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The Mark of Theory: Inscriptive Figures, Poststructuralist Prehistories
by Andrea BachnerWhat imaginaries, tropes, and media have shaped how we theorize? The Mark of Theory argues that inscription constitutes one of the master metaphors of contemporary theory.As a trope that draws on a wide array of practices of marking, from tattooing to circumcision, from photographic imprints and phonographic grooves to marks on a page, inscription provides an imaginary that orients and irritates theoretical thought. Tracing inscriptive imaginaries from the late nineteenth century to today, The Mark of Theory offers a wide-ranging conceptual genealogy of contemporary thought. Navigating poststructuralism’s attention to figurative language as well as media theory’s attention to objects, phenomena, and practices of mediation, the book works through core questions for how we theorize. Across a range of disciplines and scholarly conversations—from literature and media to anthropology, race and gender, art, psychoanalysis, sound, and ultimately ethics—sites of inscription come to constitute the past legacy of a thought to come, a prehistory of our current moment.In focusing on materiality and mediation The Mark of Theory shows how inscriptive practices shape conceptual thought, as well as political and ethical choices. By contextualizing the fraught relationship between materiality and signification, The Mark of Theory lays the ground for a politics of theory that begins there where theory and politics are no longer conflated.
The Mark of the Beast: The Medieval Bestiary in Art, Life, and Literature (Garland Library of Medieval Literature #No. 22)
by Debra HassigThe medieval bestiary was a contribution to didactic religious literature, addressing concerns central to all walks of Christian and secular life. These essays analyze the bestiary from both literary and art historical perspectives, exploring issues including kinship, romance, sex, death, and the afterlife.
The Market Logics of Contemporary Fiction (Cambridge Studies in Twenty-First-Century Literature and Culture)
by Paul CrosthwaiteIn the twenty-first century, leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits. This book shows how these pressures have transformed the contemporary novel. Paul Crosthwaite argues that recent British and American authors have internalized the market logics of the financial sector and book trade, resulting in the production of works of 'market metafiction' in which authors reflect obsessively on their writing's positioning in the literary marketplace. The Market Logics of Contemporary Fiction reveals the entanglement of fictional narrative and market dynamics to be the central phenomenon of contemporary literary culture. It engages with work by key authors including Iain Sinclair, Don DeLillo, Kathy Acker, Bret Easton Ellis, Chris Kraus, Percival Everett, David Foster Wallace, Colson Whitehead, Anne Billson, Hari Kunzru, Barbara Browning, Teju Cole, Ben Lerner, Tao Lin, Nell Zink, Joshua Cohen, Sheila Heti, and Garth Risk Hallberg.
The Market and its Critics: Socialist Political Economy in Nineteenth Century Britain (Routledge Revivals)
by Noel ThompsonThe Market and Its Critics, first published in 1988, considers the reaction of socialist writers to the growth of the market economy in nineteenth century Britain, and examines in detail the diverse elements of the critique which they formulated. Dr Thompson looks at the theoretic and thematic continuities and discontinuities over the century, structuring his study around the idea of a changing socialist response to the market economy. Much of the literature in question is comprehensive, perceptive and acute. However, the writers invariably discounted the possibility of the market playing a role in a future socialist or communist commonwealth. The solutions they posited to the problem were inapplicable to the increasingly industrial economy of the time. It was this that left their writing vulnerable to attack, and which had profound consequences both for the fate of the socialist political economy in nineteenth century Britain and its subsequent evolution in the twentieth century.
The Marketing of Edgar Allan Poe (Studies in American Popular History and Culture)
by Jonathan HartmannEdgar Allan Poe is today considered one of the greatest masters and most fascinating figures of the American literary world. However, an examination of Poe's essays and criticism throughout his prose publishing career (1831-1849) reveals that the author himself played a vital role in the creation and manipulation of his own reputation. During his twenties and thirties, Poe promoted his writing to magazine editors in the United States and in Europe through several strategies. He painted a Romantic and patriotic self-portrait in his fiery literary reviews, even as he played up his own connections, both real and imaginary, to literary celebrities including Washington Irving, Charles Dickens, George Gordon Lord Byron and Samuel Taylor Coleridge. Through recycling plots, atmosphere, and language (including his own) from American and British magazines, he built stories and essays which were linked in a complex network of references to each other and their author. Teachers and students alike will enjoy this single-volume treatment of Poe’s self-promotional tales and criticism.
The Markets for News: Enduring Structures in the Age of Business Model Disruptions (Disruptions)
by Helle SjøvaagIn the face of ongoing digitisation, The Markets for News examines how certain established economic features of the news industry have persisted and what makes them such stable frameworks for journalistic organisations. Drawing on an analysis of Scandinavian news industries, this text revises journalism’s economic foundations in the context of the algorithmically driven platform economy. Exploration of features such as journalism’s two-sided market model, the network effect of platforms, and chain ownership, leads to a discussion about how journalism faces disruption from the introduction of artificial intelligence in the production, dissemination, and sale of news. As journalism undergoes transformations due to revenue losses, this book recognises a return to certain enduring features of journalism’s organisational form, in particular the chain ownership form, that enables scale in adapting to platform logics and economics. This text serves as a basis for a theoretical discussion about strategic media management and critical political economy in the age of digital disruption. This is an insightful book for academics and researchers in the fields of journalism, media industries, media policy and, communication studies.
The Marquis de Sade: A Very Short Introduction
by John PhillipsWere it not for the Marquis de Sade's explicit use of language and complete disregard for the artificially constructed taboos of a religious morality he despised, the novelty and profundity of his thought, and above all, its fundamental modernity, would have long since secured him a place alongside the greatest authors and thinkers of the European Enlightenment. This Very Short Introduction aims to disentangle the 'real' Marquis de Sade from his mythical and demonic reputation of the past two hundred years. Phillips examines Sade's life and work: his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy.
The Marrano Specter: Derrida and Hispanism
by Erin Graff ZivinThe Marrano Specter pursues the reciprocal influence between Jacques Derrida and Hispanism. On the one hand, Derrida’s work has engendered a robust conversation among philosophers and critics in Spain and Latin America, where his work circulates in excellent translation, and where many of the terms and problems he addresses take on a distinctive meaning: nationalism and cosmopolitanism; spectrality and hauntology; the relation of subjectivity and truth; the university; disciplinarity; institutionality.Perhaps more remarkably, the influence is in a profound sense reciprocal: across his writings, Derrida grapples with the theme of marranismo, the phenomenon of Sephardic crypto-Judaism. Derrida’s marranismo is a means of taking apart traditional accounts of identity; a way for Derrida to reflect on the status of the secret; a philosophical nexus where language, nationalism, and truth-telling meet and clash in productive ways; and a way of elaborating a critique of modern biopolitics. It is much more than a simple marker of his work’s Hispanic identity, but it is also, and irreducibly, that.The essays collected in The Marrano Specter cut across the grain of traditional Hispanism, but also of the humanistic disciplines broadly conceived. Their vantage point—the theoretical, philosophically inflected critique of disciplinary practices—poses uncomfortable, often unfamiliar questions for both hispanophone studies and the broader theoretical humanities.
The Marriage Plot: Or, How Jews Fell in Love with Love, and with Literature
by Naomi SeidmanFor nineteenth-century Eastern European Jews, modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in the Christian and chivalric traditions, the Jewish embrace of "the love religion" was always partial. In The Marriage Plot, Naomi Seidman considers the evolution of Jewish love and marriage though the literature that provided Jews with a sentimental education, highlighting a persistent ambivalence in the Jewish adoption of European romantic ideologies. Nineteenth-century Hebrew and Yiddish literature tempered romantic love with the claims of family and community, and treated the rules of gender complementarity as comedic fodder. Twentieth-century Jewish writers turned back to tradition, finding pleasures in matchmaking, intergenerational ties, and sexual segregation. In the modern Jewish voices of Sigmund Freud, Erica Jong, Philip Roth, and Tony Kushner, the Jewish heretical challenge to the European romantic sublime has become the central sexual ideology of our time.
The Martian Chronicles (SparkNotes Literature Guide Series)
by SparkNotesThe Martian Chronicles (SparkNotes Literature Guide) by Ray Bradbury Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
The Marvelous Clouds: Toward a Philosophy of Elemental Media
by John Durham PetersWhen we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments, the reverse is just as true--environments are media. Peters defines media expansively as elements that compose the human world. Drawing from ideas implicit in media philosophy, Peters argues that media are more than carriers of messages: they are the very infrastructures combining nature and culture that allow human life to thrive. Through an encyclopedic array of examples from the oceans to the skies, The Marvelous Clouds reveals the long prehistory of so-called new media. Digital media, Peters argues, are an extension of early practices tied to the establishment of civilization such as mastering fire, building calendars, reading the stars, creating language, and establishing religions. New media do not take us into uncharted waters, but rather confront us with the deepest and oldest questions of society and ecology: how to manage the relations people have with themselves, others, and the natural world. A wide-ranging meditation on the many means we have employed to cope with the struggles of existence--from navigation to farming, meteorology to Google--The Marvelous Clouds shows how media lie at the very heart of our interactions with the world around us. Peters's book will not only change how we think about media but provide a new appreciation for the day-to-day foundations of life on earth that we so often take for granted.
The Marvels of the World: An Anthology of Nature Writing Before 1700 (Penn Studies in Landscape Architecture)
by Rebecca BushnellLong before the Romantics embraced nature, people in the West saw the human and nonhuman worlds as both intimately interdependent and violently antagonistic. With its peerless selection of ninety-eight original sources concerned with the natural world and humankind's place within it, The Marvels of the World offers a corrective to the still-prevalent tendency to dismiss premodern attitudes toward nature as simple or univocal.Gathering together medical texts, herbals, and how-to books, as well as scientific, religious, philosophical, and poetic works dating from antiquity to the dawn of the Enlightenment, the anthology explores both mainstream and unconventional thinking about the natural world. Its seven parts focus on philosophy and science; plants; animals; weather and climate; ways of inhabiting the land; gardens and gardening; and European encounters with the wider world. Each section and each of the book's selections is prefaced with a helpful introduction by volume editor Rebecca Bushnell that weaves connections among these compelling pieces of the past. The early writers collected here wrote with extraordinary openness about ways of coexisting with the nonhuman forces that shaped them, Bushnell demonstrates, even as they sought to control and exploit their environment. Taken as a whole, The Marvels of the World reveals how many of these early writers cared as much about the natural world as we do today.
The Mary Daly Reader
by Mary DalyMakes key excerpts from Daly's work accessible to readers who are seeking to access the essence of her thought in a single volume.Outrageous, humorous, inflammatory, Amazonian, intellectual, provocative, controversial, and a discoverer of Feminist word-magic, Mary Daly’s influence on Second Wave feminism was enormous. She burst through constraints to articulate new ways of being female and alive. This comprehensive reader offers a vital introduction to the core of Daly’s work and the complexities secreted away in the pages of her books. Her major theories—Bio-philia, Be-ing as Verb, and the life force within words—and major controversies—relating to race, transgender identity, and separatism—are all covered, and the editors have provided introductions to each selection for context. The text has been crafted to be accessible to a broad readership, without diluting Daly’s witty but complicated vocabulary. Begun in collaboration with Daly while she was still alive, and completed after her death in 2010, the chapters in this book will surprise even those who thought they knew her work. They contain highlights from Mary Daly’s published works over a forty-year span, including her major books Beyond God the Father, Gyn/Ecology, and Pure Lust, as well as smaller articles and excerpts, with additional contributions from Robin Morgan and Mary E. Hunt. Perfect for those seeking an introduction to this path-breaking feminist thinker, The Mary Daly Reader makes key excerpts from her work accessible to new readers as well as those already familiar with her work who are seeking to access the essence of her thought in a single volume.
The Masculine Middlebrow, 1880�1950
by Kate MacdonaldWho was the early twentieth-century masculine middlebrow reader? How did his reading choices respond to his environment? This book looks at British middlebrow writing and reading from the late Victorian period to the 1950s and examines the masculine reader and author, and how they challenged feminine middlebrow and literary modernism.
The Masculinities of John Milton: Cultures and Constructs of Manhood in the Major Works
by Elizabeth HodgsonThe Masculinites of John Milton is the first published monograph on Milton's men. Examining how Milton's fantasies of manly authority are framed in his major works, this study exposes the gaps between Milton's pleas for liberty and his assumptions that White men like himself should rule his culture. From schoolboys teaching each other how to traffic in young women in the Ludlow Masque, to his treatises on divorce that make the wife-less husband the best possible citizen, and to the later epics, in which Milton wrestles with male small talk and the ladders of masculine social power, his verse and prose draw from and amplify his culture's claims about manliness in education, warfare, friendship, citizenship, and conversation. This revolutionary poet's most famous writings reveal how ambivalently manhood is constructed to serve itself in early modern England.
The Masks of Tragedy: Essays on Six Greek Dramas
by Thomas G. Rosenmeyer"What matters about a play is not the extent to which it is like any other play, but the way in which it is different," writes Thomas G. Rosenmeyer. "This is, I suggest, how the ancient audiences received the performances. . . . My purpose, then, in writing these essays is twofold: . . . to devote enough space to the discussion of each play to allow its special tone and texture to emerge without hindrance and at leisure . . . and to include in one collection analyses of plays so different from one another that the accent will come to rest on the variety of the tragic experience rather than on any one narrowly defined norm. " Greek tragedy is a vehicle for many different ideas and many different intentions. From the wealth of material that has come down to us the author has chosen six plays for analysis. He reminds us that the plays were written to be seen and heard, and only secondarily to be studied. The listeners expected each play to have a specific objective, and to exhibit its own mood. These the author attempts to recover for us, by listening to what each play, in its own right, has to say. His principal concern is with the tragic diction and the tragic ideas, designed to release certain massive responses in the large theater-going group of ancient Athens. In exploring the characters and the situations of the plays he has chosen, the author transports his reader to the world of fifth-century B. C. Greece, and establishes the relevance of that world to our own experience. The essays are not introductory in nature. No space is given, for instance, to basic information about the playwrights, the history of Greek drama, or the special features of the Attic stage. Yet the book addresses itself to classicists and nonclassicists alike. The outgrowth of a series of lectures to nonspecialists, its particular appeal is to students of literature and the history of Western thought. Parallels are drawn between the writings of the philosophers and the tragedies, and attention is paid to certain popular Greek beliefs that colored the tragic formulations. Ultimately, however, the approach is not historical but critical; it is the author''s intention to demonstrate the beauty and the craftsmanship of the plays under discussion. "What matters about a play is not the extent to which it is like any other play, but the way in which it is different," writes Thomas G. Rosenmeyer. "This is, I suggest, how the ancient audiences received the performances. . . . My purpose, then, in writing these essays is twofold: . . . to devote enough space to the discussion of each play to allow its special tone and texture to emerge without hindrance and at leisure . . . and to include in one collection analyses of plays so different from one another that the accent will come to rest on the variety of the tragic experience rather than on any one narrowly defined norm. " Greek tragedy is a vehicle for many different ideas and many different intentions. From the wealth of material that has come down to us the author has chosen six plays for analysis. He reminds us that the plays were written to be seen and heard, and only secondarily to be studied. The listeners expected each play to have a specific objective, and to exhibit its own mood. These the author attempts to recover for us, by listening to what each play, in its own right, has to say. His principal concern is with the tragic diction and the tragic ideas, designed to release certain massive responses in the large theater-going group of ancient Athens. In exploring the characters and the situations of the plays he has chosen, the author transports his reader to the world of fifth-century B. C. Greece, and establishes the relevance of that world to our own experience. The essays are not introductory in nature. No space is given, for instance, to basic information about the playwrights, the history of Greek drama, or the special features of the Attic stage. Yet the book addresses itself to classicists and nonclassicists alike. The outgrowth of a series of lecture...
The Masqueraders, or Fatal Curiosity, and The Surprize, or Constancy Rewarded
by Tiffany Potter Eliza HaywoodThe most important female English novelist of the 1720s, Eliza Haywood is famous for writing scandalous fiction about London society. Fast-moving, controversial, and sometimes disturbing, Haywood's short novels The Masqueraders and The Surprize are valuable sources for the study of eighteenth-century gender and identity, the social history of masquerade, the dangers of courtship and seduction, and conceptions of elite and popular cultures.Despite their common theme of masquerade and seduction, the two short novels are a study in contrasts. The Masqueraders features the whirl of London life, with a libertine anti-hero and his serial seductions of women who believe that they can manipulate the social conventions that are expected to limit them. The Surprize, on the other hand, is an uncharacteristically sentimental story in which a similarly salacious plot ends in rewards for the good and virtuous.Well suited to the teaching of these two texts, this volume contains annotated scholarly editions of both novels, an extensive introduction, and useful appendices that discuss the masquerade's role in eighteenth-century debates on gender, morality, and identity.
The Mass Audience: Rediscovering the Dominant Model (Routledge Communication Series)
by James Webster Patricia F. PhalenIn the early 20th century, a new and distinctive concept of the audience rose to prominence. The audience was seen as a mass -- a large collection of people mostly unknown to one another -- that was unified through exposure to media. This construct offered a pragmatic way to map audiences that was relevant to industry, government, and social theorists. In a relatively short period of time, it became the dominant model for studying the audience. Today, it is so pervasive that most people simply take it for granted. Recently, media scholars have reopened inquiry into the meaning of "audience." They question the utility of the mass audience concept, characterizing it as insensitive to differences among audience members inescapably bound up with discredited notions of mass society, or serving only a narrow set of industrial interests. The authors of this volume find that these assertions are often false and unwarranted either by the historical record or by contemporary industry practice. Instead, they argue for a rediscovery of the dominant model by summarizing and critiquing the very considerable body of literature on audience behavior, and by demonstrating different ways of analyzing mass audiences. Further, they provide a framework for understanding the future of the audience in the new media environment, and suggest how the concept of mass audience can illuminate research on media effects, cultural studies, and media policy.
The Mass Media and Latino Politics: Studies of U.S. Media Content, Campaign Strategies and Survey Research: 1984-2004 (Routledge Communication Series)
by Federico Subervi-VelezThe Latin-American population has become a major force in American politics in recent years, with expanding influences in local, state, and national elections. The candidates in the 2004 campaign wooed Latino voters by speaking Spanish to Latino audiences and courting Latino groups and PACs. Recognizing the rising influence of the Latino population in the United States, Federico Subervi-Velez has put together this edited volume, examining various aspects of the Latino and media landscape, including media coverage in English- and Spanish-language media, campaigns, and survey research.
The Masses Are Revolting: Victorian Culture and the Political Aesthetics of Disgust
by Zachary SamalinThe Masses Are Revolting reconstructs a pivotal era in the history of affect and emotion, delving into an archive of nineteenth-century disgust to show how this negative emotional response came to play an outsized, volatile part in the emergence of modern British society. Attending to the emotion's socially productive role, Zachary Samalin highlights concrete scenes of Victorian disgust, from sewer tunnels and courtrooms to operating tables and alleyways. Samalin focuses on a diverse set of nineteenth-century writers and thinkers—including Charles Darwin, Charles Dickens, Karl Marx, Friedrich Engels, Thomas Hardy, George Gissing, and Charlotte Brontë—whose works reflect on the shifting, unstable meaning of disgust across the period.Samalin elaborates this cultural history of Victorian disgust in specific domains of British society, ranging from the construction of London's sewer system, the birth of modern obscenity law, and the development of the conventions of literary realism to the emergence of urban sociology, the rise of new scientific theories of instinct, and the techniques of colonial administration developed during the Indian Rebellion of 1857. By bringing to light disgust's role as a public passion, The Masses Are Revolting reveals significant new connections among these apparently disconnected forms of social control, knowledge production, and infrastructural development.
The Master Reader (3rd Edition)
by D. J. HenryDJ Henry's reading series is form integrated with function at its best! Throughout each text, Henry combines solid skill instruction with a wealth of guided practice and a reading process (SQ3R) to develop abilities students need to become master readers and critical thinkers.
The Master and Minerva: Disputing Women in French Medieval Culture
by Helen SoltererCan words do damage? For medieval culture, the answer was unambiguously yes. And as Helen Solterer contends, in French medieval culture the representation of women exemplified the use of injurious language.Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern Querelle des femmes, she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation.
The Master of Ballantrae
by Robert Louis Stevenson Adrian PooleSet at the time of the Jacobite uprising, The Master of Ballantrae tells of a family divided. James Durie, Master of Ballantrae, abandons his ancestral home to support the Scottish rebellion - leaving his younger brother Henry, who is faithful to the English crown, to inherit the title of Lord Durrisdeer. But he is to return years later, embittered by battles and a savage life of piracy on the high seas, to demand his inheritance. Turning the people against the Lord, he begins a savage feud with his brother that will lead the pair from the Scottish Highlands to the American Wilderness. Satanic and seductive, the Master was regarded by Stevenson as 'all I know of the devil'; his darkly manipulative schemes dominate this subtle and compelling tragedy.This edition takes as its text the Edinburgh Edition of the novel, the last approved by the author. The introduction considers the novel's inspiration and its place as one of Stevenson's greatest studies in cruelty.
The Master of the Rings: Inside the World of J.R.R. Tolkien
by Susan AngThis is a concise, clear, explanation of a wealth of background information and the content of, "The Hobbit," and " The Lord of the Rings." It contains a biography of Tolkien's life detailing both his actions and the development of his concept of Middle-earth. Susan Ang chronicles the publication, popularity, criticism, analysis and influence of these books. chapters dedicated to the history, things, people and places of Middle-earth form a concise reference. A bibliography informs the reader of a wealth of additional material by and about Tolkien. The index makes it easy to quickly track down meanings, facts and trivia. "The Master of the Rings," inside the world of J. R. R. Tolkien is a good place to start for those beginning the journey to a more in depth acquaintance with Tolkien's gripping, beautiful, and unforgettable epic, telling of an evil ring, from its making to its destruction.
The Master, the Modern Major General, and His Clever Wife: Henry James's Letters to Field Marshal Lord Wolseley and Lady Wolseley, 1878–1913
by Henry JamesAs his letters attest, for nearly forty years Henry James enjoyed a warm and gratifying friendship with Britain’s foremost soldier of the last quarter of the nineteenth century and his wife. The Wolseleys were notable figures. Lord Wolseley, the field marshal who became Britain’s commander in chief of the British army, was a national hero. Both a bibliophile and an author, Wolseley was described by Henry James to his brother William as an "excellent example of the cultivated British soldier." Lady Wolseley was also well-read, as well as stylish, strong-willed, and shrewd, and in Henry’s view, a delightful correspondent—in short, as the editor writes, "precisely the kind of woman James most admired."In The Master, the Modern Major General, and His Clever Wife, Alan James offers a collection of more than one hundred letters—most of them published here for the first time—that Henry James wrote to the Wolseleys, the majority to Lady Wolseley. Included are an overall introduction to the letters; separate introductory profiles of Lord and Lady Wolseley along with commentaries on the factors that drew James and the Wolseleys together; introductions to each of four sections of the letters, divided chronologically; and annotations throughout, identifying the notable men and women to whom James refers as well as comparing what James and the Wolseleys thought of them and their work.