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What Galileo Saw: Imagining the Scientific Revolution
by Lawrence LipkingThe Scientific Revolution of the seventeenth century has often been called a decisive turning point in human history. It represents, for good or ill, the birth of modern science and modern ways of viewing the world. In What Galileo Saw, Lawrence Lipking offers a new perspective on how to understand what happened then, arguing that artistic imagination and creativity as much as rational thought played a critical role in creating new visions of science and in shaping stories about eye-opening discoveries in cosmology, natural history, engineering, and the life sciences. When Galileo saw the face of the Moon and the moons of Jupiter, Lipking writes, he had to picture a cosmos that could account for them. Kepler thought his geometry could open a window into the mind of God. Francis Bacon's natural history envisioned an order of things that would replace the illusions of language with solid evidence and transform notions of life and death. Descartes designed a hypothetical "Book of Nature" to explain how everything in the universe was constructed. Thomas Browne reconceived the boundaries of truth and error. Robert Hooke, like Leonardo, was both researcher and artist; his schemes illuminate the microscopic and the macrocosmic. And when Isaac Newton imagined nature as a coherent and comprehensive mathematical system, he redefined the goals of science and the meaning of genius. What Galileo Saw bridges the divide between science and art; it brings together Galileo and Milton, Bacon and Shakespeare. Lipking enters the minds and the workshops where the Scientific Revolution was fashioned, drawing on art, literature, and the history of science to reimagine how perceptions about the world and human life could change so drastically, and change forever.
What Happens Next: A History of American Screenwriting
by Marc NormanShakespeare in Love screenwriter Norman offers a history of his Hollywood predecessors and contemporaries, the famously despised screenwriters. Stories include the fallout of the McCarthy-era blacklists, the introduction of the Production Code and writers' attempts to outsmart the censors, the disappointment of director Billy Wilder upon hiring master crime novelist Raymond Chandler to script Double Indemnity (later nominated for a Best Screenplay Oscar), and the redefining of screenwriting by the likes of Quentin Tarantino and Charlie Kaufman. Annotation ©2008 Book News, Inc. , Portland, OR (booknews. com)
What Happens On Vacation: The brand-new enemies-to-lovers rom-com you won't want to go on holiday without!
by Jo WatsonTwo rivals. One holiday. A trip they will never forget.Jo Watson returns with a hilarious and heartfelt new enemies-to-lovers, forced-proximity rom-com! It's the book you won't want to go on holiday without! Perfect for fans of Emily Henry, Beth O'Leary and Christina Lauren..........................................Journalist Margaret needs a vacation. After a difficult couple of years, some R&R is on the cards, and she's taking her mom with her. Luckily, the office Quiz Night is coming up and the prize is an all-expenses-paid trip to Zanzibar. Good thing Margaret has never met a quiz question she didn't like. But Margaret has also never played against Jagger Villain. For the last six months, they have shared a desk and not a day has gone by when he hasn't driven her to distraction. The idea of sharing anything else with Jagger is unthinkable. But if she's going get what she needs from this trip, Margaret might have to compromise. Away from the office and in a tropical paradise, Margaret beings to wonder if her archnemesis maybe has some qualities. Could the holiday from hell turn into the vacation of her dreams? .........................................Love funny, romantic stories? You don't want to miss Jo Watson:'The perfect choice for fans of romantic comedies' Gina's Bookshelf'It was amazing, it was hilarious' Rachel's Random Reads'A brilliant read from beginning to end' Hopeless Romantics'Sitting here open mouthed in disbelief at just how wonderful this book is' Rachel's Random Reads'A stunning heart-warming read' Donna's Book Blog
What Her Body Thought: A Journey Into the Shadows
by Susan GriffinIn this boldly intimate and intelligent blend of personal memoir, social history, and cultural criticism, Susan Griffin profoundly illuminates our understanding of illness. She explores its physical, emotional, spiritual, and social aspects, revealing how it magnifies our yearning for connection and reconciliation.Griffin begins with a gripping account of her own harrowing experiences with Chronic Fatigue and Immune Dysfunction Syndrome (CFIDS), a potentially life-threatening illness that has been misconstrued and marginalized through the label "psychosomatic." Faced with terrifying bouts of fatigue, pain, and diminished thinking, the shame of illness, and the difficulty of being told you are "not really ill," she was driven to understand how early childhood loss made her susceptible to disease.Alongside her own story, Griffin weaves in her fascinating interpretation of the story of Marie du Plessis, popularized as the fictional Camille, an eighteenth-century courtesan whose young life was taken by tuberculosis. In the old story, Griffin finds contemporary themes of "money, bills, creditors, class, social standing, who is acceptable and who not, who is to be protected and who abandoned." In our current economy, she sees "how to be sick can impoverish, how poverty increases the misery of sickness, and how the implicit violence of this process wounds the soul as well as the body."Griffin insists that we must tell our stories to maintain our own integrity and authority, so that the sources of suffering become visible and validated. She writes passionately of a society where we are all cared for through "the rootedness of our connections. How the wound of being allowed to suffer points to a need to meet at the deepest level, to make an exchange at the nadir of life and death, the giving and taking which will weave a more spacious fabric of existence, communitas, community." Her views of the larger problems of illness and society are deeply illuminating.
What I Saw in America
by G. K. ChestertonJournalist, novelist, poet, artist and art critic, essayist, theologian, propagandist, philosopher, and creator of the wily old Father Brown - G. K. Chesterton is one of the most beguiling authors of the early twentieth century. When asked to perform a lecture tour in 1921, Chesterton was in a slump of depression. He had recently lost his brother to the First World War and his wavering faith in the face of the horrors of the conflict only intensified his malaise. 'What I Saw in America' tells us as much about the author and his particular views as it does about his destination. Indeed, Chesterton's personalised observations - his aversion to imperialism, capitalism, Anglo-Americanism and his commitment to democracy and fraternity - are distinguished by the piercing wit for which he is famed. Many of Chesterton's reflections are timeless and startlingly prescient. He was highly critical of both the naive immigration policies and the grinding dehumanisation brought about by the growth of the economy. Nonetheless, he was enthralled by the glorious ideals of the nation - founded on principles of equality, democracy and freedom - even if the essence of these ideals had been lost somewhere along the way. 'What I Saw in America' ranks among the finest of Chesterton's works, containing all of the author's virtues and vices: his wry humour, sympathy and intelligence playing devilishly against an irrepressible mischievousness.
WHAT IF?: You Are and Life Is Miraculous! ABC, Affirmation, Art Coloring Book
by Audrye S. ArbeWHAT IF? YOU ARE AND LIFE IS MIRACULOUS!, ABC, Affirmation, Art Coloring Book, printed on 100 percent post-consumer recycled paper, is ready for you! Great for anyone five years young and beyond, this book transforms and uplifts the reader's vibration, intrigues and piques the intellect with outstanding words, plus leads to brain-enhancement with its multi-perspective Audrye OmArt: Art That Opens the Heart (c). Coloring is the new meditation, hailed by psychologists as a way to uplift depression, help those in recovery, and, this book in particular, bring forth gales of laughter. Children, adolescents, teens, and adults love this book! Each run benefits the planet, as well, as testified to by www.GreenPressInitiative.org in the book itself.
What if…?: More Fascinating Halachic Discussions for the Shabbos Table, Arranged According to the Weekly Torah Reading (What If…? #3)
by Moshe SherrowWhat if... ...a man needs to take a sleep test, but it will mean missing zeman Kriyas Shema? ...a candy thrown during an aufruf misses the chasan and breaks the gabbai's glasses? ...someone takes out his neighbor's garbage, but there was jewelry in the trash bag? <P><p>Tens of thousands of readers have made the What If? series a staple at their Shabbos table. Based on the popular Hebrew-language series Chashukei Chemed, written by noted rav and posek, Rav Yitzchok Zilberstein shlita, and translated and arranged in the order of the weekly parashah by Rabbi Moshe Sherrow, What If? includes hundreds of real-life halachic questions, each accompanied by a brief, practical scenario to illustrate the case, and an analysis that is understandable and easy to follow. <p><p>What If? 3 continues the stimulating Torah conversation, with more fascinating halachic questions and scenarios. What If... ...your Shabbos table conversation flowed as freely as fine wine? ...your children sat at Shabbos dinner, engaged and enthusiastic by the Torah discussion? ...your guests enjoyed the conversation as much—and even more—as they enjoyed your chulent? What If? 3—The Torah conversation continues!
What If…?: Fascinating Halachic Discussions for the Shabbos Table, Arranged According to the Weekly Torah Reading
by Moshe SherrowWhat If... makes a wonderful addition to our Shabbos table. Rav Yitzchok Zilberstein shlita is a noted rav and posek, as well as a son-in-law of Rav Elyashiv zt'l. <p><p>What If... presents hundreds of halachic questions and answers in the order of the weekly parashah, making it the perfect starting point for fascinating Torah conversations. The questions are short, and each includes a practical, real-world scenario. The answers, too, are concise, and though they contain a world of Torah knowledge, they are easy to follow. <p><p>A man jokingly tells his friend to microwave an esrog to make it ripen quickly - who is responsible for the damage? A surgeon learns a new technique from a presentation, without paying the entrance fee. May he use that technique, or is it stealing? A mother doesn't want to reveal her child's illness, thus keeping people from praying for him. Is that permitted? <p><p>Challenge your family or guests with these thought-provoking halachic questions, and watch the energy around the table begin to surge. This is Torah conversation at its best.
What If: Fascinating Halachic Discussions for the Yom Tov Table
by Moshe SherrowYou love it at your Shabbos table. Now you can enjoy What If? on all the Jewish holidays! <p><p>It is Rosh Hashanah. A man holding a shofar is going to blow it for a sick friend. A car pulls up and the driver says, “I'm Jewish. Would you mind blowing that shofar for me? Should he blow the shofar while yom tov is clearly being desecrated? <p><p>Boaz built a huge succah for his restaurant—and now patrons of other kosher eateries are using it, and his own customers have to wait. Can he ask the others to leave? <p><p>A pre-Pesach food drive is hurting local groceries. Can the merchants demand that the food distribution be stopped? <p><p>The bestselling and beloved What If? series has become a welcome staple at our Shabbos tables. Based on the popular Hebrew-language series Chashukei Chemed, written by noted rav and posek Rav Yitzchok Zilberstein shlita, and translated and arranged by Rabbi Moshe Sherrow, every volume in the What If? series includes hundreds of real-life halachic questions, each accompanied by a brief, practical scenario to illustrate the case, and an answer that is understandable and easy to follow. Make your holiday table extra-special with the great conversation starter, What If on Yamim Tovim.
What If 2: More Fascinating Halachic Discussions for the Shabbos Table, Arranged According to the Weekly Torah Reading
by Moshe SherrowWhat if... <p><p> ...a mohel is running late, and the bris will not be performed on time unless he breaks the speed limit on a major highway? <p><p> ...a person buys a hat, and the "cashier" turns out to be a thief who had simply sat at the cash register - does he have to pay the store again? <p><p> ...a man hired to say Kaddish does so faithfully, and finds out at the end of eleven months that he's gotten the name of the deceased wrong? <p><p> These are all true stories. All real-life halachic questions. And all absolutely fascinating. <p><p> Jews the world over have discovered the perfect conversation-starter at their Shabbos table: What If? Based on the popular Hebrew-language series Chashukei Chemed, written by noted rav and posek, Rav Yitzchok Zilberstein shlita, and translated and arranged in the order of the weekly parashah by Rabbi Moshe Sherrow, What If? includes hundreds of real-life halachic questions, each accompanied by a brief, practical scenario to illustrate the case, and an analysis that is understandable and easy to follow. <p><p> What If? garnered immense acclaim because it reaches people of all ages and backgrounds. The queries, stories, and halachic explanations are clear and simple, so that even youngsters can discuss them (and guess at the answers - a sure conversation starter!). At the same time these fascinating halachic questions and responses hold the interest of those well-versed in Torah scholarship. <p><p> Since its publication, What If? has become a beloved guest at thousands of Shabbos tables - and readers have been clamoring for more. What If? Volume 2 continues the Torah conversation, with still more unusual and engrossing questions and cases. <p><p> Let the conversation at your Shabbos table flow as smoothly as fine wine, with What If? Volume 2.
What If Our World is Their Heaven: The Final Conversations of Philip K. Dick
by Tim Powers Doris Elaine Sauter Gwen LeeInterviews with the genius behind The Man in the High Castle and countless other science fiction classics. In the field of science fiction, Philip K. Dick is unparalleled. His novel Do Androids Dream of Electric Sheep? became the classic film Blade Runner. His short story “The Minority Report” was adapted for the screen by Steven Spielberg. The Man in the High Castle has become a hit series on Amazon, and those titles represent only a small fraction of his work. In November 1982, six months before the author’s untimely death, journalist Gwen Lee recorded the first of several in-depth discussions with Philip K. Dick that continued over the course of the next three months. This transcription is a fascinating read for anyone interested in the field of science fiction. “These transcripts bring fresh insights—notably, into the imaginative biotech plot line of the unwritten The Owl in Daylight . . . Dick also discusses music, writing, philosophers and his 1974–1975 mystical visions, when the revelation of his son’s undiagnosed birth defect—‘down to anatomical details’—saved the child’s life . . . Fans will rejoice.” —Publishers Weekly
What If? Writing Exercises for Fiction Writers (1st edition)
by Anne Bernays Pamela PainterA handbook for writers based on the idea that specific exercises are one of the most useful and provocative methods of mastering the art of fiction writing
What If? Writing Exercises for Fiction Writers (College Edition, 3rd Edition)
by Anne Bernays Pamela PainterThis book is comprised primarily of exercises introduced by brief but informative essays on the aspects of fiction. This text provides a practical, hands-on approach to writing fiction. Organized by the elements of fiction and concluded by an anthology of contemporary fiction, this book helps all fiction writers hone and improve their craft.
What Is a Classic in History?: The Making of a Historical Canon
by null Jaume AurellWhat is a classic in historical writing? How do we explain the continued interest in certain historical texts, even when their accounts and interpretations of particular periods have been displaced or revised by newer generations of historians? How do these texts help to maintain the historiographical canon? Jaume Aurell's innovative study ranges from the heroic writings of ancient Greek historians such as Herodotus to the twentieth century microhistories of Carlo Ginzburg. The book explores how certain texts have been able to stand the test of time, gain their status as historiographical classics, and capture the imaginations of readers across generations. Investigating the processes of permanence and change in both historiography and history, Aurell further examines the creation of historical genres and canons. Taking influence from methodologies including sociology, literary criticism, theology, and postcolonial studies, What Is a Classic in History? encourages readers to re-evaluate their ideas of history and historiography alike.
What Is a Classic? Postcolonial Rewriting and Invention of the Canon
by Ankhi MukherjeeWhat Is a Classic? revisits the famous question posed by critics from Sainte-Beuve and T. S. Eliot to J. M. Coetzee to ask how classics emanate from postcolonial histories and societies. Exploring definitive trends in twentieth- and twenty-first century English and Anglophone literature, Mukherjee demonstrates the relevance of the question of the classic for the global politics of identifying and perpetuating so-called core texts. Emergent canons are scrutinized in the context of the wider cultural phenomena of book prizes, the translation and distribution of world literatures, and multimedia adaptations of world classics. Throughout, Mukherjee attunes traditional literary critical concerns to the value contestations mobilizing postcolonial and world literature. The breadth of debates and topics she addresses, as well as the book's ambitious historical schema, which includes South Asia, Africa, the Middle East, the West Indies, Australia, New Zealand, Europe, and North America, set this study apart from related titles on the bookshelf today.
What Is a Human?: Language, Mind, and Culture
by James Paul GeeIn a sweeping synthesis of new research in a number of different disciplines, this book argues that we humans are not who we think we are. As he explores the interconnections between cutting-edge work in bioanthropology, evolutionary biology, neuroscience, human language and learning, and beyond, James Paul Gee advances, also, a personal philosophy of language, learning, and culture, informed by his decades of work across linguistics and the social sciences. Gee argues that our schools, institutions, legal systems, and societies are designed for creatures that do not exist, thus resulting in multiple, interacting crises, such as climate change, failing institutions, and the rise of nationalist nationalism. As Gee constructs an understanding of the human that takes into account our social, collective, and historical nature, as established by recent research, he inspires readers to reflect for themselves on the very question of who we are—a key consideration for anyone interested in society, government, schools, health, activism, culture and diversity, or even just survival.
What is a Playhouse?: England at Play, 1520–1620
by Callan DaviesThis book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London’s theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.
What Is a World?: On Postcolonial Literature as World Literature
by Pheng CheahIn What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature's cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature's world-making power by creatively synthesizing four philosophical accounts of the world as a temporal process: idealism, Marxist materialism, phenomenology, and deconstruction. Literature opens worlds, he provocatively suggests, because it is a force of receptivity. Cheah compellingly argues for postcolonial literature's exemplarity as world literature through readings of narrative fiction by Michelle Cliff, Amitav Ghosh, Nuruddin Farah, Ninotchka Rosca, and Timothy Mo that show how these texts open up new possibilities for remaking the world by negotiating with the inhuman force that gives time and deploying alternative temporalities to resist capitalist globalization.
What is African American Literature? (Wiley-Blackwell Manifestos)
by Margo N. CrawfordAfter Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.
What is Art? (Bloomsbury Revelations Ser.)
by Leo TolstoyDuring his decades of world fame as a novelist, Tolstoy also wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These works culminated in What is Art?, published in 1898. Impassioned and iconoclastic, this powerfully influential work both criticizes the elitist nature of art in nineteenth-century Western society, and rejects the idea that its sole purpose should be the creation of beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire and Wagner are all vigorously condemned, as Tolstoy explores what he believes to be the spiritual role of the artist - arguing that true art must work with religion and science as a force for the advancement of mankind.
What Is China?: Territory, Ethnicity, Culture, and History
by Ge ZhaoguangGe Zhaoguang, an eminent historian of traditional China and a public intellectual, takes on fundamental questions that shape the domestic and international politics of the world’s most populous country and its second largest economy. What Is China? offers an insider’s account that addresses sensitive problems of Chinese identity and shows how modern scholarship about China—whether conducted in China, East Asia, or the West—has attempted to make sense of the country’s shifting territorial boundaries and its diversity of ethnic groups and cultures. Ge considers, for example, the ancient concept of tianxia, or All-Under-Heaven, which assigned supremacy to the imperial court and lesser status to officials, citizens, tributary states, and tribal peoples. Does China’s government still operate with a belief in divine rule of All-Under-Heaven, or has it taken a different view of other actors, inside and outside its current borders? Responding both to Western theories of the nation-state and to Chinese intellectuals eager to promote “national learning,” Ge offers an insightful and erudite account of how China sees its place in the world. As he wrestles with complex historical and cultural forces guiding the inner workings of an often misunderstood nation, Ge also teases out many nuances of China’s encounter with the contemporary world, using China’s past to explain aspects of its present and to provide insight into various paths the nation might follow as the twenty-first century unfolds.
What is Colonialism?
by Patrick Colm HoganWhat is Colonialism? develops a clear and rigorous account of what colonialism is and how it works. It draws on and synthesizes recent work in cognitive science, affective science, and social psychology, along with Marxism and related forms of analysis. Hogan begins with some fundamental conceptual distinctions, such as the degree to which a group shares beliefs, dispositions, and skills versus the degree to which they share identification with a category. Building on these distinctions, he defines colonialism in terms of political, economic, and cultural autonomy, clarifying the nature of culture and autonomy particularly. He goes on to articulate an invaluable systematic account of the varieties of colonialism. The final chapters outline the motives of imperialists, differentiating these from their ideological rationalizations, and sketching the harms caused by colonialism. The book concludes by considering when, or if, one can achieve a genuinely postcolonial condition. Hogan illustrates these analyses by examining influential literary works—by European writers (such as Joseph Conrad) and by non-Europeans (such as Athol Fugard, Kamala Markandaya, and Wole Soyinka). This accessible and informative volume is the ideal resource for students and scholars interested in colonialism and empire.
What Is Critical in Language Studies: Disclosing Social Inequalities and Injustice
by Solange Maria de Barros; Dánie M. de JesusThis volume examines the notion of criticality in language studies. Drawing on the work of the Frankfurt School – Adorno, Habermas, Horkheimer, and Marcuse, among others – the chapters in the volume examine a variety of linguistic contexts: from gender activism to web journalism, from the classroom to the open streets. It also presents theoretical and methodological guidelines to researchers interested in • Expanding their critical outlook for meaning brought on by the notion of criticality in contemporary language studies. • Understanding criticality in languages through historical, political, and social perspectives. • Using linguistics and language studies as tools to dissect and disclose social injustices. This book will be of great interest to scholars and researchers of language studies and linguistics, philosophy, politics, and sociology and social policy.
What Is Cultural Criticism?
by Stefan Collini Francis MulhernTwo leading critics grapple with problems of literature, politics and intellectual practiceIn What Is Cultural Criticism?, two leading critics grapple with problems of literature, politics and intellectual practice. The debate opens with Francis Mulhern&’s account of what he terms &‘metacultural discourse&’. This embraces two opposing critical traditions, the elite pessimism of Kulturkritik and the populist enthusiasms of Cultural Studies. Each in its own way dissolves politics into culture, Mulhern argues. Collini, on the other hand, protests that cultural criticism provides resources for genuine critical engagement with contemporary society. Tension between culture and politics there may be, but it works productively in both directions.This widely noticed encounter is that rare thing, a sustained debate in which, as Collini remarks, the protagonists not only exchange shots but also ideas. It concludes with Mulhern&’s engagement with Collini&’s writing on the subordination of universities to metrics and bureaucracy, and a companion rejoinder from Collini on Mulhern&’s study of the &‘condition of culture novel&’ and his essays on questions of nationality and the politics of intellectuals.
What is Cultural History?
by Peter BurkeWhat is Cultural History? has established itself as an essential guide to what cultural historians do and how they do it. Now fully updated in its second edition, leading historian Peter Burke offers afresh his accessible guide to the past, present and future of cultural history, as it has been practised not only in the English-speaking world, but also in Continental Europe, Asia, South America and elsewhere. Burke begins by providing a discussion of the 'classic' phase of cultural history, associated with Jacob Burckhardt and Johan Huizinga, and of the Marxist reaction, from Frederick Antal to Edward Thompson. He then charts the rise of cultural history in more recent times, concentrating on the work of the last generation, often described as the 'New Cultural History'. He places cultural history in its own cultural context, noting links between new approaches to historical thought and writing and the rise of feminism, postcolonial studies and an everyday discourse in which the idea of culture plays an increasingly important part. The new edition also surveys the very latest developments in the field and considers the directions cultural history may be taking in the twenty-first century. The second edition of What is Cultural History? will continue to be an essential textbook for all students of history as well as those taking courses in cultural, anthropological and literary studies.