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Authority in Crisis in French Literature, 1850–1880
by Seth WhiddenBy the 1850s, the expansion of printing and distribution technologies provided writers with more readers and literary outlets than ever before, while the ever-changing political contexts occasioned by the revolutions of 1830 and 1848 brought about differing degrees of political, social, and literary censure and pressure. Seth Whidden examines crises of literary authority in nineteenth-century French literature, both in response to the attempts of the Second Empire (1852-1870) to restore the unquestioned imperial authority that had been established by Napoleon I and in the aftermath of the bloody Paris Commune of 1871. In each of his chapters, Whidden offers a representative case study highlighting one of several phenomena-literary collaboration, parody, destabilized poetic form, the substitution of one poetic or narrative voice with that of the man-that enabled challenges to the traditional status of the writer and, by extension, the political authority that it reflected. Whidden focuses on the play Le Supplice d’une femme (1865); the Cercle Zutiste, a group of writers, musicians, and artists who met regularly in the fall of 1871, only months after the fall of the Second Empire; Arthur Rimbaud’s Commune-era poems; and Jules Verne’s 1851 ’Un voyage en ballon,’ later reprinted as ’Un drame dans les airs’ in 1874. Whidden concludes with a futuristic look at authority and auctority as it pertains to midcentury writers taking stock of the weakened authority still possible in a post-Second Empire France and envisioning what kind of auctority is still to come.
Authority in European Book Culture 1400-1600 (Material Readings in Early Modern Culture)
by Pollie BromilowThrough its many and varied manifestations, authority has frequently played a role in the communication process in both manuscript and print. This volume explores how authority, whether religious, intellectual, political or social, has enforced the circulation of certain texts and text versions, or acted to prevent the distribution of books, pamphlets and other print matter. It also analyzes how readers, writers and printers have sometimes rebelled against the constraints and restrictions of authority, publishing controversial works anonymously or counterfeiting authoritative texts; and how the written or printed word itself has sometimes been perceived to have a kind of authority, which might have had ramifications in social, political or religious spheres. Contributors look at the experience of various European cultures-English, French, German and Italian-to allow for comparative study of a number of questions pertinent to the period. Among the issues explored are local and regional factors influencing book production; the interplay between manuscript and print culture; the slippage between authorship and authority; and the role of civic and religious authority in cultural production. Deliberately conceived to foster interdisciplinary dialogue between the history of the book, and literary and cultural history, this volume takes a pan-European perspective to explore the ways in which authority infiltrates and is in turn propagated or undermined by book culture.
Authority in Language: Investigating Standard English (Routledge Linguistics Classics)
by James Milroy Lesley MilroyAuthority in Language explores the perennially topical and controversial notion of correct and incorrect language. James and Lesley Milroy cover the long-running debate over the teaching of Standard English in Britain and compare the language ideologies in Britain and the USA, involving a discussion of the English-Only movement and the Ebonics controversy. They consider the historical process of standardisation and its social consequences, in particular discrimination against low-status and ethnic minority groups on the basis of their language traits. This Routledge Linguistics Classic is here reissued with a new foreword and a new afterword in which the authors broaden their earlier concept of language ideology. Authority in Language is indispensable reading for educationalists, teachers and linguists and a long-standing text for courses in sociolinguistics, modern English grammar, history of English and language ideology.
Authority, Innovation and Early Modern Epistemology: Essays in Honour of Hilary Gatti
by Martin McLaughlinGiordano Bruno (1548-1600), who died at the stake, is one of the best-known symbols of anti-establishment thought. The theme of this volume, which is offered as a collection of essays to honour the distinguished Bruno scholar Hilary Gatti, reflects her constant concern for the principles of cultural freedom and independent thinking. Several essays deal with Bruno himself, including an analysis of the Eroici furori, a study of his reception in relation to the group known as the Novatores, and discussions of several important aspects of his stay in England. The authors and texts discussed here are linked by a relentless interest in the question of authority and originality, and they range from literary figures such as Alberti (1404-72), Vasari (1511-74) and the proponents of quantitative verse in sixteenth-century England to controversial philosophers who, like Bruno, were condemned by the Church, such as Tommaso Campanella (1568-1639) and Giulio Cesare Vanini (1585-1619). Taken together, these chapters show how much that was new and revolutionary in early modern culture came from its confrontation with the past. Martin McLaughlin is Agnelli-Serena Professor of Italian at Oxford. Elisabetta Tarantino is a Teaching Fellow in the Department of Italian at the University of Warwick.
Authority: Essays
by Andrea Long ChuMany worry that criticism is suffering from a crisis of authority. In a world where everyone’s a critic, what is criticism for? Since her canonical 2018 essay “On Liking Women,” the Pulitzer Prize–winning critic Andrea Long Chu has established herself as a leading public intellectual and a bold cartographer of the new landscape of taste itself. Authority brings together sharp, illuminating essays on everything from musical theater to sci-fi novels, as well as an acclaimed tetralogy of personal essays first published in the magazine n+1. Throughout, Chu defies the imperative to leave politics out of art, charging fellow critics like Maggie Nelson and Zadie Smith with complacent humanism and modeling how the left might brave the culture wars with both its faculty of judgment and its sense of justice intact.In two magisterial new essays, Chu offers a fresh intellectual history of criticism’s crisis of authority, tracing the surprisingly political contours of the discipline from its origins in the Enlightenment to our present age of social media. The desire to recover some lost authority, she argues, is neither new nor particularly freeing. Rather than being taken in by an endless cycle of trumped-up emergencies over the state of our culture, Authority makes a compelling case for how to do criticism in light of the actual crises, from climate change to rising authoritarianism, that confront us today.
Authorized Heritage: Place, Memory, and Historic Sites in Prairie Canada
by Robert Coutts"Authorized Heritage" analyses the history of commemoration at heritage sites across western Canada. Using extensive research from predominantly government records, it argues that heritage narratives are almost always based on national messages that commonly reflect colonial perceptions of the past. Yet many of the places that commemorate Indigenous, fur trade, and settler histories are contested spaces, places such as Batoche, Seven Oaks, and Upper Fort Garry being the most obvious. At these heritage sites, Indigenous views of history confront the conventions of settler colonial pasts and represent the fluid cultural perspectives that should define the shifting ground of heritage space. Robert Coutts brings his many years of experience as a public historian to this detailed examination of heritage sites across the prairies. He shows how the process of commemoration often reflects social and cultural perspectives that privilege a conventional and conservative national narrative. He also examines how class, gender, and sexuality often remain apart from the heritage discourse. Most notably, Authorized Heritage examines how governments became the mediators of what is heritage and, just as significantly, what is not.
Authorizing Experience: Refigurations of the Body Politic in Seventeenth-Century New England Writing
by Jim EganThe emphasis on practical experience over ideology is viewed by many historians as a profoundly American characteristic, one that provides a model for exploring the colonial challenge to European belief systems and the creation of a unique culture. Here Jim Egan offers an unprecedented look at how early modern American writers helped make this notion of experience so powerful that we now take it as a given rather than as the product of hard-fought rhetorical battles waged over ways of imagining one's relationship to a larger social community. In order to show how our modern notion of experience emerges from a historical change that experience itself could not have brought about, he turns to works by seventeenth-century writers in New England and reveals the ways in which they authorized experience, ultimately producing a rhetoric distinctive to the colonies and supportive of colonialism.Writers such as John Smith, William Wood, John Winthrop, Anne Bradstreet, Benjamin Tompson, and William Hubbard were sensitive to the challenge experiential authority posed to established social hierarchies. Egan argues that they used experience to authorize a supplementary status system that would at once enhance England's economic, political, and spiritual status and provide a new basis for regulating English and native populations. These writers were assuaging fears over how exposure to alien environments threatened actual English bodies and also the imaginary body that authorized English monarchy and allowed English subjects to think of themselves as a nation. By reimagining the English nation, these supporters of English colonialism helped create a modern way of imagining national identity and individual subject formation.
Authorizing Translation: The IATIS Yearbook (The IATIS Yearbook)
by Michelle WoodsAuthorizing Translation applies ground-breaking research on literary translation to examine the intersection between Translation Studies and literary criticism, rethinking ways in which analyzing translation and the authority of the translator can provide nuanced micro and macro readings of literary work and the worlds through which it moves. A substantial introduction surveys the field and suggests possible avenues for future research, while six case-study-based chapters by a new generation of Literature and Translation Studies scholars focus on the question of authority by asking: Who authors translations? Who authorizes translations? What authority do translations have in different cultural contexts? What authority does Literary Translation Studies have as a field? The hermeneutic role of the translator is explored through the literary periods of Romanticism, Modernism, and Postmodernism, and through different cultures and languages. The case studies focus on data-centered analysis of reviews of translated literature, ultimately illustrating how the translator’s authority creates and hybridizes literary cultures. Authorizing Translation will be of interest to students and researchers of Literary Translation and Translation Studies. Additional resources for Translation and Interpreting Studies are available on the Routledge Translation Studies Portal: http://cw.routledge.com/textbooks/translationstudies.
Authors Inc.
by Loren GlassThe first comprehensive and systematic study of literary celebrity in the twentieth-century United States, Authors Inc. focuses on the autobiographical work of Mark Twain, Jack London, Gertrude Stein, Ernest Hemingway, and Norman Mailer. Through these classic American authors, Loren Glass reveals the degree to which literary modernism in the United States is inseparable from the mass cultural forces it opposed. Chronicling the emergence of literary celebrity in the late nineteenth century up through its contemporary manifestations, Glass focuses on how individual authors themselves struggled with the conditions of mass cultural renown. Furthermore, by emphasizing the complex relation between masculinity and modernist authorship in the United States, the book provides a bracing new account of the psychosexual economy of the American profession of authorship. By combining a socio-historical approach with a rhetorical analysis of the autobiographical work in which classic American writers attempted to intervene in the formation of their public personae, Authors Inc. offers a long overdue study of one of the most important, and neglected, aspects of modern American literature.
Authors Speak
by SaccidanandanAuthors Speak is a collection of talks delivered by eminent Indian authors at the 'Meet the Author' programmes organised jointly by the Sahitya Akademi and the India International Centre, New Delhi.
Authors in Depth: Gold Level
by Prentice HallA compilation of classic literature covering Fiction, Non-Fiction, Poems and Drama contributed by Sir Arthur Conan Doyle, Mark Twain, William Shakespeare, Emily Dickinson, Rudolfo Anaya, Lewis Carroll, Ray Bradbury, Alice Walker, Rachel Carson and Derek Walcott.
Authors in Depth: Platinum Level
by Prentice HallShowcases the poems, fiction, and nonfiction from Edgar Allan Poe, Pat Mora, Langston Hughes, Emily Bronte, Gwendolyn Brooks, Anton Chekhov, Annie Dillard, Sophocles, Alfred Lord Tennyson, and Miguel de Cervantes.
Authors in Depth: The American Experience
by Prentice HallFiction, nonfiction and poems about the American experience from Anne Bradstreet, Edward Taylor, Benjamin Franklin, Phillis Wheatley, Edgar Allan Poe, Walt Whitman, Mark Twain, Willa Cather, Robert Frost, Langston Hughes, Julia Alvarez, and Amy Tan.
Authors in Depth: The British Tradition
by Prentice HallTextbook with selections from Beowulf, Chaucer, Spenser, Shakespeare, Donne, Swift, Wordsworth, Keats, Browning, the Brontë sisters, Yeats, and Joyce.
Authors of the Middle Ages, Volume II, Nos 5–6: Historical and Religious Writers of the Latin West (Authors of the Middle Ages)
by Constant J. MewsVolume II of the AUTHORS OF THE MIDDLE AGES series contains nos. 5-6 in the series: 'Peter Abelard' by Constant J. Mews and 'Honorius Augustodunensis' by V.I.J. Flint. PETER ABELARD (1079-1142) was one of the most creative and controversial thinkers of the 12th century. This study traces his life as a logician and theologian, paying particular attention to the many scholarly debates provoked by the Historia calamitatum and the celebrated exchange of letters with Heloise. It contains a full survey of his writings, listing the manuscripts in which they occur. HONORIUS AUGUSTODUNENSIS, c. 1098-c. 1140, one of the most prolific and widely read authors of the early 12th century, was a passionate proselytiser on behalf of the Benedictines. This study sets out the extraordinary features of his career and the nature of the battle he fought through his writings. Few of his works have appeared in modern editions, this study gives short accounts of each and their manuscripts.
Authors of the Middle Ages, Volume III, Nos 7–11: English Writers of the Late Middle Ages (Authors of the Middle Ages)
by Douglas Gray N.F. BlakeAuthors of the Middle Ages is a series designed for research and reference. The aim is to combine, in one compact work, a biography of a medieval author with all the information needed for further research. The series is divided into two sub-series. The first, edited by M.C. Seymour, focuses on EnglishWriters of the Late Middle Ages and the second, edited by Patrick Geary, deals with Historical and Religious Writers of the Latin West. William Caxton was the first English printer and publisher of printed books. He translated many books into English and by the prologues and epilogues added to many of his printed works he helped to establish literary tastes and fashions at the end of the medieval period. The life of Reginald Peacock, bishop, heretic and author, reflects the many controversies of 15th-century England. Drawing on many contemporary sources and based on fresh research. Wendy Scase offers a new interpretation of an enigmatic writer. Douglas Gray traces the lives of the two poets Robert Henryson and William Dunbar. Among the several distinguished poets of late-medieval Scotland. Henryson stands out for his humanity, learned wit and imaginitive power; while Dunbar was one of the most spectacular, flamboyant and versatile Scottish poets of the Middle Ages. This study gives an account of the little that is known of their lives and extensively details both their works and later scholarship. John Capgrave (1393-1464) was an Augustinian friar, Cambridge theologian, hagiographer and chronicler who became Prior Provincial of his order. His life, presented here in the light of fresh research and with full documentation, illuminates the importance of the order in the troubled times of mid 15th-century England.
Authors of the Middle Ages, Volume IV, Nos 12–13: Historical and Religious Writers of the Latin West (Authors of the Middle Ages)
by Patrick J. GearyThe anonymous author who has come to be known as Fredegar put together a collection of historical sources, together with items of his own composing in the second half of the 7th century. His work forms the most important source for the history of France in the period 594 to 642. It was added to in the mid 8th century, in two continuations that provide vital evidence for their own time. Gregory I (590-604) is often considered the first medieval pope; and as fourth doctor of the church, he is the first exponent of a truly medieval spirituality. This book has three parts: a biography concentrates on analyzing Gregory's actions as pope, in the light of spiritual concerns expressed in his literary works; a second section examines individual works and controversies and questions about them, it also provides information about manuscripts and editions; the final section is a select bibliography encompassing the many aspects of Gregorian scholarship.
Authors of the Middle Ages. Volume I, Nos 1–4: English Writers of the Late Middle Ages (Authors of the Middle Ages)
by David C. Fowler J. A. BurrowAuthors of the Middle Ages is a new series designed for research and reference. Each part, by an expert on the subject, gives an account of the facts known about a particular Author’s life and immediate historical context, together with a review of subsequent scholarship. This is supported by citation of all known contemporary references; a dated and classified list of manuscripts and editions; a bibliography of secondary sources; and appendices listing or printing the key literary and documentary sources. The aim is to combine, in one compact work, a bibliography of a medieval author with all the information needed for further research. Each will be available individually, or in a collection with three other contemporary Authors. Authors of the Middle Ages is divided into two sub-series, English Writers of the Late Middle Ages and historical and Religious Writers of the Latin West.
Authors, Audiences, and Old English Verse
by Thomas A. BredehoftAuthors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English.Offering a new vision of much of Old English literary history, Thomas A. Bredehoft traces a tradition of 'literate-formulaic' composition in the period and contends that many phrases conventionally considered oral formulas are in fact borrowings or quotations. His identification of previously unrecognized Old English poems and his innovative arguments about the dates, places of composition, influences, and even possible authors for a variety of tenth- and eleventh-century poems illustrate that the failure of scholars to recognize the late Old English verse tradition has seriously hampered our literary understanding of the period. Provocative and bold, Authors, Audiences and Old English Verse has the potential to transform modern understandings of the classical Old English poetic tradition.
Authors, Factions, and Courts in Angevin England: A Literature of Personal Ambition (12th–13th Century) (The New Middle Ages)
by Fabrizio De FalcoAuthors, Factions, and Courts in Angevin England: A Literature of Personal Ambition (12th-13th Century) advances a model for historical study of courtly literature by foregrounding the personal aims, networks, and careers as the impetus for much of the period’s literature. The book takes two authors as case studies – Gerald of Wales and Walter Map – to show how authors not only built their own stories but also used popular narratives and the tools of propaganda to achieve their own, personal goals. The purpose of this study is to overturn the top-down model of political patronage, in which patrons – and particularly royal patrons – set the cultural agenda and dictate literary tastes. Rather, Fabrizio De Falco argues that authors were often representative of many different interests expressed by local groups. To pursue those interests, they targeted specific political factions in the changeable political scenario of Angevin England. Their texts reveal a polycentric view of cultural production and its reception. The study aims to model a heuristic process which is applicable to other courtly texts besides the chosen case-studies.
Authors, Publishers and Politicians: The Quest for an Anglo-American Copyright Agreement, 1815-1854 (Routledge Revivals)
by James J. BarnesFirst published in 1974, Authors, Publishers and Politicians describes the efforts to secure an Anglo-American copyright agreement. It explores the underlying causes of the failure of this quest, a failure which enabled literary pirates on both sides of the Atlantic to continue operations for another forty years. It traces the effects this had on the writers and producers of books as well as their reading public. Few aspects of Anglo-American relations were untouched by the drama presented in this study. Its broader implications range from straightforward business transactions, official diplomatic manoeuvres, endless legal complexities, and clandestine political intrigue to the peculiarities involved in book smuggling, newspaper rivalries and industrial espionage. The book will be of interest to students of legal history, publishing and literature.
Authors, Steal This Book: 67 Business Ideas for the Writers of the Future (Author Level Up #10)
by M.L. RonnRead this book before publishing industry goons track M.L. Ronn down and throw him in jail! Some ideas are too good to keep to yourself. In this writer’s guide, prolific author M.L. Ronn dreams big and shares 67 innovative ideas that could one day change the author profession as we know it. M.L. Ronn draws on lessons learned from a decade-long career of writing over 50 books, a YouTube channel for writers with over 2 million views, and networking with movers and shakers in the publishing industry. Discover unique publishing ideas that could help authors build their platforms and make more money Uncover author tools and services that are desperately needed but people aren’t aware of yet Find out how existing and emerging technology can help authors do more in less time Learn how to become the writer of the future If you are inspired by anything in this book, share it. You never know what could happen. If any of the ideas in this book take root, the author community will benefit tremendously.V1.0
Authorship Analysis in Chinese Social Media Texts (Elements in Forensic Linguistics)
by Shaomin ZhangThis Element explores the sentiment and keyword features in both authorship profiling and authorship attribution in social media texts in the Chinese cultural context. The key findings can be summarised as follows: firstly, sentiment scores and keyword features are distinctive in delineating authors' gender and age. Specifically, female and younger authors tend to be less optimistic and use more personal pronouns and graduations than male and older authors, respectively. Secondly, these distinctive profiling features are also distinctive and significant in authorship attribution. Thirdly, our mindset, shaped by our inherent hormonal influences and external social experiences, plays a critical role in authorship. Theoretically, the findings expand authorship features into underexplored domains and substantiate the theory of mindset. Practically, the findings offer some broad quantitative benchmarks for authorship profiling cases in the Chinese cultural context, and perhaps other contexts where authorship profiling analyses have been used. This title is also available as Open Access on Cambridge Core.
Authorship Contested: Cultural Challenges to the Authentic, Autonomous Author (Routledge Studies in Rhetoric and Communication)
by Amy E. Robillard Ron FortuneThis volume explores a dimension of authorship not given its due in the critical discourse to this point—authorship contested. Much of the existing critical literature begins with a text and the proposition that the text has an author. The debates move from here to questions about who the author is, whether or not the author’s identity is even relevant, and what relationship she or he does and does not have to the text. The authors contributing to this collection, however, ask about circumstances surrounding efforts to prevent authors from even being allowed to have these questions asked of them, from even being identified as authors. They ask about the political, cultural, economic and social circumstances that motivate a prospective audience to resist an author’s efforts to have a text published, read, and discussed. Particularly noteworthy is the range of everyday rhetorical situations in which contesting authorship occurs—from the production of a corporate document to the publication of fan fiction. Each chapter also focuses on particular instances in which authorship has been contested, demonstrating how theories about various forms of contested authorship play out in a range of events, from the complex issues surrounding peer review to authorship in the age of intelligent machines.
Authorship In Film Adaptation
by Jack BoozerAuthoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.