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Women of the Beat Generation: The Writers, Artists and Muses at the Heart of a Revolution
by Brenda A. KnightA well-researched book brings to light the fact that the Beat Generation involved women too. This book narrates the sad stories of women married to Beat Poets.
Women of the Left Bank: Paris, 1900-1940
by Shari BenstockA “valuable and intriguing” study of the lives and works of literary women who shaped expatriate Paris (NPR).Focusing on some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the early twentieth century, from Anais Nin to Alice B. Toklas and beyond, this book shines new light on how gender was experienced and expressed during an important moment in modern literary history."Shari Benstock . . . weaves together, with great skill, the histories of an extraordinary group of talented women—publishers like Sylvia Beach, Caresse Crosby, Margaret Anderson, and Jane Heap, novelists Jean Rhys, Gertrude Stein, and Edith Wharton. She examines in some depth the writing produced by poets, journalists and novelists, thus combining literary criticism and social history in a seamless running narrative.” —NPR“Through their writings, including unpublished and newly available documentary sources of the period, Djuna Barnes, Nancy Cunard, Jean Rhys, Gertrude Stein, Edith Wharton and others are revealed as significant in the development of modernism, imagism and other avant-garde movements in which they were overshadowed or ignored by their male counterparts. . . . Benstock tracks the sexually liberated lifestyles and the creative originality of these women with a wealth of documentation.” —Publishers Weekly“An inspiration, setting a standard for literary history and feminist criticism that will be difficult to surpass.” —American Literature
Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture
by Karen E. SkinaziMedia portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. Karen E. H. Skinazi delves beyond this stereotype in Women of Valor to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves. She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values. Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power.
Women of Will
by Tina PackerFrom one of the country's foremost experts on Shakespeare and theatre arts, actor, director, and master teacher Tina Packer offers an exploration--fierce, funny, fearless--of the women of Shakespeare's plays. A profound, and profoundly illuminating, book that gives us the playwright's changing understanding of the feminine and reveals some of his deepest insights. Packer, with expert grasp and perception, constructs a radically different understanding of power, sexuality, and redemption. Beginning with the early comedies (The Taming of the Shrew, Two Gentlemen of Verona, The Comedy of Errors), Packer shows that Shakespeare wrote the women of these plays as shrews to be tamed or as sweet little things with no definable independent thought, virgins on the pedestal. The women of the histories (the three parts of Henry VI; Richard III) are, Packer shows, much more interesting, beginning with Joan of Arc, possibly the first woman character Shakespeare ever created. In her opening scene, she's wonderfully alive--a virgin, true, sent from heaven, a country girl going to lead men bravely into battle, the kind of girl Shakespeare could have known and loved in Stratford. Her independent resolution collapses within a few scenes, as Shakespeare himself suddenly turns against her, and she yields to the common caricature of his culture and becomes Joan the Enemy, the Warrior Woman, the witch; a woman to be feared and destroyed . . . As Packer turns her attention to the extraordinary Juliet, the author perceives a large shift. Suddenly Shakespeare's women have depth of character, motivation, understanding of life more than equal to that of the men; once Juliet has led the way, the plays are never the same again. As Shakespeare ceases to write about women as predictable caricatures and starts writing them from the inside, embodying their voices, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Juliet is just as passionately in love as Romeo--risking everything, initiating marriage, getting into bed, fighting courageously when her parents threaten to disown her--and just as brave in facing death when she discovers Romeo is dead. And, wondering if Shakespeare himself fell in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare writes the women as if he were a woman, giving them desires, needs, ambition, insight.Women of Will follows Shakespeare's development as a human being, from youth to enlightened maturity, exploring the spiritual journey he undertook. Packer shows that Shakespeare's imagination, mirrored and revealed in his female characters, develops and deepens until finally the women, his creative knowledge, and a sense of a larger spiritual good come together in the late plays, making clear that when women and men are equal in status and sexual passion, they can--and do--change the world. Part master class, part brilliant analysis--Women of Will is all inspiring discovery.From the Hardcover edition.
Women of Words in Le Morte Darthur
by Siobhán M. WyattOffering a new reading of Malory's famed text, Le Morte Darthur, this book provides the first full-length survey of the alterations Malory made to female characters in his source texts. Through detailed comparisons with both Old French and Middle English material, Siobh#65533;n M. Wyatt discusses how Malory radically altered his French and English source texts to create a gendered pattern in the reliability of speech, depicting female discourse as valuable and truthful. Malory's authorial crafting indicates his preference for a certain "type" of female character: self-governing, opinionated, and strong. Simultaneously, the portrayal of this very readable "type" yields characterization. While late medieval court records indicate an increasingly negative attitude towards female speech and a tendency to punish vociferous women as "scolds," Malory makes the words of chiding damsels constructive. While his contemporary writers suppress the powers of magical women, Malory empowers his enchantress characters; while the authors of his French source texts accentuate Guinevere's flaws, Malory portrays her with sympathy.
Women on the Edge: Ethnicity and Gender in Short Stories by American Women (Wellesley Studies in Critical Theory, Literary History and Culture #Vol. 19)
by Corinne H. Dale J.H.E. PaineThis collection of essays explores the intertwining social conditions of ethnicity and gender as they are represented in short stories by contemporary American women. The introduction to the collection explains the theoretical understanding of gender and ethnicity as social constructions that provide a context for individual experience. The collection brings together analyses of short stories that focus on major ethnic cultures in the United States: Mexican American, Puerto Rican, Japanese American, Asian American, African American, Jewish American, white Protestant American, and Native American. Each essay testifies to the struggles of women within patriarchal cultures in America, and each explores how different ethnic identities set the terms of these gender struggles. The essays also reveal the complications of other important social issues, such as class, sexual preference, and religion. Individually, each essay contributes a significant new analysis of a short story or collection by an important contemporary American writer. Together, the essays indicate the complexity and significance of this cultural approach to women's fiction, demonstrate the critical theories that are currently developing in the fields of gender and ethnic studies, and suggest that neither ethnicity nor gender can legitimately be considered alone.
Women on the Move: Body, Memory and Femininity in Present-Day Transnational Diasporic Writing
by Silvia Pellicer-Ortín Julia TofantshukWomen on the Move: Body, Memory and Feminity in Present-day Transnational Diasporic Writing explores the role of women in the current globailized era as active migrants. the authors have brought together a collection of essays from scholars in diaspora, migration and gender studies to take a look at the female experince of migration and globalization by covering topics such as vulnerability, empowerment, trauma, identity, memory, violence and gender contruction, which will continue to shape contemporary literature and the culture at large.
Women on War in Spain’s Long Nineteenth Century: Virtue, Patriotism, Citizenship (Toronto Iberic)
by Christine ArkinstallThe ways in which women have historically authorized themselves to write on war has blurred conventionally gendered lines, intertwining the personal with the political. Women on War in Spain’s Long Nineteenth Century explores, through feminist lenses, the cultural representations of late nineteenth- and early twentieth-century Spanish women’s texts on war. Reshaping the current knowledge and understanding of key female authors in Spain’s fin de siècle, this book examines works by notable writers – including Rosario de Acuña, Blanca de los Rios, Concepción Arenal, and Carmen de Burgos – as they engage with the War of Independence, the Third Carlist War, Spain’s colonial wars, and World War I. The selected works foreground how women’s representations of war can challenge masculine conceptualizations of public and domestic spheres. Christine Arkinstall analyses the works’ overarching themes and symbols, such as honour, blood, the Virgin and the Mother, and the intersecting sexual, social, and racial contracts. In doing so, Arkinstall highlights how these texts imagine outcomes that deviate from established norms of femininity, offer new models to Spanish women, and interrogate the militaristic foundations of patriarchal societies.
Women on Women: An Anthology of American Lesbian Short Fiction
by Naomi Holoch Joan NestleThis groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, "Women on Women" ranges from the subtlety and restraint of Willa Cather's "Tommy, the Unsentimental" to Sapphire's daring and highly erotic "Eat" and Valerie Miner's suspenseful "Trespassing." Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present.
Women, Performance and the Material of Memory: The Archival Tourist, 1780-1915
by Laura EngelThis book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.
Women Players in England, 1500–1660: Beyond the All-Male Stage (Studies in Performance and Early Modern Drama)
by Peter ParolinOffering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was 'all male' in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. English spectators saw women players in professional and amateur contexts, in elite and popular settings, at home and abroad. Women acted in scripted and improvised roles, performed in local festive drama, and took part in dancing, singing, and masquing. English travelers saw professional actresses on the continent and Italian and French actresses visited England. Essays in this volume explore: the impact of women players outside London; the relationship between women's performance on the continent and in England; working women's participation in a performative culture of commerce; the importance of the visual record; the use of theatrical techniques by queens and aristocrats for political ends; and the role of female performance on the imitation of femininity. In short, Women Players in England 1500-1660 shows that women were dynamic cultural players in the early modern world.
Women Poets in the Victorian Era: Cultural Practices and Nature Poetry
by Fabienne MoineExamining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.
Women, Power, and Ethnicity: Working Toward Reciprocal Empowerment
by Patricia S.E. Darlington Becky Michele MulvaneyPowerful women aren't just men walking around in dresses!As women continue to assume positions of social leadership in increasing numbers, the dynamics of the social construction of power need to be examined. Have women adopted traditionally male patterns of behavior in an effort to gain and maintain power in business, industry, politics, academics, etc.? And if not, what kind of power are women practicing? The authors of Women, Power, and Ethnicity: Working Toward Reciprocal Empowerment endeavored to find out by conducting a research study on how women from various racial and ethnic backgrounds compare and contrast the attributes associated with existing power paradigms (traditional, empowerment, personal authority) with an alternate model of power--reciprocal empowerment.Reciprocal empowerment is a discursive and behavioral style of interaction grounded in reciprocity initiated by people who feel a sense of personal authority. Reciprocal empowerment enables people with mutual self-interests to rise above obstacles based on social and political structures and to use personal authority to discuss and act on issues openly and honestly in order to effect change. Using a qualitative methodology, Women, Power, and Ethnicity includes the results of surveys and interviews with women from seven different ethnic groups in the United States to determine if the concept or reciprocal empowerment resonates with them. The answer: Yes!Women, Power, and Ethnicity is organized by surveys and interview findings on women from seven cultural groups living in the United States (African, Asian, Caribbean, European, Latin, Middle Eastern, Native American). Each chapter includes: analyses of ethnographic findings, surveys, and interviews concise historical information effects of immigration, where applicable tables and diagrams direct quotes and much more!Women, Power, and Ethnicity examines women's attitudes toward power in several social forums--home, job, religion, politics, and society in general. The book is an essential resource for teachers and students of communication studies, women studies, gender studies, ethnic studies, and social sciences.
Women, Power and Subversion: Social Strategies in British Fiction, 1778-1860 (Routledge Revivals)
by Judith Lowder NewtonFirst published in 1981, this book explores the reactions of some female writers to the social effects of industrial capitalism between 1778 and 1860. The period set in motion a crisis over the status of middle-class women that culminated in the constructed idea of "women’s proper sphere". This concept disguised inequities between men and women, first by asserting the reality of female power, and then by restricting it to self-sacrificing influence. In this book, Judith Newton analyses novels such as Fanny Burney’s Evelina, Jane Austen’s Pride and Prejudice, Charlotte Brontë’s Villette and George Eliot’s The Mill on the Floss in order to demonstrate how some female writers reacted to the issue by covertly resisting inequities of power and reconciling ideologies in their art. She argues that in this time period, novels became increasingly rebellious as well as ambivalent . Heroines were endowed with power, and emphasis was given to female ability, rather than to feminine influence.
Women, 'Race' and Writing in the Early Modern Period
by Margo Hendricks Patricia ParkerFirst published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Women & Radicalism 19thc V1
by Mike SandersThis important collection of writings is about, and by, women connected with social and political movements between 1799-1870. It also records the attitudes of the great radical reformers to the role of women in society and documents the vast cultural changes brought about by industrialisation. The collection draws together the following key material: Volume I contains an extensive collection of writings from 19th century periodicals, reflecting the high point of working class women's involvement in radical movements. This collection will appeal to anyone with an interest in women's history and Victorian studies
Women & Radicalism 19thc V3
by Mike SandersThis important collection of writings is about, and by, women connected with social and political movements between 1799-1870. It also records the attitudes of the great radical reformers to the role of women in society and documents the vast cultural changes brought about by industrialisation. Volume III illustrates the debates of the period surrounding marriage, sexuality and family. Included are writings by Frances Morrison, Robert Dale Owen, William Cobbett and William Lovett. The collection draws together the following key material: This collection will appeal to anyone with an interest in women's history and Victorian studies.
Women, Reading, and the Cultural Politics of Early Modern England (Women and Gender in the Early Modern World)
by Edith SnookA study of the representation of reading in early modern Englishwomen's writing, this book exists at the intersection of textual criticism and cultural history. It looks at depictions of reading in women's printed devotional works, maternal advice books, poetry, and fiction, as well as manuscripts, for evidence of ways in which women conceived of reading in sixteenth- and early seventeenth-century England. Among the authors and texts considered are Katherine Parr, Lamentation of a Sinner; Anne Askew, The Examinations of Anne Askew; Dorothy Leigh, The Mothers Blessing; Elizabeth Grymeston, Miscelanea Meditations Memoratives; Aemelia Lanyer, Salve Deus Rex Judaeorum; and Mary Wroth, The First Part of the Countess of Montgomery's Urania. Attentive to contiguities between representations of reading in print and reading practices found in manuscript culture, this book also examines a commonplace book belonging to Anne Cornwallis (Folger Folger MS V.a.89) and a Passion poem presented by Elizabeth Middleton to Sarah Edmondes (Bod. MS Don. e.17). Edith Snook here makes an original contribution to the ongoing scholarly project of historicizing reading by foregrounding female writers of the early modern period. She explores how women's representations of reading negotiate the dynamic relationship between the public and private spheres and investigates how women might have been affected by changing ideas about literacy, as well as how they sought to effect change in devotional and literary reading practices. Finally, because the activity of reading is a site of cultural conflict - over gender, social and educational status, and the religious or national affiliation of readers - Snook brings to light how these women, when they write about reading, are engaged in structuring the cultural politics of early modern England.
Women Remaking American Judaism
by Riv-Ellen PrellThe rise of Jewish feminism, a branch of both second-wave feminism and the American counterculture, in the late 1960s had an extraordinary impact on the leadership, practice, and beliefs of American Jews. Women Remaking American Judaism is the first book to fully examine the changes in American Judaism as women fought to practice their religion fully and to ensure that its rituals, texts, and liturgies reflected their lives. In addition to identifying the changes that took place, this volume aims to understand the process of change in ritual, theology, and clergy across the denominations.The essays in Women Remaking American Judaism offer a paradoxical understanding of Jewish feminism as both radical, in the transformational sense, and accomodationist, in the sense that it was thoroughly compatible with liberal Judaism. Essays in the first section, Reenvisioning Judaism, investigate the feminist challenges to traditional understanding of Jewish law, texts, and theology. In Redefining Judaism, the second section, contributors recognize that the changes in American Judaism were ultimately put into place by each denomination, their law committees, seminaries, rabbinic courts, rabbis, and synagogues, and examine the distinct evolution of women's issues in the Orthodox, Conservative, Reform, and Reconstructionist movements. Finally, in the third section, Re-Framing Judaism, essays address feminist innovations that, in some cases, took place outside of the synagogue. An introduction by Riv-Ellen Prell situates the essays in both American and modern Jewish history and offers an analysis of why Jewish feminism was revolutionary. Women Remaking American Judaism raises provocative questions about the changes to Judaism following the feminist movement, at every turn asking what change means in Judaism and other American religions and how the fight for equality between men and women parallels and differs from other changes in Judaism. Women Remaking American Judaism will be of interest to both scholars of Jewish history and women's studies.
Women Respond to the Men's Movement: A Feminist Collection
by Kay L. HaganWomen are paying attention to the men's movement. Some like what they see and hope that men at last are coming to terms with the realities of true partnership and shared power. Others are downright skeptical about the chorus of "whining white men".
Women Reviewing Women in Nineteenth-Century Britain: The Critical Reception of Jane Austen, Charlotte Brontë and George Eliot (The\nineteenth Century Ser.)
by Joanne WilkesFocusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.
Women, Rhetoric, and Drama in Early Modern Italy
by Alexandra CollerSixteenth-century Italy witnessed the rebirth of comedy, tragedy, and tragicomedy in the pastoral mode. Traditionally, we think of comedy and tragedy as remakes of ancient models, and tragicomedy alone as the invention of the moderns. Women, Rhetoric, and Drama in Early Modern Italy suggests that all three genres were, in fact, remarkably new, if dramatists’ intriguingly sympathetic portrayals of and sustained investment in women as vibrant and dynamic characters of the early modern stage are taken into account. This study examines the role of rhetoric and gender in early modern Italian drama, in itself and in order to explore its complex interrelationship with the rise of women writers and the role women played in Italian culture and society, while at the same time demonstrating just how closely intertwined history, culture, and dramatic writing are. Author Alexandra Coller focuses on the scripted/erudite plays of the sixteenth and first half of the seventeenth centuries, which, she argues, are indispensable for a balanced view of the history of drama and its place within contemporary literary and women’s studies. As this book reveals, the ascendancy of comedy, tragedy, and tragicomedy in the vernacular seems to have been not only inextricably linked to but also dependent on the rise of women as prominent stage characters and, eventually, as authors in their own right.
Women & Romanticism Vol5
by Roxanne Eberle Letitia Elizabeth LandonFirst published in 2006. Women and Romanticism’s fifth volume covers The Golden Violet, with its Tales of Romance and Chivalry: and Other Poems. The collection reproduces work by Letitia Landon and thus addresses yet another gap in current accounts of women and Romanticism. Although Landon is now readily acknowledged as a significant author of the period, it is also the case that critical examinations of her life and work have tended to reinforce her own carefully crafted image as a poetess.Until the 1980s, a five-volume collection of materials on ‘Women and Romanticism’ would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen.
Women, Royalisms and Exiles 1640–1669: Towards Writing the Royalist Diaspora
by Sonya CroninThis book examines a range of royalist women’s cultural responses to war, dislocation, diaspora and exile through a rich variety of media across multiple geographies of the archipelago of the British Isles and as far as The Hague and Antwerp on the Continent, thereby uniquely documenting comparative links between women’s cultural production, types of exile and political allegiance. Offering the first full length study to therorize the royalist condition as one of diaspora, it chronologically charts a series of ruptures beginning with initial displacement and dispersal due to civil war in the early 1640s and concludes with examination of the homecoming for royalist exiles after the restoration in 1660. As it retrieves its subjects’ varied experiences of exile, and documents how these politically conscious women produce contrasting yet continuous forms of cultural, personal and political identities, it challenges conventional paradigms which all too neatly categorize royalism and exile during this seminal period in British and European history.