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The World Under My Fingers: Personal Reflections on Braille
by Barbara PierceBraille: What Is It? What Does It Mean to the Blind?
The World, Volume 1 [Grade 6] (Ohio Timelinks)
by Linda Greenow James Banks Kevin CollearyNIMAC-sourced textbook <P><P>Macmillian/McGraw-Hill TIMELINKS builds geographic mastery with maps and skills, offers reading skills and strategies to reinforce Reading/Language Arts skills, and integrates Dinah Zike’s Foldables® to help students improve comprehension.
World War I and Southern Modernism
by David A. DavisWinner of the 2018 Eudora Welty PrizeWhen the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.
World War II in Contemporary German and Dutch Fiction: The Generation of Meta-Memory (Routledge Studies in Comparative Literature)
by Jan LensenWorld War II in Contemporary German and Dutch Fiction: The Generation of Meta-Memory offers a comparative study of the construction of World War II memory in contemporary German, Flemish, and Dutch literature. More specifically, it investigates in what ways the large temporal distance to the historical events has impacted how literary writers from these three literatures have negotiated its meaning and form during the last decades. To that end, this book offers analyses of nine novels that demonstrate a pronounced reflexivity on the conditions of contemporary remembering. Rather than a dig for historical truth or a struggle with historical trauma, these novels reflect on the transmission, the narrative shapes, the formation processes, and the functions of World War II memory today, while asserting a self-conscious and often irreverent approach toward established mnemonic routines, practices, and rules. As the analyses show, this approach is equally articulated through the novels’ poetics, which are marked by a large formal diversity and a playfulness that highlights mnemonic agency, a posttraumatic positioning, and the ascendency of the literary over the historiographical. Based on these findings, this book proposes the emergence of a new paradigm within the postwar cultural assessment of World War II: the generation of meta-memory.
World War One, American Literature, and the Federal State
by Mark WhalanIn this book, Mark Whalan argues that World War One's major impact on US culture was not the experience of combat trauma, but rather the effects of the expanded federal state bequeathed by US mobilization. Writers bristled at the state's new intrusions and coercions, but were also intrigued by its creation of new social ties and political identities. This excitement informed early American modernism, whose literary experiments often engaged the political innovations of the Progressive state at war. Writers such as Wallace Stevens, John Dos Passos, Willa Cather, Zane Grey, and Edith Wharton were fascinated by wartime discussions over the nature of US citizenship, and also crafted new forms of writing that could represent a state now so complex it seemed to defy representation at all. And many looked to ordinary activities transformed by the war - such as sending mail, receiving healthcare, or driving a car - to explore the state's everyday presence in American lives.
World-Wide Shakespeares: Local Appropriations in Film and Performance
by Sonia MassaiDrawing on debates around the global/local dimensions of cultural production, an international team of contributors explore the appropriation of Shakespeare’s plays in film and performance around the world. In particular, the book examines the ways in which adapters and directors have put Shakespeare into dialogue with local traditions and contexts. The contributors look in turn at ‘local’ Shakespeares for local, national and international audiences, covering a range of English and foreign appropriations that challenge geographical and cultural oppositions between ‘centre’ and ‘periphery’, and ‘big-time’ and ‘small-time’ Shakespeares. Responding to a surge of critical interest in the poetics and politics of appropriation, World-Wide Shakespeares is a valuable resource for those interested in the afterlife of Shakespeare in film and performance globally.
A World without Capitalism?: Alternative Discourses, Spaces, and Imaginaries
by Christian W. ChunIn this book, Christian W. Chun examines the ways in which identities, discourses, and topographies of both capitalist and anti-capitalist imaginaries and realities are embodied in the everyday practices of people. A World without Capitalism? is a sociolinguistic ethnography that explores the heretofore limited research in applied linguistics and sociolinguistics on the discursive and materialized representations and enactments of capitalism. Engaging across disciplinary fields, including applied linguistics, ethnography, political economy, philosophy, and cultural studies, Chun investigates in ethnographic detail how capitalism does and does not pervade people’s everyday experiences. This book aims to further contribute to a much-needed understanding of how discourses operate in the co-constructions of capitalist and anti-capitalist imaginaries and instantiated realities and practices as narrated, lived, and embodied by people and material artifacts. This book is vital reading for students and researchers working in the fields of applied linguistics, discourse analysis, and cultural studies, as well as those interested in understanding capitalism and questioning how to live beyond it.
World Writers Today
by Addison WesleyThese collections of literature are perfect for additional reading.
Worldbuilding: From Small Towns to Entire Universes (Million Dollar Writing Series)
by Kevin J. AndersonInternational bestseller Anderson has created many extensive fictional universes, ranging from sweeping galactic empires to complex steampunk fantasies, to humorous monster-filled cities. He has become known for his skill in worldbuilding. In Worldbuilding: From Small Towns to Entire Universes he describes his techniques in creating a rich fictional setting, leading writers through the countless questions and topics one must consider. Whether it's geography, climate, politics, economics, society, religion, science, arts, or history, all of these ingredients form the basis for a believable setting for your story to unfold.
Worlding a Peripheral Literature (Canon and World Literature)
by Marko JuvanBringing together the analyses of the literary world-system, translation studies, and the research of European cultural nationalism, this book contests the view that texts can be attributed global importance irrespective of their origin, language, and position in the international book market. Focusing on Slovenian literature, almost unknown to world literature studies, this book addresses world literature’s canonical function in the nineteenth-century process of establishing European letters as national literatures. Aware of their dependence on imperial powers, (semi)peripheral national movements sought international recognition through, among other things, the newly invented figure of the national poet. Writers central to dependent national communities were canonized to represent their respective cultures to the norm-giving Other – the emerging world literary canon and its aesthetic ideology. Hence, national literatures asserted their linguo-cultural individuality through the process of worlding; that is, by their positioning in the international literary world informed by the supposed universality of the aesthetic.
Worlding Forster: The Passage from Pastoral (Studies in Major Literary Authors #37)
by Stuart ChristieFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
The Worlding of Arabic Literature: Language, Affect, and the Ethics of Translatability
by Anna Ziajka StantonCritics have long viewed translating Arabic literature into English as an ethically fraught process of mediating between two wholly incommensurable languages, cultures, and literary traditions. Today, Arabic literature is no longer “embargoed” from Anglophone cultural spaces, as Edward Said once famously claimed that it was. As Arabic literary works are translated into English in ever-greater numbers, what alternative model of translation ethics can account for this literature’s newfound readability in the hegemonic language of the world literary system? The Worlding of Arabic Literature argues that an ethical translation of a work of Arabic literature is one that transmits the literariness of the source text by engaging new populations of readers via a range of embodied and sensory effects. The book proposes that when translation is conceived of not as an exchange of semantic content but as a process of converting the affective forms of one language into those of another, previously unrecognized modalities of worldliness open up to the source text.In dialogue with a rich corpus of Arabic aesthetic and linguistic theory as well as contemporary scholarship in affect theory, translation theory, postcolonial theory, and world literature studies, this book offers a timely and provocative investigation of how an important literary tradition enters the world literary system.The Worlding of Arabic Literature: Language, Affect, and the Ethics of Translatability is available from the publisher on an open-access basis.
The Worlding of the South African Novel: Spaces of Transition (New Comparisons in World Literature)
by Jane PoynerThe Worlding of the South African Novel develops from something of a paradox: that despite momentous political transition from apartheid to democracy, little in South Africa’s socio-economic reality has actually changed. Poyner discusses how the contemporary South African novel engages with this reality. In forms of literary experiment, the novels open up intellectual spaces shaping or contesting the idea of the “new South Africa”. The mediatising of truth at the TRC hearings, how best to deal with a spectacular yet covert past, the shaping for “unimagined communities” of an inclusive public sphere, HIV/AIDS as the preeminent site testing capitalist modernity, white anxieties about land reform, disease as environmental injustice and the fostering of an enabling restorative cultural memory: Poyner argues that through these key nodes of intellectual thought, the novels speak to recent debates on world-literature to register the “shock” of an uneven modernity produced by a capitalist world economy.
The Worldmakers: Global Imagining in Early Modern Europe
by Ayesha RamachandranIn this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality? The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.
Worlds Apart: Acting and Writing in Academic and Workplace Contexts (Rhetoric, Knowledge, and Society Series)
by Patrick Dias Aviva Freedman Peter Medway Anthony ParWorlds Apart: Acting and Writing in Academic and Workplace Contexts offers a unique examination of writing as it is applied and used in academic and workplace settings. Based on a 7-year multi-site comparative study of writing in different university courses and matched workplaces, this volume presents new perspectives on how writing functions within the activities of various disciplines: law and public administration courses and government institutions; management courses and financial institutions; social-work courses and social-work agencies; and architecture courses and architecture practice. Using detailed ethnography, the authors make comparisons between the two types of settings through an understanding of how writing is operative within the particularities of these settings. Although the research was initially established to further understanding of the relationships between writing in academic and workplace settings, it has evolved to examining writing as it is embedded in both types of settings--where social relationships, available tools, and historical, cultural, temporal, and physical location are all implicated in complex ways in the decisions people make as writers. Readers of this volume will discover that the uniqueness of each setting makes salient different aspects of writers and writing, resulting in complex, and potentially unsettling implications for writing theory and the teaching of writing.
Worlds at the End: Los Angeles, Infrastructure, and the Apocalyptic Imagination (Critical Race, Indigeneity, and Relationality)
by Pacharee SudhinarasetWorlds at the End attends to a body of literature that renders Los Angeles’s infrastructure, or its material foundations, as central to the rise and consolidation of colonial life. Pacharee Sudhinaraset employs a women-of-color feminist methodology to examine Indigenous, Black, Asian American, and Latinx literary works about apocalypse and the end times. Worlds at the End analyzes destruction, rupture, and continuance through texts ranging from Karen Tei Yamashita’s Tropic of Orange, which considers racial colonial infrastructure, to the work of Diné poet Esther Belin, which illuminates how the separation between the Indian reservation and LA is part of a broader infrastructural network of termination. And she unpacks Octavia Butler’s post-apocalyptic novel, Parable of the Sower, where LA’s freeways and roadways are routes of forced migration, colonization, and flight. Tearing down existing institutions that marginalize people of color and moving past them, Worlds at the End highlights the imaginaries of those subjugated, racialized, and made other, for whom modernity, freedom, and progress meant violence, brutality, and relegation to the status of devalued surplus populations. As Sudhinaraset deftly shows, the apocalypse marks moments of historical and spatial transition, offering stories of doomsdays that will give rise to resurgence and regeneration.
The World's Best Memoir Writing: The Literature of Life from St. Augustine to Gandhi, and from Pablo Picasso to Nelson Mandela
by Eve ClaxtonEve Claxton has taken the most intriguing portions of the world's most famous memoirs and compiled them in this volume. The reader experiences world history as the authors lived it and gains rare insight into the lives and personalities of some of the world's most important writers, thinkers, athletes and artists. From Charlie Chaplin's childhood walks through Victorian London and Alan Bennett's wartime boyhood in Yorkshire to the day Muhammad Ali discovered boxing and Mahatma Gandhi experimented with cigarettes; from Primo Levi's capture of fascist militia at twenty-one and Katherine Hepburn's first acting job at the same age to Charles Darwin on his lifelong love-his work-and Nelson Mandela on being released from prison at seventy-one. The World's Best Memoir Writing is a uniquely enjoyable immersion into some of the world's best, and most personal, writing.
Worlds Beyond: Miniatures and Victorian Fiction
by Laura ForsbergAn innovative study of how the Victorians used books, portraits, fairies, microscopes, and dollhouses to imagine miniature worlds beyond perception In 1856, Elizabeth Gaskell discovered a trove of handmade miniature books that were created by Charlotte and Branwell Brontë in their youth and that, as Gaskell later recalled, &“contained an immense amount of manuscript, in an inconceivably small space.&” Far from being singular wonders, these two-inch volumes were part of a wide array of miniature marvels that filled the drawers and pockets of middle- and upper-class Victorians. Victorian miniatures pushed the boundaries of scientific knowledge, mechanical production, and human perception. To touch a miniature was to imagine what lay beyond these boundaries. In Worlds Beyond, Laura Forsberg reads major works of fiction by George Eliot, Jane Austen, Charles Dickens, and Lewis Carroll alongside minor genres like the doll narrative, fairy science tract, and thumb Bible. Forsberg guides readers through microscopic science, art history, children&’s culture, and book production to show how Victorian miniatures offered scripts for expansive fantasies of worlds beyond perception.
Worlds Beyond Words: True Stories About the Power of Literacy (Quick Reads Ser.)
by Alison StokesA collection of real-life stories from people who have improved their lives through better literacy. Foreword by Scott QuinnellSome people take the power of words for granted. But for the thousands of people who struggle with poor literacy, words can be scary things. The men and women featured in this book have overcome their fears to improve their reading later in life. Whether they are famous businessmen or sports stars, teenagers in care, middle-aged mums, young soldiers or refugees forced to flee bloodshed in their own home countries, they all share a common desire to learn.Their stories will inspire others to follow journeys of their own.Alison Stokes is a writer and journalist, who writes for national magazines in the UK and US and regional newspapers in Wales. For many years she was a features editor at Trinity Mirror’s South Wales Echo. She also works as a part-time university lecturer in journalism and publishing manager.
Worlds Beyond Words: True Stories About the Power of Literacy (Quick Reads)
by Alison StokesA collection of real-life stories from people who have improved their lives through better literacy. Foreword by Scott QuinnellSome people take the power of words for granted. But for the thousands of people who struggle with poor literacy, words can be scary things. The men and women featured in this book have overcome their fears to improve their reading later in life. Whether they are famous businessmen or sports stars, teenagers in care, middle-aged mums, young soldiers or refugees forced to flee bloodshed in their own home countries, they all share a common desire to learn.Their stories will inspire others to follow journeys of their own.Alison Stokes is a writer and journalist, who writes for national magazines in the UK and US and regional newspapers in Wales. For many years she was a features editor at Trinity Mirror’s South Wales Echo. She also works as a part-time university lecturer in journalism and publishing manager.
Worlds Built to Fall Apart: Versions of Philip K. Dick (Univocal)
by David LapoujadePhilosophically analyzing the work of one of the twentieth century&’s most popular, and peculiar, science fiction authors Despite his enduring popularity, Philip K. Dick (1928–1982)—whose short stories and novels were adapted into or influenced many major films and television shows, including Blade Runner, Total Recall, The Truman Show, and The Man in the High Castle—has long been a marginal figure in American literature, even in the science fiction genre he helped revolutionize. Here, an influential French philosopher offers a major new perspective on an author who was known as much for his eccentricities and excesses as for his writing. For David Lapoujade, it is precisely the many ways in which Dick&’s works seem to hover on the brink of losing all touch with reality that make him such a singular figure, both as a sci-fi author and as a thinker of contemporary life. In Worlds Built to Fall Apart, Lapoujade defines sci-fi as a way of thinking through the creation of worlds and argues that Dick does so by creating worlds that fall rapidly to pieces. Whatever his mechanism to bring this about (drugs or madness, alien satellite transmissions or encroaching parallel universes), the effect is always to reveal reality to be a construction, in which certain people determine what appears as real to the rest of us. Orienting Dick within philosophy and drawing connections to a wide variety of other thinkers and artists, this remarkable reading shows how he proposes unstable, fluctuating futures in which tinkering with reality has become the best means of resisting total control. Engaging with most of Philip K. Dick&’s published works, as well as with several of his essays and his notorious psychic autobiography The Exegesis, Lapoujade hones in on the &“war of the psyches&” that underlies Dick&’s critique of reality. He puts Dick&’s work in conversation with a vast array of subjects—from cybernetics to schizoanalysis, and from Pop art to David Lynch, J. G. Ballard, and William S. Burroughs—revealing Dick&’s oeuvre to comprise a profound reality defined by artifice, precarity, and control. Retail e-book files for this title are screen-reader friendly.
Worlds Enough: The Invention of Realism in the Victorian Novel
by Elaine FreedgoodA short, provocative book that challenges basic assumptions about Victorian fictionNow praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction.Examining criticism of Victorian novels since the 1850s, Freedgood demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. She analyzes the characteristics of realism—denotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. She concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature.By re-examining the critical reception of the Victorian novel, Worlds Enough suggests how we can rethink our practices and perceptions about books we think we know.
The World's Greatest Brain Bogglers: Grades 3-9
On January 1st, a girl said to a boy, "Two days ago, I was 7, but next year I'll be 10." She was telling the truth. Try to figure out how this could be possible.―Pamela Massey, 12What do you have when you are sitting down that disappears when you stand up?―Lindsay Lingerman, 12Your students will love these collections of games, puzzles, logic puzzles, word finds, riddles, and mazes―all by kids just like them! Each puzzle or game is by a kid, because these challenges are collected from the pages of Creative Kids, a magazine by and for kids―so you know that the brain bogglers in these collections will be perfect for your students. Sit back as your students use logic to create a mismatched monster, decrypt secret messages, and solve picture puzzles.Filled with hours of fun and challenge, there is something for everyone in these books, from corny riddles, to perplexing crosswords, to complicated puzzles―all written by kids, but challenging for any age.
Worlds in Common?: Television Discourses in a Changing Europe
by Kay Richardson Ulrike H. MeinhofWorlds in Common? examines the newly emerging forms of language used in satellite television programmes, exploring a wide range of genres including twenty-four hour news broadcasting, culture channels, talk shows, local TV and European news. Focusing on the experiences of British and German viewers, the authors discuss these new forms of communication brought about by the technological and economic upheavals in Europe in the late 1990s. This interaction between media theories and media discourses, makes the book highly relevant for researchers in media and cultural studies as well as linguistics, and provides an important and innovatory link between these different approaches.
The World's Last Night: And Other Essays
by C. S. LewisA repackaged edition of the revered author’s anthology of satirical yet serious essays on evil.In these spirited essays, C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—discusses evil in the world. Blending irony, humor, and paradox, he tackles religion’s most difficult and intriguing questions regarding immorality, belief, and the meaning of prayer. Best of all, the infamous Screwtape makes a special cameo appearance in this funny and poignant collection.