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Thomas Burke's Dark Chinoiserie: Limehouse Nights and the Queer Spell of Chinatown
by Anne Veronica WitchardFocusing on Thomas Burke's bestselling collection of short stories, Limehouse Nights (1916), this book contextualises the burgeoning cult of Chinatown in turn-of-the-century London. London's 'Chinese Quarter' owed its notoriety to the Yellow Perilism that circulated in Britain at the fin-de-siècle, a demonology of race and vice masked by outward concerns about degenerative metropolitan blight and imperial decline. Anne Witchard's interdisciplinary approach enables her to displace the boundaries that have marked Chinese studies, literary studies, critiques of Orientalism and empire, gender studies, and diasporic research, as she reassesses this critical moment in London's history. In doing so, she brings attention to Burke's hold on popular and critical audiences on both sides of the Atlantic. A much-admired and successful author in his time, Burke in his Chinatown stories destabilizes social orthodoxies in highly complex and contradictory ways. For example, his writing was formative in establishing the 'queer spell' that the very mention of Limehouse would exert on the public imagination, and circulating libraries responded to Burke's portrayal of a hybrid East End where young Cockney girls eat Chow Mein with chopsticks in the local cafés and blithely gamble their housekeeping money at Fan Tan by banning Limehouse Nights. Witchard's book forces us to rethink Burke's influence and shows that China and chinoiserie served as mirrors that reveal the cultural disquietudes of western art and culture.
Thomas Carlyle: The Critical Heritage (The\critical Heritage Ser.)
by Jules Paul SeigelThe Critical Heritage gathers together a large body of critical sources on major figures in liteature. Each volume presents contemporary responses on a writer's work, enabling student and researcher to read the material themselves.
Thomas Chatterton and Neglected Genius, 1760–1830
by Daniel CookLong before Wordsworth etherealized him as 'the marvellous Boy / The sleepless Soul that perished in its pride', Thomas Chatterton was touted as the 'second Shakespeare' by eighteenth-century Shakespeareans, ranked among the leading British poets by prominent literary critics, and likened to the fashionable modern prose stylists Macpherson, Sterne, and Smollett. His pseudo-medieval Rowley poems, in particular, engendered a renewed fascination with ancient English literature. With Chatterton as its case study, this book offers new insights into the formation and development of literary scholarship in the period, from the periodical press to the public lecture, from the review to the anthology, from textual to biographical criticism. Cook demonstrates that, while major scholars found Chatterton to be a pertinent subject for multiple literary debates in the eighteenth century, by the end of the Romantic period he had become, and still remains, an unsettling model of hubristic genius.
Thomas De Quincey and the Cognitive Unconscious (Palgrave Studies in Literature, Science and Medicine)
by Markus IseliThis book examines Thomas De Quincey's notion of the unconscious in the light of modern cognitive science and nineteenth-century science. It challenges Freudian theories as the default methodology in order to understand De Quincey's oeuvre and the unconscious in literature more generally.
Thomas De Quincey and the Cognitive Unconscious (Palgrave Studies in Literature, Science and Medicine)
by Markus IseliThis book examines Thomas De Quincey's notion of the unconscious in the light of modern cognitive science and nineteenth-century science. It challenges Freudian theories as the default methodology in order to understand De Quincey's oeuvre and the unconscious in literature more generally.
Thomas De Quincey: New Theoretical and Critical Directions (Routledge Studies in Romanticism)
by Robert Morrison Daniel Sanjiv RobertsThe ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.
Thomas De Quincey: The Prose of Vision
by V.A. De LucaThomas De Quincey: The Prose of Vision is the first full-length critical study of De Quincey's imaginative writings. Considering these writings as a 'prose of vision' transcending their origins in magazine journalism, the author stresses their relationship to the Romantic traditions of imaginative vision and inward quest. He traces continuing themes and their transformations throughout De Quincey's career, and he offers sustained critical readings of De Quincey's major works. Professor De Luca discusses, in chronological sequence, the original version of Confessions of an English Opium-Eater, in which De Quincey traces his passage from innocence to experience; Gothic tales and essays on murder, which reveal a fascination with the concept of power; and the major works of De Quincey's later years, including Suspiria de Profundis, The English Mail-Coach, and the revised Confessions, which show the richest development of his interest in vision and in self-exploration. The book concludes with a discussion of the equivocal implications in De Quincey's three late major works and relates these implications to the equivocal tendencies in the Romantic tradition itself – its uneasy yearning for transcendence and its courageous commitment to the flow of ordinary experience. This study, which makes a significant contribution to an understanding of De Quincey's works, will be of particular interest to students of Romanticism.
Thomas Dekker and the Culture of Pamphleteering in Early Modern London
by Anna BaymanThomas Dekker (c.1572-1632) was a prolific playwright and pamphleteer chiefly remembered for his vivid and witty portrayals of everyday London life. This book uses Dekker’s prose pamphlets (published between 1613 and 1628) as a way in to a crucial and relatively neglected period of the history of pamphleteering. Under James I, after the aggressive Elizabethan exploitation of the new media, pamphleteers carved out a discursive space in which claims about truth and authority could be deconstructed. Avoiding the dangerous polemic employed by the Marprelate pamphleteers, they utilised playful, deliberately ambiguous language that drew readers’ attention to their own literary devices and games. Dekker shows pamphlets to be unstable and roguish, and the nakedly commercial imperatives of the book trade to be central to the world of Jacobean cheap print, as he introduces us to a world in which overlapping and competing discourses jostled for position in London’s streets, markets and pulpits. Contributing to the history of print and to the history of Jacobean London, this book also provides an appraisal of the often misunderstood prose works of an author who deserves more attention, especially from historians, than he has so far received. Critics are slowly becoming aware that Dekker was not the straightforward, simple hack writer of so many accounts; his works are complex and richly reward study in their own right as well as in the context of his more famous predecessors and contemporaries. As such this book will further contribute to a post-revisionist historiography of political consciousness and print cultures under the early Stuarts, as well as illuminate the career of a neglected writer.
Thomas Durfey and Restoration Drama: The Work of a Forgotten Writer (Studies in Early Modern English Literature)
by John McVeaghThough once a favourite of no fewer than four English monarchs, Restoration playwright Thomas Durfey has long been neglected by scholars. In his own day he had a lowly reputation in the world of polite letters - before his death his plays had more or less ceased to be produced; his 'serious' poems had died long before that, and even his songs were soon thought of as common property or 'folk' songs. In this new study, author John McVeagh re-examines Durfey's literary output, finding merit and interest where it has long been presumed that none existed, and restoring Durfey to his proper place in late 17th- and early 18th-century literature. Durfey's creative lifetime spanned the entire Restoration period and continued into and beyond the reign of Queen Anne. McVeagh's book studies his continuing ability to adapt to shifts in taste, fashion and personnel in the world of the theatre. It examines in detail his numerous experiments in new kinds of dramatic writing, both responding to and influencing the conditions of theatrical and artistic production. Among the topics covered are Durfey's attempts to feminize Restoration comedy, his political satires in drama in the late Stuart years, his anticipations of sentimental comedy, his search for a new language for lower class tragedy, and his musical-dramatic experimentations in the 1680s and 1690s, focusing particularly on his collaborative work with Matthew Locke, Samuel Ackroyde, John Eccles, Daniel and Henry Purcell and other composers. In addition, the author discusses Durfey's numerous satiric, narrative and other poems, and relates his writings to their social, political and cultural contexts. The book includes a performance record, listing the plays by performance date. The record includes such information, if known, as: where it was performed; by what company; cast list; to whom it was dedicated; a brief description of the prologue and epilogue; when it was published; what music it contained; and details of any revivals.
Thomas Edison (SparkNotes Biography Guide)
by SparkNotesThomas Edison (SparkNotes Biography Guide) Making the reading experience fun! SparkNotes Biography Guides examine the lives of historical luminaries, from Alexander the Great to Virginia Woolf. Each biography guide includes:An examination of the historical context in which the person lived A summary of the person&’s life and achievements A glossary of important terms, people, and events An in-depth look at the key epochs in the person&’s career Study questions and essay topics A review test Suggestions for further reading Whether you&’re a student of history or just a student cramming for a history exam, SparkNotes Biography guides are a reliable, thorough, and readable resource.
Thomas Gray among the Disciplines (Routledge Studies in Eighteenth-Century Literature)
by Ruth Abbott and Ephraim LevinsonThroughout the 250 years that have passed since Thomas Gray’s death, he has primarily been celebrated as a poet. This makes sense because, although he published relatively little verse, he published less – indeed, precisely nothing – of his abundant polymathic writing in other fields. His place within the history of scholarship has therefore been obscured. Like many eighteenth-century antiquaries, however, he shared his learning through correspondence and manuscript circulation and thereby influenced intellectual as well as literary life. This book explores Gray’s scholarship within the changing norms of eighteenth-century disciplines, at once locating him within histories of specialisation and examining the ways in which he challenges their narratives. Scholars from across the humanities reveal his methods and global interests and analyse many newly uncovered manuscripts. Offering fresh understanding of broader fields through focused investigation of Gray’s multidisciplinary writings, the book will appeal to scholars of eighteenth-century literary, intellectual, and scientific history.
Thomas Hardy
by Mark FordBecause Thomas Hardy's poetry and fiction are so closely associated with Wessex, it is easy to forget that he was, in his own words, half a Londoner, moving between country and capital throughout his life. This self-division, Mark Ford says, can be traced not only in works explicitly set in London but in his most regionally circumscribed novels.
Thomas Hardy (Routledge Guides to Literature)
by Geoffrey HarveyThomas Hardy was the foremost novelist of his time, as well as an established poet. Author of Jude the Obscure and Far from the Madding Crowd, Hardy reflected in his works the dynamics of social, intellectual and aesthetic change in nineteenth-century England.This guide provides students with a lucid introduction to Hardy's life and works and the basis for a sound comprehension of his work, including: the major aspects of Hardy's life in the context of contemporary culture a detailed commentary on Hardy's most important work and a critical map of Hardy's complete writing an outline of the vast body of criticism that has built up around Hardy's work with examples of recent critical debate. Exposition and guide, this volume enables readers to form their own readings of one of the most important writers of the nineteenth century.
Thomas Hardy Reappraised
by Keith WilsonAs a writer who achieved major eminence in both fiction and poetry and whose engagement with these genres encompassed the period of transition from Victorianism to Modernism, Thomas Hardy (1840-1928) enjoys a unique position in English Literary History. Michael Millgate, University Professor of English Emeritus at the University of Toronto is widely recognized as the world's foremost Thomas Hardy scholar. His contributions to the study of Hardy over more than three decades include his recently 'revisited' biography, the seven volume edition of Hardy's collected letters, and the influential critical study Thomas Hardy: His Career as a Novelist.In Thomas Hardy Reappraised, editor Keith Wilson pays tribute to Millgate's many contributions to Hardy studies by bringing together new work by fifteen of the world's most eminent Hardy scholars. These essays address questions of biblical and literary allusiveness, cultural, historical, and philosophical context, narrative and poetic theory and practice, as well as Hardy's place in the modern world and his influence on younger writers. Together, the contributors offer one of the most significant reappraisals of Hardy's work to have appeared since Michael Millgate helped to transform Hardy studies. They offer graphic testimony to Hardy's enduring popularity and importance.Contributors:Pamela DalzielMary RimmerDennis TaylorBarbara HardyU.C. KnoepflmacherMarjorie GarsonRuth Bernard YeazellSimon GatrellJ. Hillis MillerGeorge LevineJeremy V. SteeleWilliam W. MorganSamuel HynesNorman PageW. J. Keith
Thomas Hardy Remembered (The Nineteenth Century Series)
by Martin RayThomas Hardy Remembered assembles some 150 annotated interviews and recollections of Hardy, most of which are being reprinted for the first time. They range from close personal reflections by old friends such as Sir George Douglas, J.M. Barrie, and Edmund Gosse, to fleeting glimpses by strangers who saw Hardy at a London party or at his club. Martin Ray has selected items having the greatest literary or biographical significance, and annotated them with meticulous accuracy and a keen eye for the telling detail. As a result, the volume will be an invaluable resource to scholars who are interested not only in what concerned Hardy personally and professionally, but also in how he was perceived by others. Having these items collected in one volume reveals Hardy's contemporaneous opinions about his own writings and also makes it possible to trace the marked recurrence, over time, of certain preoccupations: ancient families, Hardy's hostility to reviewers, architecture, Roman relics, Wessex folklore and dialect, animal welfare, Napoleon, and hangings. With regard to his literary career, a portrait emerges of Hardy as the scrupulous professional, properly aware of his commercial rights, while at the same time appearing, to some who met him, unconscious of his own genius.
Thomas Hardy and Desire
by Jane ThomasDrawing on a broad concept of desire, informed by poststructuralist theorists this book examines the range of Hardy's work. It demonstrates the sustained nature of his thinking about desire, its relationship to the social and symbolic network in which human subjectivity is constituted and art's potential to offer fulfilment to the desiring subject.
Thomas Hardy and Empire: The Representation of Imperial Themes in the Work of Thomas Hardy
by Jane L. BownasUnlike many of his contemporaries, Thomas Hardy is not generally recognized as an imperial writer, even though he wrote during a period of major expansion of the British Empire and in spite of the many allusions to the Roman Empire and Napoleonic Wars in his writing. Jane L. Bownas examines the context of these references, proposing that Hardy was a writer who not only posed a challenge to the whole of established society, but one whose writings bring into question the very notion of empire. Bownas argues that Hardy takes up ideas of the primitive and civilized that were central to Western thought in the nineteenth century, contesting this opposition and highlighting the effect outsiders have on so-called 'primitive' communities. In her discussion of the oppressions of imperialism, she analyzes the debate surrounding the use of gender as an articulated category, together with race and class, and shows how, in exposing the power structures operating within Britain, Hardy produces a critique of all forms of ideological oppression.
Thomas Hardy and History
by Fred ReidThis book addresses the questions 'What did Thomas Hardy think about history and how did this enter into his writings?' Scholars have sought answers in 'revolutionary', 'gender', 'postcolonial' and 'millennial' criticism, but these are found to be unsatisfactory. Fred Reid is a historian who seeks answers by setting Hardy more fully in the discourses of philosophical history and the domestic and international affairs of Britain. He shows how Hardy worked out, from the late 1850s, his own 'meliorist' philosophy of history and how it is inscribed in his fiction. Rooted in the idea of cyclical history as propounded by the Liberal Anglican historians, it was adapted after his loss of faith through reading the works of Auguste Comte, George Drysdale and John Stuart Mill and used to defend the right of individuals to break with the Victorian sexual code and make their own 'experiments in living'.
Thomas Hardy and Victorian Communication
by Karin KoehlerThis book explores the relationship between Thomas Hardy's works and Victorian media and technologies of communication - especially the penny post and the telegraph. Through its close analysis of letters, telegrams, and hand-delivered notes in Hardy's novels, short stories, and poems, it ties together a wide range of subjects: technological and infrastructural developments; material culture; individual subjectivity and the construction of identity; the relationship between private experience and social conventions; and the new narrative possibilities suggested by modern modes of communication.
Thomas Hardy and the Survivals of Time (The Nineteenth Century Series)
by Andrew RadfordA systematic exploration of Thomas Hardy's imaginative assimilation of particular Victorian sciences, this study draws on and swells the widening current of scholarly attention now being paid to the cultural meanings compacted and released by the nascent 'sciences of man' in the nineteenth century. Andrew Radford here situates Hardy's fiction and poetry in a context of the new sciences of humankind that evolved during the Victorian age to accommodate an immense range of literal and figurative 'excavations' then taking place. Combining literary close readings with broad historical analyses, he explores Hardy's artistic response to geological, archaeological and anthropological findings. In particular, he analyzes Hardy's lifelong fascination with the doctrine of 'survivals,' a term coined by E.B. Tylor in Primitive Culture (1871) to denote customs, beliefs and practices persisting in isolation from their original cultural context. Radford reveals how Hardy's subtle reworking of Tylor's doctrine offers a valuable insight into the inter-penetration of science and literature during this period. An important aspect of Radford's research focuses on lesser known periodical literature that grew out of a British amateur antiquarian tradition of the nineteenth century. His readings of Hardy's literary notebooks disclose the degree to which Hardy's own considerable scientific knowledge was shaped by the middlebrow periodical press. Thus Thomas Hardy and the Survivals of Time raises questions not only about the reception of scientific ideas but also the creation of nonspecialist forms of scientific discourse. This book represents a genuinely new perspective for Hardy studies.
Thomas Hardy in Context
by Phillip MallettThis collection covers the range of Thomas Hardy's works and their social and intellectual contexts, providing a comprehensive introduction to Hardy's life and times. Featuring short, lively contributions from forty-four international scholars, the volume explores the processes by which Hardy the man became Hardy the published writer; the changing critical responses to his work; his response to the social and political challenges of his time; his engagement with contemporary intellectual debate; and his legacy in the twentieth century and after. Emphasising the subtle and ongoing interaction between Hardy's life, his creative achievement and the unique historical moment, the collection also examines Hardy's relationship to such issues as class, education, folklore, archaeology and anthropology, evolution, marriage and masculinity, empire and the arts. A valuable contextual reference for scholars of Victorian and modernist literature, the collection will also prove accessible for the general reader of Hardy.
Thomas Hardy's Jude the Obscure (Modern Critical Interpretations)
by Harold BloomEssays on Jude the Obscure by Michael Millgate, Janet Burstein, Ian Gregor, Terry Eagleton, Norman Page, Kathleen Blake, Ramón Saldivar, and Philip M. Weinstein.
Thomas Hardy's Novel Universe: Astronomy, Cosmology, and Gender in the Post-Darwinian World (The Nineteenth Century Series)
by Pamela GossinIn this, the first book-length study of astronomy in Hardy's writing, historian of science and literary scholar Pamela Gossin brings the analytical tools of both disciplines to bear as she offers unexpected and sophisticated readings of seven novels that enrich Darwinian and feminist perspectives on his work, extend formalist evaluations of his achievement as a writer, and provide fresh interpretations of enigmatic passages and scenes. In an elegantly crafted introduction, Gossin draws together the shared critical values and methods of literary studies and the history of science to articulate a hybrid model of scholarly interpretation and analysis that promotes cross-disciplinary compassion and understanding within the current contention of the science/culture wars. She then situates Hardy's own deeply interdisciplinary knowledge of astronomy and cosmology within both literary and scientific traditions, from the ancient world through the Victorian era. Gossin offers insightful new assessments of A Pair of Blue Eyes, Far from the Madding Crowd, The Return of the Native, Two on a Tower, The Woodlanders, Tess of the D'Urbervilles, and Jude the Obscure, arguing that Hardy's personal synthesis of ancient and modern astronomy with mythopoetic and scientific cosmologies enabled him to write as a literary cosmologist for the post-Darwinian world. The profound new myths that comprise Hardy's novel universe can be read as a sustained set of literary thought-experiments by which he critiques the possibilities, limitations, and dangers of living out the storylines that such imaginative cosmologies project for his time - and ours.
Thomas Hardy's Pastoral: An Unkindly May
by Indy ClarkThis book reads Hardy's poetry of the rural as deeply rooted in the historical tradition of the pastoral mode even as it complicates and extends it. It shows that in addition to reinstating the original tensions of classical pastoral, Hardy dramatizes a heightened awareness of complex communities and the relations of class, labour, and gender.
Thomas Hardy's Short Stories: New Perspectives (The Nineteenth Century Series)
by Juliette Berning Schaefer Siobhan Craft BrownsonThomas Hardy penned nearly fifty short stories, but in spite of this impressive number, his contributions to the genre have been relatively understudied. Bringing together an international group of scholars, this is the first edited collection devoted solely to Hardy's works of short fiction. The contributors take up topics related to their publication in periodicals, gender and community relationships, and narrative techniques. Taken together, the essays show that Hardy's short stories are important, not only for what they tell us about Hardy as a writer who straddles the divide between the traditionalist and the modernist, but also for how they reflect and inform the period in which he wrote.