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Which Comes First, the Comma or the Pause: A Practical Guide to Writing
by Dona J. YoungDo Commas matter? You be the judge. Oscar Wilde illustrated the confusion about commas and pauses perfectly when he said, "I have spent most of the day putting in a comma and the rest of the day taking it out." If you are basing your writing decisions on guesses, now is the time to stop the uncertainty-it is costing you too much time, effort, and credibility. This book takes the mystery out of how to produce good writing by untangling core concepts and making them easy to learn. Here is a promise: Read this book from cover to cover, and you will bring your writing to a higher level. You will get your ideas down quickly and then edit like a pro.
Which Lie Did I Tell?
by William GoldmanFrom the Oscar-winning screenwriter of Butch Cassidy and the Sundance Kid and The Princess Bride (he also wrote the novel), and the bestselling author of Adventures in the Screen Trade comes a garrulous new book that is as much a screenwriting how-to (and how-not-to) manual as it is a feast of insider information.If you want to know why a no-name like Kathy Bates was cast in Misery-it's in here. Or why Linda Hunt's brilliant work in Maverick didn't make the final cut-William Goldman gives you the straight truth. Why Clint Eastwood loves working with Gene Hackman and how MTV has changed movies for the worse-William Goldman, one of the most successful screenwriters in Hollywood today, tells all he knows. Devastatingly eye-opening and endlessly entertaining, Which Lie Did I Tell? is indispensable reading for anyone even slightly intrigued by the process of how a movie gets made.From the Trade Paperback edition.
Which One Doesn't Belong?: Playing with Shapes
by Christopher DanielsonTalking math with your child is simple and even entertaining with this better approach to shapes!Written by a celebrated math educator, this innovative inquiry encourages critical thinking and sparks memorable mathematical conversations. Children and their parents answer the same question about each set of four shapes: "Which one doesn't belong?" There's no one right answer--the important thing is to have a reason why. Kids might describe the shapes as squished, smooshed, dented, or even goofy. But when they justify their thinking, they're talking math! Winner of the Mathical Book Prize for books that inspire children to see math all around them."This is one shape book that will both challenge readers' thinking and encourage them to think outside the box."--Kirkus Reviews, STARRED review
Whiffletrees and Goobers: 1,001 Fun and Fabulous Forgotten Words
by W. R. RunyanDid you know that a horse apple is actually a type of orange? Or that a whiffletree is not a tree at all? You will, after you pore through this delightful dictionary of old-fashioned words that are quickly slipping from America’s vocabulary. With over 100 illustrations, and steeped in nostalgia, it makes for a fun trip down memory lane. Wander into America’s past and play a game of Rolley Holley, buy a Tin Lizzy, and make friends with some doughboys. And if you want to know where to put a snaffle or when to perform the Green Corn Stomp Dance, the answers are here. With its convenient format, this guide is great for anyone curious about what things were really like "back in the day.”
While Bugles Blow!
by L. Ron HubbardLaunch into the action with this gritty tale. An American lieutenant in the French Foreign is caught in the middle of an ancient feud between the Jeppas of the Atlas Mountains and the bloodthirsty tribe of Perviz al Bahman.Tension mounts as a gorgeous female Jeppa warrior with golden red hair is drawn into the midst of the conflict and captured by Perviz's tribe. When the American lieutenant later finds her being sold on the slave market, he unthinkingly does what any man must: he rescues her. But while his actions may have saved a beauty, they have also just ignited all-out war. "...one of the best pulp writers of the 1940s."--Library Journal
The Whiskey of Our Discontent: Gwendolyn Brooks as Conscience and Change Agent
by Quraysh Ali Lansana and Georgia A. Popoff“[A] superb tribute . . . [an] essential collection” of essays analyzing the works of the preeminent twentieth-century poet and voice of social justice (Booklist).Winner of the Central New York Book Award for NonfictionFinalist for the Chicago Review of Books AwardPoet, educator, and social activist Gwendolyn Brooks was a singular force in American culture.The first black woman to be named United States poet laureate, Brook’s poetry, fiction, and social commentary shed light on the beauty of humanity, the distinct qualities of black life and community, and the destructive effects of racism, sexism, and class inequality.A collection of thirty essays combining critical analysis and personal reflection, The Whiskey of Our Discontent, presents essential elements of Brooks’ oeuvre—on race, gender, class, community, and poetic craft, while also examining her life as poet, reporter, mentor, sage, activist, and educator.“Gwendolyn Brooks wrote and performed her magnificent poetry for and about the Black people of Chicago, and yet it was also read with anguish, delight, and awe by white people, successive waves of immigrants, and ultimately the world.” —Bill Ayers, from the Introduction
Whiskey Tango Foxtrot (The Taliban Shuffle MTI)
by Kim BarkerNow a Major Motion Picture titled Whiskey Tango Foxtrot starring Tina Fey, Margot Robbie, Martin Freeman, Alfred Molina, and Billy Bob Thornton. From tea with warlords in the countryside to parties with drunken foreign correspondents in the "dry" city of Kabul, journalist Kim Barker captures the humor and heartbreak of life in post-9/11 Afghanistan and Pakistan in this profound and darkly comic memoir. As Barker grows from awkward newbie to seasoned reporter, she offers an insider's account of the region's "forgotten war" at a time when all eyes were turned to Iraq. Candid, self-deprecating, and laugh-out-loud funny, Barker shares both her affection for the absurdities of these two hapless countries and her fear for their future stability.
Whistleblowing, Communication and Consequences: Lessons from The Norwegian National Lottery (Routledge Studies in Communication, Organization, and Organizing)
by Peer Jacob Svenkerud; Jan-Oddvar Sørnes; Larry BrowningWhistleblowing, Communication and Consequences offers the first in-depth analysis of the most publicized, and morally complex, case of whistleblowing in recent European history: the Norwegian national lottery, Norsk Tipping. With contributions from the whistleblower himself, as well as from key voices in the field, this book offers unique perspectives and insights into not only this fascinating case, but into whistleblowing and wrongdoing in organizations more broadly. An international team of scholars use fourteen different theoretical lenses to show the complex and multi-faceted nature of whistleblowing. The book begins with an ethnographic account by the whistleblower story and proceeds into an analysis of the literature and conceptual topics related to that whistleblowing incident to present the lessons that can be learnt from this extreme example of institutional failure. This fascinating, complex, and multi-theoretical book will be of great interest to scholars, students and industry leaders in the areas of public relations, corporate communication, leadership, corporate social responsibility, whistleblowing and organizational resistance.
Whistled Languages
by Julien MeyerThe main focus of this monograph on whistled speech is the result of a worldwide inquiry primarily based on the author's unprecedented fieldwork and laboratory experience. The different questions raised by the origin and the evolution of whistled forms of languages are also explored, including the role of environmental constraints in the emergence of whistled speech, their phonetic and phonological typology, the cognitive processing of whistled signals, monogenesis and polygenesis scenarios, the hypothesis of a whistled system preceding voiced speech, the intricate relationship between music and language in whistling, and the convergence/divergence with whistled communication among animals (birds, dolphins and primates). This book also includes several documents and a chapter prepared in collaboration with René-Guy Busnel, a pioneer in the studies of whistled forms of languages who has worked with five different populations using whistled speech (from the late 60s to the early 90s). The author has been intensively studying this fascinating language practice for the past 12 years, including 30 months of onsite research in collaboration with the cultural representatives of approximately twenty linguistic communities around the world. Whistled speech represents an ancient traditional telecommunication system that has survived on all inhabited continents of our planet. In it, a whistle replaces the voice and carries the information. However, this practice does not replace ordinary speech but is used in a complementary way. It serves to increase the audible range, but also under certain circumstances, the degree of secrecy of spoken communications. Whistled speech is adapted to the structure of each language, to specific traditional rural activities such as hunting or shepherding, and to specific ecological milieux. It is today a severely endangered speech register that provides an alternative insight into the nature of human language.
White Fang (SparkNotes Literature Guide Series)
by SparkNotesWhite Fang (SparkNotes Literature Guide) by Jack London Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
White Flights: Race, Fiction, and the American Imagination
by Jess RowA bold, incisive look at race and reparative writing in American fiction, by the author of Your Face in MineWhite Flights is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties “white flight”—the movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns—to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson’s Housekeeping to the claustrophobic households in Jonathan Franzen’s The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race.White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction “to approach each other again”? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism.
White Freedom: The Racial History of an Idea
by Tyler StovallThe racist legacy behind the Western idea of freedomThe era of the Enlightenment, which gave rise to our modern conceptions of freedom and democracy, was also the height of the trans-Atlantic slave trade. America, a nation founded on the principle of liberty, is also a nation built on African slavery, Native American genocide, and systematic racial discrimination. White Freedom traces the complex relationship between freedom and race from the eighteenth century to today, revealing how being free has meant being white.Tyler Stovall explores the intertwined histories of racism and freedom in France and the United States, the two leading nations that have claimed liberty as the heart of their national identities. He explores how French and American thinkers defined freedom in racial terms and conceived of liberty as an aspect and privilege of whiteness. He discusses how the Statue of Liberty—a gift from France to the United States and perhaps the most famous symbol of freedom on Earth—promised both freedom and whiteness to European immigrants. Taking readers from the Age of Revolution to today, Stovall challenges the notion that racism is somehow a paradox or contradiction within the democratic tradition, demonstrating how white identity is intrinsic to Western ideas about liberty. Throughout the history of modern Western liberal democracy, freedom has long been white freedom.A major work of scholarship that is certain to draw a wide readership and transform contemporary debates, White Freedom provides vital new perspectives on the inherent racism behind our most cherished beliefs about freedom, liberty, and human rights.
The White Goddess
by Robert GravesA history of poetic myth of the White Goddess as maid, nymph and crone in many lands and many times.
White Hip Hoppers, Language and Identity in Post-Modern America: White Hip-hoppers, Language And Identity In Post-modern America (Routledge Studies in Sociolinguistics #8)
by Cecelia CutlerThis book examines language and identity among White American middle and upper-middle class youth who affiliate with Hip Hop culture. Hip Hop youth engage in practices that range from the consumption of rap music and fashion to practices like MC-ing (writing and performing raps or "rhymes"), DJ-ing (mixing records to produce a beat for the MC), graffiti tagging, and break-dancing. Cutler explores the way in which these young people stylize their speech using linguistic resources drawn from African American English and Hip Hop slang terms. She also looks at the way they construct their identities in discussions with their friends, and how they talk about and use language to construct themselves as authentic within Hip Hop. Cutler considers the possibility that young people experimenting with AAVE-styled speech may improve the status of AAVE in the broader society. She also addresses the need for educators to be aware of the linguistic patterns found in AAVE and Hip Hop language, and ways to build on Hip Hop skills like rhyming and rapping in order to motivate students and promote literacy.
White Light: The Poetry of Alberto Blanco (Bucknell Studies in Latin American Literature and Theory)
by Ronald J. FriisWhite Light: The Poetry of Alberto Blanco examines the interplay of complementary images and concepts in the award-winning Mexican writer's cycle of poems from 1979 to 2018. Blanco’s poetic trilogy A la luz de siempre is characterized by its broad range of form and subject and by the poet's own eclectic background as a chemist, maker of collages, and musician. Blanco speaks the language of the visual arts, science, mathematics, music, and philosophy, and creates work with deep interdisciplinary roots. This book explores how polarities such as space and place, reading and writing, sound and silence, visual and verbal representation, and faith and doubt are woven through A la luz de siempre. These complements reveal how Blanco’s poetry, like the phenomenon of white light, embraces paradox and transforms into something more than the sum of its disparate and polychromatic parts.
White Male Nostalgia in Contemporary North American Literature
by Tim EnglesWhite Male Nostalgia in Contemporary North American Literature charts the late twentieth-century development of reactionary emotions commonly felt by resentful, yet often goodhearted white men. Examining an eclectic array of literary case studies in light of recent work in critical whiteness and masculinity studies, history, geography, philosophy and theology, Tim Engles delineates five preliminary forms of white male nostalgia—as dramatized in novels by Sloan Wilson, Richard Wright, Carol Shields, Don DeLillo, Louis Begley and Margaret Atwood—demonstrating how literary fiction can help us understand the inner workings of deluded dominance. These authors write from identities outside the defensive domain of normalized white masculinity, demonstrating via extended interior dramas that although nostalgia is primarily thought of as an emotion felt by individuals, it also works to shore up entrenched collective power.
White Men Aren't
by Thomas DipieroPsychoanalytic theory has traditionally taken sexual difference to be the fundamental organizing principle of human subjectivity. White Men Aren't contests that assumption, arguing that other forms of difference--particularly race--are equally important to the formation of identity. Thomas DiPiero shows how whiteness and masculinity respond to various, complex cultural phenomena through a process akin to hysteria and how differences traditionally termed "racial" organize psychic, social, and political life as thoroughly as sexual difference does. White masculinity is fraught with anxiety, according to DiPiero, because it hinges on the unstable construction of white men's cultural hegemony. White men must always struggle against the loss of position and the fear of insufficiency--against the specter of what they are not. Drawing on the writings of Freud, Lacan, Butler, Foucault, and Kaja Silverman, as well as on biology, anthropology, and legal sources, Thomas DiPiero contends that psychoanalytic theory has not only failed to account for the role of race in structuring identity, it has in many ways deliberately ignored it. Reading a wide variety of texts--from classical works such as Oedipus Rex and The Iliad to contemporary films including Boyz 'n' the Hood and Grand Canyon--DiPiero reveals how the anxiety of white masculine identity pervades a surprising range of Western thought, including such ostensibly race-neutral phenomena as Englightenment forms of reason.
White Mythologies
by Robert J.C. YoungWe must, many now argue, `get back' to history. but which one? History has always been a problematical concept in Western theory, particularly for Marxism. In the wake of postmodernism, its status has become ever less certain. Is it possible to write history that avoids the trap of Eurocentrism?Robert Young's investigation of 'the history of History', from Hegel and Marx to Althusser and Foucault, calls into question the Eurocentrism of traditional Marxist accounts of a single 'World History', in which, as he shows, the `Third World' appears as an unassimilable excess, surplus to the narrative of the West. Young goes on to consider recent questionings of the limits of Western knowledge. He argues that the efforts of Edward Said, Gayatri Chakravorty Spivak and Homi Bhabha to formulate non-historicist ways of thinking and writing history are part of a larger project of a decolonisation of History and a deconstruction of 'the West'.
White News: Why Local News Programs Don't Cover People of Color (Routledge Communication Series)
by Don HeiderIs TV news racist? If the purpose of local news is to cover individual communities and to present issues of interest and concern to local audiences, why are local newscasts so similar in markets around the country? These are the questions that motivated Heider's research, leading to the development of this book. Recognizing that local news is the outlet through which most people get their news, Heider ventured into the local television newsrooms in two moderate-size, culturally diverse U.S. markets to observe the news process. In this report, he uses his insider's perspective to examine why local television news coverage of people of color does not occur in more meaningful ways. Heider examines the perceptions of racism and ethnicity, and addresses such dichotomies as "white" news (content determined by white managers) being delivered by non-white news anchors, thus giving the appearance of "non-white" news. He also considers how coverage of minorities influences viewers' perceptions of their minority neighbors. Heider then sets forth a new theoretical concept--incognizant racism--as a way of explaining how news workers consistently ignore news in significant portions of the communities they cover. This contribution to the minorities and media discussion provides important insights into the newsroom decision-making process and the sociology and structure of newsrooms. It is required reading for all who are involved in news reporting, mass communication, media and minority studies, and cultural issues in today's society.
White Noise: Text and Criticism
by Don Delillo Mark OsteenWhite Noise is the story of Jack and Babette and their children from their six or so various marriages. They live in a college town where Jack is Professor of Hitler Studies (and conceals the fact that he does not speak a word of German), and Babette teaches posture and volunteers by reading from the tabloids to a group of elderly shut-ins. They are happy enough until a deadly toxic accident and Babette's addiction to an experimental drug make Jake question everything. White Noise is considered a postmodern classic and its unfolding of themes of consumerism, family and divorce, and technology as a deadly threat have attracted the attention of literary scholars since its publication. <P><P> This Viking Critical Library edition, prepared by scholar Mark Osteen, is the only edition of White Noise that contains the entire text along with an extensive critical apparatus, including a critical introduction, selected essays on the author, the work and its themes, reviews, a chronology of DeLillo's life and work, a list of discussion topics, and a selected bibliography.<P> Winner of the National Book Award
White Noise (SparkNotes Literature Guide Series)
by SparkNotesWhite Noise (SparkNotes Literature Guide) by Don DeLillo Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
The "White Other" in American Intermarriage Stories, 1945–2008
by Lauren S. CardonFictional depictions of intermarriage can illuminate perceptions of both 'ethnicity' and 'whiteness' at any given historical moment. Popular examples such as Lucy and Ricky in I Love Lucy (1951-1957), Joanna and John in Guess Who's Coming to Dinner (1967), Toula and Ian in My Big Fat Greek Wedding (2002) helped raise questions about national identity: does 'American' mean 'white' or a blending of ethnicities? Building on previous studies by scholars of intermarriage and identity, this study is an ambitious endeavor to discern the ways in which literature and films from the 1960s through 2000s rework nineteenth- and early-twentieth-century intermarriage tropes. Unlike earlier stories, these narratives position the white partner as the 'other' and serve as useful frameworks for assessing ethnic and American identity. Lauren S. Cardon sheds new light on ethno-racial solidarity and the assimilation of different ethnicities into American dominant culture.
White Property, Black Trespass: Racial Capitalism and the Religious Function of Mass Criminalization (Religion and Social Transformation #16)
by Andrew KrinksUncovers the inherently religious structure of the criminalization of Black, Indigenous, and dispossessed peoplesMost popular critical accounts of mass criminalization interpret police and prisons as purely social or political phenomena. While such accounts have been indispensable in moving millions into collective action and resistance, the carceral state remains as pervasive as ever.White Property, Black Trespass argues that understanding why we have police and prisons, and building a world of safety and abundance beyond them, requires that we acknowledge the inherently religious function that criminalization fulfills for a colonial and racial capitalist order that puts its faith in cops and cages to save it from the existential threat of disorder that its own structural violence creates.The story of criminalization, Krinks shows, begins with the eurochristian aspiration to become God at the expense of all others—an aspiration that gives rise to the pseudo-sacred powers of whiteness and property, and, by extension, the police power that exists to serve and protect them. Tracing the historical continuity and religiosity of the color line, the property line, and the thin blue line, Krinks reveals police power as the pseudo-divine power to exile nonwhite and dispossessed trespassers to carceral hell. At once incisive and expansive, this groundbreaking work deepens understanding of racial capitalism and mass criminalization by illuminating the religious mythologies that animate them. It concludes with thoughts on what might be entailed in a religion rooted in rejection of the religious idolatry of mass criminalization—a religion of abolition.
White Rebels in Black: German Appropriation of Black Popular Culture (Social History, Popular Culture, And Politics In Germany)
by Priscilla D LayneAnalyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell.