- Table View
- List View
Women and Disability in Medieval Literature
by Tory Vandeventer PearmanThis book is first in its field to analyze how disability and gender both thematically and formally operate within late medieval popular literature. Reading romance, conduct manuals, and spiritual autobiography, it proposes a 'gendered model' for exploring the processes by which differences like gender and disability get coded as deviant.
Women and Dramatic Production 1550 - 1700 (Longman Medieval and Renaissance Library)
by Alison Findlay Gweno (University Williams Stephanie (University WrightThere is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.
Women and Epistolary Agency in Early Modern Culture, 1450–1690 (Women and Gender in the Early Modern World)
by James Daybell Andrew GordonWomen and Epistolary Agency in Early Modern Culture, 1450–1690 is the first collection to examine the gendered nature of women’s letter-writing in England and Ireland from the late-fifteenth century through to the Restoration. The essays collected here represent an important body of new work by a group of international scholars who together look to reorient the study of women’s letters in the contexts of early modern culture. The volume builds upon recent approaches to the letter, both rhetorical and material, that have the power to transform the ways in which we understand, study and situate early modern women’s letter-writing, challenging misconceptions of women’s letters as intrinsically private, domestic and apolitical. The essays in the volume embrace a range of interdisciplinary approaches: historical, literary, palaeographic, linguistic, material and gender-based. Contributors deal with a variety of issues related to early modern women’s correspondence in England and Ireland. These include women’s rhetorical and persuasive skills and the importance of gendered epistolary strategies; gender and the materiality of the letter as a physical form; female agency, education, knowledge and power; epistolary networks and communication technologies. In this volume, the study of women’s letters is not confined to writings by women; contributors here examine not only the collaborative nature of some letter-writing but also explore how men addressed women in their correspondence as well as some rich examples of how women were constructed in and through the letters of men. As a whole, the book stands as a valuable reassessment of the complex gendered nature of early modern women’s correspondence.
Women And Erotic Fiction: Critical Essays On Popular Novels And Stories
by Kristen PhillipsErotic texts written by and for women play a significant role in negotiating relations of gender, sexuality and kinship, and in shaping popular ideas about romance and the erotic. Examining the "mainstreaming" of women's erotica following the runaway success of Fifty Shades of Grey, this collection of new essays focuses on the publication and reception of women's popular erotic fiction across various genres and cultural contexts. The contributors draw connections between feminist and cultural studies scholarship on visual pornography and critical research on popular romance fiction. Essays explore a range of writing: popular erotic romance novels; "feminist porn"; male/male and menage fiction; lesbian romance; sex blogs; new Chinese erotica; BDSM novels; and slash fiction. Topics discussed include the ideological and critical aspects of popular texts, audiences and fan communities, the disciplinary function of popular speech about women's erotic fiction, and the technological and social shifts which have facilitated women's access to new forms of erotic material.
Women and Exile in Contemporary Irish Fiction
by Ellen McwilliamsWomen and Exile in Contemporary Irish Fiction examines how contemporary Irish authors have taken up the history of the Irish woman migrant. It situates these writers' work in relation to larger discourses of exile in the Irish literary tradition and examines how they engage with the complex history of Irish emigration.
Women and Gift Exchange in Eighteenth-Century Fiction: Richardson, Burney, Austen (Routledge Studies in Eighteenth-Century Literature)
by Linda ZionkowskiThis book analyzes why the most influential novelists of the long eighteenth century centered their narratives on the theory and practice of gift exchange. Throughout this period, fundamental shifts in economic theories regarding the sources of individual and national wealth along with transformations in the practices of personal and institutional charity profoundly altered cultural understandings of the gift's rationale, purpose, and function. Drawing on materials such as sermons, conduct books, works of political philosophy, and tracts on social reform, Zionkowski challenges the idea that capitalist discourse was the dominant influence on the development of prose fiction. Instead, by shifting attention to the gift system as it was imagined and enacted in the formative years of the novel, the volume offers an innovative understanding of how the economy of obligation shaped writers' portrayals of class and gender identity, property, and community. Through theoretically-informed readings of Richardson's Clarissa and Sir Charles Grandison, Burney's Cecilia and The Wanderer, and Austen's Mansfield Park and Emma, the book foregrounds the issues of donation, reciprocity, indebtedness, and gratitude as it investigates the conflicts between the market and moral economies and analyzes women's position at the center of these conflicts. As this study reveals, the exchanges that eighteenth-century fiction prescribed for women confirm the continuing power and importance of gift transactions in the midst of an increasingly commercial culture. The volume will be essential reading for scholars of the eighteenth-century novel, economic literary criticism, women and gender studies, and book history.
Women and Journalism
by Carole Fleming Deborah Chambers Linda SteinerWomen and Journalism offers a rich and comprehensive analysis of the roles, status and experiences of women journalists in the United States and Britain. Drawing on a variety of sources and dealing with a host of women journalists ranging from nineteenth century pioneers to Martha Gellhorn, Kate Adie and Veronica Guerin, the authors investigate the challenges women have faced in their struggle to establish reputations as professionals. This book provides an account of the gendered structuring of journalism in print, radio and television and speculates about women's still-emerging role in online journalism. Their accomplishments as war correspondents are tracked to the present, including a study of the role they played post-September 11th.
Women and Law in Classical Greece
by Raphael SealeyBased on a sophisticated reading of legal evidence, this book offers a balanced assessment of the status of women in classical Greece. Raphael Sealey analyzes the rights of women in marriage, in the control of property, and in questions of inheritance. He advances the theory that the legal disabilities of Greek women occurred because they were prohibited from bearing arms.Sealey demonstrates that, with some local differences, there was a general uniformity in the legal treatment of women in the Greek cities. For Athens, the law of the family has been preserved in some detail in the scrupulous records of speeches delivered in lawsuits. These records show that Athenian women could testify, own property, and be tried for crime, but a male guardian had to administer their property and represent them at law. Gortyn allowed relatively more independence to the female than did Athens, and in Sparta, although women were allowed to have more than one husband, the laws were similar to those of Athens. Sealey's subsequent comparison of the law of these cities with Roman law throws into relief the common concepts and aims of Greek law of the family.Originally published in 1990.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Women and Letterpress Printing 1920–2020: Gendered Impressions (Elements in Publishing and Book Culture)
by Claire BattershillThis Element analyses the relationship between gender and literary letterpress printing from the early 20th century to the beginning of the 21st. Drawing on examples from modernist writer/printers of the 1920s to literary book artists of the early 21st, it offers a way of thinking about the feminist historiography of printing as we confront the presence and particular character of letterpress in a digital age. This Element is divided into four sections: the first, 'Historicizing' traces the critical histories of women and print through to the twentieth and twenty-first centuries. The second section, 'Learning,' offers an analysis of some of the modes of discourse and training through which women and gender minorities have learned the craft of printing. The third section, 'Individualizing' offers brief biographical vignettes. The fourth section, 'Writing,' focuses on printers' own written reflections about letterpress. This title is also available as Open Access on Cambridge Core.
Women and Literacy: Local and Global Inquiries for a New Century (Ncte-routledge Research Ser.)
by Beth Daniell; Peter MortensenPath-breaking research on women and literacy in the past decade established conventions and advanced innovative methods that push the making of knowledge into new spheres of inquiry. Taking these accomplishments as a point of departure, this volume emphasizes the diversity—of approaches and subjects—that characterizes the next generation of research on women and literacy. It builds on and critiques scholarship in literacy studies, composition studies, rhetorical theory, gender studies, postcolonial theory, and cultural studies to open new venues for future research. Contributors discuss what literacy is—more precisely, what literacies are—but their strongest interest is in documenting and theorizing women’s lived experience of these literacies, with particular attention to:the diversity of women’s literacies within the U.S., including but not limited to the varying relations that exist among women, literacy, economic position, class, race, sexuality, and education;relations among women, literacy, and economic contexts in the U.S. and abroad, including but not limited to changes in women’s private and domestic literacies, the evolution of technologies of literacy, and women’s experience of the commodification of literacies; andemergent roles of women and literacy in a globally interdependent world. This broad, significant work is a must-read for researchers and graduate students across the fields of literacy studies, composition studies, rhetorical theory, and gender studies.
Women and Literary Celebrity in the Nineteenth Century: The Transatlantic Production of Fame and Gender (Ashgate Series In Nineteenth-century Transatlantic Studies)
by Brenda R. WeberFocusing on representations of women's literary celebrity in nineteenth-century biographies, autobiographical accounts, periodicals, and fiction, Brenda R. Weber examines the transatlantic cultural politics of visibility in relation to gender, sex, and the body. Looking both at discursive patterns and specific Anglo-American texts that foreground the figure of the successful woman writer, Weber argues that authors such as Elizabeth Gaskell, Fanny Fern, Mary Cholmondeley, Margaret Oliphant, Elizabeth Robins, Eliza Potter, and Elizabeth Keckley helped create an intelligible category of the famous writer that used celebrity as a leveraging tool for altering perceptions about femininity and female identity. Doing so, Weber demonstrates, involved an intricate gender/sex negotiation that had ramifications for what it meant to be public, professional, intelligent, and extraordinary. Weber's persuasive account elucidates how Gaskell's biography of Charlotte Brontë served simultaneously to support claims for Brontë's genius and to diminish Brontë's body in compensation for the magnitude of those claims, thus serving as a touchstone for later representations of women's literary genius and celebrity. Fanny Fern, for example, adapts Gaskell's maneuvers on behalf of Charlotte Brontë to portray the weak woman's body becoming strong as it is made visible through and celebrated within the literary marketplace. Throughout her study, Weber analyzes the complex codes connected to transatlantic formations of gender/sex, the body, and literary celebrity as women authors proactively resisted an intense backlash against their own success.
Women and Medieval Literary Culture: From the Early Middle Ages to the Fifteenth Century
by Corinne Saunders Diane WattFocusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in medieval literary texts, as authors, readers and subjects, assessing how these change over time. Engaging with Latin, French, German, Welsh and Gaelic literary culture, it places British writing in wider European contexts while also considering more distant influences such as Arabic. Essays span topics including book production and authorship; reception; linguistic, literary, and cultural contexts and influences; women's education and spheres of knowledge; women as writers, scribes and translators; women as patrons, readers and book owners; and women as subjects. Reflecting recent trends in scholarship, the volume spans the early Middle Ages through to the eve of the Reformation and emphasises the multilingual, multicultural and international contexts of women's literary culture.
Women and Men As Friends: Relationships Across the Life Span in the 21st Century (LEA's Series on Personal Relationships)
by Michael MonsourThis monograph studies women and men as friends from a developmental perspective. Women and Men as Friends examines cross-sex friendships from early childhood through old age, then summarizes the findings and offers recommendations on how friendship between males and females can be encouraged throughout the life span. In each chapter three themes are documented and applied to the corresponding stage of life: *Cross-sex friendships enrich an individual's social network in generic and unique ways. *Social and structural barriers interfere with the formation of cross-sex friendships in every stage of life. *Cross-sex friendships affect and are affected by an individual's ongoing social construction of self throughout the life cycle. The primary audience for the volume is scholars and students in personal relationship study (interpersonal communication, social psychology, sociology) with a secondary audience of scholars in family studies, developmental psychology, and clinical psychologists. The book can also be used as a supplemental text in graduate and undergraduate courses for the relevant disciplines.
Women and Mobility on Shakespeare’s Stage: Migrant Mothers and Broken Homes (Routledge Studies in Shakespeare)
by Elizabeth MazzolaLong before the economist Amartya Sen proposed that more than 100 million women were missing—lost to disease or neglect, kidnapping or forced marriage, denied the economic and political security of wages or membership in a larger social order—Shakespeare was interested in such women’s plight, how they were lost, and where they might have gone. Characters like Shakespeare’s Cordelia and Perdita, Rosalind and Celia constitute a collection of figures related to the mythical Persephone who famously returns to her mother and the earth each spring, only to withdraw from the world each winter when she is recalled to the underworld. That women’s place is far from home has received little attention from literary scholars, however, and the story of their fraught relation to domestic space or success outside its bounds is one that hasn’t been told. Women and Mobility investigates the ways Shakespeare’s plays link female characters’ agency with their mobility and thus represent women’s ties to the household as less important than their connections to the larger world outside. Female migration is crucial to ideas about what early modern communities must retain and expel in order to carve a shared history, identity and moral framework, and in portraying women as "sometime daughters" who frequently renounce fathers and homelands, or queens elsewhere whose links to faraway places are vital to the rebuilding of homes and kingdoms, Shakespeare also depicts global space as shared space and the moral world as an international one.
Women and Murder in Early Modern News Pamphlets and Broadside Ballads, 1573-1697: Essential Works for the Study of Early Modern Women, Series III, Part One, Volume 7 (The Early Modern Englishwoman: A Facsimile Library of Essential Works for the Study of Early Modern Women Series III, Part One #Vol. 7)
by Randall MartinAs voyeuristic and prurient as today's tabloid newspapers, early modern crime pamphlets and broadside ballads about women murderers tell of furtive love affairs and domestic poisonings, of battered wives who kill their abusive husbands, and of troubled mothers who murder their children. On first acquaintance, many pamphlets leave an impression of shallow sensationalism yoked to idealised repentance, and for that reason modern critics and historians have often discounted their importance as culturally significant artifacts. This volume presents a selection of over forty texts and is intended to encourage a reconsideration of these views. In his Introductory Note to the volume, Randall Martin discusses the narrative content and social commentary of these ballads, pamphlets and trial reports, and the contribution that they make to the discursive construction of the early modern female murderer through their representational strategies and evolving legal and gender contexts.
Women and Music in the Age of Austen (Transits: Literature, Thought & Culture, 1650-1850)
by Pierre DuBois Kelly M. McDonald Danielle Grover Penelope Cave Simon Fleming Alison C. DeSimone Jane Girdham Leslie Ritchie Jeffrey A. Nigro Ruth Perry Devon R. Nelson Gayle Magee Juliette WellsWomen and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Women and Nature?: Beyond Dualism in Gender, Body, and Environment (Routledge Environmental Humanities)
by Douglas A. Vakoch Sam MickeyWomen and Nature? Beyond Dualism in Gender, Body, and Environment provides a historical context for understanding the contested relationships between women and nature, and it articulates strategies for moving beyond the dualistic theories and practices that often frame those relationships. In 1974, Françoise d’Eaubonne coined the term "ecofeminism" to raise awareness about interconnections between women’s oppression and nature’s domination in an attempt to liberate women and nature from subordination. Since then, ecofeminism has attracted scholars and activists from various disciplines and positions to assess the relationship between the cultural human and the natural non-human through gender reconsiderations. The contributors to this volume present critical and constructive perspectives on ecofeminism throughout its history, from the beginnings of ecofeminism in the 1970s through to contemporary and emerging developments in the field, drawing on animal studies, postcolonialism, film studies, transgender studies, and political ecology. This interdisciplinary and international collection of essays demonstrates the ongoing relevance of ecofeminism as a way of understanding and responding to the complex interactions between genders, bodies, and the natural environment. It will be of great interest to students and scholars of ecofeminism as well as those involved in environmental studies and gender studies more broadly.
Women and Personal Property in the Victorian Novel (Nineteenth Century Ser. The Ser.)
by Deborah WynneHow key changes to the married women's property laws contributed to new ways of viewing women in society are revealed in Deborah Wynne's study of literary representations of women and portable property during the period 1850 to 1900. While critical explorations of Victorian women's connections to the material world have tended to focus on their relationships to commodity culture, Wynne argues that modern paradigms of consumerism cannot be applied across the board to the Victorian period. Until the passing of the 1882 Married Women's Property Act, many women lacked full property rights; evidence suggests that, for women, objects often functioned not as disposable consumer products but as cherished personal property. Focusing particularly on representations of women and material culture in Charles Dickens, George Eliot, and Henry James, Wynne shows how novelists engaged with the vexed question of women's relationships to property. Suggesting that many of the apparently insignificant items that 'clutter' the Victorian realist novel take on new meaning when viewed through the lens of women's access to material culture and the vagaries of property law, her study opens up new possibilities for interpreting female characters in Victorian fiction and reveals the complex work of 'thing culture' in literary texts.
Women and Politics in Early Modern England, 1450–1700
by James DaybellThis collection of essays examines women's involvement in politics in early modern England, as writers, as members of kinship and patronage networks, and as petitioners, intermediaries and patrons. It challenges conventional conceptualizations of female power and influence, defining 'politics' broadly in order to incorporate women excluded from formal, male-dominated state institutions. The chapters embrace a range of interdisciplinary approaches: historical, literary, palaeographic, linguistic and gender based. They deal with a variety of issues related to female intervention within political spheres, including women's rhetorical, persuasive and communicative skills; the production by women of a range of texts that can be termed 'political'; the politicization of marital, family and kinship networks; and female involvement in patronage and court politics. Women and Politics in Early Modern England, 1450-700 also looks at ways in which images of female power and authority were represented within canonical texts, such as Shakespeare's plays and Milton's epic poetry. The volume extends the range of areas and texts for the study of women, gender and politics, and locates women's political, social and cultural activities within the contexts of the family, locality and wider national stage. It argues for a blurring of the boundaries between the traditional categories of the 'public' and the 'private,' the 'domestic' and the 'political'; and enhances our understanding of the ways in which women exerted political force through informal, intimate and personal, as well as more official, and formal channels of power. As a whole the book makes an important contribution to the reassessment of early modern politics from the perspective of women.
Women and Print Culture: The Construction of Femininity in the Early Periodical (Routledge Revivals)
by Kathryn ShevelowWith the growth of popular literary forms, particularly the periodical, during the eighteenth century, women began to assume an unprecedented place in print culture as readers and writers. Yet at the same time the very textual practices of that culture inscribed women within an increasingly restrictive and oppressive set of representations. First published in 1989, this title examines the emergence and dramatic growth of periodical literature, showing how the journals solicited women as subscribers and contributors, whilst also attempting to regulate their conduct through the promotion of exemplary feminine types. By enclosing its female readership within a discourse that defined women in terms of love, matrimony, the family, and the home, the English periodical became one of the main linguistic sites for the construction of the eighteenth-century ideology of domestic womanhood. Based on the close scrutiny of the popular periodical press between 1690 and 1760, including journals such as the Athenian Mercury, the Tatler, and the Spectator, this study will be of particular value to any student of the relationship between women and print culture, the development of women’s magazines, and the study of literary audiences.
Women and Romance: The Consolations of Gender in the English Novel (Reading Women Writing)
by Laurie LangbauerAccording to Laurie Langbauer, the notion of romance is vague precisely because it represents the chaotic negative space outside the novel that determines its form. Addressing questions of form, Langbauer reads novels that explore the interplay between the novel and romance: works by Charlotte Lennox, Mary Wollstonecraft, Charles Dickens, George Eliot, and George Meredith. She considers key issues in feminist debate, in particular the relations of feminist to the poststructuralist theories of Lacan, Derrida, and Foucault. In highlighting questions of gender in this way, Women and Romance contributes to a major debate between skeptical and materialist points of view among poststructuralist critics.
Women and Sexuality in the Novels of Thomas Hardy
by Rosemarie MorganFirst published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Women and Shakespeare in the Eighteenth Century
by Fiona RitchieFiona Ritchie analyses the significant role played by women in the construction of Shakespeare's reputation which took place in the eighteenth century. The period's perception of Shakespeare as unlearned allowed many women to identify with him and in doing so they seized an opportunity to enter public life by writing about and performing his works. Actresses (such as Hannah Pritchard, Kitty Clive, Susannah Cibber, Dorothy Jordan and Sarah Siddons), female playgoers (including the Shakespeare Ladies Club) and women critics (like Charlotte Lennox, Elizabeth Montagu, Elizabeth Griffith and Elizabeth Inchbald), had a profound effect on Shakespeare's reception. Interdisciplinary in approach and employing a broad range of sources, this book's analysis of criticism, performance and audience response shows that in constructing Shakespeare's significance for themselves and for society, women were instrumental in the establishment of Shakespeare at the forefront of English literature, theatre, culture and society in the eighteenth century and beyond.
Women and Shakespeare's Cuckoldry Plays: Shifting Narratives of Marital Betrayal (Women and Gender in the Early Modern World)
by Cristina León AlfarHow does a woman become a whore? What are the discursive dynamics making a woman a whore? And, more importantly, what are the discursive mechanics of unmaking? In Women and Shakespeare’s Cuckoldry Plays: Shifting Narratives of Marital Betrayal, Cristina León Alfar pursues these questions to tease out familiar cultural stories about female sexuality that recur in the form of a slander narrative throughout William Shakespeare’s work. She argues that the plays stage a structure of accusation and defense that unravels the authority of husbands to make and unmake wives. While men’s accusations are built on a foundation of political, religious, legal, and domestic discourses about men’s superiority to, and rule over, women, whose weaker natures render them perpetually suspect, women’s bonds with other women animate defenses of virtue and obedience, fidelity and love, work loose the fabric of patrilineal power that undergirds masculine privileges in marriage, and signify a discursive shift that constitutes the site of agency within a system of oppression that ought to prohibit such agency. That women’s agency in the early modern period must be tied to the formations of power that officially demand their subjection need not undermine their acts. In what Alfar calls Shakespeare’s cuckoldry plays, women’s rhetoric of defense is both subject to the discourse of sexual honor and finds a ground on which to “shift it” as women take control of and replace sexual slander with their own narratives of marital betrayal.
Women and Slaves in Greco-Roman Culture: Differential Equations
by Sheila Murnaghan Sandra R. JoshelWomen and Slaves in Classical Culture examines how ancient societies were organized around slave-holding and the subordination of women to reveal how women and slaves interacted with one another in both the cultural representations and the social realities of the Greco-Roman world.The contributors explore a broad range of evidence including:* the mythical constructions of epic and drama* the love poems of Ovid* the Greek medical writers* Augustine's autobiography* a haunting account of an unnamed Roman slave* the archaeological remains of a slave mining camp near Athens.They argue that the distinctions between male and female and servile and free were inextricably connected.This erudite and well-documented book provokes questions about how we can hope to recapture the experience and subjectivity of ancient women and slaves and addresses the ways in which femaleness and servility interacted with other forms of difference, such as class, gender and status. Women and Slaves in Classical Culture offers a stimulating and frequently controversial insight into the complexities of gender and status in the Greco-Roman world.