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Wannabe a Writer?
by Jane Wenham-JonesSanto Innis is developing a revolutionary new engine to counter the lethal effects of high-pressure steam. His backer is Richard Vaughan, heir to Frederick Tregarron, owner of Gillyvean estate. Following the tragic deaths of his wife and baby son, Richard immersed himself in work. But his world is turned upside down by the unexpected arrival at Gillyvean of Melanie Tregarron, a talented artist and Frederick's illegitimate youngest daughter. Desperate to prove the viability of his invention, Santo persuades Richard to let him fit one at Gillyvean's brewhouse. But when Bronnen Jewell - worried about her mother's suffering at her father's hands - arrives to brew the harvest beer she's horrified, fearing loss of the income on which she depends. As the lives of these four become entwined, a shocking revelation shatters Bronnen's world; desperate for money Santo makes a choice that costs him everything; Melanie fears she will never be free of her past; and Richard has to face his deepest fear.
Wannabe a Writer? (Secrets to Success)
by Jane Wenham-JonesWannabe a Writer? This hilarious, informative guide to getting into print, is a must-have for anyone who's ever thought they've got a book in them.Foreword by KATIE FFORDEContributors include:Writers: Frederick Forsyth, Ian Rankin, Jilly Cooper & Jill Mansell Publishers: Harper Collins, Hodder Headline, Simon & Schuster Journalists: Miles Kington, Michael Bywater, Robert Crampton Agents: Teresa Chris, Simon Trewin, Jonathan Lloyd & Jane JuddWannabe a Writer? This hilarious, informative guide to getting into print, is a must-have for anyone who's ever thought they've got a book in them.* Where do you start? * How do you finish? * And will anyone ever publish it when you have?Drawing on her own experiences as a novelist and journalist, Writing Magazine's Agony Aunt Jane Wenham-Jones takes you through the minefield of the writing process, giving advice on everything from how to avoid Writer's Bottom to what to wear to your launch party.Including hot tips from authors, agents and publishers at the sharp end of the industry, Wannabe a Writer? tells you everything you ever wanted to know about the book world - and a few things you didn't...Follow Kate's writing tips on My Weekly: https://www.myweekly.co.uk/2020/08/17/do-you-want-to-write-a-novel/
Wannabe a Writer?
by Jane Wenham-JonesWannabe a Writer? This hilarious, informative guide to getting into print, is a must-have for anyone who's ever thought they've got a book in them.Foreword by KATIE FFORDEContributors include:Writers: Frederick Forsyth, Ian Rankin, Jilly Cooper & Jill Mansell Publishers: Harper Collins, Hodder Headline, Simon & Schuster Journalists: Miles Kington, Michael Bywater, Robert Crampton Agents: Teresa Chris, Simon Trewin, Jonathan Lloyd & Jane JuddWannabe a Writer? This hilarious, informative guide to getting into print, is a must-have for anyone who's ever thought they've got a book in them.* Where do you start? * How do you finish? * And will anyone ever publish it when you have?Drawing on her own experiences as a novelist and journalist, Writing Magazine's Agony Aunt Jane Wenham-Jones takes you through the minefield of the writing process, giving advice on everything from how to avoid Writer's Bottom to what to wear to your launch party.Including hot tips from authors, agents and publishers at the sharp end of the industry, Wannabe a Writer? tells you everything you ever wanted to know about the book world - and a few things you didn't...Follow Kate's writing tips on My Weekly: https://www.myweekly.co.uk/2020/08/17/do-you-want-to-write-a-novel/
Wannabe A Writer We've Heard Of?
by Jane Wenham-JonesThis entertaining follow-up to the successful Wannabe a Writer? is an essential read for every author and would-be best-seller, whether established or debut, self-published or still dreaming of the limelight. In today's celebrity-driven world, self-confessed media tart Jane Wenham-Jones, takes us on an uproarious ride along the publicity trail from getting the perfect promotional photo to choosing clothes to wear on TV. With anecdotes from Jane's own numerous media exploits, Wannabe a Writer We've Heard Of? is packed with tips and tricks to help you get yourself noticed, gain maximum column inches and airtime and create online buzz for your books and projects. Offering advice and insights from writers, journalists, publicists and celebrities who've been there and done that, this is the ultimate guide for anyone longing for fame and success. Includes contributions from Joanna Trollope, Richard Madeley, India Knight, Kelvin MacKenzie, Peter James, Lucy Mangan, Katie Fforde, Jill Mansell, Joanne Harris and many top authors Jane Wenham-Jones is a well-known author and journalist who regularly appears on radio and TV. She is a regular columnist for Woman's Weekly Fiction Special, BookTime and her local paper The Isle of Thanet Gazette as well as being the agony aunt for Writing Magazine.
The War: A Memoir
by Marguerite Duras Barbara BrayAn elegant new paperback edition of one of Marguerite Duras's most important books. Written in 1944 and first published in 1985, Duras's riveting account of life in Paris during the Nazi occupation and the first months of liberation depicts the harrowing realities of World War II-era France "with a rich conviction enhanced by [a] spare, almost arid, technique" (Julian Barnes,The Washington Post Book World). Duras, by then married and part of a French resistance network headed by François Mitterand, tells of nursing her starving husband back to health after his return from Bergen-Belsen, interrogating a suspected collaborator, and playing a game of cat and mouse with a Gestapo officer who was attracted to her. The result is "more than one woman's diary. . . [it is] a haunting portrait of a time and a place and also a state of mind" (The New York Times).
War after Death: On Violence and Its Limits
by null Steven MillerWar after Death considers forms of violence that regularly occur in actual wars but do not often factor into the stories we tell about war, which revolve invariably around killing and death. Recent history demonstrates that body counts are more necessary than ever, but the fact remains that war and death is only part of the story—an essential but ultimately subordinate part. Beyond killing, there is no war without attacks upon the built environment, ecosystems, personal property, artworks, archives, and intangible traditions.Destructive as it may be, such violence is difficult to classify because it does not pose a grave threat to human lives. Nonetheless, the book argues that destruction of the nonhuman or nonliving is a constitutive dimension of all violence—especially forms of extreme violence against the living such as torture and rape; and it examines how the language and practice of war are transformed when this dimension is taken into account.Finally, War after Death offers a rethinking of psychoanalytic approaches to war and the theory of the death drive that underlies them.
The War Against Cliche
by Martin AmisIs there anything that Martin Amis can't write about? In this virtuosic, career-spanning collection he takes on James Joyce and Elvis Presley, Nabokov and English football, Jane Austen and Penthouse Forum, William Burroughs and Hillary Clinton. But above all, Amis is concerned with literature, and with the deadly cliches-not only of the pen, but of the mind and the heart. In The War Against Cliché, Amis serves up fresh assessments of the classics and plucks neglected masterpieces off their dusty shelves. He tilts with Cervantes, Dickens and Milton, celebrates Bellow, Updike and Elmore Leonard, and deflates some of the most bloated reputations of the past three decades. On every page Amis writes with jaw-dropping felicity, wit, and a subversive brilliance that sheds new light on everything he touches.
War and American Literature (Cambridge Themes in American Literature and Culture)
by Jennifer HaytockThis book examines representations of war throughout American literary history, providing a firm grounding in established criticism and opening up new lines of inquiry. Readers will find accessible yet sophisticated essays that lay out key questions and scholarship in the field. War and American Literature provides a comprehensive synthesis of the literature and scholarship of US war writing, illuminates how themes, texts, and authors resonate across time and wars, and provides multiple contexts in which texts and a war's literature can be framed. By focusing on American war writing, from the wars with the Native Americans and the Revolutionary War to the recent wars in Iraq and Afghanistan, this volume illuminates the unique role representations of war have in the US imagination.
War and Happiness: The Role of Temperament in the Assessment of Resolve
by Peter S. Jenkins“Jenkins’ rare combination of psychological theorizing and archival research in several countries and time periods yields a fascinating new take on the central question of when states over-estimate or under-estimate others’ resolve. The biases that leaders and elites fall prey to appear to vary with their emotional states and senses of well-being, factors that most scholars have ignored.”—Robert Jervis, author of How Statesmen ThinkThis groundbreaking book explains how the happiness levels of leaders, politicians and diplomats affect their assessments of the resolve of their state’s adversaries and allies. Its innovative methodology includes case studies of the origins of twelve wars with Anglo-American involvement from 1853 to 2003 and the psycholinguistic text mining of the British Hansard and the U.S. Congressional Record.
War and Its Ideologies: A Social-Semiotic Theory and Description (The M.A.K. Halliday Library Functional Linguistics Series)
by Annabelle LukinIdeology is so powerful it makes us believe that war is rational, despite both its brutal means and its devastating ends. The power of ideology comes from its intimate relation to language: ideology recruits all semiotic modalities, but language is its engine-room. Drawing on Halliday’s linguistic theory – in particular, his account of the “semiotic big-bang” - this book explains the latent semiotic machinery of language on which ideology depends. The book illustrates the ideological power of language through a study of perhaps the most significant and consequential of our ideologies: those that enable us to legitimate, celebrate, even venerate war, at the same time that we abhor, denounce and proscribe violence. To do so, it makes use of large multi-register corpora (including the British National Corpus), and the reporting of the 2003 invasion of Iraq by Australian, US, European, and Asian news sources. Combining detailed text analysis with corpus linguistic methods, it provides an empirical analysis showing the astonishing reach of our ideologies of war and their profoundly covert and coercive power.
War and Literary Studies (Cambridge Critical Concepts)
by Anders Engberg-Pedersen Neil RamseyWar and Literary Studies poses two main questions: First, how has war shaped the field of literary studies? And second, when scholars today study the literature of war what are the key concepts in play? Seeking to complement the extant scholarship, this volume adopts a wider and more systematic approach as it directs our attention to the relation between warfare and literary studies as a field of knowledge. What are the key characteristics of the language of war? Of gender in war? Which questions are central to the way we engage with war and trauma or war and sensation? In which ways were prominent 20th century theories such as critical theory, French postwar theory, postcolonial theory shaped by war? How might emergent concepts such as 'revolution,' 'the anthropocene' or 'capitalism' inflect the study of war and literature?
War and Peace (SparkNotes Literature Guide Series)
by SparkNotesWar and Peace (SparkNotes Literature Guide) by Leo Tolstoy Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
War and Revolution
by Domenico LosurdoWar and Revolution identifies and takes to task a reactionary trend among contemporary historians, one that's grown increasingly apparent in recent years. It's a revisionist tendency discernible in the work of authors such as Ernst Nolte, who traces the impetus behind the Holocaust to the excesses of the Russian Revolution; or François Furet, who links the Stalinist purges to an "illness" originating with the French Revolution. The intention of these revisionists is to eradicate the revolutionary tradition. Their true motives have little to do with the quest for a greater understanding of the past, but lie in the climate of the present day and the ideological needs of the political classes, as is most clearly seen now in the work of the Anglophone imperial revivalists Paul Johnson and Niall Ferguson. In this vigorous riposte to those who would denigrate the history of emancipatory struggle, Losurdo captivates the reader with a tour de force account of modern revolt, providing a new perspective on the English, American, French and twentieth-century revolutions.From the Hardcover edition.
War and the Media: Reporting Conflict 24/7
by Des Freedman Daya Kishan Thussu`No book is more timely than this collection, which analyses brilliantly the Western media's relentless absorption into the designs of dominant, rapacious power' - John Pilger `A most timely book, with many valuable insights' - Martin Bell O.B.E `It has long been known that the outcome of war is deeply influenced by the battle to win 'hearts and minds'. This book provides a stimulating set of perspectives which combine the analyses of prominent academics with the experiences of leading journalists' - Professor Tom Woodhouse, University of Bradford `This volume represents an all-star cast of authors who have a tremendous amount of knowledge about media and world conflict. One of its strengths is that it doesn't focus entirely narrowly on media, but puts the discussion of media issues in the context of changes in the world order in military doctrine' - Professor Daniel C. Hallin, University of California `This book comes just in time. A coherent and wide-ranging collection of data, analyses and insights that help our understanding of the complex interaction between communication and conflict. A major intellectual contribution to critical thinking about the early 21st century' - Cees J Hamelink, Professor International Communication, University of Amsterdam With what new tools do governments manage the news in order to prepare us for conflict? Are the media responsible for turning conflict into infotainment? Is reporting gender specific? How do journalists view their role in covering distant wars? This book critically examines the changing contours of media coverage of war and considers the complexity of the relationship between mass media and governments in wartime. Assessing how far the political, cultural and professional contexts of media coverage have been affected by 9/11 and its aftermath, the volume also explores media representations of the `War on Terrorism' from regional and international perspectives, including new actors such as the Qatar-based Al-Jazeera - the pan-Arabic television network. One key theme of the book is how new information and communication technologies are influencing the production, distribution and reception of media messages. In an age of instant global communication and round-the-clock news, powerful governments have refined their public relations machinery, particularly in the way warfare is covered on television, to market their version of events effectively to their domestic as well as international viewing public. Transnational in its intellectual scope and in perspectives, War and the Media includes essays from internationally known academics along with contributions from media professionals working for leading broadcasters such as BBC World and CNN.
War at a Distance: Romanticism and the Making of Modern Wartime
by Mary A. FavretWhat does it mean to live during wartime away from the battle zone? What is it like for citizens to go about daily routines while their country sends soldiers to kill and be killed across the globe? Timely and thought-provoking, War at a Distance considers how those left on the home front register wars and wartime in their everyday lives, particularly when military conflict remains removed from immediate perception, available only through media forms. Looking back over two centuries, Mary Favret locates the origins of modern wartime in the Napoleonic era and describes how global military operations affected the British populace, as the nation's army and navy waged battles far from home for decades. She reveals that the literature and art produced in Britain during the late eighteenth and early nineteenth centuries obsessively cultivated means for feeling as much as understanding such wars, and established forms still relevant today. Favret examines wartime literature and art as varied as meditations on the Iliad, the history of meteorology, landscape painting in India, and popular poetry in newspapers and periodicals; she locates the embedded sense of war and dislocation in works ranging from Austen, Coleridge, and Wordsworth to Woolf, Stevens, and Sebald; and she contemplates how literature provides the public with methods for responding to violent calamities happening elsewhere. Bringing to light Romanticism's legacy in reflections on modern warfare, this book shows that war's absent presence affects home in deep and irrevocable ways.
A War Between Us (Great Minds Wit & Wisdom #Grade 5, Module 3)
by Great MindsNIMAC-sourced textbook
A War Between Us: Assessment Pack (Great Minds Wit & Wisdom #Grade 5, Module 3)
by Great MindsNIMAC-sourced textbook
War Comics: A Postcolonial Perspective (Routledge Interdisciplinary Perspectives on Literature)
by Jeanne-Marie ViljoenThis book focuses on non-fictional, visual narratives (including comics; graphic narratives; animated documentaries and online, interactive documentaries) that attempt to represent violent experiences, primarily in the Levant. In doing so it explores, from a philosophical perspective, the problem of representing trauma when language seems inadequate to describe our experiences and how the visual narrative form may help us with this. The book uses the concept of the ineffable to expand the notion of representation beyond the confines of a western, individualist notion of trauma as event based. In so doing, it engages a postcolonial perspective of trauma, which treats violence as ongoing and connected to several incidents of violence across time and space. This book demonstrates how the formal qualities of visual, non-fiction may help close the gap between representation and experience through the process of ‘dark’ writing.
War Commemoration and Civic Culture in the North East of England, 1854–1914 (Britain and the World)
by Guy HintonThis book examines a diverse set of civic war memorials in North East England commemorating three clusters of conflicts: the Crimean War and Indian Rebellion in the 1850s; the ‘small wars’ of the 1880s; and the Boer War from 1899 to 1902. Encompassing a protracted timeframe and embracing disparate social, political and cultural contexts, it analyses how and why war memorials and commemorative practices changed during this key period of social transition and imperial expansion. In assessing the motivations of the memorial organisers and the narratives they sought to convey, the author argues that developments in war commemoration were primarily influenced by – and reflected – broader socio-economic and political transformations occurring in nineteenth-century and early-twentieth century Britain.
The War Complex: World War II in Our Time
by Marianna TorgovnickThe recent dedication of the World War II memorial and the sixtieth anniversary commemoration of D-Day remind us of the hold that World War II still has over America's sense of itself. But the selective process of memory has radically shaped our picture of the conflict. Why else, for instance, was a 1995 Smithsonian exhibition on Hiroshima that was to include photographs of the first atomic bomb victims, along with their testimonials, considered so controversial? And why do we so readily remember the civilian bombings of Britain but not those of Dresden, Hamburg, and Tokyo? Marianna Torgovnick argues that we have lived, since the end of World War II, under the power of a war complex--a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during the war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11, 2001. Showing how different events from World War II became prominent in American cultural memory while others go forgotten or remain hidden in plain sight, "The War Complex" moves deftly from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W. G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war. Thinking anew, then, about how we account for war to each other andourselves, Torgovnick ultimately, and movingly, shows how these anxieties and fears have prepared us to think about 9/11 and our current war in Iraq.
War Echoes: Gender and Militarization in U.S. Latina/o Cultural Production
by Ariana E. VigilWar Echoes examines how Latina/o cultural production has engaged with U.S. militarism in the post-Viet Nam era. Analyzing literature alongside film, memoir, and activism, Ariana E. Vigil highlights the productive interplay among social, political, and cultural movements while exploring Latina/o responses to U.S. intervention in Central America and the Middle East. These responses evolved over the course of the late twentieth and early twenty-first centuries--from support for anti-imperial war, as seen in Alejandro Murguia's Southern Front, to the disavowal of all war articulated in works such as Demetria Martinez's Mother Tongue and Camilo Mejia's Road from Ar Ramadi. <P><P>With a focus on how issues of race, class, gender, and sexuality intersect and are impacted by war and militarization, War Echoes illustrates how this country's bellicose foreign policies have played an integral part in shaping U.S. Latina/o culture and identity and given rise to the creation of works that recognize how militarized violence and values, such as patriarchy, hierarchy, and obedience, are both enacted in domestic spheres and propagated abroad.
War, Genocide, and Justice: Cambodian American Memory Work
by Cathy J. Schlund-VialsIn the three years, eight months, and twenty days of the Khmer Rouge&’s deadly reign over Cambodia, an estimated 1.7 million Cambodians perished as a result of forced labor, execution, starvation, and disease. Despite the passage of more than thirty years, two regime shifts, and a contested U.N. intervention, only one former Khmer Rouge official has been successfully tried and sentenced for crimes against humanity in an international court of law to date. It is against this background of war, genocide, and denied justice that Cathy J. Schlund-Vials explores the work of 1.5-generation Cambodian American artists and writers.Drawing on what James Young labels &“memory work&”—the collected articulation of large-scale human loss—War, Genocide, and Justice investigates the remembrance work of Cambodian American cultural producers through film, memoir, and music. Schlund-Vials includes interviews with artists such as Anida Yoeu Ali, praCh Ly, Sambath Hy, and Socheata Poeuv. Alongside the enduring legacy of the Killing Fields and post-9/11 deportations of Cambodian American youth, artists potently reimagine alternative sites for memorialization, reclamation, and justice. Traversing borders, these artists generate forms of genocidal remembrance that combat amnesic politics and revise citizenship practices in the United States and Cambodia.Engaged in politicized acts of resistance, individually produced and communally consumed, Cambodian American memory work represents a significant and previously unexamined site of Asian American critique.
War Gothic in Literature and Culture (Routledge Interdisciplinary Perspectives on Literature)
by Agnieszka Soltysik Monnet Steffen HantkeIn the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the "crucible" from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional wars. The book also sheds light on the overlap and complicity between Gothic aesthetics and certain aspects of military experience, including the bodily violation and mental dissolution of combat, the dehumanization of "others," psychic numbing, masculinity in crisis, and the subjective experience of trauma and memory. Engaging with popular forms such as young adult literature, gaming, and comic books, as well as literature, film, and visual art, War Gothic provides an important and timely overview of war-themed Gothic art and narrative by respected experts in the field of Gothic Studies. This book makes important contributions to the fields of Gothic Literature, War Literature, Popular Culture, American Studies, and Film, Television & Media.
The War in Words: Reading the Dakota Conflict Through the Captivity Literature
by Kathryn Zabelle Derounian-StodolaThe War in Words is the first book to study the captivity and confinement narratives generated by a single American war as it traces the development and variety of the captivity narrative genre. Kathryn Zabelle Derounian-Stodola examines the complex 1862 Dakota Conflict (also called the Dakota War) by focusing on twenty-four of the dozens of narratives that European Americans and Native Americans wrote about it. This six-week war was the deadliest confrontation between whites and Dakotas in Minnesota's history. Conducted at the same time as the Civil War, it is sometimes called Minnesota's Civil War because it so was--and continues to be--divisive The Dakota Conflict aroused impassioned prose from participants and commentators as they disputed causes, events, identity, ethnicity, memory, and the all-important matter of the war's legacy. Though the study targets one region, its ramifications reach far beyond Minnesota in its attention to war and memory. An ethnography of representative Dakota Conflict narratives and an analysis of the war's historiography, The War in Words includes new archival information, historical data, and textual criticism.
War Is Here: The Vietnam War and Canadian Literature
by Robert McgillCanada did not fight in the Vietnam War, but the conflict seized the Canadian imagination with an energy that has persisted. In War Is Here Robert McGill explains how the war contributed to a golden age for writing in Canada. As authors addressed the conflict, they helped to construct an enduring myth of Canada as liberal, hospitable, and humanitarian. For many writers, the war was one that Canadians could and should fight against, if not in person, then on the page. In this pioneering account of war-related Canadian literature McGill observes how celebrated books of the era channel Vietnam, sometimes in subtle but pervasive ways. He examines authors’ attempts to educate their readers about American imperialism and Canadian complicity, and he discusses how writers repeatedly used language evoking militarism and violence – from the figure of the United States as a rapist to the notion of Canada as a “peaceable kingdom” – in order to make Canadians feel more intensely about their country. McGill also addresses the recent spate of prize-winning Canadian novels about the war that have renewed Vietnam’s resonance in the wake of twenty-first century conflicts involving America. War Is Here vividly revisits a galvanizing time in world history and Canadian life, offering vital insights into the Vietnam War’s influence on how people think about Canada, its place in the world, and the power of the written word to make a difference.