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Unorthodox Minds in Contemporary Fiction (Routledge Studies in Contemporary Literature)
by Grzegorz Maziarczyk Joanna Klara TeskeUnorthodox Minds in Contemporary Fiction seeks to provide an overview of the ways in which broadly understood contemporary fiction envisions, explores and engenders minds going beyond the classical models. The opening essay discusses the complex relationships between such innovative concepts of the mind and experimental techniques for presenting mentality. The chapters which follow focus on (dis)embodied and/or extended mind, virtuality of avatar minds, intermental thought of reader communities, the capability of artificial intelligence (and humans) for genuine selfless love, the interplay between technology and affect in posthuman consciousness. The books under discussion include Murmur by Will Eaves, The Unfortunates by B.S. Johnson, The Satanic Verses by Salman Rushdie, H(A)PPY by Nicola Barker and Machines Like Me by Ian McEwan. A piece of conceptual fiction by Steve Tomasula, one of the most innovative American novelists of our times, exploring the human mind’s alleged power to transcend its biological limits, complements these scholarly inquiries.
Unpacking Complexity in Informational Texts
by Sunday CumminsTo acquire content knowledge through reading, students must understand the complex components and diverse purposes of informational texts, as emphasized in the Common Core State Standards (CCSS). This practical book illuminates the ways in which a text's purpose, structure, details, connective language, and construction of themes combine to create meaning. Classroom-tested instructional recommendations and "kid-friendly" explanations guide teachers in helping students to identify and understand the role of these elements in different types of informational texts. Numerous student work samples, excerpts from exemplary books and articles, and a Study Guide with discussion questions and activities for professional learning add to the book's utility.
Unpacking Creativity: The Power of Figurative Communication in Advertising
by Paula Pérez Sobrino Jeannette Littlemore Samantha FordFigurative communication (the use of metaphor, metonymy, hyperbole and irony) provides economy of expression, clarity, persuasiveness, politeness, evaluation, and communication of emotions. However, it also increases the potential for misunderstanding in situations when people lack shared background knowledge. This book combines theoretical frameworks with empirical studies that measure the effectiveness of different approaches to the use of figurative language in advertisements, to show how to maximise the benefits of creative metaphor and metonymy in global advertising. It highlights how subtle differences in colour, layout, and combinations of different kinds of figurative language affect the reception and appreciation of creative advertising, shedding new light on the nature of figurative communication itself. With a balance between theory, experiments and practical case studies, this book is accessible for academics in linguistics and communication studies, as well as advertising and marketing professionals.
Unpacking Creativity for Language Teaching
by Tan Bee TinBefore unlocking creativity, we must first unpack what it means. In this book, creativity is unravelled from various perspectives and the relevance for language teaching and learning is explored. Tin offers a coherent discussion of creativity, adopting an inclusive and integrated but, at the same time, focused approach to creativity. Divided into 12 chapters, the book covers: A critical review of the way the term ‘creativity’ is used, defined and written about in various disciplines Various models and theories of creativity, the product- and process-oriented views of creativity and their relevance for language teaching Three pillars on which creative language pedagogy should be based Over 60 practical tasks, applying theoretical arguments and principles of creativity to language teaching and learning Based on the author’s own practice and research on creativity over the last two decades, the book provides exciting new ideas for scholars and practitioners interested in creativity and creative language pedagogy. The book serves as an important contribution for students, teachers and scholars in the field of applied linguistics, language teaching and education.
Unpacking Metaphor-related Prepositions in Political Discourse: From Polysemous to Powerful (Routledge Research on New Waves in Pragmatics)
by Mokhtar OunisThis book explores the context around why English prepositions are used in figurative language more frequently than nouns and verbs, using corpus-based evidence to examine the most often used prepositions and how they are employed and for what purpose. While research on cognitive approaches to metaphor has significantly expanded in recent decades, little attention has been paid to prepositions as vehicles of figurative language, owing to their polysemous, complex, and inconsistent nature. To bridge this gap, Ounis introduces an innovative conceptual framework that integrates conceptual metaphor theory, diachronic linguistics, and discourse pragmatics. Drawing upon an extensive corpus of American presidential inaugural addresses, this book considers the linguistic, conceptual, pragmatic, and contextual dimensions of English prepositions, revealing the fascinating interplay between language, culture, and cognition. This volume will be of interest to scholars in pragmatics, metaphor studies, English language, rhetoric studies, and historical linguistics.
Unpacking My Library: Writers and Their Books
by Leah PriceThis gorgeous second volume in the popular Unpacking My Library series explores the bookshelves of favorite novelists. 208 pp.
Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks (Ingrid G. Houck Series in Food and Foodways)
by Carrie Helms TippenThe cookbook genre is highly conventional with an orientation toward celebration and success. From glossy photographs to heartwarming stories and adjective-rich ingredient lists, the cookbook tradition primes readers for pleasure. Yet the overarching narrative of the region is often one of pain, loss, privation, exploitation, poverty, and suffering of various kinds. While some cookbook writers go to great lengths to avoid reminding readers of this painful past, others invoke that pain as a marker of southern authenticity. Still others use stories of southern suffering as an opportunity to make space for reconciliation, reparation, or apology for past wrongs. In Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks, author Carrie Helms Tippen attempts to understand the unique rhetorical situation of the southern cookbook as it negotiates a tension between the expectations of the genre and the prevailing metanarratives of the southern experience, one focused on pleasure and the other rooted in pain. Through an analysis of commercially published “southern” cookbooks from the 1990s to the present, Tippen examines the range of rhetorical purposes and strategies writers have employed, some of which undermine the reality of a painful past and cause harm or violence, and others which serve as tools for truth and reconciliation.
Unpathed Waters: Studies in the Influence of the Voyages on Elizabethan Literature
by Robert R CawleyFirst Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
The Unpolitical: On the Radical Critique of Political Reason
by Massimo CacciariMassimo Cacciari is one of the leading public intellectuals in today's Italy, both as an outstanding philosopher and political thinker and as now three times (and currently) the mayor of Venice. This collection of essays on political topics provides the best introduction in English to his thought to date. The political focus does not, however, prevent these essays from being an introduction to the full range of Cacciari's thought.The present collection includes chapters on Hofmannstahl, Lukács, Benjamin, Nietzsche, Weber, Derrida, Schmitt, Canetti, and Aeschylus. Written between 1978 and 2006, these essays engagingly address the most hidden tradition in European political thought: the Unpolitical. Far from being a refusal of politics, the Unpolitical represents a merciless critique of political reason and a way out of the now impracticable consolations of utopia and harmonious community. Drawing freely from philosophy and literature, The Unpolitical represents a powerful contribution to contemporary political theory.A lucid and engaging Introduction by Alessandro Carrera sets these essays in the context of Cacciari's work generally and in the broadest context of its historical and geographical backdrop.
Unpopular Culture: Transforming the European Comic Book in the 1990s
by Bart BeatyIn the last fifteen years or so, a wide community of artists working in a variety of western European nations have overturned the dominant traditions of comic book publishing as it has existed since the end of the Second World War. These artists reject both the traditional form and content of comic books (hardcover, full-colour 'albums' of humour or adventure stories, generally geared towards children), seeking instead to instil the medium with experimental and avant-garde tendencies commonly associated with the visual arts. Unpopular Culture addresses the transformation of the status of the comic book in Europe since 1990. Increasingly, comic book artists seek to render a traditionally degraded aspect of popular culture un-popular, transforming it through the adoption of values borrowed from the field of 'high art.' The first English-language book to explore these issues, Unpopular Culture represents a challenge to received histories of art and popular culture that downplay significant historical anomalies in favour of more conventional narratives. In tracing the efforts of a large number of artists to disrupt the hegemony of high culture, Bart Beaty raises important questions about cultural value and its place as an important structuring element in contemporary social processes.
Unprinted: Publication Beyond the Press (Elements in Publishing and Book Culture)
by Daria Kohler Daniel Wakelin Natascha Domeisen Daniel Haywood Edward Jones Micah Mackay Rosie Maxton Brian M. Moore Katie Noble Felix M. Simon Daniel WojahnThis Element explores the idea of publication in media used before, alongside, and after print. It contrasts multiple traditions of unprinted communication in their diversity and particularity. This decentres print as the means for understanding publication; instead, publication is seen as an heuristic term which identifies activities these traditions share, but which also differ in ways not reducible to comparisons with printing. The Element engages with texts written on papyrus, chiselled in stone, and created digitally; sung, proclaimed, and put on stage; banned, hidden and rediscovered. The authors move between Greek inscriptions and Tibetan edicts, early modern manuscripts and AI-assisted composition, monasteries and courts, constantly questioning the term 'publication' and considering the agency of people publishing and the publics they address. The picture that transpires is that of a colourful variety of contexts of production and dissemination, underlining the value of studying 'unprinted' publication in its own right.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 1 (The\pickering Masters Ser.)
by Adrian Lashmore-Davies Mark GoldieHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 2
by Adrian Lashmore-Davies Mark GoldieHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 3 (The\pickering Masters Ser.)
by Adrian Lashmore-Davies Mark GoldieHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 4
by Mark Goldie Adrian Lashmore-DaviesHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 5 (The\pickering Masters Ser.)
by Mark Goldie Adrian Lashmore-DaviesHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
The Unpublished Letters of Thomas Moore Vol 1
by Jeffery W VailThomas Moore was one of the most prominent authors of the early 19th century. This collection presents over 600 previously unpublished letters from numerous libraries, archives and other sources worldwide. Vail's extensively-annotated edition will make available a treasure trove of material which will prove invaluable to any Romantic scholar.
The Unpublished Letters of Thomas Moore Vol 2
by Jeffery W VailThomas Moore was one of the most prominent authors of the early 19th century. This collection presents over 600 previously unpublished letters from numerous libraries, archives and other sources worldwide. Vail's extensively-annotated edition will make available a treasure trove of material which will prove invaluable to any Romantic scholar.
Unpublished Works of Lytton Strachey (The Pickering Masters)
by Todd AveryA core member of the Bloomsbury Group, Lytton Strachey (1880–1932) is recognized for his radical influence on the new school of psychological biography. This volume collects for the first time Strachey’s previously unpublished essays, dialogues and stories.
The Unpublished Writings of Edith Wharton Vol 1
by Laura RattrayDuring her lifetime, Edith Wharton was America's most popular and prolific writer. This book presents the unpublished writings of a canonical author, along with three stage-plays that open up a different field of Wharton studies. It also includes a general introduction, volume introductions, textual variants, headnotes and endnotes.
The Unpublished Writings of Edith Wharton Vol 2
by Laura RattrayDuring her lifetime, Edith Wharton was America's most popular and prolific writer. This book presents the unpublished writings of a canonical author, along with three stage-plays that open up a different field of Wharton studies. It also includes a general introduction, volume introductions, textual variants, headnotes and endnotes.
Unquiet Things
by Colin JagerIn Great Britain during the Romantic period, governmental and social structures were becoming more secular as religion was privatized and depoliticized. If the discretionary nature of religious practice permitted spiritual freedom and social differentiation, however, secular arrangements produced new anxieties. Unquiet Things investigates the social and political disorders that arise within modern secular cultures and their expression in works by Jane Austen, Horace Walpole, Samuel Taylor Coleridge, Lord Byron, and Percy Shelley among others.Emphasizing secularism rather than religion as its primary analytic category, Unquiet Things demonstrates that literary writing possesses a distinctive ability to register the discontent that characterizes the mood of secular modernity. Colin Jager places Romantic-era writers within the context of a longer series of transformations begun in the Reformation, and identifies three ways in which romanticism and secularism interact: the melancholic mood brought on by movements of reform, the minoritizing capacity of literature to measure the disturbances produced by new arrangements of state power, and a prospective romantic thinking Jager calls "after the secular." The poems, novels, and letters of the romantic period reveal uneasy traces of the spiritual past, haunted by elements that trouble secular politics; at the same time, they imagine new and more equitable possibilities for the future. In the twenty-first century, Jager contends, we are still living within the terms of the romantic response to secularism, when literature and philosophy first took account of the consequences of modernity.
Unraveling the complexity of SE (Studies in Natural Language and Linguistic Theory #99)
by Grant Armstrong Jonathan E. MacDonaldThis book makes a novel contribution to our understanding of Romance SE constructions by combining both diachronic and synchronic theoretical perspectives along with a range of empirical data from different languages and dialects. The collection, divided into four sections, proposes that SE constructions may be divided into one class that is the result of grammaticalization of a reflexive pronoun up the syntactic tree, from Voice and above, and another class that has resulted from the reanalysis of reflexive and anticausative morphemes as an argument expletive or verbal morpheme generated in positions from Voice and below. The contributions, while varied in both empirical content and theoretical approach, all serve to highlight different aspects of the overarching idea that SE constructions have evolved from these two distinct grammaticalization paths. The book appeals to researchers and academics in the field and closes with a unified approach to various SE constructions that makes important use of its status as a verbal morpheme. In addition to aligning a novel string of empirical contributions under a new theoretical umbrella, a clear research direction emerges from this volume based on the morphosyntactic nature of SE itself: Is it a clitic, an agreement morpheme, or a verbal morpheme?
Unraveling the Real: The Fantastic in Spanish-American Ficciones
by Cynthia DuncanIn literary and cinematic fictions, The fantastic blurs the lines between reality and fantasy. Lacking a consensus on definition, critics often describe the fantastic as supernatural, or similar to, but quite different from fantasy, science fiction, and magical realism. InUnraveling the RealCynthia Duncan provides a new theoretical framework for discussing how the fantastic explores both metaphysical and socially relevant themes in Spanish American fictions. Duncan deftly shows how authors and artists have used this literary genre to convey marginalized voices as well as critique colonialism, racism, sexism, and classism. Selecting examples from the works of such noted writers as Jorge Luis Borges, Julio Cortazar, and Carlos Fuentes, among others, she shows how capacious the concept is, and why it eludes standard definition. Challenging the notion that the fantastic is escapist in nature,Unraveling the Realshows how the fantastic has been politically engaged throughout the twentieth century, often questioning what is real or unreal. Presenting a mirror image of reality, The fantastic does not promote a utopian parallel universe but rather challenges the way we think about the world around us And The cultural legacy of colonialism.
The Unrepentant Renaissance
by Richard StrierWho during the Renaissance could have dissented from the values of reason and restraint, patience and humility, rejection of the worldly and the physical? These widely articulated values were part of the inherited Christian tradition and were reinforced by key elements in the Renaissance, especially the revival of Stoicism and Platonism. This book is devoted to those who did dissent from them. Richard Strier reveals that many long-recognized major texts did question the most traditional values and uncovers a Renaissance far more bumptious and affirmative than much recent scholarship has allowed. The Unrepentant Renaissance counters the prevalent view of the period as dominated by the regulation of bodies and passions, aiming to reclaim the Renaissance as an era happily churning with surprising, worldly, and self-assertive energies. Reviving the perspective of Jacob Burckhardt and Nietzsche, Strier provides fresh and uninhibited readings of texts by Petrarch, More, Shakespeare, Ignatius Loyola, Montaigne, Descartes, and Milton. Strier's lively argument will stir debate throughout the field of Renaissance studies.