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You Kiss by th' Book: New Poems from Shakespeare's Line
by Gary SotoIn his engaging new collection, National Book Award finalist Gary Soto creates poems that each begin with a line from Shakespeare and then continue in Soto's fresh and accessible verse. Drawing on moments from the sonnets, Hamlet, Macbeth, A Midsummer Night's Dream, Romeo and Juliet, and others, Soto illuminates aspects of the source material while taking his poems in directions of their own, strategically employing the color of "thee" and "thine," kings, thieves, and lovers. The results are inspired, by turns meditative, playful, and moving, and consistently fascinating for the conversation they create between the Bard's time and language and our own here and now.
You Kiss by th' Book: New Poems from Shakespeare's Line
by Gary SotoInspired by Shakespeare, an award-winning poet creates &“smart, surprising and affecting [poetry] . . . Poems that are easy to read and difficult to forget&” (David Scott Kastan, Yale University). In his engaging new collection, National Book Award finalist Gary Soto creates poems that each begin with a line from Shakespeare and then continue in Soto&’s fresh and accessible verse. Drawing on moments from the sonnets, Hamlet, Macbeth, A Midsummer Night&’s Dream, Romeo and Juliet, and others, Soto illuminates aspects of the source material while taking his poems in directions of their own, strategically employing the color of &“thee&” and &“thine,&” kings, thieves, and lovers. The results are inspired, by turns meditative, playful, and moving, and consistently fascinating for the conversation they create between the bard&’s time and language and our own here and now. &“I read Gary Soto&’s poems with delight. There&’s no one I know, certainly in this language, who writes like him.&” —Gerald Stern, National Book Award–winning poet &“Soto insists on the possibility of a redemptive power, and he celebrates the heroic, quixotic capacity for survival in human beings and the natural world.&” —Publishers Weekly &“Gary Soto is a consummate storyteller . . . Intelligent, funny, and bitingly honest. He is also a craftsman, a master of metaphor and simile, his language capable of dazzling somersaults.&” —Martin Espada, National Book Award–winning poet &“Shakespeare&’s words are never more alive than when they are being seized upon, twisted, remade and made anew. Gary Soto, a brilliant recycler, has laden his ship with old gold. Himself a brilliant recycler, Shakespeare might well have been pleased.&” —The Norton Shakespeare
You Know You're a Writer When . . .
by Adair LaraA collection of reflections on the nature of what it means to be a writer. How do you find out what being a writer means to those who really are writers? You ask them. In this book, Adair Lara shares what the ink-stained, carpal-tunneled, slightly dazed, word struck people she knows had to say. You know you&’re a writer when . . . . . . You&’ll never forgive your parents for your happy childhood. . . . The doctor tells you that you have terminal cancer, and you think, &“I can use this.&” . . . You accidentally sign a check with your pen name. . . . You know more than ten synonyms for &“blue.&” . . . You write your Christmas letter as if it were War and Peace. Many readers will recognize themselves in this collection of observations about the eccentric, quirky, word-obsessed condition that is being a writer.
You Must Be This Tall To Ride: Contemporary Writers Take You Inside The Story
by B. J. HollarsCompelling stories have the power to generate infinite wonder: It's nearly impossible to imagine how the author began, and yet we sense there's much more beyond the final word. It's this mystery#150;a combination of inspiration and craft, smoke and mirrors#150;that makes writing feel momentous. But it can also feel overwhelming, causing us to become small, scared, not quite ready for the "big" rides, such as finishing that story, that novel, and finding the courage to share it with the world. InYou Must Be This Tall to Ride, you'll find 20 works of fiction and nonfiction by acclaimed contemporary authors, each offering fresh perspective on "coming of age" (a story to which we can all relate), as well as exclusive personal essays and practical exercises. In their own words, these writers grant you a guided tour of craft with unparalleled access to the process behind their creation, including how to: grow a story from the seed of an image or sentence allow experiments with language to lead you to plot turn even the most unlikely characters into heroes transform raw anecdotes from your own life into compelling fiction and essay Join 20 writers as we grow up and down, taking a rollercoaster ride in stories. You'll not only begin to understand what makes the wheels of a story turn, you'll also gain the tools and strategies to transform lost characters and runaway plots into the greatest show on earth. So go ahead, step right up. Listen for the calliope music, and take your place in line. Your ride has just begun. CONTRIBUTORS: Steve Almond Aimee Bender Kate Bernheimer Ryan Boudinot Judy Budnitz Dan Chaon Brock Clarke Michael Czyzniejewski Stuart Dybek Michael Martone Antonya Nelson Peter Orner Jack Pendarvis Benjamin Percy Andrew Porter Chad Simpson George Singleton Brady Udall Laura van den Berg Ryan Van Meter
You Must Work Harder to Write Poetry of Excellence: Craft Discourse and the Common Reader in Canadian Poetry Book Reviews
by Donato ManciniWhile Canadian poetic practices have steadily pluralised since the early 1960s, the poetry review has remained stubbornly constant. You Must Work Harder to Write Poetry of Excellence is a critical, and at times hilarious survey of reviews of innovative Canadian poetry in English since 1961. What is at stake in the reviewing of poetry? What fantasies are inherent to the practice? How is poetry itself produced in the reviewing of poetry? Why has the reviewing of poetry remained largely invisible to self-reflexive critique? These are some of the many questions You Must Work Harder to Write Poetry of Excellence dares to ask in its query to determine if poetry reviewers can claim to have the authority they imagine they have over their chosen subject. As a retort to the retrograde trend that is poetry reviewing in Canada, You Must Work Harder to Write Poetry of Excellence is the first book to detail the production and structure of an "aesthetic conscience" and demonstrate how this functions as the dynamic administrative apparatus of any aesthetic ideology. In short, this book opens for the first time a new and desperately needed channel in Canadian criticism.
You Need Your Nose: Learning the N Sound (PowerPhonics)
by Kevin SarkisianThis book teaches facts while incorporating the fundamentals of phonemic patterns and usage
You/Poet: Learn the Art. Speak Your Truth. Share Your Voice.
by Rayna Hutchison Samuel BlakeOffering a variety of advice for tapping into your creative voice, sharing your work online, and honing your writing skills, You/Poet shows you how to express yourself creatively through the art of poetry.You may think that writing poetry requires a specific set of skills. You may have read books on writing poetry that were stuffy and full of strict rules and regulations. But You/Poet proves that all you need to be a poet is the desire to share your inner thoughts and emotions with the world. Let HerHeartPoetry—an online poetry community, Instagram, digital zine, and poetry press—take you on a journey of self-discovery and surprise, and show you how to embrace the world of writing poetry with arms wide open. Writing poetry is an act of bravery. It’s just you, your thoughts and feelings, and the words you choose to express them. You/Poet can help you do just that. With encouragement and advice on poetry writing basics, how to identify your unique creative voice, and prompts and exercises to help you channel your thoughts and emotions through writing, this all-in-one guide will help you share your talent with the world.
You Read to Me, I'll Read to You: Very Short Stories to Read Together
by Michael Emberley Mary Ann HobermanHere's a book With something new - You read to me! I'll read to you! We'll read each page To one another - You'll read one side, I the other. But who will read - Now guess this riddle - When the words are In the middle? The answer's easy! Plain as pie! We'll read together, You and I.
You Should Be Writing: A Journal of Inspiration & Instruction to Keep Your Pen Moving
by Brenda Knight Nita SweeneyWrite Like an Expert“This journal is a must-have for writers everywhere. With quotes from a diverse group of historical and modern authors to use as creative prompts on every page, you’ll be able to bring your writing inspiration with you wherever you go.” —Sassy Townhouse Living#1 New Release in Quotation ReferencesFrom famous all-time-great poets like T.S. Eliot to modern creatives like Roxane Gay, the selected writing quotes in this journal aim to instruct and inspire you to become a better writer.Writing Inspiration from Incredible Authors. Gathered by Brenda Knight and writing coach Nita Sweeney, author of Depression Hates a Moving Target, You Should Be Writing provides you with writing wisdom from a variety of accomplished authors.Creative Writing Practice for Every Genre. This writing journal with prompts helps you practice a wide variety of writing skills. The excerpts and prompts include:General advice: “Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.” - Zadie SmithHelpful instructions: “If you scribble your thoughts any which way, your reader will surely feel that you care nothing about them.” - Kurt VonnegutGenre-specific writing ideas and tips for particular areas of writing, such as poetry or storytelling: “For those whose bucket-list entails seeing their name on the spine of a book, it boils down to the power of persistence.” - Marlene Wagman-GellerIf you were inspired by the creative writing prompts and advice in 642 Things to Write About, Complete the Story Journal, or Piccadilly 300 Writing Prompts, you’ll love Brenda's and Nita's You Should Be Writing: A Journal of Inspiration & Instruction to Keep Your Pen Moving.
You Should Really Write a Book: How to Write, Sell and Market your Memoir
by Brenda Lane Richardson Regina BrooksEven if you don't happen to be a celebrity, this book will teach you methods for striking publishing gold—conceptualizing, selling, and marketing a memoir—while dealing with the complicated emotions that arise during the creation of your work. If you've ever been told that "You should really write a book" and you've decided to give it a try, this book is for you. It hones in on the three key measures necessary for aspiring authors to conceptualize, sell, and market their memoirs. Written especially for those who don't happen to be celebrities You Should Really Write a Book reveals why and how so many relatively unknown memoirists are making a name for themselves. With references to more than four hundred books and six memoir categories, this is essential reading for anyone wanting to write a commercially viable memoir in today's vastly changing publishing industry. The days are long gone when editors and agents were willing to take on a manuscript simply because it was based on a "good" idea or even because it was well written. With eyes focused on the bottom line, they now look for skilled and creative authors with an established audience, too.Brooks and Richardson use the latest social networking, marketing, and promotional trends and explain how to conceptualize and strategize campaigns that cause buzz, dramatically fueling word-of-mouth and attracting attention in the publishing world and beyond. Full of current examples and in-depth analysis, this guide explains what sells and why, teaches writers to think like publishers, and offers guidance on dealing with complicated emotions—essential tools for maximizing memoir success.
You Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho: A play
by Phyllis Klotz Thobeka Maqhutyana Nomvula Qosha Poppy TsiraYou Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho is a bristling example of protest theatre making during the height of apartheid. Created in ensemble fashion in 1986 by director Phyllis Klotz in collaboration with performers Thobeka Maqhutyana, Nomvula Qosha and Poppy Tsira, this play stands as a contemporary South African classic.The play focuses on three central characters: Sdudla, Mambhele and Mampompo living and working in a Cape Town township trying to eke out a living in a racially, socially and economically unequal world. There are few work opportunities and there is a great deal of red tape to be self-sufficient. Men are glaringly absent from this world – working as cheap migrant labour in urban areas. Women have to undertake great risk to see their husbands and to try keep a semblance of family cohesiveness. Helicopters fly above and state security police surveil the area. The play shows how these women work miracles to ensure the survival and wellbeing of their families at all cost.Following the famous 1956 slogan of the South African woman’s march against apartheid laws, this latest publication in 2021 is a testament to the contemporariness of this play. Its themes around gender activism and the need for gender parity remains as true today as it did fifty years ago. Fresh and full of life, this is an important historical document and will be a landmark play for high schools and students of theatre.
"You Talkin' to Me?": The Definitive Guide to Iconic Movie Quotes
by Brian AbramsThis deep dive into hundreds of Hollywood&’s most iconic and beloved lines is a must-have for every film buff."You Talkin&’ to Me?" is a fun, fascinating, and exhaustively reported look at all the iconic Hollywood movie quotes we know and love, from Casablanca to Dirty Harry and The Godfather to Mean Girls. Drawing on interviews, archival sleuthing, and behind-the-scenes details, the book examines the origins and deeper meanings of hundreds of film lines: how they&’ve impacted, shaped, and reverberated through the culture, defined eras in Hollywood, and become cemented in the modern lexicon. Packed with film stills, sidebars, lists, and other fun detours throughout movie history, the book covers all genres and a diverse range of directors, writers, and audiences.
You, Too, Can Write a Romance Novel: Essential for those who wish to start writing romance novels, as well as for established authors
by José de la RosaHave you ever dreamed of writing your very own romance novel, but haven´t the faintest idea of where to start? Are you an already established author, but would like a more insight into this particular genre? If the answer is YES to either of these questions, then this book is for you. YOU, TOO, CAN WRITE A ROMANCE NOVEL will provide you with all the necessary tools to not only write your very own romance novel, but also to ensure that it has the maximum chance of being published and achieving success. This manual will enable you to express yourself through the story you will tell. Its step-by-step guide and instructions will gently take you through the necessary stages, from coming up with ideas and the best way to grab the reader´s attention from the start, right the way through to producing an exciting climax and ending that will put readers on the edge of their seats, unable to tear themselves away from your story. Once you´ve completed your novel, it will take you through the best way to attract the attention of publishers. However, it also provides alternatives if you wish to pursue the evermore popular route of desktop publishing (publishing your own book either in ebook form, or on paper). Grab the book, turn the pages and realise your dream.
You, Too, Could Write a Poem
by David OrrA collection of reviews and essays by David Orr, the New York Times poetry columnist and one of the most respected critics in America today, his best work of the past fifteen years in one place Poetry is never more vital, meaningful, or accessible than in the hands of David Orr. In the pieces collected here, most of them written originally for the New York Times, Orr is at his rigorous, conversational, and edifying best. Whether he is considering the careers of contemporary masters, such as Louise Glück or Frederick Seidel, sizing up younger American poets, like Matthea Harvey and Matthew Zapruder, or even turning his attention to celebrities and public figures, namely Oprah Winfrey and Stephen Fry, when they choose to wade into the hotly contested waters of the poetry world, Orr is never any less than fully persuasive in arguing what makes a poem or poet great—or not. After all, as Orr points out in his introduction, “Poetry is a lot like America, in the sense that liking all of it means that you probably shouldn’t be trusted with money, or scissors.” Orr’s prose is devoted to common sense and clarity, and, in every case, he brings to bear an impeccable ear, an openhandedness of spirit, and a deep wealth of technical knowledge—to say nothing of his shrewd sense of humor. As pleasurable as it is informative, Orr’s journalism represents a high watermark in the public discussion of literature. You, Too, Could Write a Poem is at heart a love note to poetry itself.From the Trade Paperback edition.
You Would Not Believe What Watches: Suttree and Cormac McCarthy's Knoxville
by Rick WallachThis volume is the first of a planned series of casebooks to be published by the Cormac McCarthy Society. It is an expanded and updated version of the fourth volume of The Cormac McCarthy Journal, originally released in 2006 to celebrate the 25th anniversary of the novel. The original edition consisted of papers and lectures given at the conference, held by the Society in Knoxville in October 2004. The current edition includes the entire content of its predecessor volume, and we have added intriguing essays, anecdotes and firsthand accounts of Knoxville during the historical period covered by Suttree to flesh it out.
Young Adult Fantasy Fiction: Conventions, Originality, Reproducibility (Elements in Publishing and Book Culture)
by Kim WilkinsYoung adult fantasy (YA fantasy) brings together two established genres - young adult fiction and fantasy fiction - and in so doing amplifies, energises, and leverages the textual, social, and industrial practices of the two genres: combining the fantastic with adolescent concerns; engaging passionate online fandoms; proliferating quickly into series and related works. By considering the texts alongside the way they are circulated and marketed, this Element aims to show that the YA fantasy genre is a dynamic formation that takes shape and reshapes itself responsively in a continuing process over time.
Young Adult Literature: Exploration, Evaluation, and Appreciation
by Katherine Bucher KaaVonia HintonPre- and in-service teachers get what they need to connect with adolescent students―and to help them connect with good literature―in this engaging, balanced look at the world of young adult literature. Here readers get foundational knowledge combined with a look at the pathways leading to the literature itself, to begin to open the door to exploring young adult literature. <p><p>Brief enough to give readers the opportunity to read the books themselves, yet comprehensive enough to ensure that teachers truly understand adolescents, their literature, and how to connect the two, this book by Bucher and Hinton provides what’s needed to ensure a rich educational experience for adolescents, while nourishing their love of reading.
Young Adult Literature and Adolescent Identity Across Cultures and Classrooms: Contexts for the Literary Lives of Teens
by Janet AlsupTaking a critical, research-oriented perspective, this exploration of the theoretical, empirical, and pedagogical connections between the reading and teaching of young adult literature and adolescent identity development centers around three key questions: Who are the teens reading young adult literature? Why should teachers teach young adult literature? Why are teens reading young adult literature? All chapters work simultaneously on two levels: each provides both a critical resource about contemporary young adult literature that could be used in YA literature classes or workshops and specific practical suggestions about what texts to use and how to teach them effectively in middle and high school classes. Theorizing, problematizing, and reflecting in new ways on the teaching and reading of young adult literature in middle and secondary school classrooms, this valuable resource for teachers and teacher educators will help them to develop classrooms where students use literature as a means of making sense of themselves, each other, and the world around them.
Young, Black and Determined: A Biography of Lorraine Hansberry
by Patricia C. Mckissack Fredrick L. MckissackHere is the remarkable story of the first African-American woman to open a play, A Raisin in the Sun, on Broadway.
Young Bloomsbury: The Generation That Redefined Love, Freedom, and Self-Expression in 1920s England
by Nino StracheyAn &“illuminating&” (Daily Mail, London) exploration of the second generation of the iconic Bloomsbury Group who inspired their elders to new heights of creativity and passion while also pushing the boundaries of sexual freedom and gender norms in 1920s England.In the years before the First World War, a collection of writers and artists—Virginia Woolf, E.M. Forster, and Lytton Strachey among them—began to make a name for themselves in England and America for their irreverent spirit and provocative works of literature, art, and criticism. They called themselves the Bloomsbury Group and by the 1920s, they were at the height of their influence. Then a new generation stepped forward—creative young people who tantalized their elders with their captivating looks, bold ideas, and subversive energy. Young Bloomsbury introduces us to this colorful cast of characters, including novelist Eddy Sackville-West, who wore elaborate make-up and dressed in satin and black velvet; artist Stephen Tomlin, who sculpted the heads of his male and female lovers; and author Julia Strachey, who wrote a searing tale of blighted love. Talented and productive, these larger-than-life figures had high-achieving professional lives and extremely complicated emotional lives. The group had always celebrated sexual equality and freedom in private, feeling that every person had the right to live and love in the way they chose. But as transgressive self-expression became more public, this younger generation gave Old Bloomsbury a new voice. Revealing an aspect of history not yet explored and with &“effervescent detail&” (Juliet Nicolson, author of Frostquake), Young Bloomsbury celebrates an open way of living and loving that would not be embraced for another hundred years.
Young Children as Intercultural Mediators
by Zhiyan GuoThis multidisciplinary approach to cultural mediation brings together insights from anthropology, sociology, linguistics and intercultural communication to offer a detailed depiction of family life in immigrant Chinese communities. Utilising a strongly contextualised and evidence-based narrative approach to exploring the nature of child cultural mediation, the author provides an insightful analysis of intercultural relationships between children and parents in immigrant families and of the informative aspects of their everyday lives. Furthermore, the family home setting offers the reader a glimpse of a personal territory that researchers often have great difficulty accessing. This ethnographic study will be of interest to students, researchers and professionals working in the areas of intercultural communication, childhood studies, family relations and migration studies.
Young Children Reading: At home and at school
by Rachael LevyDeveloping and supporting literacy is an absolute priority for all early years settings and primary schools, and something of a national concern. By presenting extensive research evidence, Rachael Levy shows how some of our tried and tested approaches to teaching reading may be counter-productive, and are causing some young children to lose confidence in their abilities as readers. Through challenging accepted definitions and perspectives on reading, this book encourages the reader to reflect critically on the current reading curriculum, and to consider ways in which their own practice can be developed to match the changing literacy landscape of the 21st century. Placing the emphasis on the voices of the children themselves, the author looks at: - what it feels like to be a reader in the digital age - children's perceptions of reading - home and school reading - reading in multidimensional forms - the future teaching of reading Essential reading for all trainee and practising teachers, this critical examination of a vital topic will support all those who are interested in the way we can help future generations to become literate. This book will encourage researchers and practitioners alike to redefine their own views of literacy, and situate 'reading literacy' within the digital world in which young children now live.
The Young Contributor: From 'Literature and Life'
by William Dean HowellsWilliam Dean Howells (1837-1920) was an American realist author and literary critic. He wrote his first novel, Their Wedding Journey, in 1871, but his literary reputation really took off with the realist novel A Modern Instance, published in 1882, which describes the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur in the paint business. His social views were also strongly reflected in the novels Annie Kilburn (1888) and A Hazard of New Fortunes (1890). While known primarily as a novelist, his short story "Editha" (1905) - included in the collection Between the Dark and the Daylight (1907) - appears in many anthologies of American literature. Howells also wrote plays, criticism, and essays about contemporary literary figures such as Ibsen, Zola, Verga, and, especially, Tolstoy, which helped establish their reputations in the United States. He also wrote critically in support of many American writers. It is perhaps in this role that he had his greatest influence.
Young Eliot: From St. Louis to the Waste Land
by Robert CrawfordOn the fiftieth anniversary of the death of T. S. Eliot, the award-winning biographer Robert Crawford presents us with the first volume of a comprehensive account of this poetic genius. Young Eliot traces the life of the twentieth century's most important poet from his childhood in St. Louis to the publication of his revolutionary poem The Waste Land. Crawford provides readers with a new understanding of the foundations of some of the most widely read poems in the English language through his depiction of Eliot's childhood—laced with tragedy and shaped by an idealistic, bookish family in which knowledge of saints and martyrs was taken for granted—as well as through his exploration of Eliot's marriage to Vivien Haigh-Wood, a woman who believed she loved Eliot "in a way that destroys us both." <P><P> Quoting extensively from Eliot's poetry and prose as well as drawing on new interviews, archives, and previously undisclosed memoirs, Crawford shows how the poet's background in Missouri, Massachusetts, and Paris made him a lightning rod for modernity. Most impressively, Young Eliot reveals the way he accessed his inner life—his anguishes and his fears—and blended them with his omnivorous reading to create his masterpieces "The Love Song of J. Alfred Prufrock" and The Waste Land. At last, we experience T. S. Eliot in all his tender complexity as student and lover, penitent and provocateur, banker and philosopher—but most of all, Young Eliot shows us as an epoch-shaping poet struggling to make art among personal disasters.
The Young H. G. Wells: Changing the World
by Claire TomalinFrom acclaimed literary biographer Claire Tomalin, a complex and fascinating exploration of the early life of the influential writer and public figure H. G. WellsHow did the first forty years of H. G. Wells's life shape the father of science fiction?From his impoverished childhood in a working-class English family and determination to educate himself at any cost to his complicated marriages, love affair with socialism, and the serious ill health that dominated his twenties and thirties, H. G. Wells's extraordinary early life would set him on a path to become one of the world's most influential writers. The sudden success of The Time Machine and The War of the Worlds transformed his life and catapulted him to international fame; he became the writer who most inspired Orwell and countless others and predicted men walking on the moon seventy years before it happened.In this remarkable, empathetic biography, Claire Tomalin paints a fascinating portrait of a man like no other, driven by curiosity and desiring reform, a socialist and a futurist whose new and imaginative worlds continue to inspire today.