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Thoreau's God
by Richard HigginsMeditative reflections on the great spiritual seeker’s deeply felt experience of the divine. Henry David Thoreau’s spiritual life is a riddle. Thoreau’s passionate critique of formal religion is matched only by his rapturous descriptions of encounters with the divine in nature. He fled the church only to pursue a deeper communion with a presence he felt at the heart of the universe. He called this illimitable presence many names, but he often called it God. In Thoreau’s God, Richard Higgins invites seekers—religious or otherwise—to walk with the great Transcendentalist through a series of meditations on his spiritual life. Thoreau offers us no creed, but his writings encourage reflection on how to live, what to notice, and what to love. Though his quest was deeply personal, Thoreau devoted his life to communicating his experience of an infinite, wild, life-giving God. By recovering this vital thread in Thoreau’s life and work, Thoreau’s God opens the door to a new understanding of an original voice in American religion that speaks to spiritual seekers today.
Thoreau’s Botany: Thinking and Writing with Plants (Under the Sign of Nature)
by James Perrin WarrenThoreau’s last years have been the subject of debate for decades, but only recently have scholars and critics begun to appreciate the posthumous publications, unfinished manuscripts, and Journal entries that occupied the writer after Walden (1854). Until now, no critical reader has delved deeply enough into botany to see how Thoreau’s plant studies impact his thinking and writing. Thoreau’s Botany moves beyond general literary appreciation for the botanical works to apply Thoreau’s extensive studies of botany—from 1850 to his death in 1862—to readings of his published and unpublished works in fresh, interdisciplinary ways. Bringing together critical plant studies, ecocriticism, and environmental humanities, James Perrin Warren argues that Thoreau’s botanical excursions establish a meeting ground of science and the humanities that is only now ready to be recognized by readers of American literature and environmental literature.
Thornton Wilder's The Skin of our Teeth (The Fourth Wall)
by Kyle Gillette"Ladies and gentlemen, I’m not going to play this particular scene tonight." - Sabina Thornton Wilder’s The Skin of Our Teeth (1942) telescopes an audacious stretch of western history and mythology into a family drama, showing how the course of human events operates like theatre itself: constantly mutable, vanishing and beginning again. Kyle Gillette explores Wilder’s extraordinary play in three parts. Part I unpacks the play’s singular yet deeply interconnected place in theatre history, comparing its metatheatrics to those of Stein, Pirandello and Brecht, and finding its anticipation of American fantasias in the works of Vogel and Kushner. Part II turns to the play’s many historic and mythic sources, and examines its concentration of western progress and power into the model of a white, American upper-middle-class nuclear family. Part III takes a longer view, tangling with the play’s philosophical stakes. Gillette magnifies the play’s ideas and connections, teasing out historical, theoretical and philosophical questions on behalf of readers, scholars and audience members alike.
Thornton and Tully's Scientific Books, Libraries and Collectors: A Study of Bibliography and the Book Trade in Relation to the History of Science
by Andrew HunterIn the 25 years since the last edition of Thornton and Tully’s Scientific Books, Libraries and Collectors was published, scientific publishing has mushroomed, developed new forms, and the academic discipline and popular appreciation of the history of science have grown apace. This fourth edition discusses these changes and ponders the implications of developments in publishing at the end of the twentieth century, while concentrating its gaze upon the dissemination of scientific ideas and knowledge from Antiquity to the industrial age. In this shift of focus it departs from previous editions, and for the first time a chapter on Islamic science is included. Recurrent themes in several of the ten essays in the present volume are the definition of ’science’ itself, and its transmutation by publishing media and the social context. Two essays on the collecting of scientific books provide a counterpoint, and the book is grounded on a rigorous chapter on bibliographies. The timely publication of Scientific Books, Libraries and Collectors comes at the coincidence of the advent of electronic publishing and the millennium, a dramatic moment at which to take stock.
Those Who Come After: Postmemory, Acknowledgement and Forgiveness (Studies in the Psychosocial)
by Stephen FroshThis book explores the legacies of suffering in relation to ‘those who come after’ – the descendants of victims, survivors and perpetrators of traumatic events. It draws on recent discussions of ‘postmemory’ and ‘haunting’ that are concerned mainly with the transgenerational impact of personal and social trauma. It examines how we are connected to past events for which we have no direct responsibility yet in which we might in some way be ‘implicated’ and it asks how we might attain a position of active witnessing that helps resolve the suffering of others. Those Who Come After includes vivid accounts of witnessing from a variety of perspectives, ranging from Biblical and Jewish stories to contemporary art and music. The book draws on psychosocial studies and psychoanalysis to help make sense of this material and to develop an understanding of acknowledgment and responsibility that is both ethical and emancipatory. Those Who Come After will be of great interest to readers in psychosocial studies and psychoanalysis and to all who are concerned with the question of how to put past suffering to rest.
Those Who Walk in Darkness
by John RidleyIn the near future, the world has become home to certain people with amazing genetic structures-giving them powers that make them frighteningly superior to normal humans.
Those Who Write for Immortality
by H. J. JacksonGreat writers of the past whose works we still read and love will be read forever. They will survive the test of time. We remember authors of true genius because their writings are simply the best. Or . . . might there be other reasons that account for an author's literary fate? This original book takes a fresh look at our beliefs about literary fame by examining how it actually comes about. H. J. Jackson wrestles with entrenched notions about recognizing genius and the test of time by comparing the reputations of a dozen writers of the Romantic period--some famous, some forgotten. Why are we still reading Jane Austen but not Mary Brunton, when readers in their own day sometimes couldn't tell their works apart? Why Keats and not Barry Cornwall, who came from the same circle of writers and had the same mentor? Why not that mentor, Leigh Hunt, himself? Jackson offers new and unorthodox accounts of the coming-to-fame of some of Britain's most revered authors and compares their reputations and afterlives with those of their contemporary rivals. What she discovers about trends, champions, institutional power, and writers' conscious efforts to position themselves for posterity casts fresh light on the actual processes that lead to literary fame.
Those Who from Afar Look Like Flies: An Anthology of Italian Poetry from Pasolini to the Present, Tome 1, 1956-1975
by Luigi Ballerini Giuseppe CavatortaThose Who from Afar Look Like Flies is an anthology of poems and essays that aims to provide an organic profile of the evolution of Italian poetry after World War II. Beginning with the birth of Officina and Il Verri, and culminating with the crisis of the mid-seventies, this tome features works by such poets as Pasolini, Pagliarani, Rosselli, Sanguineti and Zanzotto, as well as such forerunners as Villa and Cacciatore. Each section of this anthology, organized chronologically, is preceded by an introductory note and documents every stylistic or substantial change in the poetics of a group or individual. For each poet, critic, and translator a short biography and bibliography is also provided.
Thought and Language
by J. M. MoravcsikOriginally published in 1990, this book centres on a certain way of surveying a variety of theories of language, and on outlining a new proposal of meaning within the framework set by the survey. One of the key features of both survey and proposal is the insistence on the need to locate theories of language within a large framework that includes questions about the nature of thought and about general ontological questions as well. The book deals in an interconnected way with both very general and specific issues. At one end of this spectrum there are discussions of the contrast between realist and nominalist ontologies, while at the other are analyses of specific lexical items of English.
Thought and Language, revised and expanded edition
by Lev S. VygotskyA new edition of a foundational work of cognitive science that outlines a theory of the development of specifically human higher mental functions.Since it was introduced to the English-speaking world in 1962, Lev Vygotsky's Thought and Language has become recognized as a classic foundational work of cognitive science. Its 1962 English translation must certainly be considered one of the most important and influential books ever published by the MIT Press. In this highly original exploration of human mental development, Vygotsky analyzes the relationship between words and consciousness, arguing that speech is social in its origins and that only as children develop does it become internalized verbal thought.In 1986, the MIT Press published a new edition of the original translation by Eugenia Hanfmann and Gertrude Vakar, edited by Vygotsky scholar Alex Kozulin, that restored the work's complete text and added materials to help readers better understand Vygotsky's thought. Kozulin also contributed an introductory essay that offered new insight into Vygotsky's life, intellectual milieu, and research methods. This expanded edition offers Vygotsky's text, Kozulin's essay, a subject index, and a new foreword by Kozulin that maps the ever-growing influence of Vygotsky's ideas.
Thought-Based Linguistics: How Languages Turn Thoughts into Sounds
by Wallace ChafeThe extent to which language is inseparable from thought has long been a major subject of debate across linguistics, psychology, philosophy, and other disciplines. In this study, Wallace Chafe presents a thought-based theory of language that goes beyond traditional views that semantics, syntax, and sounds are sufficient to account for language design. Language begins with thoughts in the mind of a speaker and ends by affecting thoughts in the mind of a listener. This obvious observation is seldom incorporated in descriptions of language design for two major reasons. First, the role of thought is usually usurped by semantics. But semantic structures are imposed on thought by languages and differ from one language to another. Second, thought does not lend itself to familiar methods of linguistic analysis. Chafe suggests ways of describing thoughts, traces the path languages follow from thoughts to sounds, and explores ways in which thoughts are oriented in time, memory, imagination, reality, and emotions.
Thoughts From the Ice-Drinker's Studio: Essays on China and the World
by Liang Qichao'China's first iconic modern intellectual. His lucid and prolific writings, touching on all major concerns in his own time and anticipating many in the future, inspired several generations of thinkers' Pankaj Mishra'A country does not become corrupt and weak overnight. Rather, we are now reaping the evil harvest of what previous generations sowed.'The power, anger and fluency of Liang Qichao's writings make him one of the towering figures in modern Chinese literature. He saw his great, almost unmanageable task as an attempt to write China into the new era - to provide an ancient country, devastated by civil war and foreign predators, with the intellectual equipment to renew itself.Liang said that he wrote from an 'ice-drinker's studio', implying that underneath his dispassionate, disabused and rational tone lay an ardour and passion which only ice could cool. China could only recover through a clear-sighted, informed understanding of its enemies - and by engaging in a thorough-going self-critique. Liang did not propose aping the West but taking only what China needed to 'renew the people' and create 'new citizens'. Then China would be able to expel its invaders, reform its society and become a great power once more.This selection of pieces shows Liang's extraordinary range and the burning sense of mission which drove him on, attempting to galvanize and refresh an entire nation. Blending together Confucianism, Buddhism and the Western Enlightenment, Liang's ideas about nation, democracy, and morality had a profound impact on Chinese visions of the political order, though the China that eventually emerged from the further disasters of the 1930s and 1940s would be a very different one.
Thoughts Painfully Intense: Hawthorne and the Invalid Author (Studies in Major Literary Authors)
by James MancallFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Thought’s Wilderness: Romanticism and the Apprehension of Nature
by Greg EllermannWhile much recent ecocriticism has questioned the value of nature as a concept, Thought's Wilderness insists that it is analytically and politically indispensable, and that romanticism shows us why. Without a concept of nature, Greg Ellermann argues, our thinking is limited to the world that capitalism has made. Defamiliarizing the tradition of romantic nature writing, Ellermann contends that the romantics tried to circumvent the domination of nature that is essential to modern capitalism. As he shows, poets and philosophers in the period such as Immanuel Kant, G. W. F. Hegel, Mary Wollstonecraft, William Wordsworth, and Percy Shelley were highly attuned to nature's ephemeral, ungraspable forms: clouds of vapor, a trace of ruin, deep silence, and the "world-surrounding ether." Further, he explains how nature's vanishing—its vulnerability and its flight from apprehension—became a philosophical and political problem. In response to a nascent industrial capitalism, romantic writers developed a poetics of wilderness—a poetics that is attentive to fleeting presence and that seeks to let things be. Trying to imagine what ultimately eludes capture, the romantics recognized the complicity between conceptual and economic domination, and they saw how thought itself could become a technology for control. This insight, Ellermann proposes, motivates romantic efforts to think past capitalist instrumentality and its devastation of the world. Ultimately, this new work undertakes a fundamental rethinking of the aesthetics and politics of nature.
Thousands of Broadways: Dreams and Nightmares of the American Small Town
by Robert PinskyBroadway, the main street that runs through Robert Pinsky's home town of Long Branch, New Jersey, was once like thousands of other main streets in small towns across the country. But for Pinsky, one of America's most admired poets and its former Poet Laureate, this Broadway is the point of departure for a lively journey through the small towns of the American imagination. The citizens of quintessential small towns know one another extensively and even intimately, but fail to recognize the geniuses and criminal minds in their midst. Bringing the works of such figures as Mark Twain, William Faulkner, Alfred Hitchcock, Thornton Wilder, Willa Cather, and Preston Sturges to bear on this paradox, as well as reflections on his own time growing up in a small town, Pinsky explores how such imperfect knowledge shields communities from the anonymity and alienation of modern life. Along the way, he also considers how small towns can be small-minded -- in some cases viciously judgmental and oppressively provincial. Ultimately, Pinsky examines the uneasy regard that creative talents like him often have toward the small towns that either nurtured or thwarted their artistic impulses.
Thread in the Loom: Essays on African Literature and Culture
by Niyi OsundareEven in this age of globalism, Africa still hangs precariously on the margins as a zone of abysmal silence and disarticulation. Ideas and prejudices travel with imperial ease and confidence in Africa while the 'canon war' makes it extremely difficult for African texts to make it to the readings lists of Western institutions. A grossly maladjusted economy, political instability, dictatorship and intolerance have affected the literary and cultural scene in near apocalyptic proportions. These essays address these issues from the perspective of an African writer and academic.
Threadbare: Class and Crime in Urban Alaska (The Alaska Literary Series)
by Mary KudenovAlaska’s perch at the geographic corner of civilization isn’t all wilderness and reality TV. There’s a darker side too. Above the 49th parallel some of the nation’s highest rates of alcoholism, suicide, and violent crime can be found. While it can easy to write off or even romanticize these statistics as the product of a lingering Wild West culture, talking with real Alaskans reveals a different story. Journalist Mary Kudenov set out to find the true stories behind this “end-of-the-road” culture. Through her essays, we meet Alaskans who live outside the common adventurer narrative: a recent graduate of a court-sponsored sobriety program, a long-timer in the Hiland Mountain Correctional Center for women, a slum-landlord’s emancipated teenage daughter, and even a post-rampage spree killer. Her subjects struggle with poverty and middle-class aspirations, education and minimum wage work, God and psychology. The result is a raw and startling collection of direct, ground-level reporting that will leave you deeply moved.
Threatened Masculinity from British Fiction to Cold War German Cinema (Among the Victorians and Modernists)
by Joseph P. WillisThe impact of the Cold War on German male identities can be seen in the nation’s cinematic search for a masculine paradigm that rejected the fate-centered value system of its National- Socialist past while also recognizing that German males once again had become victims of fate and fatalism, but now within the value system of the Soviet and American hegemonies that determined the fate of Cold War Germany and Central Europe. This monograph is the first to demonstrate that this Cold War cinematic search sought out a meaningful masculine paradigm through film adaptations of late-Victorian and Edwardian male writers who likewise sought a means of self-determination within a hegemonic structure that often left few opportunities for personal agency. In contrast to the scholarly practice of exploring categories of modern masculinity such as Victorian imperialist manliness or German Cold-War male identity as distinct from each other, this monograph offers an important, comparative corrective that brings forward an extremely influential century-long trajectory of threatened masculinity. For German Cold-War masculinity, lessons were to be learned from history—namely, from late-Victorian and Edwardian models of manliness. Cold War Germans, like the Victorians before them, had to confront the unknowns of a new world without fear or hesitation. In a Cold-War mentality where nuclear technology and geographic distance had trumped face-to-face confrontation between East and West, Cold-War German masculinity sought alternatives to the insanity of mutual nuclear destruction by choosing not just to confront threats, but to resolve threats directly through personal agency and self-determination.
Three Cartularies from Thirteenth Century Auxerre
by Constance BouchardThis edition presents the recently rediscovered episcopal cartulary of Auxerre, composed in the 1280s but assumed lost since the French Revolution. Along with confirmations by popes, quarrel settlements with counts, and agreements with the bishop's tenants, the cartulary contains documents that were previously unknown, notably several papal decisions. Auxerre was unusually well documented for the period 800-1200, but little information on the bishopric's history after 1200 has been available until now. The text contains a wealth of information about relationships between church leaders and other churches, between churches and secular leaders, and details on peasant rights and obligations.This edition also includes the short thirteenth-century cartularies of the nuns of St.-Julien and of the cathedral chapter, the latter existing only in fragmentary form. With full annotation of people and places and English-language summaries, these cartularies make a valuable contribution to our understanding of this significant episcopal centre's history.
Three Classical Tragedies: Titus Andronicus, Timon of Athens, Coriolanus
by William Shakespeare David Scott Kastan David M. BevingtonTitus Andronicus * Timon of Athens * Coriolanus. Each Edition Includes: Comprehensive explanatory notes placed on pages facing the text of the play, vivid introductions and the most up-to-date scholarship, and clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English. Completely updated, detailed bibliographies and performance histories. An interpretive essay on film adaptations of the play, along with an extensive filmography. Titus Andronicus, Shakespeare's earliest tragedy, is also his bloodiest and most horror-filled. A Roman general, to appease the spirit of his dead son, sacrifices the son of a captive Goth queen--and sets in motion a remorseless cycle of revenge and counterrevenge. The play's vivid spectacle of violence stuns audiences with rape, murder, mutilation, and unmitigated cruelty. Timon of Athens, a stark drama--in some ways Shakespeare's most bitter play--is a brilliant psychological portrait of a wealthy Athenian lord whose extraordinary trust and love for others turns to hate and spite when, bankrupted by his generosity, he is overwhelmed by the indifference and ingratitude of those he had thought friends. Coriolanus, the arrogance of a Roman military hero puts him in conflict with the people of Rome when the aristocrat is unwilling to compromise with the commoners he so despises. Compellingly relevant today, Shakespeare's last tragedy--from its opening scene of popular unrest to its chilling climax of betrayal and murder--takes an unwavering, ironic look at political extremism.
Three Dialogues between Hylas Philonous (SparkNotes Philosophy Guide)
by SparkNotesThree Dialogues between Hylas Philonous (SparkNotes Philosophy Guide) Making the reading experience fun! SparkNotes Philosophy Guides are one-stop guides to the great works of philosophy–masterpieces that stand at the foundations of Western thought. Inside each Philosophy Guide you&’ll find insightful overviews of great philosophical works of the Western world.
Three Early Comedies: Love's Labor's Lost, The Two Gentlemen of Verona, The Merry Wives of Windsor
by William Shakespeare David Bevington David Scott Kastan James Hammersmith Robert Kean Turner Joseph PappThree Early Comedies: Love's Labor's Lost Farce and fun follow when a young king and his three friends vow to give up women for a year--just as a pretty princess and her three ladies-in-waiting arrive--in a delightful play that ends with one of Shakespeare's loveliest songs. The Two Gentlemen of Verona: In this lyrical comedy, two friends are infatuated with the same woman, while a jilted girl disguised as a boy and a clownish servant with a raffish mutt set the scene for laughter and a timeless story of love. The Merry Wives of Windsor: Shakespeare's famous rogue, Falstaff, woos two married women with identical love letters--and becomes the focus of a hilarious comedy when the women conspire to teach him a lesson.
Three Great Ballplayers
by Greg RogersThe fun and excitement of English and Language Arts learning continues in Grade 2 of Reading Street. This comprehensive and dynamic curriculum for homeschooling is geared toward young children who have some foundational English and Language Arts knowledge and are ready to strengthen their skills. Comprised of engaging activities, challenging content and weekly quizzes, Reading Street: Grade 2 is the next step in your child's path toward becoming a lifelong learner and reader. As with all Reading Street products, the Grade 2 system is formatted to help students meet certain age-appropriate goals. After completing this English and Language Arts homeschool program, your child should be able to: Read and comprehend two-syllable words. Identify common prefixes (such as pre-, un-, or re-) and suffixes (such as -able, -ad and -er). Correct mistakes made when reading out loud. Read books with two or more chapters. Understand the structure of stores (i. e. beginning, middle and end). Start selecting reading materials based on his/her own interests. Identify the "who," "what," "when," "where," "why" and "how" of the text. While the goals of second Grade English and Language Arts are numerous, Reading Street will help you craft engrossing lessons. Your child will garner important English and Language Arts skills while completing a workbook, reading stories and poems, and taking assessments. Planning these lessons will be easier than ever, as all Reading Street systems are broken down into weekly Big Ideas. All the work your child does on a given week is formulated around that single concept for an organized and challenging curriculum. With six easy-to-follow units, Reading Street: Grade 2 is the perfect tool for homeschooling parents. Your child will enjoy the reading selections and activities, and you'll love to see your student growing into a knowledgeable individual. We're confident that this product is the right one for you. For more information on the specific materials found in Grade 2 of Reading Street, check out the Features and Benefits page.
Three Hundred Years of Decadence: New Orleans Literature and the Transatlantic World
by Robert AzzarelloNew Orleans’s reputation as a decadent city stems in part from its environmental precariousness, its Francophilia, its Afro-Caribbean connections, its Catholicism, and its litany of alleged “vices,” encompassing prostitution, miscegenation, homosexuality, and any number of the seven deadly sins. An evocative work of cultural criticism, Robert Azzarello’s Three Hundred Years of Decadence argues that decadence can convey a more nuanced meaning than simple decay or decline conceived in physical, social, or moral terms. Instead, within New Orleans literature, decadence possesses a complex, even paradoxical relationship with concepts like beauty and health, progress, and technological advance. Azzarello presents the concept of decadence, along with its perception and the uneasy social relations that result, as a suggestive avenue for decoding the long, shifting story of New Orleans and its position in the transatlantic world. By analyzing literary works that span from the late seventeenth century to contemporary speculations about the city’s future, Azzarello uncovers how decadence often names a transfiguration of values, in which ideas about supposed good and bad cannot maintain their stability and end up morphing into one another. These evolving representations of a decadent New Orleans, which Azzarello traces with attention to both details of local history and insights from critical theory, reveal the extent to which the city functions as a contact zone for peoples and cultures from Europe, Africa, and the Americas. Drawing on a deep and understudied archive of New Orleans literature, Azzarello considers texts from multiple genres (fiction, poetry, drama, song, and travel writing), including many written in languages other than English. His analysis includes such works of transcription and translation as George Washington Cable’s “Creole Slave Songs” and Mary Haas’s Tunica Texts, which he places in dialogue with canonical and recent works about the city, as well as with neglected texts like Ludwig von Reizenstein’s German-language serial The Mysteries of New Orleans and Charles Chesnutt’s novel Paul Marchand, F.M.C. With its careful analysis and focused scope, Three Hundred Years of Decadence uncovers the immense significance—historically, politically, and aesthetically—that literary imaginings of a decadent New Orleans hold for understanding the city’s position as a multicultural, transatlantic contact zone.
Three Kinds of Motion: Kerouac, Pollock, and the Making of American Highways
by Riley Hanick"Like a great conversationalist, Hanick paints a generous canvas, and I rode the length of this powerful book much like I first experienced the American interstate: songs on the stereo, windows down, and the bittersweet sense that youth is fleeting. Three Kinds of Motion holds open a wild and beautiful journey, not to be missed."--Thalia FieldIn 1943, Peggy Guggenheim commissioned a mural from Jackson Pollock to hang in the entryway of her Manhattan townhouse. It was the largest Pollock canvas she would ever own, and four years later she gave it to a small Midwestern institution with no place to put it. When the original scroll of On the Road goes on tour across the country, it lands at the same Iowa museum housing Peggy's Pollock, revitalizing Riley Hanick's adolescent fascination with the author. Alongside these two narrative threads, Hanick revisits Dwight D. Eisenhower's quest to build America's first interstate highway system. When catastrophic rains flood the Iowa highways with their famous allure and history of conquest, they also threaten the museum and its precious mural. In Three Kinds of Motion, his razor-sharp, funny, and intensely vulnerable book-length essay, Hanick moves deftly between his three subjects. He delivers a story with breathtaking ingenuity.Riley Hanick is an essayist, journalist, and translator. His work has received support from the Jentel and McKnight foundations and he has served as a writer-in-residence for the University of Iowa Museum of Art. He teaches at Murray State University.