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Women's Health Advocacy: Rhetorical Ingenuity for the 21st Century
by Jamie White-Farnham Bryna Siegel Finer Cathryn MolloyWomen’s Health Advocacy brings together academic studies and personal narratives to demonstrate how women use a variety of arguments, forms of writing, and communication strategies to effect change in a health system that is not only often difficult to participate in, but which can be actively harmful. It explicates the concept of rhetorical ingenuity—the creation of rhetorical means for specific and technical, yet extremely personal, situations. At a time when women’s health concerns are at the center of national debate, this rhetorical ingenuity provides means for women to uncover latent sources of oppression in women’s health and medicine and to influence matters of research, funding, policy, and everyday access to healthcare in the face of exclusion and disenfranchisement. This accessible collection will be inspiring reading for academics and students in health communication, medical humanities, and women’s studies, as well as for activists, patients, and professionals.
Women's Health in Britain and America: Texts and Contexts (Humanities and Healthcare: Practical and Pedagogical Guides)
by April PatrickWomen’s Health in Britain and America: Texts and Contexts offers an unparalleled record of women’s health in the United Kingdom and the United States since 1750. Through chapters on pregnancy and childbirth, contraception and abortion, and breast and gynecological cancers, today’s readers can better understand historical precedents for contemporary issues. Introductory overviews present context about the history of medical care for women, such as diagnosis and treatment of specific conditions, medical advances, social and political contexts, and the effects of these on their lived experiences. The book presents a collection of primary texts including archival memoirs, letters, and diaries as well as published fiction, poetry, and medical advice. Women’s Health in Britain and America provides the necessary background for those new to the subject while also offering unique texts that will engage those already immersed in the field. As the political and social discussions around women’s bodies become more contentious and consequential, the history and the multiplicity of voices presented on these pages are more important than ever.
Women's Hebrew Poetry on American Shores: Poems by Anne Kleiman and Annabelle Farmelant
by Shachar Pinsker Adriana X. Jacobs Yosefa RazAlthough Anne (Chana) Kleiman--who died in 2011 at the age of 101--was the first American-born Jewish woman to publish poems in Hebrew, and Annabelle (Chana) Farmelant--who is still living and occasionally publishing--wrote a substantial body of Hebrew verse from the 1940s to the 1960s, their work is virtually unknown today, even to those familiar with Hebrew literature in America. In Women's Hebrew Poetry on American Shores: Poems by Anne Kleiman and Annabelle Farmelant, editor Shachar Pinsker recovers the singular voices of these women, introducing their captivating and wide--ranging poetry and placing it in its historical, literary, and cultural contexts. Women's Hebrew Poetry on American Shores presents a bilingual edition of Kleiman and Farmelant's work in a large range of themes, moods, and styles, translated into English for the first time by Adriana X. Jacobs and Yosefa Raz. It includes Kleiman's poems that were collected and published in a 1947 U.S. volume and a selection from two of Farmelant's poetry books, published in Jerusalem in 1960 and 1961. The translators have furnished the poems with copious notes, illuminating linguistic and cultural sources of the poetry and making it more accessible to contemporary readers. Pinsker introduces the volume with a background on the poets' lives and work and a look at the state of Hebrew literature in the first half of the twentieth century. The volume also includes an unpublished essay by Anne Kleiman, addressing Hebrew poet Anda Pinkerfeld and her poetic work, which sheds an important light on the dialogue between women's Hebrew poetry written in American and in Palestine during the same period. Readers and scholars of Jewish, American, and Hebrew literature and cultural history, as well as those interested in poetry, gender, and women's studies will enjoy this unique bilingual edition.
Women's Indian Captivity Narratives
by Kathryn Zabelle Derounian-Stodola (EditorEnthralling generations of readers, the narrative of capture by Native Americans is arguably the first American literary form dominated by women's experiences. Many such captivity narratives were fact-based but often transformed by authors or editors into spellbinding adventure stories, sentimental tales, spiritual autobiographies, or anti-Indian propaganda. For this pioneering collection of 10 extraordinary tales for this most intriguing and enduring literary genre, Kathryn Zabelle Derounian-Stodola has selected narratives that span 200 years (1682-1892) and display literary as well as geographical diversity. Her fascinating introduction to the history and influence of the genre shows it to be a foundation text of American culture with enduring popular appeal.
Women's Letters: America from the Revolutionary War to the Present
by Lisa Grunwald Stephen J. AdlerHistorical events of the last three centuries come alive through these women's singular correspondences--often their only form of public expression. In 1775, Rachel Revere tries to send financial aid to her husband, Paul, in a note that is confiscated by the British; First Lady Dolley Madison tells her sister about rescuing George Washington's portrait during the War of 1812; one week after JFK's assassination, Jacqueline Kennedy pens a heartfelt letter to Nikita Khrushchev; and on September 12, 2001, a schoolgirl writes a note of thanks to a New York City firefighter, asking him, "Were you afraid?" The letters gathered here also offer fresh insight into the personal milestones in women's lives. Here is a mid-nineteenth-century missionary describing a mastectomy performed without anesthesia; Marilyn Monroe asking her doctor to spare her ovaries in a handwritten note she taped to her stomach before appendix surgery; an eighteen-year-old telling her mother about her decision to have an abortion the year after Roe v. Wade; and a woman writing to her parents and in-laws about adopting a Chinese baby. With more than 400 letters and over 100 stunning photographs, Women's Letters is a work of astonishing breadth and scope, and a remarkable testament to the women who lived--and made--history.
Women's Letters Across Europe, 1400–1700: Form and Persuasion (Women and Gender in the Early Modern World)
by Jane CouchmanIn response to a growing interest, among historians as well as literary critics, in women's use of the epistolary genre, Women's Letters Across Europe, 1400-1700: Form and Persuasion analyzes persuasive techniques in the personal correspondence of late medieval and early modern women. It includes studies of well-known women (Isabella d'Este, Teresa of Avila, Marguerite de Navarre, Catherine de Medicis), of those less-known (Alessandra Macigni Strozzi, Louise de Coligny, Glikl of Hameln, Argula von Grumbach, Luisa de Carvajal y Mendoza, Anna Maria von Schurman, Barbara of Brandenburg ) and of others virtually unknown to history (prosperous women like Elizabeth Stonor and Cornelia Collonello and pauper women seeking poor relief in Tours). Comprehensive in scope, Women's Letters Across Europe, 1400-1700 looks at women from England, Italy, France, Spain, Germany, and the Netherlands, and from various levels of society, encompassing the nobility, the gentry, the middle class, and the poor. Each of the essayists considers letters both as historical documents giving insights into women's lives, and as texts in which variations on epistolary forms are used for specific persuasive purposes. The authors of the essays analyze their subjects' capabilities and limitations as letter writers and the techniques they used to influence correspondents, setting these observations in the framework of the women's particular 'stories.' Taken together, the essays and the letter writers discussed therein illustrate in new ways how far from silenced many early modern women were, how they were able to adopt and adapt strategies from the epistolary conventions available to them, and how they could have an impact on their worlds through their letters.
Women’s Letters as Life Writing 1840–1885 (The Nineteenth Century Series)
by Catherine DelafieldExamining letter collections published in the second half of the nineteenth century, Catherine Delafield rereads the life-writing of Frances Burney, Charlotte Brontë, Mary Delany, Catherine Winkworth, Jane Austen and George Eliot, situating these women in their epistolary culture and in relation to one another as exemplary women of the period. She traces the role of their editors in the publishing process and considers how a model of representation in letters emerged from the publication of Burney’s Diary and Letters and Elizabeth Gaskell’s Life of Brontë. Delafield contends that new correspondences emerge between editors/biographers and their biographical subjects, and that the original epistolary pact was remade in collaboration with family memorials in private and with reviewers in public. Women’s Letters as Life Writing addresses issues of survival and choice when an archive passes into family hands, tracing the means by which women’s lives came to be written and rewritten in letters in the nineteenth century.
Women's Life Writing and the Practice of Reading: She Reads to Write Herself (Palgrave Studies in Life Writing)
by Valérie Baisnée-Keay Corinne Bigot Nicoleta Alexoae-Zagni Claire BazinThis collection of essays offers a stimulating insight into the practice of reading and the relationship between reading and writing in women’s life writing texts such as memoirs, autobiographies, diaries, travel logs, and graphic memoirs. It covers a great variety of writers from literary classics such as Virginia Woolf to the authors of slave narratives. Some essays focus on how literary texts help frame a narrative of the self, acting as models and counter models; others insist on the role of literature in resisting imposed gendered and ethnic identities. The essays also show that female writers use reading to deepen their relationship to the rest of the world. While reading is often represented as central to life and aesthetic experience, the collection stresses that there is no single or universal approach to reading in women’s life writing. Taking into account debates about life writing, the collection opens new fields of investigation and fully participates in current scholarly conversations in the field.
Women's Literacy in Early Modern Spain and the New World (Women And Gender In The Early Modern World Ser.)
by Rosilie HernándezContaining essays from leading and recent scholars in Peninsular and colonial studies, this volume offers entirely new research on women's acquisition and practice of literacy, on conventual literacy, and on the cultural representations of women's literacy. Together the essays reveal the surprisingly broad range of pedagogical methods and learning experiences undergone by early modern women in Spain and the New World. Focusing on the pedagogical experiences in Spain, New Spain (present-day Mexico), and New Granada (Colombia) of such well-known writers as Saint Teresa of à vila, Sor Juana Inés de la Cruz, and MarÃa de Zayas, as well as of lesser-known noble women and writers, and of nuns in the Spanish peninsula and the New World, the essays contribute significantly to the study of gendered literacy by investigating the ways in which women”religious and secular, aristocratic and plebeian”became familiarized with the written word, not only by means of the education received but through visual art, drama, and literary culture. Contributors to this collection explore the abundant writings by early modern women to disclose the extent of their participation in the culture of Spain and the New World. They investigate how women”playwrights, poets, novelists, and nuns” applied their education both to promote literature and to challenge the male-dominated hierarchy of church and state. Moreover, they shed light on how women whose writings were not considered literary also took part in the gendering of Hispanic culture through letters and autobiographies, among other means, and on how that same culture depicted women's education in the visual arts and the literature of the period.
Women's Literary Collaboration, Queerness, and Late-Victorian Culture (The Nineteenth Century Series)
by Jill R. EhnennThe first full-length study to focus exclusively on nineteenth-century British women while examining queer authorship and culture, Jill R. Ehnenn's book is a timely interrogation into the different histories and functions of women's literary partnerships. For Vernon Lee (Violet Paget) and 'Kit' Anstruther-Thomson; Somerville and Ross (Edith Somerville and Violet Martin); Elizabeth Robins and Florence Bell; and Katharine Bradley and Edith Cooper, the couple who wrote under the pseudonym of 'Michael Field', collaborative life and work functioned strategically, as sites of discursive resistance that critique Victorian culture in ways that would be characterized today as feminist, lesbian, and queer. Ehnenn's project shows that collaborative texts from such diverse genres as poetry, fiction, drama, the essay, and autobiography negotiate many limitations of post-Enlightenment patriarchy: Cartesian subjectivity and solitary creativity, industrial capitalism and alienated labor, and heterosexism. In so doing, these jointly authored texts employ a transgressive aesthetic and invoke the potentials of female spectatorship, refusals of representation, and the rewriting of history. Ehnenn's book will be a valuable resource for scholars and students of Victorian literature and culture, women's and gender studies, and collaborative writing.
Women’s Literature in Kenya and Uganda
by Marie KrugerFor nearly a decade, writers' collectives such as Kwani Trust in Kenya and Femrite , the Ugandan women writers' association, have dramatically reshaped the East African literary scene. This text extends the purview of postcolonial literary studies by providing the long overdue critical inquiry that these writers so urgently deserve.
Women's Lives
by Carolyn G. HeilbrunEve has been supposed to have remarked to Adam as they left the garden, my dear, we are in a state of transition, and of course they were. It is no coincidence that Eve delivers this line. While humanity in every era and stage in history has been marked by a strong sense of itself as being in a state of transition, women have always had a particularly close relationship to changeable terrain. In their quest for self knowledge, boundaries, and names, women have found themselves between varying cultural demands. In one view, perhaps the dominant one, the only way to gain positive status is to fit appropriately into approved categories: appropriately beautiful, appropriately young, appropriately thin, appropriately successful. In another view, the view compellingly expressed by Carolyn Heilbrun, women must abandon the appropriate and seek out the liminel. The word limen means threshold. To be in a state of liminality is to be poised upon uncertain ground, on the brink of leaving one condition or country or self to enter upon another. When recognized, liminality offers women freedom to be or become themselves.In Women's Lives: The View from the Threshold Carolyn Heilbrun looks at the biographies and memoirs of women who have wrestled with their own betwixt and betweenness (in the process altering the face of literature, and the world): George Eliot, Virginia Woolf, Willa Cather, Harriet Beecher Stowe, and Gloria Steinem. She reveals the ways in which feminism has changed our perceptions of these lives. Surprising explorations of the positions which launch women into uncertain ground extend these lectures outside the academic purview.Each year the Alexander lectureship invites a distinguished scholar to the University of Toronto to give a course of public lectures on the subject of English Literature. These four lectures from the 1997 series put Carolyn Heilbrun in a line of distinguished scholarly work with such previous lecturers as Walter Ong, Robertson Davies, and Northrop Frye. But Heilbrun, within this distinguished genealogy, reworks the very notion of the line, creating a new pattern of writing and approaching literary culture, just as the women whose lives she examines have done. The reader will come out of this experience moved, refreshed, and inspired to create rather than take a position. Disclaimer: Excerpt from the poem "Where Did I Leave Off" by Virginia Hamilton Adair on pages 65-66 removed at the request of the rights holder
Women’s Lives in Contemporary French and Francophone Literature
by Florence Ramond Jurney Karen McphersonThe essays in this volume provide an overview and critical account of prevalent trends and theoretical arguments informing current investigations into literary treatments of motherhood and aging. They explore how two key stages in women's lives--maternity and old age--are narrated and defined in fictions and autobiographical writings by contemporary French and francophone women. Through close readings of Maryse Cond#65533;, H#65533;l#65533;ne Cixous, Zahia Rahmani, Linda L#65533;, Pierrette Fleutieux, and Mich#65533;le Sarde, among others, these essays examine related topics such as dispossession, female friendship, and women's relationships with their mothers. By adopting a broad, synthetic approach to these two distinct and defining stages in women's lives, this volume elucidates how these significant transitional moments set the stage for women's evolving definitions (and interrogations) of their identities and roles.
Women’s Narratives and the Postmemory of Displacement in Central and Eastern Europe (Palgrave Studies in Life Writing)
by Simona MitroiuThis volume explores the different mechanisms and forms of expression used by women to come to terms with the past, focusing on the variety and complexity of women’s narratives of displacement within the context of Central and Eastern Europe. The first part addresses the quest for personal (post)memory from the perspective of the second and third generations. The touching collaboration established in reconstructing individual and family (post)memories offers invaluable insights into the effects of displacement, coping mechanisms, and resilience. Adopting the idea that the text itself becomes a site of (post)memory, the second part of the volume brings into discussion different sites and develops further this topic in relation to the creative process and visual text. The last part questions the past in relation to trauma and identity displacement in the countries where abusive regimes destroyed social bonds and had a lasting impact on the people lives.
Women's Negotiations and Textual Agency in Latin America, 1500-1799 (Women and Gender in the Early Modern World)
by Mónica Díaz Rocío Quispe-AgnoliEven though women have been historically underrepresented in official histories and literary and artistic traditions, their voices and writings can be found in abundance in the many archives of the world where they remain to be uncovered. The present volume seeks to recover women’s voices and actions while studying the mechanisms through which they authorized themselves and participated in the creation of texts and documents found in archives of colonial Latin America. Organized according to three main themes, "Censorship and the Body," "Female Authority and Legal Discourse," and "Private Lives and Public Opinions," the essays in this collection focus on women’s knowledge and the discursive traces of their daily concerns found in various colonial genres. Herein we consider women not only as agents of history, but rather as authors of written records produced either by their own hand or by means of dictations, collaborations, or rewritings of their oral renditions. Inhabiting the territories of the Iberian colonies from Peru to New Spain, the women studied in this volume come from different ethnic and social backgrounds, from African slaves to the indigenous elite and to those who arrived from Iberia and were known as "Old Christians." Finally, we have prepared this volume in hopes that the readers will find a particular appeal in archival sources, in lesser-known documents, and in the processes involved in the circulation of knowledge and print culture between the 1500s and the late 1700s.
Women's Playwriting and the Women's Movement, 1890-1918 (Routledge Advances in Theatre & Performance Studies)
by Anna FarkasThe influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.
Women's Poetry of the 1930s: A Critical Anthology
by Jane DowsonWhere were the women of the so-called `Auden Generation'?During this era of rapidly changing gender roles,social values and world politics,women produced a rich variety of poetry.But until now their work has largely been lost or ignored;in Women's Poetry of the 1930s Jane Dowson finally redresses the balance and recovers women's place in the literary history of the interwar years.This comprehensive and beautifully edited collection includes: *Previously uncollected poems by authors such as Winifred Holtby and Naomi Mitchison *Poems which are now out of print,such as those by Vita Sackville-West and Frances Cornford *Poems previously neglected by poets including Ann Ridler and Sylvia Townsend Warner *An extensive critical introduction and individual biographies of each poet Poetry lovers,students and scholars alike will find Women's Poetry of the 1930s an invaluable resource and a collection to treasure.
Women's Political Communication in Africa: Issues and Perspectives (Contributions to Political Science)
by Sharon Adetutu OmotosoThis book examines women’s political communication in Africa, capturing previously unheard women’s voices, and presenting detailed information on overlooked communication strategies and forms of power relations employed by African women and women of African descent. By examining the disputes, accomplishments and/or setbacks experienced by women in political spaces, it underscores feminist intersections of political communication in Africa. It also explores the glamor, humor, harmony and tact that women as state and non-state actors have contributed to Africa’s political landscape through the realities of female soft power. The book addresses issues concerning how and why women do and should participate in politics; at what level they have employed political communication strategies; and which types. It also questions ideas and ideals that have guided or continue to guide feminist political communication in Africa’s growing democracy. Lastly, it highlights African women’s conscious approach and rejuvenated interest in developing their communication skills and strategies given their vital role in state-building.
Women's Political Writings, 1610-1725 Vol 1
by Mihoko Suzuki Susan Wiseman Hilda L SmithIncludes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.
Women's Political Writings, 1610-1725 Vol 2
by Mihoko Suzuki Susan Wiseman Hilda L SmithIncludes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.
Women's Political Writings, 1610-1725 Vol 3
by Mihoko Suzuki Susan Wiseman Hilda L SmithIncludes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.
Women's Political Writings, 1610-1725 Vol 4
by Mihoko Suzuki Susan Wiseman Hilda L SmithIncludes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.
Women’s Prophetic Writings in Seventeenth-Century Britain (Routledge Studies in Renaissance Literature and Culture)
by Carme FontThis study examines women’s prophetic writings in seventeenth-century Britain as the literary outcome of a discourse of social transformation that integrates religious conscience, political participation, and gender identity. The following pages approach prophecy as a culture, a language, and a catalyst for collective change as the individual prophet conceptualized it. While the corpus of prophetic writing continues to grow as the result of archival research, this monograph complements our particular knowledge of women’s prophecy in the seventeenth century with a global assessment of what makes speech prophetic in the first place, and what are the differences and similarities between texts that fall into the prophetic mode. These disparities and commonalities stand out in the radical language of prophecy as well as in the way it creates an authorial centre. Examining how authorship is represented in several configurations of prophetic delivery, such as essays on prophecy, poetic prophecy, spiritual autobiography, and election narratives, the different chapters consider why prophecy peaked in the years of the civil wars and how it evolved towards the eighteenth century. The analyses extrapolate the peculiarities of each case study as being representative of a form of textually-based activism that enabled women to gain a deeper understanding of themselves as creators of independent meaning that empowered them as individuals, citizens, and believers.
Women's Romantic Theatre and Drama: History, Agency, and Performativity
by Keir ElamAs theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.
Women's Somatic Training in Early Modern Spanish Theater (Women and Gender in the Early Modern World)
by Elizabeth Marie PetersenDrawing from early modern plays and treatises on the precepts and practices of the acting process, this study shows how the early modern Spanish actress subscribed to various somatic practices in an effort to prepare for a role. It provides today's reader not only another perspective to the performance aspect of early modern plays, but also a better understanding of how the woman of the theater succeeded in a highly scrutinized profession. Elizabeth Marie Cruz Petersen examines examples of comedias from playwrights such as Lope de Vega, Luis Vélez de Guevara, Tirso de Molina, and Ana Caro, historical documents, and treatises to demonstrate that the women of the stage transformed their bodies and their social and cultural environment in order to succeed in early modern Spanish theater. Women's Somatic Training in Early Modern Spanish Theater is the first full-length, in-depth study of women actors in seventeenth-century Spain. Unique in the field of comedia studies, it approaches the topic from a performance perspective, using somaesthetics as a tool to explain how an artist's lived experiences and emotions unite in the interpretation of art, reconfiguring her "self" via the transformation of habit.