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Standards of English

by Raymond Hickey

The notion of a 'standard' variety of English has been the subject of a considerable body of research. Studies have tended to focus on the standard features of British and American English. However, more recently interest has turned to the other varieties of English that have developed around the world and the ways in which these have also been standardised. This volume provides the first book-length exploration of 'standard Englishes', with chapters on areas as diverse as Canada, the Caribbean, Africa, Asia, New Zealand and the South Pacific. This is a timely and important topic, edited by a well-known scholar in the field, with contributions by the leading experts on each major variety of English discussed. The book presents in full the criteria for defining a standard variety, and each chapter compares standards in both spoken and written English and explores the notion of register within standard varieties.

Standards of English in Higher Education

by Neil Murray

The student demographic of universities today has changed quite dramatically from even a decade ago. As universities seek to internationalise, widen participation and derive attendant reputational and financial benefits, along with greater opportunities for research collaborations and industry links, they also face a growing challenge associated with what Neil Murray terms 'the English language question'. In particular, as the proportion of students of non-English speaking backgrounds entering universities increases, there is growing concern over levels of language proficiency and what this can mean for educational standards, the student experience and, ultimately, institutional standing. Standards of English in Higher Education unpacks a number of key and interrelated issues - for example, the assessment of proficiency and the structure and nature of provision - that bear on the question of English language standards and in doing so offers a frank critical appraisal of English language in higher education today.

Standards, Stigma, Surveillance: Raciolinguistic Ideologies and England’s Schools

by Ian Cushing

This book traces raciolinguistic ideologies in England’s schools, focusing on post- 2010 policy reforms which frame the language practices of low-income, racialised speakers as limited and deficient. Across interviews, policy mechanisms and classroom observations, the author shows how raciolinguistic ideologies are rooted in British colonial logics which continue to shape contemporary education policy. He shows how these policies require marginalised speakers to modify their speech patterns in line with normative standards of whiteness under new guises of social justice and research robustness. Finally, new visions for language education and linguistic justice are offered, demonstrating how teachers can see themselves as language activists to identify, resist and reject faults in a hostile and oppressive policy architecture. This book draws on fields including critical language policy, educational sociolinguistics, genealogy, raciolinguistics and critical language awareness.

Standing at the Threshold: Working through Liminality in the Composition and Rhetoric TAship

by William J. Macauley Jr. Leslie Anglesey Brady Edwards Kathryn M. Lambrecht Phillip Lovas

Standing at the Threshold articulates identity and role dissonances experienced by composition and rhetoric teaching assistants and reimagines the TAship within a larger professional development process. Current researchers and scholars have not fully explored the liminality of the profession’s traditional path to credentialing. This collection reconsiders these positions and their contributions to academic careers. These authors enrich the TA experience by supporting agency and self-efficacy, encouraging TAs to take active roles in understanding their positions and making the most of that experience. Many chapters are written by current or former TAs who are writing as a means of preparing, informing, and guiding new rhet/comp TAs, encouraging them to make choices about how they want to think through and participate in their teaching work. The first work on the market to delve deeply into the TAship itself and what it means for the larger discipline, Standing at the Threshold provides a rich new theorizing based in the real experiences and liminalities of teaching assistants in composition and rhetoric, approached from a productive array of perspectives. Contributors: Lew Caccia, Lillian Campbell, Rachel Donegan, Jaclyn Fiscus-Cannady, Jennifer K. Johnson, Ronda Leathers Dively, Faith Matzker, Jessica Restaino, Elizabeth Saur, Megan Schoettler, Kylee Thacker Maurer

Standing by the Ruins: Elegiac Humanism in Wartime and Postwar Lebanon

by Ken Seigneurie

Since the mid-1970s, Lebanon has been at the center of the worldwide rise in sectarian extremism. Its cultural output has both mediated and resisted this rise. Standing by the Ruins reviews the role of culture in supporting sectarianism, yet argues for the emergence of a distinctive aesthetic of resistance to it. Focusing on contemporary Lebanese fiction, film, and popular culture, this book shows how artists reappropriated the twin legacies of commitment literature and the ancient topos of “standing by the ruins” to form a new “elegiac humanism” during the tumultuous period of 1975 to 2005. It redirects attention to the critical role of culture in conditioning attitudes throughout society and is therefore relevant to other societies facing sectarian extremism. Standing by the Ruins is also a strong intervention in the burgeoning field of World Literature. Elaborating on the great Arabist Hilary Kilpatrick’s crucial insight that ancient Arabic forms and topoi filter into modern literature, the author details how the “standing by the ruins” topos—and the structure of feeling it conditions—has migrated over time. Modern Arabic novels, feature films, and popular culture, far from being simply cultural imports, are hybrid forms deployed to respond to the challenges of contemporary Arab society. As such, they can take their place within a World Literature paradigm: they are cultural products that travel and intervene in the world.

Standing by Words: Essays

by Wendell Berry

In these six essays, award-winning author Wendell Berry considers the degeneration of language that is manifest throughout our culture, from poetry to politics, from conversation to advertising, and he shows how the ever widening cleft between words and their referents mirrors the increasing isolation of individuals from their communities and of their communities from the land.

Standing Up, Speaking Out: Stand-Up Comedy and the Rhetoric of Social Change

by Matthew R. Meier Casey R. Schmitt

In recent decades, some of the most celebrated and culturally influential American oratorical performances have come not from political leaders or religious visionaries, but from stand-up comics. Even though comedy and satire have been addressed by rhetorical scholarship in recent decades, little attention has been paid to stand-up. This collection is an attempt to further cultivate the growing conversation about stand-up comedy from the perspective of the rhetorical tradition. It brings together literatures from rhetorical, cultural, and humor studies to provide a unique exploration of stand-up comedy that both argues on behalf of the form’s capacity for social change and attempts to draw attention to a series of otherwise unrecognized rhetors who have made significant contributions to public culture through comedy.

Stanley Cavell and the Claim of Literature

by David Rudrum

An analysis of the significance of literature in the work of one of America's most influential contemporary philosophers.Stanley Cavell is widely recognized as one of America's most important contemporary philosophers, and his legacy and writings continue to attract considerable attention among literary critics and theorists. Stanley Cavell and the Claim of Literature comprehensively addresses the importance of literature in Cavell's philosophy and, in turn, the potential effect of his philosophy on contemporary literary criticism.David Rudrum dedicates a chapter to each of the writers that principally occupy Cavell, including Shakespeare, Thoreau, Beckett, Wordsworth, Ibsen, and Poe, and incorporates chapters on tragedy, skepticism, ethics, and politics. Through detailed analysis of these works, Rudrum explores Cavell's ideas on the nature of reading; the relationships among literary language, ordinary language, and performative language; the status of authors and characters; the link between tragedy and ethics; and the nature of political conversation in a democracy.

Stanley Cavell, Literature, and Film: The Idea of America (Routledge Interdisciplinary Perspectives on Literature #13)

by Andrew Taylor Áine Kelly

This is the first book to offer a thorough examination of the relationship that Stanley Cavell’s celebrated philosophical work has to the ways in which the United States has been imagined and articulated in its literature. Establishing the contours of Cavell’s most significant readings of American philosophical and cultural activity, the volume explores how his philosophy and the kind of reading it demands have an important relation to broader considerations of the American national imaginary. Focused, coherent, and original essays from a wide range of philosophers and critics consider how his investigations of Henry David Thoreau and Ralph Waldo Emerson, for example, represent a sustained engagement with the ways in which philosophy might provide us with new ways of thinking and of living. This is the first detailed and comprehensive treatment of "America" as a category of enquiry in Cavell’s writing, engaging with the terms of Cavell’s various configurations of the nation and offering readings of American texts that illustrate the possibilities that Cavell’s work has, in turn, for literary and film criticism. This study of the role played by philosophy in the articulation of the American self-imaginary highlights the ways in which the reading of literature, and the practice of philosophy, are conjoined in the ethical and political project of national self-definition.

The Stanza (The Critical Idiom Reissued #35)

by Ernst Häublein

First published in 1978, this work bridges the gap between the study of poetic form, which tends to isolate form from meaning and structural poetics, which tends to focus on meaning without considering the stanza’s impact. Beginning with an examination of the various definitions of the stanza, the book goes on to describe the many forms of the stanza and the different strategies by which poets achieve stanzaic units of meaning. It then evaluates the logical relationships between stanzas, and, finally, assesses their place and function as parts within the poetic whole. This work will be of interest to those studying poetry and literature.

Star Trek: The Star Trek Fiction Companion

by Jeff Ayers

Through four decades, five television series comprising over seven hundred episodes, ten feature films, and an animated series, fandom's thirst for more Star Trek stories has been unquenchable. From the earliest short-story adaptations by James Blish in the 1960s, followed by the first original Star Trek novels during the seventies, and on throughout the eighties, nineties, and into the twenty-first century, fiction has offered an unparalleled expansion of the rich Star Trek tapestry. But what is it that makes these books such a powerfully attractive creative outlet to some and a compelling way to experience the Star Trek mythos anew to others? Voyages of Imagination takes a look back on the first forty years of professionally published Star Trek fiction, revealing the personalities and sensibilities of many of the novels' imaginative contributors and offering an unprecedented glimpse into the creative processes, the growing pains, the risks, the innovations, the missteps, and the great strides taken in the books. Author Jeff Ayers has immersed himself in nearly six hundred books and interviewed more than three hundred authors and editors in order to compile this definitive guide to the history and evolution of an incomparable publishing phenomenon. Fully illustrated with the covers of every book included herein, Voyages of Imagination is indexed by title and author, features a comprehensive timeline, and is a must-have for every fan.

Star Trek: The Human Frontier

by Duncan Barrett Michèle Barrett

In a world shrunk by modern transport and communication, Star Trek has maintained the values of western maritime exploration through the discovery of ‘strange new worlds’ in space. Throughout its fifty-year history, the ‘starry sea’ has provided a familiar backdrop to an ongoing interrogation of what it means to be human. This book charts the developing Star Trek story from the 1960s through to the present day. Although the core values and progressive politics of the series’ earliest episodes have remained at the heart of Star Trek throughout half a century, in other ways the story it tells has shifted with the times. While The Original Series and The Next Generation showed a faith in science and rationalism, and in a benign liberal leadership, with Deep Space Nine and Voyager that ‘modern’ order began to decline, as religion, mental illness and fragmented identities took hold. Now fully revised and updated to include the prequel series Enterprise and the current reboot film series, this new second edition of Star Trek: The Human Frontier – published to coincide with Star Trek’s golden jubilee celebrations – addresses these issues in a range of cultural contexts, and draws together an unusual combination of expertise. Written to appeal to both the true Trekker and those who don’t know Star Trek from Star Wars, the book explores and explains the ideas and ideals behind a remarkable cultural phenomenon.

Star Wars: A New Hope

by George Lucas

Luke Skywalker challenged the stormtroopers of a distant galaxy on a daring mission -- where a Force of life became the power of death! Luke Skywalker was a twenty-year-old who lived and worked on his uncle's farm on the remote planet of Tatooine...and he was bored beyond belief. He yearned for adventures out among the stars -- adventures that would take him beyond the farthest galaxies to distant and alien worlds. But Luke got more than he bargained for when he intercepted a cryptic message from a beautiful princess held captive by a dark and powerful warlord. Luke didn't know who she was, but he knew he had to save her -- and soon, because time was running out. Armed only with courage and with the light saber that had been his father's, Luke was catapulted into the middle of the most savage space war ever... and he was headed straight for a desperate encounter on the enemy battle station known as the Death Star!

Star Wars: Episode III Revenge of the Sith -- The Illustrated Screenplay (Star Wars - Legends #No. 2)

by George Lucas

EPISODE III-THE ONE AND ONLY OFFICIAL SCREENPLAY, available exclusively in ebook format, including scenes that did not appear in the movie itself! This is the complete, final screenplay written by George Lucas, as brought to life before the cameras by a stellar cast of performers and an unparalleled team of special effects wizards. Enjoy a rare and fascinating director's-eye-view of all the action, all the legendary characters, and each of the exotic worlds from science fiction cinema's greatest saga, as it comes full circle. And thanks to the images from the final cut of the movie itself, you'll be able to visualize the adventure as it unfolded throughout the shooting of Star Wars: Episode III: Revenge of the Sith. For the total Star Wars fan and filmmaking enthusiast alike, this extraordinary ebook is an essential part of the Star Wars experience. Features a bonus section following the novel that includes a primer on the Star Wars expanded universe, and over half a dozen excerpts from some of the most popular Star Wars books of the last thirty years!

Starboard Wine, Revised Edition: More Notes on the Language of Science Fiction

by Samuel R. Delany

In Starboard Wine, Samuel R. Delany explores the implications of his now-famous assertion that science fiction is not about the future. Rather, it uses the future as a means of talking about the present and its potentiality. By recognizing a text's specific "difference," we begin to see the quality of its particulars. Through riveting analyses of works by Joanna Russ, Robert Heinlein, Theodore Sturgeon, and Thomas M. Disch, Delany reveals critical strategies for reading that move beyond overwrought theorizing and formulaic thinking. Throughout, the author performs the kinds of careful inquiry and urgent speculation that he calls others to engage in.

Stardust Lost: The Triumph, Tragedy, and Mishugas of the Yiddish Theater in America

by Stefan Kanfer

InStardust Lost, Stefan Kanfer brings the colorful Yiddish stage roaring back to life. Born of ancient traditions stretching back to the drama of the Old Testament, the Yiddish theater was a vibrant part of the immigrant experience. Kanfer invokes the energy, belief, and purechutzpahit took to establish and run the thriving, influential theaters. He reveals the nightly drama and comedy that played out behind the scenes as well as onstage, and introduces all the players--actors, divas, playwrights, directors, and producers--who made it possible. A richly evocative chronicle of its brief but dazzling existence in America, this is both an elegy for and a tribute to Yiddish theater--lost, but not forgotten.

Stargazers

by Phil Carradice

In a Middle-Eastern state, Yaniv plans to follow in his father's soldiering footsteps - he wants to travel, adventure and respect. So the offer to escort some stargazers on a mysterious journey seems like a great chance. But his first mission isn't as straightforward as it is expected to be. Along the way Yaniv meets treachery, violence, danger and royalty, as well as a very attractive young girl. What are the stargazers really searching for? And who can he really trust?

Stargazers

by Phil Carradice

In a Middle-Eastern state, Yaniv plans to follow in his father's soldiering footsteps - he wants to travel, adventure and respect. So the offer to escort some stargazers on a mysterious journey seems like a great chance. But his first mission isn't as straightforward as it is expected to be. Along the way Yaniv meets treachery, violence, danger and royalty, as well as a very attractive young girl. What are the stargazers really searching for? And who can he really trust?

The Starlight Night

by David H. Levy

In this updated second edition renowned amateur comet-searcher David H. Levy expands on his work about the intricate relationship between the night sky and the works of English Literature. This revised and expanded text includes new sections on Alfred Lord Tennyson and Gerald Manley Hopkins (both amateur astronomers), extending the time period analyzed in the first edition from early modern literature to encompass the Victorian age. Although the sky enters into much of literature through the ages, British authors offer an especially fertile connection to the heavens, and Levy links the works of seminal authors from Shakespeare on to specific celestial events and scientific advances. From the impact of comets and supernovae to eclipses, Levy's ultimate goal in this book is to inspire his readers to do the same thing as their ancestors did so long ago--look up and appreciate the stars. His insights in this revised book spread farther and wider than ever before in this learned and enchanting tour of the skies.

Starlit Dome - Wilson Knight: Studies In The Poetry Of Vision

by Wilson Knight

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Start a Riot!: Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry (Margaret Walker Alexander Series in African American Studies)

by Casarae Lavada Abdul-Ghani

While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary exposés that a riot’s disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education—tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest.

Start Right Reader [Grade 1]: Book 4 (Into Reading, Read Aloud Module 3)

by Houghton Harcourt

NIMAC-sourced textbook

Start Right Reader, Grade 1, Book 1 (Into Reading)

by Houghton Mifflin Harcourt Publishing Company

NIMAC-sourced textbook

Start Right Reader, Grade 2, Book 1 (Into Reading)

by Houghton Mifflin Harcourt Publishing Company

NIMAC-sourced textbook

Start Right Reader, Grade 2, Book 2 (Into Reading)

by Freya Hartas

NIMAC-sourced textbook

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Showing 48,526 through 48,550 of 58,081 results