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Spirit Deep: Recovering the Sacred in Black Women's Travel (Studies in Religion and Culture)
by Tisha M. BrooksWhat would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? With Spirit Deep: Recovering the Sacred in Black Women’s Travel, Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.
Spirit Machines
by Robert CrawfordSPIRIT MACHINES, Robert Crawford's fourth collection, attends imaginatively to the fusion of spiritual experience and the insistently material world. In several of the poems, emotional and religious insights merge lyrically with modern technologies of information. The title sequence deals with bereavement and memorializes the poet's father, who died in1997, while the serio-comical catechism of 'A Life-Exam' arises from the experience of hospitalisation. The imaginative, 360-line tour de force 'Impossibility' presents a swirling underwater world imaging the heroic struggle of the nineteenth-century writer and mother, Margaret Oliphant. While some of the poems communicate a sense of hurt and loss, others are insuperably comic, giving the collection an ambitious range and vitality. Throughout the book, Robert Crawford's alert sense of Scotland provides a source and sounding-board for poems -lyrics, ballads, verse narratives and prose poems - that are finely nuanced, moving, and excitingly resourceful.
The Spirit of England: Selected Essays of Stephen Medcalf
by Stephen MedcalfStephen Medcalf (1937-2006) was an essayist, in the best traditional sense of that calling: a writer not of books but of substantial and justly celebrated essays, widely read in the Times Literary Supplement and elsewhere. Medcalf's abiding question to the world was the Psalmist's: 'What is man that thou art mindful of him?' His was a Blakean sense of Englishness, far from the chocolate-box painting or the television adaptation, and for him the strongest writers were those keenly aware of their roots in the classical, Anglo-Saxon or Celtic past. By gathering together Medcalf's most important work, this volume shows the coherence of his thinking, and of the elusive, complicated literary heritage he celebrated, one which acknowledges the Greco-Roman strain, the Christian strain, the down-to-earth humour and the sly irony. Thirteen substantial essays cover Virgil, the Bible, the English translation of Alfred, Piers Plowman, the 'half-alien culture' of the high Middle Ages, Chaucer's contemporary Thomas Usk, Shakespeare's images of resurrection, Horace and Kipling juxtaposed, G. K. Chesterton, T. S. Eliot's use of Ovid, P. G. Wodehouse, William Golding, John Betjeman, Geoffrey Hill and other writers. The book concludes with perhaps Medcalf's most personal article of all: his account of finding a baby in a phone box on a cold winter's night, which first appeared in the Guardian Christmas Supplement in 2002.
The Spirit of Medieval English Popular Romance (Longman Medieval and Renaissance Library)
by Jane Gilbert Ad PutterThe Middle English popular romances enjoyed a wide appeal in later medieval Britain, and even today students of medieval literature will encounter examples of the genre, such as Sir Orfeo, Sir Tristrem, and Sir Launfal. This collection of twelve specially commissioned essays is designed to meet the need for a stimulating guide to the genre. Each essay introduces one popular romance, setting it in its literary and historical contexts, and develops an original interpretation that reveals the possibilities that popular romances offer for modern literary criticism. A substantial introduction by the editors discusses the production and transmission of popular romances in the Middle Ages, and considers the modern reception of popular romance and the interpretative challenges offered by new theoretical approaches. Accessible to advanced students of English, this book is also of interest to those working in the field of medieval studies, comparative literature, and popular culture.
The Spirit of Traditional Chinese Aesthetics
by Zhixiang QiThis book differentiates between and analyzes the Confucian, Taoist and Buddhist spirit in traditional Chinese aesthetics, explains the core characteristics and methods of traditional Chinese aesthetics, and conveys the author’s overall thinking on the spirit of traditional Chinese aesthetics. Given its scope, the book is of great value in terms of understanding and promoting China’s unique traditional culture.
A Spirit of Trust: A Reading of Hegel’s <i>Phenomenology</i>
by Robert B. BrandomIn a new retelling of the romantic rationalist adventure of ideas that is Hegel’s classic The Phenomenology of Spirit, Robert Brandom argues that when our self-conscious recognitive attitudes take Hegel’s radical form of magnanimity and trust, we can overcome a troubled modernity and enter a new age of spirit.
Spirited Away (SparkNotes Film Guide)
by SparkNotesSpirited Away (SparkNotes Film Guide) Making the reading experience fun! SparkNotes Film Guides are one-stop guides to great works of film–masterpieces that are the foundations of filmmaking and film studies. Inside each guide you&’ll find thorough, insightful overviews of films from a variety of genres, styles, and time periods. Each film guide contains:Information about the director and the context in which the film was made Thoughtful analysis of major characters Details about themes, motifs, and symbols Explanations of the most important lines of dialogue In-depth discussions about what makes a film so remarkable SparkNotes Film Guides are an invaluable resource for students or anyone who wants to gain a deeper understanding of the great films they know and love.
Spirits in the Material World: Aristotle's Philosophy of Mind, in Particular His Doctrine of Nous Poiêtikos
by Sonia Kamińska-TarkowskaThis book is inspired by the quest for the proper function of Aristotle’s active intellect presented in De Anima 3.5. The urge to grasp its essence has always driven philosophy ahead. Nevertheless, the true nature of nous poiêtikos remains far from being grasped. Author didn't unravel it here either, her aim wass far more modest: to get through the existing interpretations and try to systematise them somehow. To speak in a more poetic, metaphorical way: author aim was to shed some light upon the subject - explore the light metaphor from De Anima 3.5 on many levels. To avoid getting lost in Aristotle and Aristotelian interpretations, Author have divided the readings of nous poiêtikos into mystical and rational ones.
Spiritual Calculations: Number and Numeracy in Late Medieval English Sermons
by Christine Cooper-RompatoMedieval English sermons teem with examples of quantitative reasoning, ranging from the arithmetical to the numerological, and regularly engage with numerical concepts. Examining sermons written in Middle English and Latin, this book reveals that popular English-speaking audiences were encouraged to engage in a wide range of numerate operations in their daily religious practices.Medieval sermonists promoted numeracy as a way for audiences to appreciate divine truth. Their sermons educated audiences in a hybrid form of numerate practice—one that relied on individuals’ pragmatic quantitative reasoning, which, when combined with spiritual interpretations of numbers provided by the preacher, created a deep and rich sense in which number was the best way to approach the sacred mysteries of the world as well as to learn how one could best live as a Christian. Analyzing both published and previously unpublished sermons and sermon cycles, Christine Cooper-Rompato explores the use of numbers, arithmetic, and other mathematical operations to better understand how medieval laypeople used math as a means to connect with God.Spiritual Calculations enhances our understanding of medieval sermons and sheds new light on how receptive audiences were to this sophisticated rhetorical form. It will be welcomed by scholars of Middle English literature, medieval sermon studies, religious experience, and the history of mathematics.
Spiritual Calculations: Number and Numeracy in Late Medieval English Sermons
by Christine Cooper-RompatoMedieval English sermons teem with examples of quantitative reasoning, ranging from the arithmetical to the numerological, and regularly engage with numerical concepts. Examining sermons written in Middle English and Latin, this book reveals that popular English-speaking audiences were encouraged to engage in a wide range of numerate operations in their daily religious practices.Medieval sermonists promoted numeracy as a way for audiences to appreciate divine truth. Their sermons educated audiences in a hybrid form of numerate practice—one that relied on individuals’ pragmatic quantitative reasoning, which, when combined with spiritual interpretations of numbers provided by the preacher, created a deep and rich sense in which number was the best way to approach the sacred mysteries of the world as well as to learn how one could best live as a Christian. Analyzing both published and previously unpublished sermons and sermon cycles, Christine Cooper-Rompato explores the use of numbers, arithmetic, and other mathematical operations to better understand how medieval laypeople used math as a means to connect with God.Spiritual Calculations enhances our understanding of medieval sermons and sheds new light on how receptive audiences were to this sophisticated rhetorical form. It will be welcomed by scholars of Middle English literature, medieval sermon studies, religious experience, and the history of mathematics.
Spiritual Grammar: Genre and the Saintly Subject in Islam and Christianity (Comparative Theology: Thinking Across Traditions)
by F. Dominic LongoSpiritual Grammar identifies a genre of religious literature that until now has not been recognized as such. In this surprising and theoretically nuanced study, F. Dominic Longo reveals how grammatical structures of language addressed in two medieval texts published nearly four centuries apart, from distinct religious traditions, offer a metaphor for how the self is embedded in spiritual reality. Reading The Grammar of Hearts (Nahw al-qulūb) by the great Sufi shaykh and Islamic scholar 'Abd al-Karīm al-Qushayrī (d. 1074) and Moralized Grammar (Donatus moralizatus) by Christian theologian Jean Gerson (d. 1429), Longo reveals how both authors use the rules of language and syntax to advance their pastoral goals. Indeed, grammar provides the two masters with a fresh way of explaining spiritual reality to their pupils and to discipline the souls of their readers in the hopes that their writings would make others adept in the grammar of the heart.
The Spiritual Imagination of the Beats
by Calonne David StephenThe Spiritual Imagination of the Beats is the first comprehensive study to explore the role of esoteric, occult, magical, theosophical, Gnostic, Hindu and Buddhist traditions in the work of eleven major Beat authors. The opening chapter discusses Kenneth Rexroth and Robert Duncan as predecessors and important influences on the spiritual orientation of the Beats. David Stephen Calonne draws comparisons throughout the book between the various approaches towards spiritual matters of individual Beat writers - for example, Burroughs registered significant objections to Buddhism, while Ginsberg and Kerouac devoted considerable time to studying Buddhist history and texts. This book also focuses on authors who have often been neglected in Beat studies - Diane di Prima, Bob Kaufman and Philip Whalen. In addition, several understudied works such as Gregory Corso's 'The Geometric Poem' are given close attention. Calonne also introduces important themes from the history of heterodox spirituality - Manicheanism, alchemy and Tarot - and demonstrates how inextricably these ideas shaped the Beat literary imagination.
Spiritual Interrogations: Culture, Gender, and Community in Early African American Women's Writing (Princeton Studies in Culture/Power/History)
by Katherine Clay BassardThe late eighteenth century witnessed an influx of black women to the slave-trading ports of the American Northeast. The formation of an early African American community, bound together by shared experiences and spiritual values, owed much to these women's voices. The significance of their writings would be profound for all African Americans' sense of their own identity as a people. Katherine Clay Bassard's book is the first detailed account of pre-Emancipation writings from the period of 1760 to 1863, in light of a developing African American religious culture and emerging free black communities. Her study--which examines the relationship among race, culture, and community--focuses on four women: the poet Phillis Wheatley and poet and essayist Ann Plato, both Congregationalists; and the itinerant preacher Jarena Lee, and Shaker eldress Rebecca Cox Jackson, who, with Lee, had connections with African Methodism. Together, these women drew on what Bassard calls a "spirituals matrix," which transformed existing literary genres to accommodate the spiritual music and sacred rituals tied to the African diaspora. Bassard's important illumination of these writers resurrects their path-breaking work. They were cocreators, with all black women who followed, of African American intellectual life.
Spiritual Journaling: Writing Your Way to Independence
by Julie Tallard JohnsonA guide for teens and young adults on the power of creative journaling and its role in enhancing self-discovery and self-awareness• Provides encouragement for creative writing, self-expression, and self-dialogue• Includes journaling exercises to inspire creativity and cultivate self-esteem• By the author of Teen Psychic and The Thundering Years, winner of the 2002 Independent Publisher Book Award for multicultural juvenile nonfictionMost teens and young adults search for ways to express their individuality and to discover who they are, without being judged. In Spiritual Journaling Julie Tallard Johnson shows that journaling is an informative and supportive outlet for the joys, frustrations, and questions that arise for those making the transition toward their own independent ideas and lives--and a powerful tool for awakening creative potential.Johnson encourages young people to discover their own unique voices by offering guidance on writing and other forms of self-expression and self-dialogue and on learning how to listen to inner wisdom. As readers move through the book and write in their own personal journals, they gain insight about themselves--knowledge reflected in their own words and the writing of other young people included in the book. The journaling tools provided include meditations, consulting oracles, writing poetry, visualizations, writing rituals, and problem solving around spiritual questions.
Spiritual Literacy in John Wesley's Methodism: Reading, Writing, and Speaking to Believe (Studies in Rhetoric and Religion #6)
by Vicki BurtonVicki Tolar Burton argues that John Wesley wanted to make ordinary Methodist men and women readers, writers, and public speakers because he understood the powerful role of language for spiritual formation. His understanding came from his own family and education, from his personal spiritual practices and experiences, and from the evidence he saw in the lives of his followers. By examining the intersections of literacy, rhetoric, and spirituality as they occurred in early British Methodism-and by exploring the meaning of these practices for class and gender-the author provides a new understanding of the method of Methodism.
Spiritual Mestizaje: Religion, Gender, Race, and Nation in Contemporary Chicana Narrative
by Theresa DelgadilloGloria Anzalda's narrative and theoretical innovations, particularly her concept of mestiza consciousness, have influenced critical thinking about colonialism, gender, history, language, religion, sexuality, spirituality, and subjectivity. Yet Anzalda's theory of spiritual mestizaje has not been extensively studied until now. Taking up that task, Theresa Delgadillo reveals spiritual mestizaje as central to the queer feminist Chicana theorist's life and thought, and as a critical framework for interpreting contemporary Chicana literary and visual narratives. First mentioned by Anzalda in her pioneering book Borderlands/La Frontera, spiritual mestizaje is a transformative process of excavating bodily memory to develop a radical, sustained critique of oppression and renew one's relation to the sacred. Delgadillo analyzes the role of spiritual mestizaje in Anzalda's work and in relation to other forms of spirituality and theories of oppression. Illuminating the ways that contemporary Chicana narratives visualize, imagine, and enact Anzalda's theory and method of spiritual mestizaje, Delgadillo interprets novels, memoir, and documentaries. Her critical reading of literary and visual technologies demonstrates how Chicanas challenge normative categories of gender, sexuality, nation, and race by depicting alternative visions of spirituality.
Spiritual Modalities: Prayer as Rhetoric and Performance
by William FitzGeraldA bold recasting of prayer as a rhetorical art, Spiritual Modalities investigates situations, strategies, and performative modes of discourse directed to divine audiences. Examining how prayer “works,” Spiritual Modalities reads prayer’s situations and strategies, its characteristic acts and attitudes, to advance an understanding of prayer as a basic expression of our rhetorical capacities for communication and communion. This groundbreaking analysis demonstrates how prayer draws on fundamental capacities to engage other beings rhetorically to argue that we are never more human than when we address the nonhuman. Spiritual Modalities is notable in its aim to articulate a critical rhetoric of prayer in a secular idiom. It draws on contributions to rhetorical theory from Kenneth Burke along with a broad range of classical and contemporary perspectives on audience, address, speech acts, and modes of performance. The book also takes a multicultural and multimodal approach to prayer as rhetorical performance. The texts and practices of prayer represented range across religious traditions and historical eras and include both verbal and physical modes of divine address. The book will be of interest to scholars researching religious language, Burkean approaches to discourse, practices of memory, and media studies.
Spiritual Modalities: Prayer as Rhetoric and Performance
by William FitzGeraldA bold recasting of prayer as a rhetorical art, Spiritual Modalities investigates situations, strategies, and performative modes of discourse directed to divine audiences. Examining how prayer “works,” Spiritual Modalities reads prayer’s situations and strategies, its characteristic acts and attitudes, to advance an understanding of prayer as a basic expression of our rhetorical capacities for communication and communion. This groundbreaking analysis demonstrates how prayer draws on fundamental capacities to engage other beings rhetorically to argue that we are never more human than when we address the nonhuman. Spiritual Modalities is notable in its aim to articulate a critical rhetoric of prayer in a secular idiom. It draws on contributions to rhetorical theory from Kenneth Burke along with a broad range of classical and contemporary perspectives on audience, address, speech acts, and modes of performance. The book also takes a multicultural and multimodal approach to prayer as rhetorical performance. The texts and practices of prayer represented range across religious traditions and historical eras and include both verbal and physical modes of divine address. The book will be of interest to scholars researching religious language, Burkean approaches to discourse, practices of memory, and media studies.
Spiritual Shakespeares (Accents on Shakespeare)
by Ewan FernieSpiritual Shakespeares is the first book to explore the scope for reading Shakespeare spiritually in the light of contemporary theory and current world events. Ewan Fernie has brought together an exciting cast of critics in order to respond to the ‘religious turn’ in recent literary theory and to the spiritualized politics of terrorism and the ‘War on Terror’. Exploring a genuinely new perspective within Shakespeare Studies, the volume suggests that experiencing the spiritual intensities of the plays could lead us back to dramatic intensity as such. It tests spirituality from a political perspective, as well as subjecting politics to an unusual spiritual critique. Amongst its controversial and provocative arguments is the idea that a consideration of spirituality might point the way forward for materialist criticism. Reaching across and beyond literary studies to offer challenging and powerful contributions from leading scholars, this book offers unique readings of some very familiar plays.
The Spiritual Significance of Overload Boredom
by Sharday C. MosurinjohnThe spiritual crisis of the twenty-first century is overload boredom. There is more information, content, and stimulation than ever before, and none of it is waiting passively to be consumed. The demands exceed our capacities.The Spiritual Significance of Overload Boredom makes the case that withdrawal and resistance are not our only options: we can choose kēdia, an ethic of care. Rather than conceiving the world of information as external, Sharday Mosurinjohn turns to the sensational and emotional, focusing on the ways the digital age has radically reconfigured our interior lives. Using an innovative method of affective aesthetic speculation, Mosurinjohn engages the world of art, literature, and comedy for a series of unexpected case studies that make strange otherwise familiar scenes of overload boredom: texting, browsing social media, and performing information work. Ultimately, she shows that the opposite of boredom is not interest but meaning, and that we can only make it by curating the overload.The Spiritual Significance of Overload Boredom is a bold and original intervention for the present condition, unsettling the framing of existing work around technological modernity and its discontents.
Spivak and Postcolonialism
by Taoufiq SakhkhaneExploring, amongst other themes, representations of the other, strategies adopted to resist such representations, the issues of identity, nationalism, colonialism, feminism, subaltern studies and the English language within the context of Empire, this book projects a study of post-colonialism through the work of Gayatri Chakravorty Spivak.
Splattered Ink: Postfeminist Gothic Fiction and Gendered Violence
by Sarah E WhitneyIn-depth and refreshingly readable, Splattered Ink is a bold analysis of postfeminist gothic, a literary genre that continues to jar readers, reject happy endings, and find powerful new ways to talk about violence against women. Sarah E. Whitney explores the genre's challenge to postfeminist assumptions of women's equality and empowerment. The authors she examines--Patricia Cornwell, Jodi Picoult, Susanna Moore, Sapphire, and Alice Sebold--construct narratives around socially invisible and physically broken protagonists who directly experience consequences of women's ongoing disempowerment. Their works ask readers to inhabit women's suffering and to face the uncomfortable, all-too-denied fact that today's women must navigate lives fraught with risk. Whitney's analysis places the authors within a female gothic tradition that has long given voice to women's fears of their own powerlessness. But she also reveals the paradox that allows the genre to powerfully critique postfeminism's often sunshiney outlook while uneasily coexisting within the same universe.
A Splendid Intelligence: The Life Of Elizabeth Hardwick
by Cathy CurtisThe first biography of the extraordinary essayist, critic, and short story writer Elizabeth Hardwick, author of the semiautobiographical novel Sleepless Nights. Born in Kentucky, Elizabeth Hardwick left for New York City on a Greyhound bus in 1939 and quickly made a name for herself as a formidable member of the intellectual elite. Her eventful life included stretches of dire poverty, romantic escapades, and dustups with authors she eviscerated in The New York Review of Books, of which she was a cofounder. She formed lasting friendships with literary notables—including Mary McCarthy, Adrienne Rich, and Susan Sontag—who appreciated her sharp wit and relish for gossip, progressive politics, and great literature. Hardwick’s life and writing were shaped by a turbulent marriage to the poet Robert Lowell, whom she adored, standing by faithfully through his episodes of bipolar illness. Lowell’s decision to publish excerpts from her private letters in The Dolphin greatly distressed Hardwick and ignited a major literary controversy. Hardwick emerged from the scandal with the clarity and wisdom that illuminate her brilliant work—most notably Sleepless Nights, a daring, lyrical, and keenly perceptive collage of reflections and glimpses of people encountered as they stumble through lives of deprivation or privilege. A Splendid Intelligence finally gives Hardwick her due as one of the great postwar cultural critics. Ranging over a broad territory—from the depiction of women in classic novels to the civil rights movement, from theater in New York to life in Brazil, Kentucky, and Maine—Hardwick’s essays remain strikingly original, fiercely opinionated, and exquisitely wrought. In this lively and illuminating biography, Cathy Curtis offers an intimate portrait of an exceptional woman who vigorously forged her own identity on and off the page.
The Splendid Vision: Reading a Buddhist Sutra
by Richard CohenFeaturing the first-ever English translation of the "Splendid Vision Sutra," a sixth-century Indian Mahayana Buddhist scripture known for its rich ritual magic and worship of bodhisattva-goddesses, this volume explicates the text's cultural significance as a source of extraordinary value, cosmic truth, and existential meaning. The ancient author of the "Splendid Vision Sutra" promises every imaginable reward to those who heed its words and rites, whether one's desire is to become king, enjoy heavenly pleasures for thousands of millennia, or attain the spiritual summit of advanced bodhisattvahood. Richard S. Cohen carefully analyzes this religious rhetoric, developing a heuristic model of "scripture" that extends beyond Buddhist literature. In his framework, a text becomes sacred scripture when a community accepts it as a receptacle of extraordinary value, an authoritative source of cosmic truth, and a guide for meaningful action. While clarifying these points, Cohen untangles the discursive skein through which the "Splendid Vision Sutra" expresses its authority, inspires readers to accept that authority, and promises superior power and accomplishments to those who implement its teachings. Exploring ways of living and reading a text, Cohen draws on Marcel Duchamp's theory of found art, Jerzy Grotowski's idealization of the holy actor, and other formulations, identifying contingencies, uncertainties, and incompleteness in the lived present and its determination of our reception of the past. More than a mere introduction to an important work, The Splendid Vision opens a window into religious experience and practice in contemporary environments as well as in the world of the sutra.
Splendiferous Speech: How Early Americans Pioneered Their Own Brand of English
by Rosemarie OstlerWhat does it mean to talk like an American? According to John Russell Bartlett’s 1848 Dictionary of Americanisms, it means indulging in outlandish slang—splendiferous, scrumptious, higgeldy piggedly—and free-and-easy word creation—demoralize, lengthy, gerrymander. American English is more than just vocabulary, though. It’s a picturesque way of talking that includes expressions like go the whole hog, and the wild boasts of frontiersman Davy Crockett, who claimed to be “half horse, half alligator, and a touch of the airthquake.” Splendiferous Speech explores the main sources of the American vernacular—the expanding western frontier, the bumptious world of politics, and the sensation-filled pages of popular nineteenth-century newspapers. It’s a process that started with the earliest English colonists (first word adoption—the Algonquian raccoon) and is still going strong today. Author Rosemarie Ostler takes readers along on the journey as Americans learn to declare linguistic independence and embrace their own brand of speech. For anyone who wonders how we got from the English of King James to the slang of the Internet, it’s an exhilarating ride.