Victorian-era world; Caleb Carr's works; and Elizabeth Peter's Egyptologist-adventurer tales.
The Detective's Companion in Crime Fiction: A Study in Sidekicks (Crime Files)
by Lucy Andrew Samuel SaundersThis book aims to establish the position of the sidekick character in the crime and detective fiction literary genres. It re-evaluates the traditional view that the sidekick character in these genres is often overlooked as having a small, generic or singular role—either to act as the foil to the detective in order to accentuate their own abilities at solving crimes, or else to simply tell the story to the reader. Instead, essays in the collection explore the representations and functions of the detective’s sidekick across a range of forms and subgenres of crime fiction. By incorporating forms such as children’s detective fiction, comics and graphic novels and film and television alongside the more traditional fare of novels and short stories, this book aims to break down the boundaries that sometimes exist between these forms, using the sidekick as a defining thread to link them together into a wider conceptual argument that covers a broad range of crime narratives.
The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023
by Vincent HaddadDetroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.
The Development Of Language (8th Edition)
by Jean Berko Gleason Nan Bernstein RatnerCombining the contributions of experts and highly-respected researchers, the eighth edition of Language Development offers a definitive exploration of language acquisition and development from infancy through adulthood. Taking a multi-disciplinary approach, it examines what we know about language development--addressing communication development in infancy, phonological development, semantic development, morphology and syntax. Broadening the scope of study, it puts language development into larger biological, social and cultural contexts, while investigating individual differences, atypical development, literacy and even language development in adults. This edition includes more on cross-linguistic language acquisition (emphasizing Spanish), new research on the nature and treatment of language disorders in children, and new perspectives on the impact of culture on language development and variation.
The Development of Arthurian Romance
by Roger Sherman LoomisStimulating and masterly study examines the evolution of the great mass of fiction surrounding the Arthurian legend in Western literature -- from Geoffrey of Monmouth's History of the Kings of Britain and the collection of Welsh tales known as The Mabinogion, to Chrétien de Troyes' Arthurian stories, the Parzival of Wolfram von Eschenbach, and such English masterpieces as Sir Gawain and the Green Knight and Le Morte d'Arthur. Painstakingly researched and brimming with scholarly insight, this highly readable and entertaining work will be a favorite with general audiences as well as scholars and students of the Arthurian legend.
The Development of Byron's Philosophy of Knowledge
by Emily A. Bernhard JacksonTaking a fresh approach to Byron, this book argues that he should be understood as a poet whose major works develop a carefully reasoned philosophy. Situating him with reference to the thought of the period, it argues for Byron as an active thinker, whose final philosophical stance - reader-centred scepticism - has extensive practical implications.
The Development of Chomskyan Generative Grammar: From the Standard Theory to the Minimalist Program
by Mei Deming Tong HelongThis book explores the major theories of generative grammar from a historical perspective, providing an overview of the evolution of this linguistic framework.Generative grammar is widely recognized for its major contributions to the study of theoretical linguistics in the twentieth century and has had a profound impact on the fields of linguistics, psychology, computer science, and cognitive science. This book consists of eight chapters that trace the development of generative grammar from its beginnings to its current focus on minimalism. The first chapter outlines the major stages of generative grammar, namely Classical Theory, Standard Theory, Extended Standard Theory, Revised Extended Standard Theory, Government and Binding Theory, and the Minimalist Program. The second chapter reviews the development of the C‑command relation and illustrates its use in syntactic analysis. Each of the following six chapters focuses on a specific area of generative grammar, including phrase structure, movement, Case, argument structure, binding, and raising and control.The volume will be an invaluable resource for researchers, teachers, and students in the fields of generative grammar, syntax, formal linguistics, and the social and cognitive sciences.