Browse Results

Select your format based upon: 1) how you want to read your book, and 2) compatibility with your reading tool. To learn more about using Bookshare with your device, visit the Help Center.

Here is an overview of the specialized formats that Bookshare offers its members with links that go to the Help Center for more information.

• Bookshare Web Reader - A customized reading tool for Bookshare members offering all the features of DAISY with a single click of the "Read Now" link.
• DAISY (Digital Accessible Information System) - A digital book file format. DAISY books from Bookshare are DAISY 3.0 text files that work with just about every type of access technology that reads text. Books that contain images will have the download option of ‘DAISY Text with Images’.
• BRF (Braille Refreshable Format) - Digital Braille for use with refreshable Braille devices and Braille embossers.
• MP3 (MPEG audio layer 3) - Provides audio only with no text. These books are created with a text-to-speech engine and spoken by Kendra, a high quality synthetic voice from Ivona. Any device that supports MP3 playback is compatible.
• DAISY Audio - Similar to the DAISY option above; however, this option uses MP3 files created with our text-to-speech engine that utilizes Ivonas Kendra voice. This format will work with Daisy Audio compatible players such as Victor Reader Stream and Read2Go.
• EPUB - A standard e-book format that can be read on many tools, such as iBooks, Readium or others.
• Word - Accessible Word output, which can be unzipped and opened in any tool that allows .docx files

The Folks in the Valley: A Pennsylvania Dutch ABC

A rhyming alphabet book about the people and activities of a Pennsylvania Dutch settlement in a rural valley.

The Food Plot in the Nineteenth-Century British Novel

This book is about food, eating, and appetite in the nineteenth-century British novel. While much novel criticism has focused on the marriage plot, this book revises the history and theory of the novel, uncovering the "food plot" against which the marriage plot and modern subjectivity take shape. With the emergence of Malthusian population theory and its unsettling links between sexuality and the food supply, the British novel became animated by the tension between the marriage plot and the food plot. Charting the shifting relationship between these plots, from Jane Austen's polite meals to Bram Stoker's bloodthirsty vampires, this book sheds new light on some of the best-know works of nineteenth-century literature and pushes forward understandings of narrative, literary character, biopolitics, and the novel as a form. From Austen to Zombies, Michael Parrish Lee explores how the food plot conflicts with the marriage plot in nineteenth-century literature and beyond, and how appetite keeps rising up against taste and intellect. Lee's book will be of interest to Victorianists, genre theorists, Food Studies, and theorists of bare life and biopolitics. - Regenia Gagnier, Professor of English, University of Exeter In The Food Plot Michael Lee engages recent and classic scholarship and brings fresh and provocative readings to well worked literary critical ground. Drawing upon narrative theory, character study, theories of sexuality, and political economy, Professor Lee develops a refreshing and satisfyingly deep new reading of canonical novels as he develops the concept of the food plot. The Food Plot should be of interest to specialists in the novel and food studies, as well as students and general readers. - Professor April Bullock, California State University, Fullerton, USA

The Fool and the Clown in Western Culture and Literature: Homo Insipiens (Literary Criticism and Cultural Theory)

The Fool and the Clown in Western Culture and Literature: Homo Insipiens is a fascinating description of these two perennial figures in European and North American history, folklore, theater, literature, arts, and popular culture. The first part of the book separates them into ten different subcategories and recounts the most vivid and influential manifestations of different kinds of fools and clowns in cultural history. The second part singles out three European writers who have made a significant contribution to the elucidation of the concept of folly. William Shakespeare, Fyodor Dostoevsky, and Samuel Beckett have painted an entire gallery of fools, clowns, and buffoons, created not only to entertain but also to explore the meaning of human life. The most important concepts in the book are illustrated by captivating characters and tales that have made people both laugh and arrive at a deeper understanding of themselves and the world around them.

The Fool in European Theatre

Why is folly essential to the functioning of a healthy society? Why is theatre a natural home for madness? The answers take the reader on a journey embracing Shakespeare and Jonson, Brecht and Beckett, B#65533;chner and Boal. From Falstaff to Fo via Figaro, this study examines the art of telling truth to power and surviving long enough to have a laugh.

The Fool of Quality: Volume 1 (Routledge Revivals)

First published in 1906, The Fool of Quality; a picaresque and sentimental novel by the Irish writer Henry Brooke, is the only one of his works which has enjoyed any great reputation. The somewhat shapeless plot is an account of the doings of young Harry Clinton, who, rejected by his decadent and aristocratic father, is educated on enlightened principles by his philanthropic uncle. Thus equipped to fight the evils of the world the innocent yet wise hero does his best to better the lot of the unfortunate Hammel Clement and his family, and other deserving cases, in the intervals between the author's frequent philosophical digressions and commentaries on the action. It is the first of five volumes.

The Fool of Quality: Volume 2 (Routledge Revivals)

First published in 1906, The Fool of Quality; a picaresque and sentimental novel by the Irish writer Henry Brooke, is the only one of his works which has enjoyed any great reputation. The somewhat shapeless plot is an account of the doings of young Harry Clinton, who, rejected by his decadent and aristocratic father, is educated on enlightened principles by his philanthropic uncle. Thus equipped to fight the evils of the world the innocent yet wise hero does his best to better the lot of the unfortunate Hammel Clement and his family, and other deserving cases, in the intervals between the author's frequent philosophical digressions and commentaries on the action. This book is the second of five volumes.

The Fool of Quality: Volume 3 (Routledge Revivals)

First published in 1906, The Fool of Quality; a picaresque and sentimental novel by the Irish writer Henry Brooke, is the only one of his works which has enjoyed any great reputation. The somewhat shapeless plot is an account of the doings of young Harry Clinton, who, rejected by his decadent and aristocratic father, is educated on enlightened principles by his philanthropic uncle. Thus equipped to fight the evils of the world the innocent yet wise hero does his best to better the lot of the unfortunate Hammel Clement and his family, and other deserving cases, in the intervals between the author's frequent philosophical digressions and commentaries on the action. This book is the third of five volumes.

The Fool of Quality: Volume 4 (Routledge Revivals)

First published in 1906, The Fool of Quality; a picaresque and sentimental novel by the Irish writer Henry Brooke, is the only one of his works which has enjoyed any great reputation. The somewhat shapeless plot is an account of the doings of young Harry Clinton, who, rejected by his decadent and aristocratic father, is educated on enlightened principles by his philanthropic uncle. Thus equipped to fight the evils of the world the innocent yet wise hero does his best to better the lot of the unfortunate Hammel Clement and his family, and other deserving cases, in the intervals between the author's frequent philosophical digressions and commentaries on the action. This book is the fourth of five volumes.

The Fool of Quality: Volume 5 (Routledge Revivals)

First published in 1906, The Fool of Quality; a picaresque and sentimental novel by the Irish writer Henry Brooke, is the only one of his works which has enjoyed any great reputation. The somewhat shapeless plot is an account of the doings of young Harry Clinton, who, rejected by his decadent and aristocratic father, is educated on enlightened principles by his philanthropic uncle. Thus equipped to fight the evils of the world the innocent yet wise hero does his best to better the lot of the unfortunate Hammel Clement and his family, and other deserving cases, in the intervals between the author's frequent philosophical digressions and commentaries on the action. This book is the fifth of five volumes.

The Foolish Dictionary

The Footnote: A Curious History

The weapon of pedants, the scourge of undergraduates, the bête noire of the âeoenewâe liberated scholar: the lowly footnote, long the refuge of the minor and the marginal, emerges in this book as a singular resource, with a surprising history that says volumes about the evolution of modern scholarship. In Anthony Graftonâe(tm)s engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form. Grafton treats the development of the footnoteâe"the one form of proof normally supplied by historians in support of their assertionsâe"as writers on science have long treated the development of laboratory equipment, statistical arguments, and reports on experiments: as a complex story, rich in human interest, that sheds light on the status of history as art, as science, and as an institution. The book starts in the Berlin of the brilliant nineteenth-century historian Leopold von Ranke, who is often credited with inventing documented history in its modern form. Casting back to antiquity and forward to the twentieth century, Graftonâe(tm)s investigation exposes Rankeâe(tm)s position as a far more ambiguous one and offers us a rich vision of the true origins and gradual triumph of the footnote. Among the protagonists of this story are Athanasius Kircher, who built numerous documents into his spectacularly speculative treatises on ancient Egypt and China; Pierre Bayle, who made the footnote a powerful tool in philosophical and historical polemics; and Edward Gibbon, who transformed it into a high form of literary artistry. Proceeding with the spirit of an intellectual mystery and peppered with intriguing and revealing remarks by those who âeoemadeâe this history, The Footnote brings what is so often relegated to afterthought and marginalia to its rightful place in the center of the literary life of the mind.

The Forbidden Body: Sex, Horror, and the Religious Imagination

From creature features to indie horror flicks, find out what happens when sex, horror, and the religious imagination come togetherThroughout history, religion has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed—or, more commonly, how they must be hidden. Yet, we remain fascinated, obsessed even, by bodies that have left, or been forced out of, their “proper” place. The Forbidden Body examines how horror culture treats these bodies, exploring the dark spaces where sex and the sexual body come together with religious belief and tales of terror.Taking a broad approach not limited to horror cinema or popular fiction, but embracing also literary horror, weird fiction, graphic storytelling, visual arts, and participative culture, Douglas E. Cowan explores how fears of bodies that are tainted, impure, or sexually deviant are made visible and reinforced through popular horror tropes. The volume challenges the reader to move beyond preconceived notions of religion in order to decipher the “religious imagination” at play in the scary stories we tell over and over again. Cowan argues that stories of religious bodies “out of place” are so compelling because they force us to consider questions that religious belief cannot comfortably answer: Who are we? Where do we come from? Why do we suffer? And above all, do we matter? As illuminating as it is unsettling, The Forbidden Body offers a fascinating look at how and why we imagine bodies in all the wrong places.

The Forbidden Worlds of Haruki Murakami

In an &“other world&” composed of language—it could be a fathomless Martian well, a labyrinthine hotel or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami&’s characters and readers alike. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer&’s extraordinary fiction.Fervently acclaimed worldwide, Murakami&’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami&’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami&’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami&’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer&’s vivid &“inner world,&” whether unconscious or underworld (what some Japanese critics call achiragawa, or &“over there&”), and its connectivity to language. Strecher covers all of Murakami&’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer&’s newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.

The Force of Comparison: A New Perspective on Modern European History and the Contemporary World (New German Historical Perspectives #11)

In an era defined by daily polls, institutional rankings, and other forms of social quantification, it can be easy to forget that comparison has a long historical lineage. Presenting a range of multidisciplinary perspectives, this volume investigates the concepts and practices of comparison from the early modern period to the present. Each chapter demonstrates how comparison has helped to drive the seemingly irresistible dynamism of the modern world, exploring how comparatively minded assessors determine their units of analysis, the criteria they select or ignore, and just who it is that makes use of these comparisons—and to what ends.

The Force of Truth: Critique, Genealogy, and Truth-Telling in Michel Foucault

A groundbreaking examination of Michel Foucault's history of truth. Many blame Michel Foucault for our post-truth and conspiracy-laden society. In this provocative work, Daniele Lorenzini argues that such criticism fundamentally misunderstands the philosopher’s project. Foucault did not question truth itself but what Lorenzini calls “the force of truth,” or how some truth claims are given the power to govern our conduct while others are not. This interest, Lorenzini shows, drove Foucault to articulate a new ethics and politics of truth-telling precisely in order to evade the threat of relativism. The Force of Truth explores this neglected dimension of Foucault’s project by putting his writings on regimes of truth and parrhesia in conversation with early analytic philosophy and by drawing out the “possibilizing” elements of Foucault’s genealogies that remain vital for practicing critique today.

The Force of Vocation: The Literary Career of Adele Wiseman

Adele Wiseman was a seminal figure in Canadian letters. Always independent and wilful, she charted her own literary career, based on her unfailing belief in her artistic vision. In The Force of Vocation, the first book on Wiseman's writing life, Ruth Panofsky presents Wiseman as a writer who doggedly and ambitiously perfected her craft, sought a wide audience for her work, and refused to compromise her work for marketability.Based on previously unpublished archival material and personal interviews with publishers, editors, and writers, The Force of Vocation charts Wiseman's career from her internationally acclaimed first novel, The Sacrifice, through her near career-ending decisions to move into drama and non-fiction, to her many years as a dedicated mentor to other writers. In the process, Panofsky presents a remarkable and compelling story of the intricate negotiations and complex relationships that exist among authors, editors, and publishers.

The Force of the Example: Explorations in the Paradigm of Judgment (New Directions in Critical Theory #38)

During the twentieth century, the view that assertions and norms are valid insofar as they respond to principles independent of all local and temporal contexts came under attack from two perspectives: the partiality of translation and the intersubjective constitution of the self, understood as responsive to recognition. Defenses of universalism have by and large taken the form of a thinning out of substantive universalism into various forms of proceduralism. Alessandro Ferrara instead launches an entirely different strategy for transcending the particularity of context without contradicting our pluralistic intuitions: a strategy centered on the exemplary universalism of judgment. Whereas exemplarity has long been thought to belong to the domain of aesthetics, this book explores the other uses to which it can be put in our philosophical predicament, especially in the field of politics. After defining exemplarity and describing how something unique can possess universal significance, Ferrara addresses the force exerted by exemplarity, the nature of the judgment that discloses exemplarity, and the way in which the force of the example can bridge the difference between various contexts. Drawing not only on Kant's Critique of the Power of Judgment but also on the work of Hannah Arendt, John Rawls, Ronald Dworkin, and Jürgen Habermas, Ferrara outlines a view of exemplary validity that is applicable to today's central philosophical issues, including public reason, human rights, radical evil, sovereignty, republicanism and liberalism, and religion in the public sphere.

The Ford Family in Ireland: by Elizabeth Ham (Chawton House Library: Women's Novels)

Elizabeth Ham's 1845 novel, The Ford Family in Ireland, provides a snapshot, based on the personal experiences of the author, of a pivotal period in that country’s history. It examines the state of Ireland following the failed rebellions of 1798 and 1803 with a focus on the uprising of the “Thrashers,” an agrarian society in Ireland, and their putting down by martial law. Such movements attempted to avenge the wrongs which they perceived were being carried out against the natives of Ireland by landowners and the English government. This rare novel, alongside extensive editorial commentary, will be of much interest to students of literature and Irish history.

The Foreign Language Educator in Society: Toward a Critical Pedagogy

This text brings together two significant domains of educational practice: foreign language education and critical pedagogy--linking them in a way that can help foreign language educators develop a critical awareness of the nature, purposes, and challenges facing foreign language pedagogy. Unique among texts in the field, this is the first to deal explicitly with the social, political, ideological, and economic aspects of language, language learning, and language teaching in our society and to connect the practice of foreign language education with these critical, and crucial, aspects of language and language use. The Foreign Language Educator in Society: Toward A Critical Pedagogy: *emphasizes what teachers and future teachers of foreign languages in this country ought to know and understand about language-- language attitudes, practices, rights, and policy-- and related issues; *focuses on helping students to move beyond pragmatic pedagogical concerns to the social and political concerns relevant to their teaching; and *provides students with the opportunity to develop critical perspectives on the central facets of the language education process. Intended for foreign language education programs at both basic and advanced levels, as well as courses in critical pedagogy, critical language awareness, sociolinguistics, and social and cultural foundations of education, the text provides helpful pedagogical features to direct the reader in applying the content of each chapter to his or her own context.

The Foremother Figure in Early Black Women's Literature: Clothed in my Right Mind (Routledge Library Editions: African American Literature #1)

Originally published in 1999 The Foremother Figure in Early Black Women's Literature looks at how stereotypical foremother figure exists in nineteenth century American literature. The book argues that older black woman portrayed in early black women’s works differs significantly from the older black women portrayed in early white women’s works. The foremother figure, then emerging in early black women’s fiction revises the stereotypical mother figure in early white women’s fiction. In the context of the mulatta heroine the foremother produces minimal language that, through an Afrocentric rhetoric, distinguishes her from the stereotypical mother and thus links her peripheral role and unusual behaviour to cultural continuity and radical uplift.

The Forest for the Trees (Revised and Updated)

Quickly established as an essential and enduring companion for aspiring writers when it was first published, Betsy Lerner's sharp, funny, and insightful guide has been meticulously updated and revised to address the dramatic changes that have reshaped the publishing industry in the decade since. From blank page to first glowing (or gutting) review, Betsy Lerner is a knowing and sympathetic coach who helps writers discover how they can be more productive in the creative process and how they can better their odds of not only getting published, but getting published well. This is an essential trove of advice for writers and an indispensable user's manual to both the inner life of the writer and the increasingly anxious place where art and commerce meet: the boardrooms and cubicles of the publishing house.

The Forever Fandom of Harry Potter: Balancing Fan Agency and Corporate Control (Elements in Publishing and Book Culture)

Harry Potter fans contribute their immaterial and affective labor in multiple arenas: as peer-to-peer marketers via fan sites and social media; as participants in amateur fan festivals; or as activists for social change. Fans' participation in the Harry Potter universe has contributed to its success. This Element examines how fans' labor might continue to support the franchise for future readers. Starting with the context and theoretical frameworks that support a multidimensional analysis of the Harry Potter fan experience, this Element examines tensions between fans and Warner Bros., as fan participation tests the limits of corporate control.

The Forgiveness to Come: The Holocaust and the Hyper-Ethical (Just Ideas)

This book is concerned with the aporias, or impasses, of forgiveness, especially in relation to the legacy of the crimes against humanity perpetrated by the Nazis and their collaborators during World War II. Banki argues that, while forgiveness of the Holocaust is and will remain impossible, we cannot rest upon that impossibility. Rather, the impossibility of forgiveness must be thought in another way. In an epoch of “worldwidization,” we may not be able simply to escape the violence of scenes and rhetoric that repeatedly portray apology, reconciliation, and forgiveness as accomplishable acts. Accompanied by Jacques Derrida’s thought of forgiveness of the unforgivable, and its elaboration in relation to crimes against humanity, the book undertakes close readings of literary, philosophical, and cinematic texts by Simon Wiesenthal, Jean Améry, Vladimir Jankélévitch, Robert Antelme and Eva Mozes Kor. These texts contend with the idea that the crimes of the Nazis are inexpiable, that they lie beyond any possible atonement or repair. Banki argues that the juridical concept of crimes against humanity calls for a thought of forgiveness—one that would not imply closure of the infinite wounds of the past. How could such a forgiveness be thought or dreamed? Banki shows that if today we cannot simply escape the “worldwidization” of forgiveness, then it is necessary to rethink what forgiveness is, the conditions under which it supposedly takes place, and especially its relation to justice.

The Forgotten Alcott: Essays on the Artistic Legacy and Literary Life of May Alcott Nieriker (Routledge Studies in Nineteenth Century Literature)

This collection is the first academic study of the captivating life and career of expatriate artist, writer and activist, May Alcott Nieriker. Nieriker is known as the sister of Louisa May Alcott and model for "Amy March" in Alcott’s Little Women. As this book reveals, she was much more than "Amy"--she had a more significant impact on the Concord community than her sister and later became part of the creative expat community in Europe. There, she imbued her painting with the abolitionist activism she was exposed to in childhood and pursued an ideal of artistic genius that opposed her sister’s vision of self-sacrifice. Embarking on a career that took her across London, Paris, and Rome, Nieriker won the acclaim of John Ruskin and forged a network of expatriate female painters who changed the face of nineteenth-century art, creating opportunities for women that lasted well into the twentieth century. A "Renaissance woman," Nieriker was a travel writer, teacher, and curator. She is recovered here as a transdisciplinary subject who stands between disciplines, networks, and ideologies—stiving to recognize the dignity of others. Contributors include foundational Alcott scholar, Daniel Shealy and Pulitzer Prize winner, John Matteson, as well as Curators, Jan Turnquist (Orchard House) and Amanda Burdan (Brandywine River Museum of Art). In this book, readers will become acquainted with a dynamic feminist thinker who transforms our understanding of the place of women artists in the wider cultural and intellectual life of nineteenth-century Britain, France, and the United States.

The Forgotten Alcott: Essays on the Artistic Legacy and Literary Life of May Alcott Nieriker (Routledge Studies in Nineteenth Century Literature)

This collection is the first academic study of the captivating life and career of expatriate artist, writer, and activist, May Alcott Nieriker. Nieriker is known as the sister of Louisa May Alcott and model for "Amy March" in Alcott’s Little Women. As this book reveals, she was much more than "Amy"—she had a more significant impact on the Concord community than her sister and later became part of the creative expat community in Europe. There, she imbued her painting with the abolitionist activism she was exposed to in childhood and pursued an ideal of artistic genius that opposed her sister’s vision of self-sacrifice. Embarking on a career that took her across London, Paris, and Rome, Nieriker won the acclaim of John Ruskin and forged a network of expatriate female painters who changed the face of nineteenth-century art, creating opportunities for women that lasted well into the twentieth century. A "Renaissance woman," Nieriker was a travel writer, teacher, and curator. She is recovered here as a transdisciplinary subject who stands between disciplines, networks, and ideologies—stiving to recognize the dignity of others. Contributors include foundational Alcott scholar Daniel Shealy and Pulitzer Prize winner John Matteson, as well as Curators, Jan Turnquist (Orchard House) and Amanda Burdan (Brandywine River Museum of Art). In this book, readers will become acquainted with a dynamic feminist thinker who transforms our understanding of the place of women artists in the wider cultural and intellectual life of nineteenth-century Britain, France, and the United States.