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The Fiction of History (Routledge Approaches to History)
by Alexander Lyon MacfieThe Fiction of History sets out a number of themes in the relationship between history and fiction, emphasising the tensions and dilemmas created in this relationship and examining how various writers have dealt with these. In the first part, two chapters discuss the philosophy behind the connection between fiction and history, whether history is fiction, and the distinction between the past and history. Part two goes on to discuss the relationship between history and literature using case studies such as Virginia Woolf and Charles Dickens. Part three looks at television and film (as well as other media) through case studies such as the film Welcome to Sarajevo and Soviet and Australian films. Part four considers a particular theme that has prominence in both history and literature, postcolonial studies, focusing on the issues of fictions of nationhood and civilization and the historical novel in postcolonial contexts. Finally, the fifth section comprises two interviews with novelists Penelope Lively and Adam Thorpe and discusses the ways in which their works explore the nature of history itself.
The Fiction of Nationality in an Era of Transnationalism (Literary Criticism and Cultural Theory)
by Nyla Ali KhanFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
The Fiction of Ruth Rendell: Ancient Tragedy and the Modern Family
by Barbara Fass LeavyA study of the role of family, ancient Greek narratives, and the psychological theories of Freud and Jung in the mystery novels of Ruth Rendell. Aside from Ruth Rendell&’s brilliance as a fiction writer, and her appeal to mystery lovers, her books portray a compelling, universal experience that her readers can immediately relate to, the intra-familial stresses generated by the nuclear family. Even those who experience the joys as well as pains of family life will find in Rendell the conflicts that beset all who must navigate their way through the conflicts that beset members of the closest families. Barbara Fass Leavy analyzes the multi-leveled treatment of these themes that contributes to Rendell&’s standing as a major contemporary novelist. Rendell, who also writes as Barbara Vine, draws on ancient Greek narratives, and on the psychological theories Sigmund Freud and Carl Jung derived from them, to portray the disturbed family relationships found throughout her work. Leavy&’s analysis considers what distinguishes mysteries as popular entertainment from crime fiction as literary art. The potential for rereading even when the reader remembers &“whodunit&” will be the basis for this distinction. Leavy also looks closely at the Oedipus and Electra complexes and how they illuminate Rendell&’s portrayals of the different pairings within the nuclear family (for example, mother and daughter) and considers the importance of gender differences. In addition, Leavy corrects a widespread error, that Freud formulated the Electra complex, when in fact the formulation was Jung&’s as he challenged Freud&’s emphasis on the Oedipus story as the essential paradigm for human psychological development.
The Fiction of Valerie Martin: An Introduction
by Veronica MakowskyIn the first book-length study of Valerie Martin's fiction, Veronica Makowsky explores the work of this lauded, but often overlooked, contemporary novelist. Winner of the Orange Prize for her novel Property (2003), Martin also won the Kafka Prize for Mary Reilly (1990), which was then translated into sixteen languages and made into a popular film. Despite these successes, her critically acclaimed novels and stories have yet to attain a broad readership. Makowsky addresses this disconnect through a detailed critical study of Martin's distinguished oeuvre, grounding each work in its historical, cultural, and theoretical contexts. Makowsky begins with a sketch of Martin's life and then considers each of her ten novels and four collections of short stories. Throughout, Makowsky's deft critique reveals Martin to be an astute observer of people and places. Pointing to both early works, like A Recent Martyr (1987), and recent books, such as The Ghost of the Mary Celeste (2014), Makowsky identifies a potent mixture of pleasure and fear in Martin's writing that emphasizes the author's nuanced exploration of human imagination. Notable, too, are Martin's literary techniques -- especially point of view -- and her allusions to masterpieces in Western literature. The works of Henry and William James in particular influenced Martin's thematic blend of intellectualism and empathy evident in her rounded depictions of women in works like Italian Fever (1999) and The Great Divorce (1994). A rich and substantive study, The Fiction of Valerie Martin demonstrates and deconstructs the mastery of this thought-provoking author, in turn firmly establishing Martin's place in the canon of contemporary writers.
The Fictional Encyclopaedia: Joyce, Pound, Sollers (Routledge Revivals)
by Hilary ClarkFirst published in 1990, this work offers an analysis of the phenomenon of encyclopaedism in literature. Hilary Clark develops the theory of an encyclopaedic form in the interests of making clear distinctions between the realist narrative form and that of the encyclopaedic-parodic or fictional encyclopaedia. She makes clear the special links that non-realist, parodic fictions have with the forms of essay, Menippean satire and epic, and indeed with the encyclopaedia itself. The study pays particular attention to the way in which literary encyclopaedism has flourished in the twentieth century, with special reference to the works of James Joyce, Ezra Pound and Philippe Sollers.
The Fictional Lives of Shakespeare (Routledge Studies in Shakespeare)
by Kevin GilvaryModern biographies of William Shakespeare abound; however, close scrutiny of the surviving records clearly show that there is insufficient material for a cradle to grave account of his life, that most of what is written about him cannot be verified from primary sources, and that Shakespearean biography did not attain scholarly or academic respectability until long after Samuel Schoenbaum published William Shakespeare A Documentary Life in 1975. This study begins with a short survey of the history and practice of biography and then surveys the very limited biographical material for Shakespeare. Although Shakespeare gradually attained the status as a national hero during the seventeenth and eighteenth centuries, there were no serious attempts to reconstruct his life. Any attempt at an account of his life or personality amounts, however, merely to "biografiction". Modern biographers differ sharply on Shakespeare’s apparent relationships with Southampton and with Jonson, which merely underlines the fact that the documentary record has to be greatly expanded through contextual description and speculation in order to appear like a Life of Shakespeare.
The Fictions of American Capitalism: Working Fictions and the Economic Novel (Palgrave Studies in Literature, Culture and Economics)
by Jacques-Henri Coste Vincent DussolThe Fictions of American Capitalism: Working Fictions and the Economic Novel introduces a new way of thinking about fiction in connection with capitalism, especially American capitalism. These essays demonstrate how fiction fulfills a major function of the American capitalist engine, presenting various formulations of American capitalism from the perspective of economists, social scientists, and literary critics. Focusing on three narratives—fictitious capital, working fictions, and the economic novel—the volume questions whether these three types of fiction can be linked under the sign of capitalism. This collection seeks to illustrate the American economy’s dependence on fictitiousness, America’s ideological fictions, and the nation’s creative literary fiction. In relation to what the credit and banking crisis of 2007–2008 exposed about the “unreal” base of the economy, the volume concludes with a call to recognize the economic humanities, arguing that American fiction and American literary studies can provide a useful mirror for economists.
The Fictions of John Fowles: Power, Creativity, Femininity
by Pamela CooperThis incisive and skillfully articulated study explores the complex power relationships in John Fowles's fictions, particularly his handling of the pivotal subjects of art and sex.
The Fictions of Language and the Languages of Fiction
by Monika FludernikMonika Fludernik presents a detailed analysis of free indirect discourse as it relates to narrative theory, and the crucial problematic of how speech and thought are represented in fiction.Building on the insights of Ann Banfield's Unspeakable Sentences, Fludernik radically extends Banfield's model to accommodate evidence from conversational narrative, non-fictional prose and literary works from Chaucer to the present.Fludernik's model subsumes earlier insights into the forms and functions of quotation and aligns them with discourse strategies observable in the oral language. Drawing on a vast range of literature, she provides an invaluable resource for researchers in the field and introduces English readers to extensive work on the subject in German as well as comparing the free indirect discourse features of German, French and English.This study effectively repositions the whole area between literature and linguistics, opening up a new set of questions in narrative theory.
The Fictions of Satire
by Ronald PaulsonOriginally published in 1967. In this study of the English Augustan satirists, and the Roman and subsequent authors who were their models, Professor Paulson shows how rhetoric relates to imitation, persuasion to presentation, and the imitation of the satirist to the imitation of the satiric object. He illustrates the tendency of the satirist to invade his own fiction and imitate not the prime object of his satire but the satiric persona, which consequently takes on a life of its own. By analyzing the satiric fictions of the precursors of the Augustans, the author reveals the elements they bequeathed to those who rode the high crest of the satiric wave in England, before the art of satire became submerged in the deepening trough of sentimental romanticism.Paulson shows the Tories Dryden, Pope, and Swift and the Whigs Addison and Steele to be the heirs of a long line of satirists ancient and modern, from Horace, Juvenal, Lucian, Apuleius, and Petronius to Rabelais, Cervantes and the English Elizabethan and Civil War poets. Taking Swift as his main example, Paulson examines the dualism of satire in its most interesting and ambiguous modes, and as the embodiment of rhetorical devices that are as complex mimetically as they are rhetorically.
The Fiddlehead Moment: Pioneering an Alternative Canadian Modernism in New Brunswick
by Tony TremblayFor many Canadians, the small province of New Brunswick on Canada's scenic east coast is "a nice place to visit but no place to live," plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers – collectively, New Brunswick's Fiddlehead School – sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.
The Fiddlehead Moment: Pioneering an Alternative Canadian Modernism in New Brunswick
by Tony TremblayFor many Canadians, the small province of New Brunswick on Canada's scenic east coast is "a nice place to visit but no place to live," plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers - collectively, New Brunswick's Fiddlehead School - sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.
The Fiddler in the Subway
by Gene WeingartenGENE WEINGARTEN IS THE O. HENRY OF AMERICAN JOURNALISM Simply the best storyteller around, Weingarten describes the world as you think it is before revealing how it actually is--in narratives that are by turns hilarious, heartwarming, and provocative, but always memorable. Millions of people know the title piece about violinist Joshua Bell, which originally began as a stunt: What would happen if you put a world-class musician outside a Washington, D.C., subway station to play for spare change? Would anyone even notice? The answer was no. Weingarten's story went viral, becoming a widely referenced lesson about life lived too quickly. Other classic stories--the one about "The Great Zucchini," a wildly popular but personally flawed children's entertainer; the search for the official "Armpit of America"; a profile of the typical American nonvoter--all of them reveal as much about their readers as they do their subjects.
The Field Guide to Sports Metaphors: A Compendium of Competitive Words and Idioms
by Josh ChetwyndA gift-worthy playbook of common and unexpected words and idioms that have their roots in sports and games. There are many metaphors we can quickly identify from the realm of sports: covering all the bases (baseball), game plan (football), and par for the course (golf). But the English language is also peppered with the not-so-obvious influence of sports and games, such as go-to guy (basketball) and dead ringer (horse racing). Filled with pithy entries on each idiom, plus quotes showing how big talkers from President Obama to rapper Ice-T use them, this quirky little handbook from former minor league ballplayer and award-winning journalist Josh Chetwynd is sure to be a conversation starter at tailgates, cocktail parties, and in the boardroom.From the Hardcover edition.
The Field of Chinese Language Education in the U.S.: A Retrospective of the 20th Century
by Vivian LingThis book will be the first account of the development of Chinese as a foreign language in the U.S., as it interacts with the relevant entities in China and beyond. There are virtually no systematic retrospective reflections on the field outside of the greater China region; and yet over the past decades the field has grown by leaps and bounds, and it is critical now that we pause to reflect on what has happened and what we can learn from the past. The contributors are among some of the most influential pioneers in the field whose entire academic lives have been dedicated to its development. The Field of Chinese Language Education in the U.S.: A Retrospective of the 20th Century is aimed at those who are currently engaged in Chinese language education, as teachers or as students.
The Field of Imagination: Thomas Paine and Eighteenth-Century Poetry
by Scott M. ClearyOne of America’s Founding Fathers, Thomas Paine is best remembered as the pamphleteer who inspired the American Revolution. Yet few also know him as an eighteenth-century poet of considerable repute. In The Field of Imagination, Scott Cleary offers the first book on Paine’s poetry, exploring how poetry written both by and about Paine is central to understanding his development as a political theorist.Despite his claim in The Age of Reason that he was abandoning poetry because it led too much into the "field of imagination," Paine never completely left poetry behind. He took advantage of his position as editor of the Pennsylvania Magazine to situate his poetry in relation to the magazine’s tacit support of American independence. He drew on two British poets, James Thomson and Charles Churchill, to provide revealing epigraphs for his major early works in support of that independence, and in turn he himself became an influence on early American poets such as Joel Barlow and Philip Freneau.Paine’s poetry has until now been largely relegated to the status of scholarly curiosity. But whether through his own poetry, his thoughts on the place and function of poetry in the Age of Reason, or his deep influence on the poetry of the early American republic, Paine’s involvement in poetical craft provides a lens onto the unique and tempestuous literary culture of the eighteenth century.
The Fight
by Norman MailerIn 1974 in Kinshasa, Zaïre, two African American boxers were paid five million dollars apiece to fight each other. One was Muhammad Ali, the aging but irrepressible "professor of boxing." The other was George Foreman, who was as taciturn as Ali was voluble. Observing them was Norman Mailer, a commentator of unparalleled energy, acumen, and audacity. Whether he is analyzing the fighters' moves, interpreting their characters, or weighing their competing claims on the African and American souls, Mailer's grasp of the titanic battle's feints and stratagems--and his sensitivity to their deeper symbolism--makes this book a masterpiece of the literature of sport.
The Fight and Other Writings
by William HazlittHazlitt is one of the greatest masters of English prose style and this new selection demonstrates the variety and richness of his writing. The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.
The Figure of Christ in the Long Nineteenth Century (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Elizabeth LudlowThis book is an interdisciplinary collection of essays that explores the variety ofways in which the interface between understanding the figure of Christ, theplace of the cross, and the contours of lived experience, was articulated throughthe long nineteenth century. Collectively, the chapters respond to thetheological turn in postmodern thought by asking vital questions about the wayin which representations of Christ shape understandings of personhood and ofthe divine.
The Figure of Consciousness: William James, Henry James and Edith Wharton (Literary Criticism and Cultural Theory)
by Jill M. KressFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Figure of the Animal in Modern and Contemporary Poetry (Palgrave Studies in Animals and Literature)
by Michael MalayThis book argues that there are deep connections between ‘poetic’ thinking and the sensitive recognition of creaturely others. It explores this proposition in relation to four poets: Marianne Moore, Elizabeth Bishop, Ted Hughes, and Les Murray. Through a series of close readings, and by paying close attention to issues of sound, rhythm, simile, metaphor, and image, it explores how poetry cultivates a special openness towards animal others. The thinking behind this book is inspired by J. M. Coetzee’s The Lives of Animals. In particular, it takes up that book’s suggestion that poetry invites us to relate to animals in an open-ended and sympathetic manner. Poets, according to Elizabeth Costello, the book’s protagonist, ‘return the living, electric being to language’, and, doing so, compel us to open our hearts towards animals and the claims they make upon us. There are special affinities, for her, between the music of poetry and the recognition of others. But what might it mean to say that poets to return life to language? And why might this have any bearing on our relationship with animals? Beyond offering many suggestive starting points, Elizabeth Costello says very little about the nature of poetry’s special relationship with the animal; one aim of this study, then, is to ask of what this relationship consists, not least by examining the various ways poets have bodied forth animals in language.
The Figure of the Child in WWI American, British, and Canadian Children’s Literature: Farmer, Tailor, Soldier, Spy (Children's Literature and Culture)
by Elizabeth A. GalwayOver the past century, much attention has been paid to the literature written for adults in response to the First World War, but there has been comparatively little consideration of how the war influenced literature for young readers at the time. Based on extensive archival research, this study examines an array of wartime writing for young people and provides a new understanding of the complexities and nuances within children’s literature of the period. In its discussion of nearly 150 primary sources from Britain, Canada, and the United States, this volume considers some well-known texts but also brings to light forgotten children’s literature of the era, providing new insights into how WWI was presented to the young people whose lives were indelibly impacted by the crisis. Paying special attention to the varied ways in which child figures were depicted, it reflects on what these portrayals reveal about adult conceptualizations of youth, and it considers how these may have shaped young readers’ own views of armed conflict, citizenship, and childhood. From the helpless victim to the heroic combatant, child figures appeared in many guises, exposing a range of adult concerns about nation, empire, and children’s citizenship. Exploring everything from alphabet books for beginning readers, to recruitment materials for high school students, this book examines works from multiple genres and provides a uniquely comprehensive study of transatlantic children’s literature produced during the first global war.
The Film Experience: An Introduction
by Patricia White Timothy CorriganIn our culture, watching movies is a universal experience - but understanding film may not be. The Film Experience reaches out to students, connecting their experiences watching movies with better understanding and knowledge of the medium's full scope. And with its game-changing new video program in LaunchPad Solo (see below), this thoroughly updated new edition makes it easier than ever to link each student's personal viewing to a greater overall understanding of film.Timothy Corrigan and Patricia White's classroom favorite is both authoritative and joyful about watching, analyzing, and understanding film. With clips from classic and contemporary films (Rear Window, Life of Pi, Moonrise Kingdom, Chinatown, and many others) plus hundreds of movie images and other graphics, the thoroughly revised new edition covers everything from editing to cinematography to narrative genres, all in a cultural context that reinforces why films and film study matter. The book's features--Form in Action, Film in Focus, and Concepts at Work --combine text, stills, and links to videos online to explore specific films, scenes, and trends in depth.
The Filmmaker's Guide to Production Design
by Vincent LoBruttoLearn to turn a simple screenplay into a visual masterpiece! Top production designers share their real-life experiences to explain the aesthetic, narrative, and technical aspects of the craft. Step by step, aspiring filmmakers will discover sound instruction on the tools of the trade, and established filmmakers will enjoy a new outlook on production design. They will learn, for example, the craft behind movie magic-such as how to create a design metaphor, choose a color scheme, use space, and work within all genres of film, from well-funded studio projects to "guerilla filmmaking." This indispensable resource also contains a history of movie making and guidelines for digital production design. For the experienced filmmaker seeking new design ideas to the struggling newcomer stretching low-budget dollars, this book makes the processes and concepts of production design accessible.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
The Films of Samuel Fuller: If You Die, I'll Kill You (Wesleyan Film)
by Lisa DombrowskiFirst comprehensive study of this American original A cigar-chomping storyteller who signaled "Action!" by shooting a gun, Samuel Fuller has been lionized as one of the most distinctive writer/directors ever to emerge from Hollywood. In such films as The Steel Helmet, Pickup on South Street, Shock Corridor, and The Big Red One, Fuller gleefully challenged classical and generic norms—and often standards of good taste—in an effort to shock and arouse audiences. Tackling war, crime, race, and sexuality with a candor rare for any period, Fuller's maverick vision was tested by Hollywood's transition from the studio system to independent filmmaking. Now, in the first full account of all of the director's audaciously original work, author Lisa Dombrowski brings his career into new relief. The Films of Samuel Fuller features close analysis of Fuller's pictures and draws on previously untapped production and regulatory files, script notes, and interviews to explore how artistic, economic, and industrial factors impacted Fuller's career choices and shaped the expression of his personal aesthetic. Fans of Fuller and American cinema will welcome this in-depth study of a provocative director who embodied both the unique opportunities and challenges of postwar filmmaking.