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Vincent van Gogh (SparkNotes Biography Guide)

by SparkNotes

Vincent van Gogh (SparkNotes Biography Guide) Making the reading experience fun! SparkNotes Biography Guides examine the lives of historical luminaries, from Alexander the Great to Virginia Woolf. Each biography guide includes:An examination of the historical context in which the person lived A summary of the person&’s life and achievements A glossary of important terms, people, and events An in-depth look at the key epochs in the person&’s career Study questions and essay topics A review test Suggestions for further reading Whether you&’re a student of history or just a student cramming for a history exam, SparkNotes Biography guides are a reliable, thorough, and readable resource.

Vindicación de los derechos de la mujer

by Mary Wollstonecraft

La colección «Bebi Edita» arranca con una de las primeras obras de la literatura y filosofía feministas. El primer manifiesto feminista revisado por una de las voces actuales más revolucionarias: Bebi. Desde su perspectiva única, @SrtaBebi comenta el texto madre del feminismo moderno, Vindicación de los derechos de la mujer, de Mary Wollstonecraft, una relectura con una granada en una mano y un subrayador en la otra. *** @SrtaBebi empezó incendiando las redes con más de 615.000 seguidores. Poco después inflamó libros: Indomable lleva más de 85.000 ejemplares vendidos. Ahora llega para editar su propia colección: «Bebi Edita». Ella decide autores, textos y añade su personal y único punto de vista en un prólogo y comentarios que acompañan a cada libro de la colección. Para seguir quemando.

Vindicación de los derechos de la mujer

by Mary Wollstonecraft

La colección «Bebi Edita» arranca con una de las primeras obras de la literatura y filosofía feministas. El primer manifiesto feminista revisado por una de las voces actuales más revolucionarias: Bebi. Desde su perspectiva única, @SrtaBebi comenta el texto madre del feminismo moderno, Vindicación de los derechos de la mujer, de Mary Wollstonecraft, una relectura con una granada en una mano y un subrayador en la otra. *** @SrtaBebi empezó incendiando las redes con más de 615.000 seguidores. Poco después inflamó libros: Indomable lleva más de 85.000 ejemplares vendidos. Ahora llega para editar su propia colección: «Bebi Edita». Ella decide autores, textos y añade su personal y único punto de vista en un prólogo y comentarios que acompañan a cada libro de la colección. Para seguir quemando.

A Vindication of the Redhead: The Typology of Red Hair Throughout the Literary and Visual Arts

by Brenda Ayres Sarah E. Maier

A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.

A Vindication of the Rights of Woman

by Ruth Scobie

Mary Wollstonecraft’s 1792 Vindication of the Rights of Women is an incendiary attack on the place of women in 18th-century society. Often considered to be the earliest widely-circulated work of feminism, the book is a powerful example of what can be achieved by creative thinkers – people who refuse to be bound by the standard ways of thinking, or to see things through the same lenses that everyone else uses. In the case of the Vindication, Wollstonecraft’s independent thinking went directly against the standard assumptions of the age regarding women. During the seventeenth century and earlier, it was an entirely standard point of view to consider women as, largely speaking, uneducable. They were widely considered to be men’s inferiors, incapable of rational thought. They not only did not need a rational education – it was assumed that they could not benefit from one. Wollstonecraft, in contrast, argued that women’s apparent triviality was a direct consequence of society failing to educate them. If they were not men’s equals, it was the fault of a society that refused to treat them as such. So radical was her message that it would take until the 20th century for her views to become truly accepted.

Vineland Reread (Rereadings)

by Peter Coviello

Vineland is hardly anyone’s favorite Thomas Pynchon novel. Marking Pynchon’s return after vanishing for nearly two decades following his epic Gravity’s Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon’s writing and about how we read and how we live in the rough currents of history.Beginning with his early besotted encounters with Vineland, Coviello reads Pynchon’s offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon’s harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present.

Vinnie the Dove: Targeting the v Sound (Speech Bubbles 2)

by Melissa Palmer

Vinnie loves to dive in water, but it always makes him so cold! Join him on his mission to find a way to finally get warmed up. This picture book targets the /v/ sound and is part of Speech Bubbles 2, a series of picture books that target specific speech sounds within the story. The series can be used for children receiving speech therapy, for children who have a speech sound delay/disorder, or simply as an activity for children’s speech sound development and/or phonological awareness. They are ideal for use by parents, teachers or caregivers. Bright pictures and a fun story create an engaging activity perfect for sound awareness. Picture books are sold individually, or in a pack. There are currently two packs available – Speech Bubbles 1 and Speech Bubbles 2. Please see further titles in the series for stories targeting other speech sounds.

Vintage Didion

by Joan Didion

"Didion has the instincts of an exceptional reporter and the focus of a historian ... a novelist's appreciation of the surreal." --Los Angeles Times Book Review. Whether she's writing about civil war in Central America, political scurrility in Washington, or the tight-braided myths and realities of her native California, Joan Didion expresses an unblinking vision of the truth. Vintage Didion includes three chapters from Miami; an excerpt from Salvador; and three separate essays from After Henry that cover topics from Ronald Reagan to the Central Park jogger case. Also included is "Clinton Agonistes" from Political Fictions,and "Fixed Opinions, or the Hinge of History," a scathing analysis of the ongoing war on terror.

Vintage Tomorrows: A Historian And A Futurist Journey Through Steampunk Into The Future of Technology

by James H. Carrott Brian David Johnson

What would today's technology look like with Victorian-era design and materials? That's the world steampunk envisions: a mad-inventor collection of 21st century-inspired contraptions powered by steam and driven by gears. In this book, futurist Brian David Johnson and cultural historian James Carrott explore steampunk, a cultural movement that's captivated thousands of artists, designers, makers, hackers, and writers throughout the world.Just like today, the late 19th century was an age of rapid technological change, and writers such as Jules Verne and H.G. Wells commented on their time with fantastic stories that jumpstarted science fiction. Through interviews with experts such as William Gibson, Cory Doctorow, Bruce Sterling, James Gleick, and Margaret Atwood, this book looks into steampunk's vision of old-world craftsmen making beautiful hand-tooled gadgets, and what it says about our age of disposable technology.Steampunk is everywhere--as gadget prototypes at Maker Faire, novels, and comic books, paintings and photography, sculptures, fashion design, and music. Discover how this elaborate view of a history that never existed can help us reimagine our future.

Violence Against Women in Medieval Texts

by Anna Roberts

This volume brings together specialists from different areas of medieval literary study to focus on the role of habits of thought in shaping attitudes toward women during the Middle Ages. The essays range from Old English literature to the Spanish Inquisition and encompass such genres as romance, chronicles, hagiography, and legal documents.

Violence Against Women in the Global South: Reporting in the #MeToo era (Palgrave Studies in Journalism and the Global South)

by Andrea Jean Baker Celeste González de Bustamante Jeannine E. Relly

Bringing together 14 journalism scholars from around the world, this edited collection addresses the deficit of coverage of violence against women in the Global South by examining the role of the legacy press and social media that report on and highlight ways to improve reporting. Authors investigate the ontological limitations which present structural and systemic challenges for journalists who report on the normalization of violence against women in country cases in Argentina; Brazil; Mexico; Indonesia; Kenya, Nigeria, South Africa; Egypt; Libya, Syria, and Yemen. Challenges include patriarchal forces; gender imbalance in newsrooms; propaganda and censorship strategies by repressive, hyper-masculine, and populist political regimes; economic and digital inequities; and civil and transnational wars. Presenting diverse conceptual, methodological, and empirical chapters, the collection offers a revision of existing frameworks and guidelines and aims to promote more gender-sensitive, trauma-informed, solutions-driven, and victim or survivor centered reporting in the region.

Violence and Order on the Chengdu Plain: The Story of a Secret Brotherhood in Rural China, 1939-1949

by Di Wang

In 1939, residents of a rural village near Chengdu watched as Lei Mingyuan, a member of a violent secret society known as the Gowned Brothers, executed his teenage daughter. Six years later, Shen Baoyuan, a sociology student at Yenching University, arrived in the town to conduct fieldwork on the society that once held sway over local matters. She got to know Lei Mingyuan and his family, recording many rare insights about the murder and the Gowned Brothers' inner workings. Using the filicide as a starting point to examine the history, culture, and organization of the Gowned Brothers, Di Wang offers nuanced insights into the structures of local power in 1940s rural Sichuan. Moreover, he examines the influence of Western sociology and anthropology on the way intellectuals in the Republic of China perceived rural communities. By studying the complex relationship between the Gowned Brothers and the Chinese Communist Party, he offers a unique perspective on China's transition to socialism. In so doing, Wang persuasively connects a family in a rural community, with little overt influence on national destiny, to the movements and ideologies that helped shape contemporary China.

Violence and the Limits of Representation

by Graham Matthews

Violence and the Limits of Representation explores the representation of violence in literature, film, drama, music and art in order to demonstrate the ways in which the work done by researchers in the Arts and Humanities can offer fresh perspectives on current social and political issues.

Violence from Slavery to #BlackLivesMatter: African American History and Representation

by Andrew Dix Peter Templeton

Violence from Slavery to #BlackLivesMatter brings together perspectives on violence and its representation in African American history from slavery to the present moment. Contributors explore how violence, signifying both an instrument of the white majority’s power and a modality of black resistance, has been understood and articulated in primary materials that range from slave narrative through "lynching plays" and Richard Wright’s fiction to contemporary activist poetry, and from photography of African American suffering through Blaxploitation cinema and Spike Lee’s films to rap lyrics and performances. Diverse both in their period coverage and their choice of medium for discussion, the 11 essays are unified by a shared concern to unpack violence’s multiple meanings for black America. Underlying the collection, too, is not only the desire to memorialize past moments of black American suffering and resistance, but, in politically timely fashion, to explore their connections to our current conjuncture.

Violence in Medieval Courtly Literature: A Casebook (Garland Medieval Casebooks)

by Albrecht Classen

Although courtly literature is often associated with a chivalrous and idyllic life, the fifteen original essays in this collection demonstrate that the quest for love in the world of medieval courtly literature was underpinned by violence. Lovers were rejected, mistrust ruled, rape was a rampant problem, and marriage was often characterized by brutality. Albrecht Classen brings together an outstanding group of historical, cultural, and literary scholars in this volume to investigate the complicated, nuanced, and often surprising unions of love and violence in courtly medieval literature.

Violence in the Black Imagination: Essays and Documents

by Ronald T. Takaki

In "Violence in the Black Imagination", Ronald T. Takaki presents three short novels by major African-American leaders in the nineteenth century: "The Heroic Slave", by Frederick Douglass, the leading black abolitionist; "Blake", by Martin Delany, the father of black nationalism; and "Clotelle", by William Wells Brown, a pioneer of the black novel. The novels are accompanied by substantive essays which provide biographical information on the authors and explore the common theme of their works -- the issue of black revolutionary violence in antebellum America.

Violence in the Work of Composition: Recognizing, Intervening, Ameliorating

by Scott Gage Kristie S. Fleckenstein

Focusing on overt and covert violence and bringing attention to the many ways violence inflects and infects the teaching, administration, and scholarship of composition, Violence in the Work of Composition examines both forms of violence and the reciprocal relationships uniting them across the discipline. Addressing a range of spaces, the collection features chapters on classroom practices, writing centers, and writing program administration, examining the complicated ways writing instruction is interwoven with violence, as well as the equally complicated ways writing teachers may recognize and resist the presence and influence of violence in their work. This book provides a focused, nuanced, and systematic discussion of violence and its presence and influence across pedagogical and administrative sites. Violence in the Work of Composition offers a close look at the nature of violence as it emerges in the work of composition; provides strategies for identifying violence, especially covert violence, addressing its impact and preventing its eruption across many sites; and invites readers to reflect on both the presence of violence and the hope for its cessation. Contributors consider, first, how compositionists can recognize the ways their work inadvertently enacts and/or perpetuates violence and, second, how they can intervene and mitigate that violence. Rich with the voices of myriad stakeholders, Violence in the Work of Composition initiates an essential conversation about violence and literacy education at a time when violence in its many forms continues to shape our culture, communities, and educational systems. Contributors: Kerry Banazek, Katherine Bridgman, Eric Camarillo, Elizabeth Chilbert Powers, Joshua Daniel, Lisa Dooley, Allison Hargreaves, Jamila Kareem, Lynn C. Lewis, Trevor Meyer, Cathryn Molloy, Kellie Sharp-Hoskins, Ellen Skirvin, Krista Speicher Sarraf, Thomas Sura, James Zimmerman

Violence, Narrative and Myth in Joyce and Yeats

by Tudor Balinisteanu

How can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This book answers these questions by examining modernist literature, especially James Joyce and W. B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.

The Violence of Modernity: Baudelaire, Irony, and the Politics of Form (Parallax: Re-visions of Culture and Society)

by Debarati Sanyal

The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France.Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.

The Violence of Reading: Literature and Philosophy at the Threshold of Pain

by Dominik Zechner

The Violence of Reading: Literature and Philosophy at the Threshold of Pain expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of “linguistic pain” (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the “novel of the institution” (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River).

The Violence of Representation: Literature and the History of Violence (Routledge Revivals)

by Nancy Armstrong Leonard Tennenhouse

First published in 1989, this collection of essays brings into focus the history of a specific form of violence – that of representation. The contributors identify representations of self and other that empower a particular class, gender, nation, or race, constructing a history of the west as the history of changing modes of subjugation. The essays bring together a wide range of literary and historical work to show how writing became an increasingly important mode of domination during the modern period as ruling ideas became a form of violence in their own right. This reissue will be of particular value to literature students with an interest in the concept of violence, and the boundaries and capacity of discourse.

The Violence of Victimhood

by Diane Enns

We know that violence breeds violence. We need look no further than the wars in the western Balkans, the genocide in Rwanda, or the ongoing crisis in Israel and Palestine. But we don’t know how to deal with the messy moral and political quandaries that result when victims become perpetrators. When the line between guilt and innocence wavers and we are confronted by the suffering of the victim who turns to violence, judgment may give way to moral relativism or liberal tolerance, compassion to a pity that denies culpability. This is the point of departure in The Violence of Victimhood and the impetus for its call for renewed considerations of responsibility, judgment, compassion, and nonviolent politics.To address her provocative questions, Diane Enns draws on an unusually wide-ranging cast of characters from the fields of feminism, philosophy, peacebuilding, political theory, and psychoanalysis. In the process, she makes an original contribution to each, enriching discussions that are otherwise constricted by disciplinary boundaries and an arid distinction between theory and practice.

The Violence of Victimhood

by Diane Enns

We know that violence breeds violence. We need look no further than the wars in the western Balkans, the genocide in Rwanda, or the ongoing crisis in Israel and Palestine. But we don’t know how to deal with the messy moral and political quandaries that result when victims become perpetrators. When the line between guilt and innocence wavers and we are confronted by the suffering of the victim who turns to violence, judgment may give way to moral relativism or liberal tolerance, compassion to a pity that denies culpability. This is the point of departure in The Violence of Victimhood and the impetus for its call for renewed considerations of responsibility, judgment, compassion, and nonviolent politics.To address her provocative questions, Diane Enns draws on an unusually wide-ranging cast of characters from the fields of feminism, philosophy, peacebuilding, political theory, and psychoanalysis. In the process, she makes an original contribution to each, enriching discussions that are otherwise constricted by disciplinary boundaries and an arid distinction between theory and practice.

Violence on Television: Distribution, Form, Context, and Themes (Routledge Communication Series)

by Barrie Gunter Jackie Harrison Maggie Wykes

Concern about violence on television has been publicly debated for the past 50 years. TV violence has repeatedly been identified as a significant causal agent in relation to the prevalence of crime and violence in society. Critics have accused the medium of presenting excessive quantities of violence, to the point where it is virtually impossible for viewers to avoid it. This book presents the findings of the largest British study of violence on TV ever undertaken, funded by the broadcasting industry. The study was carried out at the same time as similar industry-sponsored research was being conducted in the United States, and one chapter compares findings from Britain and the U.S.A. The book concludes that it is misleading to accuse all broadcasters of presenting excessive quantities of violence in their schedules. This does not deny that problematic portrayals were found. But the most gory, horrific and graphic scenes of violence were generally contained within broadcasts available on a subscription basis or in programs shown at times when few children were expected to be watching. This factual analysis proves that broadcasters were meeting their obligations under their national regulatory codes of practice.

Violence, Silence, and Rhetorical Cultures of Champion-Building in Sports (Routledge Studies in Rhetoric and Communication)

by Kathleen Sandell Hardesty

This book takes a close look at systems and rhetorics of silencing in sports training. Using the case study of the Larry Nassar abuse scandal at Michigan State University and within USA Gymnastics, the book explores multifaceted problems of speaking, silencing, and listening in youth and college athletic organizations, investigating the cultures of abuse and discursive practices that silence victims while protecting abusers. The author foregrounds the victims’ voices through an analysis of victim impact statements and victim interviews, while examining other textual artifacts to understand the institutional behaviors and actions both before and after the case caught public attention. Exploring the issue far beyond the single organization, the author discusses the norms, values, ideologies, and expected behaviors of youth and college sports programs as institutions to help describe “rhetorical cultures of champion-building.” This innovative study offers new perspectives that will interest students and scholars of sport communication, rhetoric, organizational communication, criminology, and feminist theory.

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