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Warriner's English Grammar and Composition Liberty Edition, First Course
by John E. WarrinerThis textbook will be a valuable aid in your study of English. In it you will find an explanation of how the language works, which is something you need to understand if you are to learn to express yourself correctly and effectively. You will find exercises and writing assignments that you need for practice. The book will teach you the difference between an effective sentence and an ineffective one, between strong writing and weak writing. You will learn to express yourself in correct, clear and interesting English.
Warring over Valor: How Race and Gender Shaped American Military Heroism in the Twentieth and Twenty-First Centuries (War Culture)
by Simon Wendt George Lewis Ellen D. Wu Matthias Voigt Steve Estes Simon Hall Amy Lucker Sarah Makeschin Sonja John Carrie AndersenBy focusing on how the idea of heroism on the battlefield helped construct, perpetuate, and challenge racial and gender hierarchies in the United States between World War I and the present, Warring over Valor provides fresh perspectives on the history of American military heroism. The book offers two major insights into the history of military heroism. First, it reveals a precarious ambiguity in the efforts of minorities such as African Americans, Asian Americans, Native Americans, women, and gay men to be recognized as heroic soldiers. Paradoxically, America’s heroism discourse allowed them to press their case for full membership in the nation, but doing so simultaneously validated the dichotomous interpretations of race and gender they repudiated. The ambiguous role of marginalized groups in war-related hero-making processes also testifies to this volume’s second general insight: the durability and tenacity of the masculine warrior hero in U.S. society and culture. Warring over Valor bridges a gap in the historiography of heroism and military affairs.
Warrior-Writers of World War II (Routledge Studies in Twentieth-Century Literature)
by Lee CongdonWarrior-Writers of World War II delivers a thorough study of Americans who saw combat in World War II, survived, and returned home to become famous writers. It considers the works of 16 important authors, among them J. D. Salinger, John Ciardi, and James Jones, exploring these men’s war experiences and their reflection in their writings. This includes what they learned about themselves and, even more important, what they can teach the rest of us about war and peace, good and evil, hatred and pity, honor and dishonor, fate and chance—and about the sustaining power of comradeship.This critical overview will be useful to general readers and academics seeking to deepen their understanding of the impact World War II has had on twentieth-century literature.
Warriors Don't Cry (SparkNotes Literature Guide Series)
by SparkNotesWarriors Don't Cry (SparkNotes Literature Guide) by Melba Patillo Beals Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Warriors, Witches, Whores: Women in Israeli Cinema
by Rachel S. HarrisWarriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues, particularly those which affect women. This section demonstrates how feminists use film (and work within the film industry) in order to women’s position in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have impacted the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera, in the stories they tell, and in the ways women are depicted on screen. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
The Wars We Took to Vietnam: Cultural Conflict and Storytelling
by Milton J. BatesWhat Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period.Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known—Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson.As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives—from the deeply personal to the broadly cultural—for telling war stories.
Wars within a War: Controversy and Conflict over the American Civil War
by Gary W. Gallagher Joan WaughComprised of essays from 12 leading scholars, this volume extends the discussion of Civil War controversies far past the death of the Confederacy in the spring of 1865. Contributors address, among other topics, Walt Whitman's poetry, the handling of the Union and Confederate dead, the treatment of disabled and destitute northern veterans, Ulysses S. Grant's imposing tomb, and Hollywood's long relationship with the Lost Cause narrative. The contributors are William Blair, Stephen Cushman, Drew Gilpin Faust, Gary W. Gallagher, J. Matthew Gallman, Joseph T. Glatthaar, Harold Holzer, James Marten, Stephanie McCurry, James M. McPherson, Carol Reardon, and Joan Waugh.
Warum wir die Medien nicht verstehen - und sie uns nicht (essentials)
by Gabriele HooffackerWarum berichten Medien über manche Themen und über manche nicht? Warum missfallen uns manche Nachrichten und erst recht manche Kommentare? Was führt zu Verzerrungen der Wahrnehmung beim Publikum - und auch bei Journalistinnen und Journalisten? Der Band bietet Wissenswertes aus Redaktionen und Journalismus-Ausbildung und gibt Einblicke in die Wahrnehmungspsychologie, etwa den Hostile Media Effekt oder den Third-Person- Effect. Ziel ist, fundierte Medienkritik zu ermöglichen.
Was keine Geschichte ist: Vorgeschichte und Literatur im 19. Jahrhundert
by Cornelia ZumbuschUnter Vorgeschichte versteht man gewöhnlich die Geschichte der Menschen vor dem Einsatz schriftlicher Zeugnisse. In Bezug auf literarische Erzählungen hingegen meint Vorgeschichte das, was zwar vor dem Anfang der Geschichte geschehen ist, aber erst später erzählt wird. Ein zentraler Text für die Erforschung der Vorgeschichte sowohl in der prähistorischen Archäologie als auch in der Narratologie ist die homerische Odyssee. Am Leitfaden der Homer-Rezeption geht die Studie deshalb den Formen der Vorgeschichte im 19. Jahrhundert nach. Wie wird Vorgeschichte zum Gegenstand der Wissenschaften? Warum erzählen Romane von Goethe, Stifter und Fontane nicht nur Geschichten, sondern auch in diese eingelagerte Vorgeschichten? Und in welchem Zusammenhang steht diese Erzählform mit dem auffälligen Interesse der Literatur an Altertümern und prähistorischen Relikten?
Was machen Menschen und Medien?: Grundzüge einer praxistheoretischen Perspektive für Kommunikationswissenschaft und Medienforschung
by Wolfgang Reißmann Christian Pentzold Peter GentzelDie Rede von Praktiken ist in der Kommunikations- und Medienwissenschaft weit verbreitet. Eine systematische Diskussion des Potenzials praxistheoretischer Denk- und Forschungsansätze steht dagegen noch aus. Dieses Buch ist eine Einladung zur tieferen Beschäftigung mit Medienpraktiken und wirbt für eine entsprechende Neuorientierung von Kommunikationsforschung und Medienanalyse. Dazu wird der Status quo praxistheoretischer Ansätze in der Kommunikations- und Medienwissenschaft kompakt vorgestellt. Interessierte bekommen einen Einstieg und Expert:innen werden Anschlussmöglichkeiten angeboten. Es geht sowohl um Grundprinzipien praxistheoretischen Denkens als auch um die sich daraus ergebenden Haltungen sowie um Zugänge für praktische Untersuchungen. Im Zentrum stehen aktuelle Herausforderungen und die Möglichkeiten, Praktiken in Digitalmedien und vernetzten Medienumgebungen zu analysieren.
Washback in Language Testing: Research Contexts and Methods
by Liying Cheng Yoshinori Watanabe Andy CurtisWashback refers to the influence of language testing on teaching and learning. This volume, at the important intersection of language testing and teaching practices, presents theoretical, methodological, and practical guidance for current and future washback studies. In the field of language testing, researchers' major interest has traditionally been focused on issues and solving problems inherent in tests in order to increase their reliability and validity. However, the washback effect goes well beyond the test itself to include factors, such as curriculum, teacher and learner behaviors inside and outside the classroom, their perceptions of the test, and how test scores are used. Only recently have researchers started to empirically investigate the phenomenon of washback. This volume of such research serves two essential purposes by:*providing an overview of the complexity of washback and the various contextual factors entangled within testing, teaching, and learning; and *presenting empirical studies from around the world that offer insights into the effects of washback in specific educational contexts and models of research on which future studies can be based. The extensive use of test scores for various educational and social purposes in society nowadays makes the washback effect a high-interest phenomenon in the day-to-day educational activities of teachers, researchers, program coordinators/directors, policymakers, and others in the field of education. Washback in Language Testing: Research Contexts and Methods is a valuable resource for those who are interested in the application of findings to actual teaching and learning situations or conduct washback research in their own contexts, including educational and psychological testing experts, as well as alternative assessment people in all fields, and for policy- and decision-makers in educational and testing organizations.
The Washington Book: How to Read Politics and Politicians
by Carlos LozadaThe Pulitzer Prize–winning opinion columnist at The New York Times explores how people in power reveal themselves through their books and writings and, in so doing, illuminates the personal, political, and cultural conflicts driving Washington and the nation.As a long-time book critic and columnist in Washington, Carlos Lozada dissects all manner of texts: commission reports, political reporting, Supreme Court decisions, and congressional inquiries to understand the controversies animating life in the capital. He also reads copious books by politicians and top officials: tell-all accounts by administration insiders, campaign biographies by candidates longing for high office, revisionist memoirs by those leaving those offices behind. With this provocative essay collection, Lozada argues that no matter how carefully political figures sanitize their experiences, positions, and records, no matter how diligently they present themselves in the best and safest and most electable light, they almost always let slip the truth. They show us their faults and blind spots, their ambitions and compromises, their underlying motives and insecurities. Whether they mean to or not, they tell us who they really are. In his memoirs and speeches, Barack Obama constantly invoked the power and meaning of his life story, Lozada notes, a sign of how the former president capitalized on his personal symbolism, trying to transform it from inspiration on the campaign trail into an all-purpose governing tool. In a soliloquy about his hair in a self-help book published two decades ago, Donald Trump revealed not just his vanity, Lozada explains, but his utter isolation from the world, long before he entered the bubble of the White House. In deft and lacerating prose, Lozada interprets the unresolved tensions of Hillary Clinton&’s ideological beliefs. He imagines the wonderful memoir George H.W. Bush could have given us but instead left scattered in throughout various books and letters. He explores why Kamala Harris has struggled to carve out a distinctive role as vice president. He explains how Ron DeSantis&’s pitch to America is just a list of enemies. And he even glimpses what Vladimir Putin fears the most, and why he seeks conflict with the West. He does so all through their own books, and their own words. Lozada reads these books so you don&’t have to. The Washington Book is the perfect guide to the state of our politics, and then men and women who dominate the terrain. It explores the construction of personal identity, the delusions of leadership, and that mix of subservience and ambition that can define a life in politics. The more we read the stories of Washington, Lozada contends, the clearer our understanding of the competing visions of our country.
Washington Irving: An American Study, 1802-1832 (Goucher Colloquium)
by William L. HedgesOriginally published in 1965. Despite his prolificacy, Washington Irving remained an underexamined figure among literary scholars at the time William L. Hedges published his definitive study of the author in 1965. Most contemporary scholars believed that Irving's central contribution to the American literary tradition was that his work was "polished" and "suave." These scholars maintained that Irving's aristocratic sensibilities defined the stylistic choices of his literary works. To assume this, Hedges contends, is to "both let the man and the work slip beyond one's grasp." Hedges demonstrates that much of Irving's work can be understood in the context of his conflict between federalist and conservative politics. Irving, in other words, found himself incapable of committing to a coherent set of beliefs or attitudes, and this cultural uneasiness manifested itself in his early work. Washington Irving: An American Study, 1802-1832 tries to correct some of the misapprehension about Irving's place in nineteenth-century American literature.
Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England
by Eleanor JohnsonA groundbreaking examination of ecological thought in medieval England. While the scale of today’s crisis is unprecedented, environmental catastrophe is nothing new. Waste and the Wasters studies the late Middle Ages, when a convergence of land contraction, soil depletion, climate change, pollution, and plague subsumed Western Europe. In a culture lacking formal scientific methods, the task of explaining and coming to grips with what was happening fell to medieval poets. The poems they wrote used the terms “waste” or “wasters” to anchor trenchant critiques of people’s unsustainable relationships with the world around them and with each other. In this book, Eleanor Johnson shows how poetry helped medieval people understand and navigate the ecosystemic crises—both material and spiritual—of their time.
Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England
by Eleanor JohnsonA groundbreaking examination of ecological thought in medieval England. While the scale of today’s crisis is unprecedented, environmental catastrophe is nothing new. Waste and the Wasters studies the late Middle Ages, when a convergence of land contraction, soil depletion, climate change, pollution, and plague subsumed Western Europe. In a culture lacking formal scientific methods, the task of explaining and coming to grips with what was happening fell to medieval poets. The poems they wrote used the terms “waste” or “wasters” to anchor trenchant critiques of people’s unsustainable relationships with the world around them and with each other. In this book, Eleanor Johnson shows how poetry helped medieval people understand and navigate the ecosystemic crises—both material and spiritual—of their time.
The Waste Fix: Seizures of the Sacred from Upton Sinclair to the Sopranos (Literary Criticism and Cultural Theory)
by William G. LittleFirst published in 2002. This book explores the philosophical, social, and aesthetic implications of twentieth-century America's obsession with eliminating waste. Through interdisciplinary engagement with fiction and popular culture, William Little traces the way this obsession finds expression in powerful social forces (e.g., the drive to consume conspicuously; the Progressive-era campaign to manage scientifically; the current demand to "reduce, reuse, recycle"), and shows how such forces are governed by an idealism that links proper treatment of waste with the promise of salvation.
The Waste Land (Norton Critical Editions)
by Olaudah Equiano Michael North T. S. EliotThe text of Eliot’s 1922 masterpiece is accompanied by thorough explanatory annotations as well as by Eliot’s own knotty notes, some of which require annotation themselves. <p><p> For ease of reading, this Norton Critical Edition presents The Waste Land as it first appeared in the American edition (Boni & Liveright), with Eliot’s notes at the end. "Contexts" provides readers with invaluable materials on The Waste Land’s sources, composition, and publication history. "Criticism" traces the poem’s reception with twenty-five reviews and essays, from first reactions through the end of the twentieth century. <p><p> Included are reviews published in the Times Literary Supplement, along with selections by Virginia Woolf, Gilbert Seldes, Edmund Wilson, Elinor Wylie, Conrad Aiken, Charles Powell, Gorham Munson, Malcolm Cowley, Ralph Ellison, John Crowe Ransom, I. A. Richards, F. R. Leavis, Cleanth Brooks, Delmore Schwartz, Denis Donoghue, Robert Langbaum, Marianne Thormählen, A. D. Moody, Ronald Bush, Maud Ellman, and Tim Armstrong. A Chronology and Selected Bibliography are included.
The Waste Land: A Biography Of A Poem
by Matthew HollisA riveting account of the making of T. S. Eliot’s celebrated poem The Waste Land on its centenary. Renowned as one of the world’s greatest poems, The Waste Land has been said to describe the moral decay of a world after war and the search for meaning in a meaningless era. It has been labeled the most truthful poem of its time; it has been branded a masterful fake. A century after its publication in 1922, T. S. Eliot’s enigmatic masterpiece remains one of the most influential works ever written, and yet one of the most mysterious. In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism, and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists—of Ezra Pound, who edited it; of Vivien Eliot, who sustained it; and of T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.
The Waste Land (Routledge Library Editions: T. S. Eliot Ser. #8)
by Grover SmithIn this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He calls these a ‘music of allusions’ and shows the resemblance of this music in its evocativeness to the technique of Mallarmé and the French symbolists. Smith also comments extensively on Eliot’s critical theories as they bear on The Waste Land and traces the development of Eliot’s allusive and transformational poetic form from its genesis in early work. This title will be of interest to students of literature.
The Waste Land and Other Poems: A Norton Critical Edition (Norton Critical Editions #0)
by T. S. Eliot“This splendid new edition of T. S. Eliot’s The Waste Land will elucidate his legacy for a rising generation of students, teachers, and general readers. The inclusion of poems from Eliot’s first two collections, a substantial selection of background material and scholarship, expert annotation, and Michael North’s learned and incisive introduction detailing the development of Eliot’s poetic coming-of-age make this an invaluable resource.” —Anita Patterson, Boston University This Norton Critical Edition includes: The first American edition of The Waste Land, with Eliot’s notes, joined by Prufrock and Other Poems (1917) and Poems (1920). Updated and expanded introductory materials and footnotes by Michael North. Extensive contextual materials on sources for The Waste Land, its composition, and publication history for all three featured collections. Eleven reviews and reactions to Eliot’s works include those by Ezra Pound, Virginia Woolf, and Ralph Ellison. Five new critical essays examine the themes and legacy of Eliot’s hallmark poems alongside eight classic literary critiques. A chronology and a selected bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need. “This splendid new edition of T. S. Eliot’s landmark poem provides an authoritative 1922 edition of the text, the most vital materials for understanding it, and, for this supremely allusive poem, a collection of essential sources. It also brings together Eliot’s most pertinent essays and all the English poems in his earlier books, as well as an illuminating array of reviews and criticism published over the last hundred years.” — Jahan Ramazani, University of Virginia
Wasteocene: Stories from the Global Dump (Elements in Environmental Humanities)
by Marco ArmieroHumans may live in the Anthropocene, but this does not affect all in the same way. How would the Anthropocene look if, instead of searching its traces in the geosphere, researchers would look for them in the organosphere, in the ecologies of humans in their entanglements with the environment? Looking at this embodied stratigraphy of power and toxicity, more than the Anthropocene, we will discover the Wasteocene. The imposition of wasting relationships on subaltern human and more-than-human communities implies the construction of toxic ecologies made of contaminating substances and narratives. While official accounts have systematically erased any trace of those wasting relationships, another kind of narrative has been written in flesh, blood, and cells. Traveling between Naples (Italy) and Agbogbloshie (Ghana), science fiction and epidemic outbreaks, this Element will take the readers into the bowels of the Wasteocene, but it will also indicate the commoning practices which are dismantling it.
Wasting Time on the Internet
by Kenneth GoldsmithUsing clear, readable prose, conceptual artist and poet Kenneth Goldsmith’s manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context.Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive.When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable.In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century.Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.