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The World in Books: 52 Works of Great Short Nonfiction (Great Short Books)
by Kenneth C. DavisA delightful, inspiring, and idea-rich selection of fifty-two of the best, most important short nonfiction works of all time—from Plato to Michael Pollan and Dante to Joan Didion—chosen by historian, lifelong reader, and bestselling author of Don&’t Know Much About History.From ancient times to the present day, The World in Books offers a wide-ranging historical education through pleasure reading—and a fantastic introduction to some of the most thought-provoking, profound, and interesting nonfiction works of all time. From Sun Tzu&’s The Art of War to bell hooks&’s All About Love, as well as such recent classics as Barbara Ehrenreich&’s Nickel and Dimed and Chimamanda Ngozi Adichie&’s We Should All Be Feminists, Davis&’s guide suggests a world of nonfiction books and explains just why they&’re so historically meaningful and culturally relevant today. The perfect guide for the modern-day reader, these fifty-two selections provide an ideal way to explore some of the most enduring, influential books ever published, introducing us anew to world-shaping historical figures, events, and ideas.
The World in Play: Portraits of a Victorian Concept
by Matthew KaiserNineteenth-century Britain was a world in play. The Victorians invented the weekend and built hundreds of parks and playgrounds. In the wake of Darwin, they re-imagined nature as a contest for survival. The playful child became a symbol of the future. A world in play means two things: a world in flux and a world trapped, like Alice in Wonderland, in a ludic microcosm of itself. The book explores the extent to which play (competition, leisure, mischief, luck, festivity, imagination) pervades nineteenth-century literature and culture and forms the foundations of the modern self. Play made the Victorian world cohere and betrayed the illusoriness of that coherence. This is the paradox of modernity. Kaiser gives an account of how certain Victorian misfits—working-class melodramatists of the 1830s, the reclusive Emily Brontë, free spirits Robert Louis Stevenson and John Muir, mischievous Oscar Wilde—struggled to make sense of this new world. In so doing, they discovered the art of modern life.
The World Is a Book, Indeed: Writing, Reading, and Traveling
by Peter LaSalleThe World Is a Book, Indeed chronicles in eleven rich personal essays the ongoing quest of award-winning writer Peter LaSalle to embark on offbeat, often startlingly revelatory literary travel. LaSalle spends a summer roaming the lesser-known quarters of Paris, haunted by the writing of the French surrealists. In Hanoi, he meets for beers with the editors—two military men—of the Army Literature and Arts Magazine while investigating Vietnam’s acknowledged great modern novel, Bao Ninh’s The Sorrow of War. Other pieces find LaSalle on a strange nighttime drive through the streets of sprawling São Paulo in search of landmarks associated with Brazilian modernist poetry, bouncing around Africa to interview writers there when very young, exploring Argentine author Jorge Luis Borges's memorable stay in Texas, and traveling to Istanbul, Lisbon, Tunis, and elsewhere, as he considers major writers amid the settings that produced their works. Deeply felt and replete with insight into literature and life itself, even capable of evoking valid mind leaps in its innovative approaches, this is a collection for readers who love books and want to learn more about the places they originated, presented by a well-traveled guide with an intimate voice and a gift for the essay form.
The World is a Text: Writing, Reading, and Thinking about Visual and Popular Culture (Fourth Edition)
by Jonathan Silverman Dean RaderThis illustrated cultural studies reader directly engages the process of reading and writing about the “texts” one sees in everyday life. Using the lenses of rhetoric, semiotics and cultural studies, students are encouraged to become effective academic writers while gaining deeper insights into such popular culture categories as movies, technology, race, music, ethnicity, television, media, public space, and more.
The World Is Made of Stories
by David R. LoyIn this dynamic and utterly novel presentation, David Loy explores the fascinating proposition that the stories we tell--about what is and is not possible, about ourselves, about right and wrong, life and death, about the world and everything in it--become the very building blocks of our experience and of reality itself. Loy uses an intriguing mixture of quotations from familiar and less-familiar sources and brief stand-alone micro-essays, engaging the reader in challenging and illuminating dialogue. As we come to see that the world is made--in a word--of stories, we come to a richer understanding of that most elusive of Buddhist ideas: shunyata, the "generative emptiness" that is the all-pervading quality inherent to all mental and physical forms in our ever-changing world. Reminiscent of Zen koans and works of sophisticated poetry, this book will reward both a casual read and deep reflection.
The World Is Our Stage: The Global Rhetorical Presidency and the Cold War
by Allison M. PraschA fresh account of the US presidential rhetoric embodied in Cold War international travel. Crowds swarm when US presidents travel abroad, though many never hear their voices. The presidential body, moving from one secured location to another, communicates as much or more to these audiences than the texts of their speeches. In The World is Our Stage, Allison M. Prasch considers how presidential appearances overseas broadcast American superiority during the Cold War. Drawing on extensive archival research, Prasch examines five foundational moments in the development of what she calls the “global rhetorical presidency:” Truman at Potsdam, Eisenhower’s “Goodwill Tours,” Kennedy in West Berlin, Nixon in the People’s Republic of China, and Reagan in Normandy. In each case, Prasch reveals how the president’s physical presence defined the boundaries of the “Free World” and elevated the United States as the central actor in Cold War geopolitics.
The World Is Our Stage: The Global Rhetorical Presidency and the Cold War
by Allison M. PraschA fresh account of the US presidential rhetoric embodied in Cold War international travel. Crowds swarm when US presidents travel abroad, though many never hear their voices. The presidential body, moving from one secured location to another, communicates as much or more to these audiences than the texts of their speeches. In The World is Our Stage, Allison M. Prasch considers how presidential appearances overseas broadcast American superiority during the Cold War. Drawing on extensive archival research, Prasch examines five foundational moments in the development of what she calls the “global rhetorical presidency:” Truman at Potsdam, Eisenhower’s “Goodwill Tours,” Kennedy in West Berlin, Nixon in the People’s Republic of China, and Reagan in Normandy. In each case, Prasch reveals how the president’s physical presence defined the boundaries of the “Free World” and elevated the United States as the central actor in Cold War geopolitics.
The World Is Our Stage: The Global Rhetorical Presidency and the Cold War
by Allison M. PraschA fresh account of the US presidential rhetoric embodied in Cold War international travel. Crowds swarm when US presidents travel abroad, though many never hear their voices. The presidential body, moving from one secured location to another, communicates as much or more to these audiences than the texts of their speeches. In The World is Our Stage, Allison M. Prasch considers how presidential appearances overseas broadcast American superiority during the Cold War. Drawing on extensive archival research, Prasch examines five foundational moments in the development of what she calls the “global rhetorical presidency:” Truman at Potsdam, Eisenhower’s “Goodwill Tours,” Kennedy in West Berlin, Nixon in the People’s Republic of China, and Reagan in Normandy. In each case, Prasch reveals how the president’s physical presence defined the boundaries of the “Free World” and elevated the United States as the central actor in Cold War geopolitics.
The World Is What It Is: The Authorized Biography of V. S. Naipaul
by Patrick FrenchV.S. Naipaul's biographer aims not to sit in judgment of the Nobel laureate, but to expose the subject with ruthless clarity to the calm eye of the reader. In this he succeeds admirably. Descendant of poor Brahmins, born in 1932 in Trinidad and educated in Oxford, Naipaul is haunted by matters of race, colonialism and sex. He is, says award-winning author French (Younghusband), both the racist (against those darker than he) and the victim of racial prejudice, tendencies that come through in his novels and in his treatment of friends and lovers. Haunting this biography are Naipaul's women. His wife, Pat, supported him, overlooked his affairs and his visits with prostitutes, and subordinated herself to his genius; Naipaul gave equally little to Margaret, his mistress.
World Lexicon of Grammaticalization
by Tania Kuteva Bernd Heine Bo Hong Haiping Long Heiko Narrog Seongha RheeExtensively revised and updated, this second edition provides, in an A-Z format, an analysis of the most important generalizations that have been made on the unidirectional change of grammatical forms and constructions. Based on the analysis of more than 1,000 languages, it reconstructs over 500 processes of grammatical change in the languages of the world, including East Asian languages such as Chinese, Korean and Japanese. Readers are provided with the tools to discover how lexical and grammatical meanings can be related to one another in a principled way, how such issues as polysemy, heterosemy, and transcategoriality are dealt with, and why certain linguistic forms have simultaneous lexical and grammatical functions. Definitions of lexical concepts are provided with examples from a broad variety of languages, and references to key relevant research literature. Linguists and other scholars will gain a better understanding of languages on a worldwide scale.
World Link 2
by Nancy Douglas John Hughes James R. MorganWorld Link, Fourth Edition teaches learners to communicate confidently. It develops integrated language skills with an emphasis on spoken English through familiar topics, relevant grammar, and essential vocabulary. World Link brings the world to the classroom through a famously fun video program, relatable National Geographic content, and teacher-tested lessons.
World Literacy: How Countries Rank and Why It Matters
by Michael C. McKenna John W. MillerInternational literacy assessments have provided ample data for ranking nations, charting growth, and casting blame. Summarizing the findings of these assessments, which afford a useful vantage from which to view world literacy as it evolves, this book examines literate behavior worldwide, in terms of both the ability of populations from a wide variety of nations to read and the practice of literate behavior in those nations. Drawing on The World’s Most Literate Nations, author Jack Miller’s internationally released study, emerging trends in world literacy and their relationships to political, economic, and social factors are explored. Literacy, and in particular the practice of literate behaviors, is used as a lens through which to view countries’ economic development, gender equality, resource utilization, and ethnic discrimination. Above all, this book is about trajectories. It begins with historical contexts, described in terms of support for literate cultures. Based on a variety of data sources, these trends are traced to the present and then projected ahead. The literate futures of nations are discussed and how these relate to their economic and sociocultural development. This book is unique in providing a broader perspective on an intractable problem, a vantage point that offers useful insights to inform policy, and in bringing together an array of relevant data sources not typically associated with literacy status.
World Literature
by Susan Wittig Albert Richard Cohen Rose Sallberg Kam David Adams Leeming Thomas Monsell Carroll MoultonWorld Literature textbook for high school
World Literature: An Anthology of Great Short Stories, Drama, and Poetry
by Donna Rosenberg Mcgraw-Hill StaffAn exciting anthology of thought provoking short stories, plays & poems, written by major authors from all over the world, translated to English. Seven geographical areas are covered. The selections span from the 13th Century BC to the late 20th Century AD. Each selection includes critical & biographical information, questions which emphasize inferential thinking, expository & creative writing assignments & a glossary of literary terms.
World Literature (3rd Edition)
by Jan AndersonWorld Literature introduces students to the wonderful variety of classic literature produced through the centuries. The first ten units showcase a medley of writing styles that illustrate various literary devices or themes. The last six units present literature by region and era. This breakdown helps the student to gain a full understanding of literature's variety, beauty, and history.
World Literature (3rd Edition)
by Holt Rinehart WinstonThe textbook contains World Myths and Folktales, The African Literary Tradition, The ancient Middle East, The Literature of Ancient Mesopotamia, Greek and Roman Literatures, Indian Literature, Chinese and Japanese Literatures, Persian and Arabic Literatures, The Middle Ages, From the Renaissance to the Enlightenment, The nineteenth Century: Romanticism to Realism, Modern and Contemporary World Literature, and a lot more.
World Literature After Empire: Rethinking Universality in the Long Cold War (Routledge Studies in Comparative Literature)
by Pieter VanhoveThis book makes the case that the idea of a "world" in the cultural and philosophical sense is not an exclusively Western phenomenon. During the Cold War and in the wake of decolonization a plethora of historical attempts were made to reinvent the notions of world literature, world art, and philosophical universality from an anticolonial perspective. Contributing to recent debates on world literature, the postcolonial, and translatability, the book presents a series of interdisciplinary and multilingual case studies spanning Europe, the United States, and China. The case studies illustrate how individual anti-imperialist writers and artists set out to remake the conception of the world in their own image by offering a different perspective centered on questions of race, gender, sexuality, global inequality, and class. The book also discusses how international cultural organizations like the Afro-Asian Writers’ Bureau, UNESCO, and PEN International attempted to shape this debate across Cold War divides.
World Literature and Dissent
by Lorna Burns Katie MuthWorld Literature and Dissent reconsiders the role of dissent in contemporary global literature. Bringing together scholars of world and postcolonial literatures, the contributors explore the aesthetics of resistance through concepts including the epistemology of ignorance, the rhetoric of innocence, the subversion of paying attention, and the radical potential of everydayness. Addressing a broad range of examples, from the Maghrebian humanist Ibn Khaldūn to India’s Facebook poets and examining writers such as Langston Hughes, Ben Okri, Sara Uribe, and Merle Collins, this highly relevant book reframes the field of world literature in relation to dissenting politics and aesthetic. It asks the urgent question: how critical practice might cultivate radical thought, further social justice, and value human expression?
World Literature and Ecology: The Aesthetics of Commodity Frontiers, 1890-1950 (New Comparisons in World Literature)
by Michael NiblettLocated at the intersection of world-literary studies and the environmental humanities, this book analyses how fiction and poetry respond to the ecological transformations entailed by commodity frontiers. Examining the sugar, cacao, coal, and oil frontiers in Trinidad, Brazil, and Britain, World Literature and Ecology shows how literary texts have registered the relationship between the re-making of biophysical natures and struggles around class, race, and gender. It combines a materialist theory of world-literature with the insights of the world-ecology perspective to generate compelling new readings of writers such as Rhys Davies, Yseult Bridges, Lewis Jones, José Lins do Rego, Ellen Wilkinson, Jorge Amado, Gwyn Thomas, and Ralph de Boissière. The book represents a timely intervention into a series of field-defining debates around peripheral realisms and modernisms, ecocriticism, and the energy humanities.
World Literature and Hedayat’s Poetics of Modernity (Canon and World Literature)
by Omid AzadibougarThis book introduces the canonical figure Sadegh Hedayat (1903–1951) and draws a comprehensive image of a major intellectual force in the context of both modern Persian Literature and World Literature. A prolific writer known for his magnum opus, The Blind Owl (1936), Hedayat established the use of common language for literary purposes, opened new horizons on imaginative literature and explored a variety of genres in his creative career. This book looks beyond the reductive critical tendencies that read a rich and diverse literary profile in light of Hedayat’s suicide, arguing instead that his literary imagination was not solely the result of genius but rather enriched by a vast network of the world’s literary traditions. This study reflects on Hedayat’s attempts at various genres of artistic creation, including painting, fiction writing, satire and scholarly research, as well as his persistent struggles for artistic authenticity, which transcended solidly established literary and artistic norms. Providing a critical reading of Hedayat’s work to untangle aspects of his writing – including reflections on science, religion, nationalism and coloniality – alongside his pioneering work on folk culture, and how humor informs his writings, this text offers a critical review of the status of Persian literature in the contemporary landscape of the world’s literary studies.
World Literature and the Geographies of Resistance
by Joel NickelsThis book proposes a new definition of world literature: an archive of democratic mechanisms external to state power. Accordingly, World Literature and the Geographies of Resistance takes shape as an exploration of nonstate space - territories of self-government that contest the vertical command structures of the state. Joel Nickels argues that literature devoted to these processes of spatial occuption can help us imagine democratic alternatives to state space and to the regime of legalized dispossession that goes under the name of globalization. Conceptualized in these terms, world literature can be viewed not as the corollary of 90s-era cosmopolitanism, but as a document of strategies for the militant reorganization of social space. This ambitious book addresses the work of Patrick Chamoiseau, Ousmane Sembene, Miguel Ángel Asturias, Claude McKay, Arundhati Roy, T. S. Eliot and Melvin Tolson. It engages with theories of transnationality, diaspora and postcoloniality, as well as world literature.
World Literature as Discovery: Expanding the World Literary Canon
by Zhang LongxiThe rise of world literature is the most noticeable phenomenon in literary studies in the twenty-first century. However, truly well-known and globally circulating works are all canonical works of European or Western literature, while non-European and even "minor" European literatures remain largely unknown beyond their culture of origin. World Literature as Discovery: Expanding the World Literary Canon argues that world literature for our time must go beyond Eurocentrism and expand the canon to include great works from non-European and "minor" European literatures. As much of the world’s literature remains untranslated and unknown, the expansion will be an exciting process of discovery. By discussing fundamental questions around canon, circulation, aesthetic values, translation, cosmopolitanism, and the literary universal, Zhang Longxi proposes a new and liberating concept of world literature that will shape world literature worthy of its name. This book speaks for a more inclusive idea of world literature and shows students and scholars alike that all the literary traditions, particularly non-European traditions, will be able to make important contributions and expand the canon of world literature.
World Literature Decentered: Beyond the “West” through Turkey, Mexico and Bengal (Routledge Studies in Comparative Literature)
by Ian AlmondWhat would world literature look like, if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet”, World Literature Decentered is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizing them, but by actively providing an alternative. Looking at a series of themes across three literatures (Mexico, Turkey and Bengal), the book examines hotels, melancholy, orientalism, femicide and the ghost story in a series of literary traditions outside the “West”. The non-West, the book argues, is no fringe group or token minority in need of attention – on the contrary, it constitutes the overwhelming majority of this world.
World Literature, Fifth Edition
by ChapmanThis beautifully illustrated anthology includes twelve units representing writers from around the world. Built-in studies of historical and cultural backgrounds enable students to understand the literature. Students will practice interpreting literature through a biblical lens. Critical thinking skills are built through answering thought-provoking responses worldview and literature-related questions. Students will also practice interpreting symbols and themes in visual art with a Spotlight on Visual Literacy feature. Poetry memorization continues in this grade. Students are also encouraged to memorize select poems.