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Words You Should Know 2013: The 201 Words from Science, Politics, Technology, and Pop Culture That Will Change Your Life This Year
by Nicole CammorataThe most influential words and phrases of 2013!Every day, hundreds of new words join our vocabulary, whether they're scientific creations, cultural terms, or politically and historically charged additions. With Words You Should Know 2013, you will not only be able to keep up with the changing language, but also discover how these important concepts will impact your life in 2013. This book reveals the origins, usage, and influence of 201 brand-new expressions, including:Gaia mission: a European Space Association project that will map out the galaxyCash mob: a spinoff of a flash mob, this group of shoppers descends upon an establishment with the idea that they will all spend a collectively agreed-upon sum in order to stimulate the local economyBabymoon: a short vacation an expecting couple takes to savor the simplicity of life before childrenSkyVue: aiming to be the world's third-largest Ferris Wheel in the world, this 500-foot ride will be the newest addition to the Vegas skyline in 2013 From cyberespionage and gendercide to the Great Pacific Garbage Patch and aerostats, Words You Should Know 2013 presents you with words and phrases that will define your way of life this year.
Words You Should Know 2013
by Nicole CammorataThe most influential words and phrases of 2013! Every day, hundreds of new words join our vocabulary, whether they're scientific creations, cultural terms, or politically and historically charged additions. With Words You Should Know 2013, you will not only be able to keep up with the changing language, but also discover how these important concepts will impact your life in 2013. This book reveals the origins, usage, and influence of 201 brand-new expressions, including: Gaia mission: a European Space Association project that will map out the galaxy Cash mob: a spinoff of a flash mob, this group of shoppers descends upon an establishment with the idea that they will all spend a collectively agreed-upon sum in order to stimulate the local economy Babymoon: a short vacation an expecting couple takes to savor the simplicity of life before children SkyVue: aiming to be the world's third-largest Ferris Wheel in the world, this 500-foot ride will be the newest addition to the Vegas skyline in 2013 From cyberespionage and gendercide to the Great Pacific Garbage Patch and aerostats, Words You Should Know 2013 presents you with words and phrases that will define your way of life this year.
Wordsearches
by Adrian WallworkOn the train, on the beach, on the sofa ... many people in all parts of the world enjoy doing wordsearches. If you are studying English and want to learn and practise vocabulary related to various topics, then this book is for you! The topics reflect the kinds of everyday conversations that you might have both with native and non-native speakers of English. The topics are also those that are typically tested in English examinations e.g.TOEFL, Cambridge (First Certificate, Advanced), IELTS, and Trinity. Each chapter begins with a list of questions to enable you to have a conversation about a particular topic in various situations: on a social occasion (e.g. a work dinner, a conference lunch, a party); in the classroom during an English lesson; when chatting, either face to face or online; and during an English oral exam. After the list of questions, you will find a Word List associated with the topic and exercises to test your knowledge of less common words. The final aim is then to find the words from the Word List in the related Wordsearch. Easy English! is a series of books to help you learn and revise your English with minimal effort. You can improve your English by: reading texts in English that you might normally read in your own language e.g. jokes, personality tests, lateral thinking games, and wordsearches;doing short exercises to improve specific areas grammar and vocabulary, i.e. the areas that tend to lead to the most mistakes - the aim is just to focus on what you really need rather than overwhelming yourself with a mass of rules, many of which may have no practical daily value. Other books in the Easy English!series include: Wordsearches: Widen Your Vocabulary in English Test Your Personality: Have Fun and Learn Useful Phrases Word games, Riddles and Logic Tests: Tax Your Brain and Boost Your English Top 50 Grammar Mistakes: How to Avoid Them Top 50 Vocabulary Mistakes: How to Avoid Them
Wordslut: A Feminist Guide to Taking Back the English Language
by Amanda Montell“As funny as it is informative, this book will have you laughing out loud while you contemplate the revolutionary power of words.” —Camille Perri, author of The Assistants and When Katie Met CassidyA brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean “a female canine,” bitch didn’t refer to women at all—it originated as a gender-neutral word for “genitalia.” A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant “housewife”; and slut, which meant “an untidy person” and was also used to describe men. These are just a few of history’s many English slurs hurled at women.Amanda Montell, reporter and feminist linguist, deconstructs language—from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns—to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don’t? Or where stereotypes of how women and men speak come from in the first place?Montell effortlessly moves between history, science, and popular culture to explore these questions—and how we can use the answers to affect real social change. Her irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.
Wordsmith: A Guide to College Writing
by Pamela ArlovInspire students to craft clear, concise, and engaging writing. <p><p> Briefer and more accessible than full-length texts, Wordsmith: A Guide to College Writing is the antidote to dry, overwrought, and overly expansive writing guides. It engages students, serves multiple skill levels, and teaches enduring writing techniques in a way that’s actionable, contemporary, hands-on, and fun. <p><p> The 7th Edition is a powerful tool for students and teachers alike. With appealing, topical readings and expanded writing exercises, the updated text empowers instructors to meet students where they are and engage their collective interests. A three-part layout allows the freedom to mix and match the writing chapters, grammar chapters, and readings. Pam Arlov’s structured, yet flexible, approach to writing encourages clarity and creativity. Her direct, conversational, student-friendly tone is used throughout, with light-hearted chapter openers that promote a positive and playful way of learning.
Wordsmith: A Guide to College Writing (5th Edition)
by Pamela ArlovFor over 10 years, instructors and students have reported better grades through increased engagement and real-time insights into progress.
Wordsworth After War: Recovering Peace in the Later Poetry (Cambridge Studies in Romanticism)
by Philip ShawWilliam Wordsworth's later poetry complicates possibilities of life and art in war's aftermath. This illuminating study provides new perspectives and reveals how his work following the end of the revolutionary and Napoleonic wars reflects a passionate, lifelong engagement with the poetics and politics of peace. Focusing on works from between 1814 and 1822, Philip Shaw constructs a unique and compelling account of how Wordsworth, in both his ongoing poetic output and in his revisions to earlier works, sought to modify, refute, and sometimes sustain his early engagement with these issues as both an artist and a political thinker. In an engaging style, Shaw reorients our understanding of the later writings of a major British poet and the post-war literary culture in which his reputation was forged. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Wordsworth and Beginnings of Modern Poetry (RLE: Wordsworth and Coleridge)
by Robert RehderFirst published in 1981, this study sees Wordsworth’s work as part of the continuous European struggle to come to terms with consciousness. The author pays particular attention to Wordsworth’s style and investigates the unstated and unconscious assumptions of that style. He discusses the conflicting feelings that shaped Wordsworth’s changing conception of The Recluse, offers a new interpretation of his classification of his poems and examines the meaning of one of his favourite images — the panoramic view of a valley filled with mist. While the emphasis is on Wordsworth’s greatness as a poet, the book stresses the importance of significance of his relation to European literature and poetry.
Wordsworth and Coleridge: Lyrical Ballads
by John BladesWritten in an age of revolutions, Lyrical Ballads represents a radical new way of thinking - not only about literature but also about our fundamental perceptions of the world. The poetry of Wordsworth and Coleridge continues to be among the most appealing and challenging in the rich tradition of English Literature; and Lyrical Ballads, composed at the height of the young authors' creative powers, is now widely acclaimed as a landmark in literary history. In this lively study, detailed analysis of individual poems is closely grounded in the literary, political and historical contexts in which Lyrical Ballads was first conceived, realised and subsequently expanded into two volumes. John Blades examines poetry from both volumes and carefully reassesses the poems in the light of Wordsworth's and Coleridge's revolutionary theories, while Part II of the study broadens the discussion by tracing the critical history of Lyrical Ballads over the two centuries since its first publication. Providing students with the critical and analytical skills with which to approach the poems, and offering guidance on further study, this stimulating book is essential reading.
Wordsworth and Coleridge
by Patrick CampbellLyrical Ballads have always been wedded to controversy. Though the judgments of the periodicals and the ensuing authorial reaction have long since been superseded by a plethora of scholarly interpretations, the debate still focuses on their elusive, paradoxical character. Are the poems traditional or experimental, a random collocation or an organized sequence? Patrick Campbell surveys the critical fluctuations of nearly two centuries while privileging recent approaches which have sought fresh perspectives on the volume - contextual, formalist and genre-based, psycho-analytic, materialist, maverick. The Ancient Mariner, Tintern Abbey, The Thorn and The Idiot Boy accorded individual treatment. The author then offers a personal interpretation of all the remaining poems and considers the vexed issue of the unity of Lyrical Ballads from a fresh perspective.
Wordsworth and Coleridge
by Peter LarkinWordsworth and Coleridge: Promising Losses assembles essays spanning the last thirty years, including a selection of Peter Larkin's original verse, with the concept of promise and loss serving as the uniting narrative thread.
Wordsworth and Evolution in Victorian Literature: Entangled Influence (The Nineteenth Century Series)
by Trenton B. OlsenThe influences of William Wordsworth’s writing and evolutionary theory—the nineteenth century’s two defining visions of nature—conflicted in the Victorian period. For Victorians, Wordsworthian nature was a caring source of inspiration and moral guidance, signaling humanity's divine origins and potential. Darwin’s nature, by contrast, appeared as an indifferent and amoral reminder of an evolutionary past that demanded participation in a brutal struggle for existence. Victorian authors like Matthew Arnold, George Eliot, Robert Louis Stevenson, and Thomas Hardy grappled with these competing representations in their work. They turned to Wordsworth as an alternative or antidote to evolution, criticized and altered his poetry in response to Darwinism, and synthesized elements of each to propose their own modified theories. Darwin’s account of a material, evolutionary nature both threatened the Wordsworthian belief in nature’s transcendent value and made spiritual elevation seem more urgently necessary. Victorian authors used Wordsworth and Darwin to explore what form of transcendence, if any, could survive an evolutionary age, and reevaluated the purpose of literature in the process.
Wordsworth and the Adequacy of Landscape (RLE: Wordsworth and Coleridge #12)
by Donald WeslingFirst published in 1970, this stylistic and interpretative account of some of Wordsworth’s major poetry examines description and meditation in his landscape writing. It describes the integration of two kinds of thinking, and a variety of beauties and lapses that come from their separation. Although Wordsworth’s deepest affinity was with nature, the author argues the finest landscape writing of the poet’s late twenties and early thirties derives from his attempt to humanise his love of nature. This work therefore aims to examine the way in which Wordsworth strives in his poetry to extend his range of concern from love of nature to love of mankind.
Wordsworth and the Art of Philosophical Travel (Cambridge Studies in Romanticism)
by Mark OffordAt the heart of Wordsworth's concerns is the question of how travel - both foreign and everyday - might also become an adventure into philosophy itself. This is an art of travel both as an approach to experience - one that draws on habits in order to revise them in the shock of new - and as a poetic approach that gives voice to the singular and foreign through the unique shapes of verse. Close readings of Wordsworth's 'pictures of Nature, Man, and Society' show how the natural is entangled with - and not simply opposed to, as many critics have suggested - the social, the political and the historical in this verse. This book draws on both eighteenth-century anthropology and travel literature, and debates in modern critical theory, to highlight Wordsworth's remarkable originality and his ongoing ability to transform our theoretical prejudgements in the unknown territory of the travel encounter.
Wordsworth and the Cultivation of Women
by Judith W. PageFocusing on the poems of Wordsworth's "Great Decade," feminist critics have tended to see Wordsworth as an exploiter of women and "feminine" perspectives. In this original and provocative book, Judith Page examines works from throughout Wordsworth's long career to offer a more nuanced feminist account of the poet's values. She asks questions about Wordsworth and women from the point of view of the women themselves and of eighteenth- and nineteenth-century culture. Making extensive use of family letters, journals, and other documents, as well as unpublished material by the poet's daughter Dora Wordsworth, Page presents Wordsworth as a poet not defined primarily by egotistical sublimity but by his complicated and conflicted endorsement of domesticity and familial life. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Wordsworth and the Enlightenment Idea of Pleasure
by Rowan BoysonAncient questions about the causes and nature of pleasure were revived in the eighteenth century with a new consideration of its ethical and political significance. Rowan Boyson reminds us that philosophers of the Enlightenment, unlike modern thinkers, often represented pleasure as shared rather than selfish, and she focuses particularly on this approach to the philosophy and theory of pleasure. Through close reading of Enlightenment and Romantic texts, in particular the poetry and prose of William Wordsworth, Boyson elaborates on this central theme. Covering a wide range of texts by philosophers, theorists and creative writers from over the centuries, she presents a strong defence of the Enlightenment ideal of pleasure, drawing out its rich political, as well as intellectual and aesthetic, implications.
Wordsworth and the Passions of Critical Poetics
by Stuart AllenThis scholarly study presents a new political Wordsworth: an artist interested in 'autonomous' poetry's redistribution of affect. No slave of Whig ideology, Wordsworth explores emotion for its generation of human experience and meaning. He renders poetry a critical instrument that, through acute feeling, can evaluate public and private life.
Wordsworth and the Poetics of Air (Cambridge Studies in Romanticism #121)
by Thomas H. FordBefore the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page. Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed.
Wordsworth and the Writing of the Nation (The\nineteenth Century Ser.)
by James M. GarrettShedding fresh light on Wordsworth's contested relationship with an England that changed dramatically over the course of his career, James Garrett places the poet's lifelong attempt to control his literary representation within the context of national ideas of self-determination represented by the national census, national survey, and national museum. Garrett provides historical background on the origins of these three institutions, which were initiated in Britain near the turn of the nineteenth century, and shows how their development converged with Wordsworth's own as a writer. The result is a new narrative for Wordsworth studies that re-integrates the early, middle, and late periods of the poet's career. Detailed critical discussions of Wordsworth's poetry, including works that are not typically accorded significant attention, force us to reconsider the usual view of Wordsworth as a fading middle-aged poet withdrawing into the hills. Rather, Wordsworth's ceaseless reworking of earlier poems and the flurry of new publications between 1814 and 1820 reveal Wordsworth as an engaged public figure attempting to 'write the nation' and position himself as the nation's poet.
Wordsworth Before Coleridge: The Growth of the Poet’s Philosophical Mind, 1785-1797 (Routledge Studies in Eighteenth-Century Literature)
by Mark J. BruhnDrawing extensively upon archival resources and manuscript evidence, Wordsworth Before Coleridge rewrites the early history of Wordsworth’s intellectual development and thereby overturns a century-old consensus that derives his most important philosophical ideas from Coleridge. Beginning with Wordsworth’s mathematical and poetic studies at Hawkshead Grammar School and Cambridge University, both of which tutored the young poet in mind-matter dualism, the book charts the process by which Wordsworth came, not to reject this philosophical foundation, but to reevaluate the indispensable role of passion within it. Prompted by his reading in 1793 or early 1794 of Dugald Stewart’s Elements of the Philosophy of the Human Mind, Wordsworth rejected the exclusive rationality of William Godwin’s political philosophy and the anti-passionate morality of Alexander Pope’s philosophical poetics. Subsequent exposure, between 1795 and 1797, to Cambridge Platonism and English Kantianism supplied the key ideas of mind-nature fitness and multilevel psychological activity that, along with Stewart’s analysis of imaginative association, animate Wordsworth’s signature philosophy of "feeling intellect," from the initial drafts of The Pedlar and The Prelude in 1798 to the "Prospectus" to The Recluse and The Excursion, published together in 1814. By presenting for the first time a fully nuanced account of Wordsworth’s intellectual formation prior to the advent of Coleridge as his close companion and creative collaborator, Wordsworth Before Coleridge reveals at long last the true sources and abiding originality of the poet’s philosophical mind.
The Wordsworth Circle, volume 52 number 4 (Autumn 2021)
by The Wordsworth CircleThis is volume 52 issue 4 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
The Wordsworth Circle, volume 53 number 1 (Winter 2022)
by The Wordsworth CircleThis is volume 53 issue 1 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
The Wordsworth Circle, volume 53 number 2 (Spring 2022)
by The Wordsworth CircleThis is volume 53 issue 2 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
The Wordsworth Circle, volume 53 number 3 (Summer 2022)
by The Wordsworth CircleThis is volume 53 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
The Wordsworth Circle, volume 53 number 4 (Autumn 2022)
by The Wordsworth CircleThis is volume 53 issue 4 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.