- Table View
- List View
The Soul of Creative Writing
by Richard Goodman"I have a faith in language," said the poet W. S. Merwin. "It's the ultimate achievement that we as a species have evolved so far." Language is a deep ocean of living words, as varied as undersea life. It is a gift inherited by each person when he or she is born; it can be corrupted and regulated, but it cannot be owned. It is an enormous, complex, inexhaustible gift. The Soul of Creative Writing is a tribute to language and to its potentials. It explores the elements of language, style, rhythm, sound, and the choice of the right word. Richard Goodman paints an image of how language can produce a life and meaning that otherwise cannot exist in the symbols themselves.Goodman's stunningly creative collection was written after a lifetime of working and struggling with language. He collects rich examples from writers of the past and present, both great and small, and uses them to illustrate how each element of our written language can be used. The book begins with an analysis of words and how they can be used to create music on the page. Goodman uncovers the strength of words, writing about the shades of meaning that make the search for the exact word both arduous and immensely rewarding. He discusses how to find the proper title and how to find a fitting subject. He show how to create nonfiction work that is vivid and memorable through the use of the same techniques fiction writers employ.Goodman's volume is written with humor and clarity--with fascination and reverence. Writers will find it an indispensable source of creative inspiration and instruction. In Goodman's words, "reading is a tour of a writer's efforts at manipulating language to create art, to create flesh and blood and mountains, cities, homes, and gardens out of inky symbols on the page." To literary critics, this book will be a guide to understanding the tools and devices of great writing.
The Soul of Creativity
by Roberta Rosenthal KwallIn the United States, human creativity is historically understood to be motivated by economic concerns. However, this perspective fails to account for the reality that human creativity is also often the result of internal motivations having nothing to do with money. This book addresses what motivates human creativity and how the law governing authors' rights should be shaped in response to these motivations. On a practical level, it illustrates how integrating a fuller appreciation of the inspirational dimension of the creative process will allow us to think more expansively about legal protections for authors. Many types of creators currently lack the legal ability to compel attribution for their work, to prevent misattribution, and to safeguard their work from unwanted modifications. Drawing from a number of diverse sources, including literary, philosophical, and religious works, this book offers real solutions for crafting legal measures that facilitate an author's ability to safeguard his or her work without entirely sacrificing the intellectual property policies in practice in the United States today.
The Soul of Nietzsche'S beyond Good and Evil
by Maudemarie Clark David DudrickThis book presents a provocative new interpretation of Beyond Good and Evil, arguably Nietzsche's most important work. The problem is that it appears to express merely a loosely connected set of often questionable opinions. Can Nietzsche really be an important philosopher if this is his most important book? Maudemarie Clark and David Dudrick address this question with a close reading that emphasizes how Nietzsche writes. They argue that the first part of Beyond Good and Evil presents coherent and interconnected arguments for subtle and well-thought-out positions on traditional issues. Nietzsche's infamous doctrine of the will to power turns out to be a compelling account of the structure and origin of the human soul. And although he rejects some aspects of traditional philosophy, Nietzsche's aim is to show how philosophy's traditional aspirations to seek both the true and the good can be fulfilled. Beyond Good and Evil turns out to be a major work of philosophy and Nietzsche's masterpiece.
The Soul Of Place
by Linda LappinIn this engaging creative writing workbook, novelist and poet Linda Lappin presents a series of insightful exercises to help writers of all genres--literary travel writing, memoir, poetry, fiction, creative nonfiction--discover imagery and inspiration in the places they love. Lappin departs from the classical concept of the Genius Loci, the indwelling spirit residing in every landscape, house, city, or forest--to argue that by entering into contact with the unique energy and identity of a place, writers can access an inexhaustible source of creative power. The Soul of Place provides instruction on how to evoke that power. The writing exercises are drawn from many fields--architecture, painting, cuisine, literature and literary criticism, geography and deep maps, Jungian psychology, fairy tales, mythology, theater and performance art, metaphysics--all of which offer surprising perspectives on our writing and may help us uncover raw materials for fiction, essays, and poetry hidden in our environment. An essential resource book for the writer’s library, this book is ideal for creative writing courses, with stimulating exercises adaptable to all genres. For writers or travelers about to set out on a trip abroad, The Soul of Place is the perfect road trip companion, attuning our senses to a deeper awareness of place.
The Soul of Prince Caspian
by Gene VeithThrough best-selling books and now blockbuster motion pictures, C. S. Lewis's masterpiece "The Chronicles of Narnia" has captured the hearts and imaginations of millions of children and adults. When Lewis wrote this acclaimed series more than half a century ago, many considered it a mere children's allegory and missed the rich spiritual meaning of the Christian faith that Lewis was clearly communicating.In The Soul of the Lion, the Witch and the Wardrobe, Gene Veith revealed the mysteries and meanings of the first Narnia book. And now with the motion picture release of the second in the series, Veith returns to dig deeply into the biblical message behind this beloved story.In The Soul of Prince Caspian, Veith reveals how Lewis takes on the modern mindset that has literally forgotten Christ--just as Narnia has forgotten Aslan. As Veith unlocks the story of Prince Caspian, you'll discover how Lewis's other writings add depth and clarity to his message. And you'll see that, while Prince Caspian may be about the fantastic land of Narnia, it's also about your world.
The Soul of Russia: From Pushkin to Tarkovsky
by Morris Berman"Ecstasy, witchcraft, bewilderment-these ten loving vignettes on scandalous corners of Russian culture, by one of our most seasoned cultural critics, are a tribute to imperishable art even in our catastrophic time." -Caryl Emerson, Professor Emerita of Slavic Languages and Literatures, Princeton University In terms of literature, music, and film, it would be hard to outdo the sheer genius and creativity of Russia. These things constitute the soul of the nation, and it is this that Morris Berman explores in his latest work, The Soul of Russia. His central argument is that at the heart of this brilliance lies a particular idiosyncratic theme: the peasant-shamanic-folkloric tradition of the Russian people, which these artists, from Pushkin to Tarkovsky, drew upon for their inspiration. It was a "Dionysian" source, a nonrational one, and it endowed Russian creative work with what we would have to call vibrancy. Berman presents ten Russian artists who have left their indelible imprint on our collective consciousness. Pushkin offers a supernatural puzzle that Russian scholars are still trying to solve to this day. Gogol tells a tale of a man who wakes up to discover he has lost his nose, and goes in search of it-while his nose has simultaneously taken on a life of its own. Andrei Bely, in Petersburg, explains the revolution of 1905 not through traditional sociological or historical analysis, but by means of a surreal panorama of Oedipal events. Chekhov wittily explores the erotic properties of food, while Diaghilev shocks Europe with the great Vaslav Nijinsky and the Ballets Russes. Composing for this radical dance company, Stravinsky manages to alter the face of music forever. Mikhail Bulgakov offers one of the greatest novels of the twentieth century, The Master and Margarita, and Tarkovsky responds to Stanley Kubrick's famous 2001: A Space Odyssey by coming up with Solaris, a film based not on superficial American techno-fetishism but on questions of love, reality, and human identity. The Soul of Russia is a feast for the mind, but also for the senses-a book that readers will want to delve into more than once.
Soul of the Age
by Jonathan Bate"Soul of the Age" is the most artful, intriguing, and satisfying study of the mind of William Shakespeare we now possess . . . A major achievement from a master of Shakespeare studies--David Armitage, professor of history, Harvard University.
The Soul of Things: Memoir of a Youth Interrupted
by Éva FahidiAn exceptional document of an extraordinary life, The Soul of Things is the memoir of Holocaust survivor Éva Fahidi. Since the memoir was first published in Hungarian in 2004 under the title Anima Rerum, Fahidi has become a household name in Hungary and in Germany. Featured in countless interviews and several prize-winning documentary films, at the age of ninety-five she is a frequent speaker at Holocaust commemorations in Hungary, Germany, and elsewhere. The Soul of Things combines a rare depiction of upper-middle-class Jewish life in pre-war Hungary with the chronicle of a woman’s deportation and survival in the camps. Fahidi is a gifted writer with a unique voice, full of wisdom, humanity, and flashes of dark humour. With an unsentimental, philosophical perspective, she recounts her journey from the Great Hungarian Plain to the extermination camp of Auschwitz-Birkenau, the forced labour camp of Münchmühle, and back. The English edition includes a new introduction by historians Éva Kovács and Judith Szapor, the original prefaces to the Hungarian and German editions, an essay on the Münchmüle Camp by Fritz Brinkman-Frisch, and extensive notes providing historical and cultural context for Fahidi’s narrative.
Soul Talk, Song Language: Conversations with Joy Harjo
by Joy Harjo Tanaya Winder Laura ColtelliIntimate and illuminating conversations with one of America's foremost Native artists Joy Harjo is a "poet-healer-philosopher-saxophonist," and one of the most powerful Native American voices of her generation. She has spent the past two decades exploring her place in poetry, music, dance/performance, and art. Soul Talk, Song Language gathers together in one complete collection many of these explorations and conversations. Through an eclectic assortment of media, including personal essays, interviews, and newspaper columns, Harjo reflects upon the nuances and development of her art, the importance of her origins, and the arduous reconstructions of the tribal past, as well as the dramatic confrontation between Native American and Anglo civilizations. Harjo takes us on a journey into her identity as a woman and an artist, poised between poetry and music, encompassing tribal heritage and reassessments and comparisons with the American cultural patrimony. She presents herself in an exquisitely literary context that is rooted in ritual and ceremony and veers over the edge where language becomes music.
The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium
by Michele ElamThe Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive works--novels, drama, graphic narrative, late-night television, art installations--as artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the "mulatto millennium." The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the "race problem" and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folkoffers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?
The Souls of White Folk: African American Writers Theorize Whiteness (Margaret Walker Alexander Series in African American Studies)
by Veronica T. WatsonThe Souls of White Folk: African American Writers Theorize Whiteness is the first study to consider the substantial body of African American writing that critiques whiteness as social construction and racial identity. Arguing against the prevailing approach to these texts that says African American writers retreated from issues of “race” when they wrote about whiteness, Veronica T. Watson instead identifies this body of literature as an African American intellectual and literary tradition that she names “the literature of white estrangement.” In chapters that theorize white double consciousness (W. E. B. Du Bois and Charles W. Chesnutt), white womanhood and class identity (Zora Neale Hurston and Frank Yerby), and the socio-spatial subjectivity of southern whites during the civil rights era (Melba Patillo Beals), Watson explores the historically situated theories and analyses of whiteness provided by the literature of white estrangement from the late-nineteenth through the mid-twentieth centuries. She argues that these texts are best understood as part of a multipronged approach by African American writers to challenge and dismantle white supremacy in the United States and demonstrates that these texts have an important place in the growing field of critical whiteness studies.
Sound and Meaning in East Cushitic Languages: Dhaasanac, Burji, Rendille, Somali, and Afar (SpringerBriefs in Linguistics)
by Sumiyo NishiguchiThis book, one of the few English language publications on indigenous languages spoken in East Africa, highlights theoretical contributions on understudied East Cushitic languages, based on extensive data. It introduces readers to important fields such as the OT phonology and morphology of Dhaasanac and discusses the syntax of negation, semantics of focus, negation and context shift. It then examines negative polarity items and context sensitivity in the Rendille, Burji, Somali and Afar languages to offer broader insights into these phenomena. Given its focus, the book will appeal to researchers and students who are interested in formal semantics, pragmatics and indigenous studies around the globe, especially those wanting to learn about East Cushitic linguistics.
Sound and Modernity in the Literature of London, 1880-1918
by Patricia PyeThis book explores the literary representation of late Victorian and early Edwardian London from an auditory perspective, arguing that readers should 'listen' to impressions of the city, as described by writers such as Conrad, Doyle, Ford and Gissing. It was in this period that London began to 'sound modern' and, through a closer hearing of its literature, writers' wider responses to modernity are revealed. The book is structured into familiar modernist themes, revisiting time and space, social progress and popular culture through an exploration of the sound impressions of some key works. Each chapter is contextualized by these themes, revealing how the sound of the news, social protest, music hall and suburbanization impacted on writers' literary imaginations. Suitable for students of modernist literature and specialists in sound studies, this book will also appeal to readers with a wider interest in London's history and popular culture between 1880-1918.
Sound and Sight: Poetry and Courtier Culture in the Yongming Era (483-493)
by Meow GohThis is the first book to examine Chinese poetry and courtier culture using the concept of shengse—sound and sight—which connotes "sensual pleasure." Under the moral and political imperative to avoid or even eliminate representations of sense perception, premodern Chinese commentators treated overt displays of artistry with great suspicion, and their influence is still alive in modern and contemporary constructions of literary and cultural history. The Yongming poets, who openly extolled "sound and rhymes," have been deemed the main instigators of a poetic trend toward the sensual. Situating them within the court milieu of their day, Meow Hui Goh asks a simple question: What did shengse mean to the Yongming poets? By unraveling the aural and visual experiences encapsulated in their poems, she argues that their pursuit of "sound and sight" reveals a complex confluence of Buddhist influence, Confucian value, and new sociopolitical conditions. Her study challenges the old perception of the Yongming poets and the common practice of reading classical Chinese poems for semantic meaning only.
Sound and Silence: My Experience with China and Literature (Sinotheory)
by Lianke YanYan Lianke is a world-renowned author of novels, short stories, and essays whose provocative and nuanced writing explores the reality of everyday life in contemporary China. In Sound and Silence, Yan compares his literary project to a blind man carrying a flashlight whose role is to help others perceive the darkness that surrounds them. Often described as China’s most censored author, Yan reflects candidly on literary censorship in contemporary China. He outlines the Chinese state’s project of national amnesia that suppresses memories of past crises and social traumas. Although being banned in China is often a selling point in foreign markets, Yan argues that there is no requisite correlation between censorship and literary quality. Among other topics, Yan also examines the impact of American literature on Chinese literature in the 1980s and 1990s. Encapsulating his perspectives on life, writing, and literary history, Sound and Silence includes an introduction by translator Carlos Rojas and an afterword by Yan.
The Sound and the Fury (SparkNotes Literature Guide Series)
by SparkNotesThe Sound and the Fury (SparkNotes Literature Guide) by William Faulkner Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
The Sound and the Fury (MAXNotes Literature Guides)
by Boria SaxREA's MAXnotes for William Faulkner's The Sound and the Fury MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each section of the work is individually summarized and analyzed, and has study questions and answers.
Sound & Hearing: A Conceptual Introduction
by R. Duncan LuceThe major aim of this book is to introduce the ways in which scientists approach and think about a phenomenon -- hearing -- that intersects three quite different disciplines: the physics of sound sources and the propagation of sound through air and other materials, the anatomy and physiology of the transformation of the physical sound into neural activity in the brain, and the psychology of the perception we call hearing. Physics, biology, and psychology each play a role in understanding how and what we hear. The text evolved over the past decade in an attempt to convey something about scientific thinking, as evidenced in the domain of sounds and their perception, to students whose primary focus is not science. It does so using a minimum of mathematics (high school functions such as linear, logarithmic, sine, and power) without compromising scientific integrity. A significant enrichment is the availability of a compact disc (CD) containing over 20 examples of acoustic demonstrations referred to in the book. These demonstrations, which range from echo effects and filtered noise to categorical speech perception and total more than 45 minutes, are invaluable resources for making the text come alive.
Sound it Out!: Phonics in a Comprehensive Reading Program (Fourth Edition)
by John F. SavageThis book covers both the content of phonics and the ways in which it can be effectively integrated into a comprehensive classroom reading program. The text contains practical teaching suggestions for phonemic awareness, phonics, and spelling. The fourth edition features an increased emphasis on technology as it applies to phonics instruction, along with additional focus placed on helping children who have trouble learning acquire basic phonics skills.
Sound Linkage: An Integrated Programme for Overcoming Reading Difficulties
by Peter J. Hatcher Fiona J. Duff Charles HulmeThe updated edition of this successful resource has been developed to support children with reading delays and dyslexia. It contains a phonological training programme, an explanation of how this programme can be embedded within a broader reading intervention, a standardized test of phonological awareness and a methodology to grade children’s reading books. This third edition has been revised throughout to include the latest developments in the field These resources have been used with a wide range of children and found to be suitable for use with any reading-delayed children, irrespective of cognitive ability and age All activities are accompanied by a set of photocopiable record sheets, a set of pictures, and an appendix of additional activities useful in helping children master a particular skill or to reinforce existing learning The ten sections of activities within the guide include: identification of words and syllables; identification and supply of rhyming words; identification and discrimination of phonemes; and blending, segmentation, deletion, substitution and transposition of phonemes within words.
Sound Objects
by James A. Steintrager Rey ChowIs a sound an object, an experience, an event, or a relation? What exactly does the emerging discipline of sound studies study? Sound Objects pursues these questions while exploring how history, culture, and mediation entwine with sound’s elusive objectivity. Examining the genealogy and evolution of the concept of the sound object, the commodification of sound, acousmatic listening, nonhuman sounds, and sound and memory, the contributors not only probe conceptual issues that lie in the forefront of contemporary sonic discussions but also underscore auditory experience as fundamental to sound as a critical enterprise. In so doing, they offer exciting considerations of sound within and beyond its role in meaning, communication, and information and an illuminatingly original theoretical overview of the field of sound studies itself. Contributors. Georgina Born, Michael Bull, Michel Chion, Rey Chow, John Dack, Veit Erlmann, Brian Kane, Jairo Moreno, John Mowitt, Pooja Rangan, Gavin Steingo, James A. Steintrager, Jonathan Sterne, David Toop
The Sound of Culture: Diaspora and Black Technopoetics
by Louis Chude-SokeiThe Sound of Culture explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories. Looking at American, British, and Caribbean literature, it distills a diverse range of subject matter: minstrelsy, Victorian science fiction, cybertheory, and artificial intelligence. All of these facets, according to Louis Chude-Sokei, are part of a history in which music has been central to the equation that links blacks and machines. As Chude-Sokei shows, science fiction itself has roots in racial anxieties and he traces those anxieties across two centuries and a range of writers and thinkers—from Samuel Butler, Herman Melville, and Edgar Rice Burroughs to Sigmund Freud, William Gibson, and Donna Haraway, to Norbert Weiner, Sylvia Wynter, and Samuel R. Delany.
The Sound of Life's Unspeakable Beauty
by Martin Schleske&“In the final analysis, music is prayer cast into sound.&” One of the greatest luthiers of our time reveals the secrets of his profession—and how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of God&’s love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understand the world, ourselves, and the Creator in fresh ways. The message of this unique book is mirrored in sensitive photographs by Donata Wenders, whose work has appeared in prominent newspapers and magazines, including The New York Times, Rolling Stone, and Esquire, as well as museums and galleries throughout the world.
The Sound of Life's Unspeakable Beauty
by Martin SchleskeChristianity Today Book Award in Culture and the Arts (2021) &“In the final analysis, music is prayer cast into sound.&” One of the greatest luthiers of our time reveals the secrets of his profession—and how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of God&’s love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understand the world, ourselves, and the Creator in fresh ways. The message of this unique book is mirrored in sensitive photographs by Donata Wenders, whose work has appeared in prominent newspapers and magazines, including The New York Times, Rolling Stone, and Esquire, as well as museums and galleries throughout the world.
The Sound of Listening: Poetry as Refuge and Resistance (Poets On Poetry)
by Philip MetresPhilip Metres stakes a claim for the cultural work that poems can perform—from providing refuge to embodying resistance, from recovering silenced voices to building a more just world, in communities of solitude and solidarity. Gathering a decade of his writing on poetry, he widens our sense of poetry as a way of being in the world, proposing that poems can offer a permeability to marginalized voices and a shelter from the imperial noise and despair that can silence us. The Sound of Listening ranges between expansive surveys of the poetry of 9/11, Arab American poetry, documentary poetry, landscape poetry, installation poetry, and peace poetry; personal explorations of poets such as Adrienne Rich, Khalil Gibran, Lev Rubinstein, and Arseny Tarkovsky; and intimate dialogues with Randa Jarrar, Fady Joudah, and Micah Cavaleri, that illuminate Metres’s practice of listening in his 2015 work, Sand Opera.