- Table View
- List View
Book Proposals That Sell: 21 Secrets to Speed Your Success
by W. Terry WhalinDiscover the Secrets to Getting Published. Writing a book? In the beginning stages of writing a book, most people start with a blank page and write their entire manuscript. According to author and acquisitions editor W. Terry Whalin, this approach is backwards. About 80% to 90% of nonfiction books are sold from a book proposal. This mysterious document called a proposal contains many elements that will never appear in a manuscript—yet these details are critical to publishing executives who make the decision about publishing or rejecting an author’s project. In Book Proposals That Sell, Terry reveals 21 secrets to creating a book proposal that every author needs in order to create one that sells.
The Book Publishing Industry (Mass Communications Book Ser.)
by Albert N. GrecoThe Book Publishing Industry focuses on consumer books (adult, juvenile, and mass market paperbacks) and reviews all major book categories to present a comprehensive overview of this diverse business. In addition to the insights and portrayals of the U.S. publishing industry, this book includes an appendix containing historical data on the industry from 1946 to the end of the twentieth century. The selective bibliography includes the latest literature, including works in marketing and economics that has a direct relationship with this dynamic industry. This third edition features a chapter on e-books and provides an overview of the current shift toward digital media in the US book publishing industry.
Book Reports: A Music Critic on His First Love, Which Was Reading
by Robert ChristgauIn this generous collection of book reviews and literary essays, legendary Village Voice rock critic Robert Christgau showcases the passion that made him a critic—his love for the written word. Many selections address music, from blackface minstrelsy to punk and hip-hop, artists from Lead Belly to Patti Smith, and fellow critics from Ellen Willis and Lester Bangs to Nelson George and Jessica Hopper. But Book Reports also teases out the popular in the Bible and 1984 as well as pornography and science fiction, and analyzes at length the cultural theory of Raymond Williams, the detective novels of Walter Mosley, the history of bohemia, and the 2008 financial crisis. It establishes Christgau as not just the Dean of American Rock Critics, but one of America's most insightful cultural critics as well.
Book, Text, Medium: Cross-Sectional Reading for a Digital Age (Cambridge Studies in Twenty-First-Century Literature and Culture)
by Garrett StewartBook, Text, Medium: Cross Sectional Reading for a Digital Age utilizes codex history, close reading, and language philosophy to assess the transformative arc between medieval books and today's e-books. It examines what happens to the reading experience in the twenty-first century when the original concept of a book is still held in the mind of a reader, if no longer in the reader's hand. Leading critic Garrett Stewart explores the play of mediation more generally, as the concept of book moves from a manufactured object to simply the language it puts into circulation. Framed by digital poetics, phonorobotics, and the rising popularity of audiobooks, this study sheds new light on both the history of reading and the negation of legible print in conceptual book art.
The Book That Changed My Life: Interviews with National Book Award Winners and Finalists
by Neil Baldwin Diane OsenEvery reader can name at least one book that changed his or her life--and many more beloved titles will surely come to mind as well. In The Book That Changed My Life, fifteen of America's most influential authors discuss their own special literary choices. These unique interviews with National Book Award winners and finalists offer new insights into the many ways in which the experience of reading shapes the act of writing. Robert Stone on Joseph Conrad's Victory, Cynthia Ozick on Henry James's Washington Square, Charles Johnson on Jack London's The Sea-Wolf--each approaches the question of literary influence, while offering rich and wonderful revelations about his or her own writing career. James Carroll, Don DeLillo, E. L. Doctorow, Diane Johnson, Philip Levine, David Levering Lewis, Barry Lopez, David McCullough, Alice McDermott, Grace Paley, Linda Pastan, and Katherine Paterson are the other distinguished contributors to this collection of informed, insightful interviews.From the Trade Paperback edition.
The Book That Changed My Life: Interviews with National Book Award Winners and Finalists
by Diane OsenEvery reader can name at least one book that changed his or her life. In The Book That Changed My Life, fifteen of America's most influential authors discuss their own special literary choices. These unique interviews with National Book Award winners and finalists offer new insights into the many ways in which the experience of reading shapes the act of writing. Robert Stone on Joseph Conrad's Victory, Cynthia Ozick on Henry James's Washington Square, Charles Johnson on Jack London's The Sea-Wolf-- each approaches the question of literary influence, while offering rich and wonderful revelations about his or her own writing career.
Book to Screen (How to Adapt Your Novel to a Screenplay #5)
by Frank CatalanoADAPTING YOUR NOVEL INTO A SCREENPLAY BOOK TO SCREEN was first presented as part of the 25th Annual Writer's Conference sponsored by San Diego State University on February 6 through the 8th, 2009 at the Double Tree Hilton Hotel in Mission Hills, California. The following transcript was presented and recorded by Frank Catalano as part of the programs offered at the conference. The book is based partly upon that presentation, focuses on the adaptation of an existing novel into a screenplay for presentation as a motion picture, television program or Internet content. Writers of fiction and non-fiction and industry professionals from the publishing business primarily attended the 25th Annual Writer's Conference. Mr. Catalano's seminars focused upon those writers seeking to adapt their novels into screenplays. The complete list of seminar presentations by Frank Catalano for this conference is: BOOK 1: WRITE GREAT CHARACTERS IN THE FIRST TEN PAGES BOOK 2: WRITING ON YOUR FEET - IMPROVISATIONAL TECHNIQUES FOR WRITERS - Part 1 BOOK 3: START YOUR STORY AT THE END BOOK 4: THE FIRST TEN PAGES BOOK 5: BOOK TO SCREEN BOOK 6: ACTING IT OUT - IMPROVISATIONAL TECHNIQUES FOR WRITERS - Part 2 BOOK 7: WRITE GREAT DIALOGUE
Book Traces: Nineteenth-Century Readers and the Future of the Library (Material Texts)
by Andrew M. StaufferIn most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not.Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.
The Book Trade In The Italian Renaissance
by Angela NuovoThis work offers the first English-language survey of the book industry in Renaissance Italy. Where traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. <p><p> Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity.
The Book Unbound: Editing and Reading Medieval Manuscripts and Texts
by Siân EchardIn The Book Unbound, scholars and editors examine how best to use new technological tools and new methodologies with artifacts of medieval literature and culture. Taking into consideration English, French, Anglo-Norman, and Latin texts from several periods, the contributors examine and re-evaluate traditional approaches to and conclusions about medieval books and the cultural texts they contain - literary, dramatic, legal, historical, and musical. The essays range from detailed examinations of specific codices to broader theoretical discussions on past and present editorial practices, from the benefits and disadvantages of digital editions versus print editions to the importance of including 'extratextual' material such as variant texts, illustrations, intertexts, and other information about a work's cultural contexts, history, and use. The Book Unbound presents important contributions to the discussions surrounding the editing of medieval texts, including the use of digital technology with historical and literary documents, while offering practical ideas on editing print and hypertext. The collection will be invaluable to historians, literary scholars, and editors.
Book Was There: Reading in Electronic Times
by Andrew PiperAndrew Piper grew up liking books and loving computers. While occasionally burying his nose in books, he was going to computer camp, programming his Radio Shack TRS-80, and playing Pong. His eventual love of reading made him a historian of the book and a connoisseur of print, but as a card-carrying member of the first digital generation--and the father of two digital natives--he understands that we live in electronic times. Book Was There is Piper's surprising and always entertaining essay on reading in an e-reader world. Much ink has been spilled lamenting or championing the decline of printed books, but Piper shows that the rich history of reading itself offers unexpected clues to what lies in store for books, print or digital. From medieval manuscript books to today's playable media and interactive urban fictions, Piper explores the manifold ways that physical media have shaped how we read, while also observing his own children as they face the struggles and triumphs of learning to read. In doing so, he uncovers the intimate connections we develop with our reading materials--how we hold them, look at them, share them, play with them, and even where we read them--and shows how reading is interwoven with our experiences in life. Piper reveals that reading's many identities, past and present, on page and on screen, are the key to helping us understand the kind of reading we care about and how new technologies will--and will not--change old habits. Contending that our experience of reading belies naive generalizations about the future of books, Book Was There is an elegantly argued and thoroughly up-to-date tribute to the endurance of books in our ever-evolving digital world.
The Book Whisperer
by Jeff Anderson Donalyn MillerDonalyn Miller says she has yet to meet a child she couldn't turn into a reader. No matter how far behind Miller's students might be when they reach her 6th grade classroom, they end up reading an average of 40 to 50 books a year. Miller's unconventional approach dispenses with drills and worksheets that make reading a chore. Instead, she helps students navigate the world of literature and gives them time to read books they pick out themselves. Her love of books and teaching is both infectious and inspiring. The book includes a dynamite list of recommended "kid lit" that helps parents and teachers find the books that students really like to read.
The Book with No Pictures
by B. J. NovakA #1 New York Times bestseller, this innovative and wildly funny read-aloud by award-winning humorist/actor B.J. Novak will turn any reader into a comedian—a perfect gift for any special occasion! You might think a book with no pictures seems boring and serious. Except . . . here&’s how books work. Everything written on the page has to be said by the person reading it aloud. Even if the words say . . . BLORK. Or BLUURF. Even if the words are a preposterous song about eating ants for breakfast, or just a list of astonishingly goofy sounds like BLAGGITY BLAGGITY and GLIBBITY GLOBBITY. Cleverly irreverent and irresistibly silly, The Book with No Pictures is one that kids will beg to hear again and again. (And parents will be happy to oblige.)
A Book Worth Reading
by Wells DraughonIs there anything that can be said about the value of a novel, story or film other than that one likes it? If such factors were made known, writers could use them to write books that readers would not only like better but would feel are worth reading. Do the techniques in books on writing produce such novels? Are some books good even though we do not like them? Should we force ourselves to like a book because an English professor or a critic insinuates that only people with good taste like that particular book? Do the "arbiters of good taste" have grounds supporting their claims that the books they like are good? What is the body of knowledge on which such expertise would have to depend? Do they have a right to impose their tastes on students and on the public? (148 words. limit - 150 words/200 words)
The Book You Need to Read to Write the Book You Want to Write: A Handbook for Fiction Writers
by Sarah Burton Jem PosterHave you ever wanted to write a novel or short story but didn't know where to start? If so, this is the book for you. It's the book for anyone, in fact, who wants to write to their full potential. Practical and jargon-free, rejecting prescriptive templates and formulae, it's a storehouse of ideas and advice on a range of relevant subjects, from boosting self-motivation and confidence to approaching agents and publishers. Drawing on the authors' extensive experience as successful writers and inspiring teachers, it will guide you through such essentials as the interplay of memory and imagination; plotting your story; the creation of convincing characters; the uses of description; the pleasures and pitfalls of research; and the editing process. The book's primary aim is simple: to help its readers to become better writers.
The Book You Were Born to Write: Everything You Need to (Finally) Get Your Wisdom onto the Page and into the World
by Kelly NotarasA guide to writing a full-length transformational nonfiction book, from an editor with two decades' experience working with authors from all walks of life."I know I have a book in me.""I've always wanted to be an author.""People always ask me when I'm going to write my book.""I have a story to tell, but I never seem to make time to write."These are just a sampling of the messages Kelly Notaras hears every day from would-be authors around the globe. Life coaches with new methodologies for living on purpose . . . energy workers who've discovered new ways to prevent disease and teach self-healing . . . everyday heroes and heroines who have made it through difficult circumstances and want to inspire others to do the same. In today's tumultuous world, we need these voices in the marketplace. Moreover, publishing a book has never been so simple, accessible, or affordable as it is today. So why are so many thought leaders, healers, and change-agents stuck at the starting line?This book will light the way--offering a simple, step-by-step path that takes authors from concept to finished book. In it, publishing veteran Kelly Notaras demystifies the publishing process and gives writers the tools, insider information, and inspiration to start strong, keep going, and get across the finish line as quickly as possible.
Booked: A Traveler's Guide to Literary Locations Around the World
by Richard KreitnerA practical, armchair travel guide that explores eighty of the most iconic literary locations from all over the globe that you can actually visit. A must-have for every fan of literature, Booked inspires readers to follow in their favorite characters footsteps by visiting the real-life locations portrayed in beloved novels including the Monroeville, Alabama courthouse in To Kill a Mockingbird, Chatsworth House, the inspiration for Pemberley in Pride and Prejudice, and the Kyoto Bridge from Memoirs of a Geisha. The full-color photographs throughout reveal the settings readers have imagined again and again in their favorite books. Organized by regions all around the world, author Richard Kreitner explains the importance of each literary landmark including the connection to the author and novel, cultural significance, historical information, and little-known facts about the location. He also includes travel advice like addresses and must-see spots. Booked features special sections on cities that inspired countless literary works like a round of locations in Brooklyn from Betty Smith's iconic A Tree Grows in Brooklyn to Jonathan Lethem's Motherless Brooklyn and a look at the New Orleans of Tennessee Williams and Anne Rice. Locations include: Central Park, NYC (The Catcher in the Rye, JD Salinger) Forks, Washington (Twilight, Stephanie Meyer) Prince Edward Island, Canada (Anne of Green Gables, Lucy Maud Montgomery) Kingston Penitentiary, Ontario (Alias Grace, Margaret Atwood) Holcomb, Kansas (In Cold Blood, Truman Capote) London, England (White Teeth, Zadie Smith) Paris, France (Hunchback of Notre Dame, Victor Hugo) Segovia, Spain, (For Whom the Bell Tolls, Ernest Hemingway) Kyoto, Japan (Memoirs of a Geisha, Arthur Golden)
Bookends: Collected Intros and Outros
by Michael ChabonA brilliant, idiosyncratic collection of introductions and afterwords (plus some liner notes) by New York Times bestselling and Pulitzer Prize winning author Michael Chabon—“one of contemporary literature’s most gifted prose stylists” (Michiko Kakutani, New York Times).In Bookends, Pulitzer Prize winning author Michael Chabon offers a compilation of pieces about literature—age-old classics as well as his own—that presents a unique look into his literary origins and influences, the books that shaped his taste and formed his ideas about writing and reading. Chabon asks why anyone would write an introduction, or for that matter, read one. His own daughter Rose prefers to skip them. Chabon's answer is simple and simultaneously profound: "a hope of bringing pleasure for the reader." Likewise, afterwords—they are all about shared pleasure, about the "pure love" of a work of art that has inspired, awakened, transformed the reader. Ultimately, this thought-provoking compendium is a series of love letters and thank-you notes, unified by the simple theme of the shared pleasure of discovery, whether it's the boyhood revelation of the most important story in Chabon's life (Ray Bradbury's "The Rocket Man"); a celebration of "the greatest literary cartographer of the planet Mars" (Edgar Rice Burroughs, with his character John Carter); a reintroduction to a forgotten master of ghost stories (M. R. James, ironically "the happiest of men"); the recognition that the worlds of Wes Anderson's films are reassembled scale models of our own broken reality (as is all art); Chabon's own rude awakening from the muse as he writes his debut novel, The Mysteries of Pittsburgh; or a playful parody of lyrical interpretation in the liner notes for Mark Ronson's Uptown Special, the true purpose of which, Chabon insists, is to "spread the gospel of sensible automotive safety and maintenance practices." Galaxies away from academic or didactic, Bookends celebrates wonder—and like the copy of The Phantom Tollbooth handed to young Michael by a friend of his father he never saw again—it is a treasured gift.
Booking Passage: Exile and Homecoming in the Modern Jewish Imagination (Contraversions: Critical Studies in Jewish Literature, Culture, and Society #12)
by Sidra DeKoven EzrahiSidra DeKoven Ezrahi's sweeping study of modern Jewish writing is in many ways a long meditation on the thematics of geography in Jewish culture, what she calls the "poetics of exile and return."Until the late nineteenth century, Jews were identified in their own religious and poetic imagination as wanderers and exiles, their sacred center–Jerusalem, Zion–fatefully out of reach. Opening the book with "Jewish Journeys," Ezrahi begins by examining the work of medieval Hebrew poet Yehuda Halevi to chart a journey whose end was envisioned as the sublime realignment of the people with their original center. When the Holy Land became the site of a political drama of return in the nineteenth century, Jewish writing reflected the shift, traced here in the travel fictions of S.Y. Abramovitsh, S.Y. Agnon, and Sholem Aleichem.In "Jewish Geographies" Ezrahi explores aspects of reterritorialization through memory in the post-Holocaust writing of Paul Celan, Dan Pagis, Aharon Appelfeld, I.B. Singer and Philip Roth. Europe, where Jews had dreamed of return, has become the new ruined shrine: The literary pilgrimages of these writers recall familiar patterns of grieving and representation and a tentative reinvention of the diasporic imagination–in America, of course, but, paradoxically, even in Zion.
Bookishness: Loving Books in a Digital Age (Literature Now)
by Jessica PressmanTwenty-first-century culture is obsessed with books. In a time when many voices have joined to predict the death of print, books continue to resurface in new and unexpected ways. From the proliferation of “shelfies” to Jane Austen–themed leggings and from decorative pillows printed with beloved book covers to bookwork sculptures exhibited in prestigious collections, books are everywhere and are not just for reading. Writers have caught up with this trend: many contemporary novels depict books as central characters or fetishize paper and print thematically and formally.In Bookishness, Jessica Pressman examines the new status of the book as object and symbol. She explores the rise of “bookishness” as an identity and an aesthetic strategy that proliferates from store-window décor to experimental writing. Ranging from literature to kitsch objects, stop-motion animation films to book design, Pressman considers the multivalent meanings of books in contemporary culture. Books can represent shelter from—or a weapon against—the dangers of the digital; they can act as memorials and express a sense of loss. Examining the works of writers such as Jonathan Safran Foer, Jennifer Egan, Mark Z. Danielewski, and Leanne Shapton, Pressman illuminates the status of the book as a fetish object and its significance for understanding contemporary fakery. Bringing together media studies, book history, and literary criticism, Bookishness explains how books still give meaning to our lives in a digital age.
The Booklover's Guide to New Orleans: An American POW in Germany
by Susan LarsonThe literary tradition of New Orleans spans centuries and touches every genre; its living heritage winds through storied neighborhoods and is celebrated at numerous festivals across the city. For booklovers, a visit to the Big Easy isn't complete without whiling away the hours in an antiquarian bookstore in the French Quarter or stepping out on a literary walking tour. Perhaps only among the oak-lined avenues, Creole town houses, and famed hotels of New Orleans can the lust of A Streetcar Named Desire, the zaniness of A Confederacy of Dunces, the chill of Interview with the Vampire, and the heartbreak of Walker Percy's Moviegoer begin to resonate.Susan Larson's revised and updated edition of The Booklover's Guide to New Orleans not only explores the legacy of Tennessee Williams and William Faulkner, but also visits the haunts of celebrated writers of today, including Anne Rice and James Lee Burke. This definitive guide provides a key to the books, authors, festivals, stores, and famed addresses that make the Crescent City a literary destination.
The Bookmaker's Daughter: A Memory Unbound
by Shirley AbbottShirley Abbott's deeply felt memoir of her Arkansas childhood in the 1940s and 1950s examines her difficult relationship with the most important man in her young life--her daddy. Alfred Bemont ("Hat") Abbott did not craft fine volumes, though he allowed Shirley's mother to believe as much during their courtship. His craft was taking bets on horses and paying off the winnings. But this gentleman bandit also loved to read and bequeathed to his only daughter the world of language and books, where she learned her first lessons in what it is to be a woman. At Hat's urging to study hard, to grow strong and independent, Shirley blossomed into valedictorian of her high school class, and unlike her peers--all on the way to marriage and motherhood--went fearlessly on to college. But when at last she wished to test her wings, to leave Hot Springs for New York City, Hat refused to let her go. Richly detailed with family anecdote, feminist insight, history, sociology, and Southern mythology, The Bookmaker's Daughter strikes familiar and resonant chords. Shirley Abbott has courageously probed the past to emerge with this narrative of a relationship that was complex and volatile but ultimately liberating. Born and brought up in Hot Springs, Arkansas, Shirley Abbott now lives in Port Washington, New York. She works in Manhattan as a writer for a health newsletter and has also written a previous book, Womenfolks: Growing Up Down South. She has two daughters, Katharine and Elizabeth Tomkievicz.
Bookmarked: Reading My Way from Hollywood to Brooklyn
by Wendy W. FaireyWendy Fairey grew up among books. As the shy and studious daughter of famed Hollywood columnist Sheilah Graham--F. Scott Fitzgerald’s lover during the last years of his life--she began as a child reading her way through the library Fitzgerald had assembled for her mother and escaped into the landscape of classic English novels. Their protagonists became her intimates, starting with David Copperfield, whose sensibility and aspirations seemed so akin to her own. She felt as plain as Jane Eyre but craved the panache of Becky Sharp. English novels squired her to adulthood, and Bookmarked is a memoir of that journey. In a series of brilliant chapters that blend the genres of personal memoir and literary criticism, we follow Fairey, refracted through her reading, as student, wife, professor, mother, grandmother, and happily remarried writer. E. M. Forster’s Howards End helps her cope with a failing marria≥ Virginia Woolf’s Mrs. Ramsay teaches important lessons about love and memory. Like Eliot’s Daniel Deronda, she learns only as an adult of her Jewish heritage (and learns also the identity of her real father, the British philosopher A. J. Ayer). In this intimate and inspiring book, Wendy Fairey shows that her love of reading has been both a source of deep personal pleasure and key to living a fulfilling and richly self-examined life.
Bookmarks: A Guide to Research and Writing (3rd edition)
by John Ruszkiewicz Janice R. Walker Michael A. PembertonPreparing students for the ever-changing demands of conducting research in today's world, Bookmarks: A Guide to Research and Writing establishes a new benchmark for college research guides, serving as a bridge between old and new traditions for researchers who expect to work regularly in both print and electronic environments. Written in a lively, conversational tone, Bookmarks: A Guide to Writing and Research, offers concrete strategies and models to help students select a topic, refine it, and develop it into a full-fledged research hypothesis; find and position sources; use sources in appropriate and responsible ways to further their projects; and document and complete their final projects for print or electronic publication. In addition to offering such practical advice, the text also asks students to consider important rhetorical issues, such as how to most effectively address an audience and how to craft a considered, balanced argument. Bookmarks encourages students to use new technologies to find reliable information and to use the technologies to locate sources that are most appropriate for their topics and purposes.
Books Across Borders: UNESCO and the Politics of Postwar Cultural Reconstruction, 1945–1951 (New Directions in Book History)
by Miriam IntratorBooks Across Borders: UNESCO and the Politics of Postwar Cultural Reconstruction, 1945-1951 is a history of the emotional, ideological, informational, and technical power and meaning of books and libraries in the aftermath of World War II, examined through the cultural reconstruction activities undertaken by the Libraries Section of the United Nations Educational, Scientific and Cultural Organization (UNESCO). The book focuses on the key actors and on-the-ground work of the Libraries Section in four central areas: empowering libraries around the world to acquire the books they wanted and needed; facilitating expanded global production of quality translations and affordable books; participating in debates over the contested fate of confiscated books and displaced libraries; and formulating notions of cultural rights as human rights. Through examples from France, Poland, and surviving Jewish Europe, this book provides new insight into the complexities and specificities of UNESCO’s role in the realm of books, libraries, and networks of information exchange during the early postwar, post-Holocaust, Cold War years.