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The Women of Brewster Place (SparkNotes Literature Guide Series)

The Women of Brewster Place (SparkNotes Literature Guide) by Gloria Naylor Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers

Women of Letters, Manuscript Circulation, and Print Afterlives in the Eighteenth Century

Using unpublished manuscript writings, this book reinterprets material, social, literary, philosophical and religious contexts of women's letter-writing in the long 18th century. It shows how letter-writing functions as a form of literary manuscript exchange and argues for manuscript circulation as a method of engaging with the republic of letters.

The Women of Mexico's Cultural Renaissance: Intrepid Post-Revolution Artists and Writers (Literatures of the Americas)

This book consists of a collection of essays by Mexican writer Elena Poniatowska in their first English translation, and a critical introduction. The highly engaging essays explore the lives of seven transformational figures for Mexican feminism. This includes Frida Kahlo, Maria Izquierdo, and Nahui Olin, three outstanding artists of the cultural renaissance of the early twentieth century, and Nellie Campobello, Elena Garro, Rosario Castellanos, and Pita Amor, forerunner writers and poets whose works laid a path for Mexican women writers in the later twentieth century. Poniatowska’s essays discuss their fervent activity, interactions with other prominent figures, details and intricacies about their specific works, their scandalous and irreverent activities to draw attention to their craft, and specific revelations about their lives. The extensive critical introduction surveys the early feminist movement and Mexican cultural history, explores how Mexico became a more closed society by the mid-twentieth century, and suggests further reading and films. This book will be of interest both to the general reader and to scholars interested in feminist/gender studies, Mexican literary and cultural studies, Latin American women writers, the cultural renaissance, translation, and film studies.

Women of Myth: From Deer Woman and Mami Wata to Amaterasu and Athena, Your Guide to the Amazing and Diverse Women from World Mythology

Uncover the fascinating and complex women from mythology and folklore with this collection of stories profiling powerful goddesses, mighty queens, and legendary creatures.Get inspired with 50 fascinating stories of powerful female figures from mythologies around the world. From heroines and deities to leaders and mythical creatures, this collection explores figures of myth who can inspire modern readers with their ability to shape our culture with the stories of their power, wisdom, compassion, and cunning. Featured characters include: -Atalanta: Greek heroine and huntress who killed the Caledonia Boar and joined the Argonauts -Sky-Woman: The first woman in Iroquois myth who fell through a hole in the sky and into our world -Pele: Hawaiian volcano goddess -Clídna: Queen of the Banshees in Irish legend -La Llorona: A ghostly woman in Mexican folklore who wanders the waterfront Celebrate these game-changing, attention-worthy female characters with this collection of engaging tales.

The Women of Pliny's Letters (Women of the Ancient World)

Pliny's letters offer a significant source of information about the lives of Roman women (predominantly, though not exclusively, upper-class women) during the late first and early second centuries CE. In the 368 letters included in his ten published books of epistles, Pliny mentions over 30 women by name, addresses letters to seven, and refers to well over 40 anonymous women. Many of the references are brief comments in letters whose topics are the activities of Pliny's male acquaintances. Nonetheless his letters inform us about the roles of women in Roman families, marriages, and households, and also record the involvement of women in such matters as court cases, property ownership, religious orders, social networks, and political activities. This book has two aims. The first is to bring these women to the foreground, to explore their kinships, relationships, and activities, and to illuminate their lives by viewing them in the social, cultural, and political environments of the period in which they lived. This book utilizes historical, literary, legal, and epigraphical sources to examine the events, circumstances, and attitudes that were the contexts for the lives of these women. The first aim, then, is to gain insight into the reality of their lives. The second aim of this book is to investigate how Pliny defines the ideal behavior for women. In his accounts of the actions of both women and men, Pliny frequently shapes his narratives to promote moral lessons. In several of his letters about women, he elevates his subject to the status of a role model. The second aim of this book is to use the descriptions provided by Pliny to acquire a better understanding of what behavior was admired in Roman women of this period, and to consider how the concept of the model Roman woman is constructed in Pliny.

The Women of Shakespeare (Routledge Revivals)

Frank Harris argues that the way women are presented in Shakespeare’s plays and sonnets are a reflection of the real-life women in his life, namely his wife, mother, mistress and daughter. Originally published in 1911, The Women of Shakespeare also analyses the traditional criticism of the time and places his own views in this context. This title will be of interest to students of English Literature.

Women of the Afghan War

This is a book about women of Afghanistan and how they cope with war.

The Women of the Arrow Cross Party: Invisible Hungarian Perpetrators in the Second World War

This book analyses the actions, background, connections and the eventual trials of Hungarian female perpetrators in the Second World War through the concept of invisibility. It examines why and how far-right women in general and among them several Second World War perpetrators were made invisible by their fellow Arrow Cross Party members in the 1930s and during the war (1939-1945), and later by the Hungarian people’s tribunals responsible for the purge of those guilty of war crimes (1945-1949). It argues that because of their ‘invisibilization’ the legacy of these women could remain alive throughout the years of state socialism and that, furthermore, this legacy has actively contributed to the recent insurgence of far-right politics in Hungary. This book therefore analyses how the invisibility of Second World War perpetrators is connected to twenty-first century memory politics and the present-day resurgence of far-right movements.

Women of the Beat Generation: The Writers, Artists and Muses at the Heart of a Revolution

A well-researched book brings to light the fact that the Beat Generation involved women too. This book narrates the sad stories of women married to Beat Poets.

The Women of the French Salons

Women of the Left Bank: Paris, 1900-1940

A “valuable and intriguing” study of the lives and works of literary women who shaped expatriate Paris (NPR).Focusing on some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the early twentieth century, from Anais Nin to Alice B. Toklas and beyond, this book shines new light on how gender was experienced and expressed during an important moment in modern literary history."Shari Benstock . . . weaves together, with great skill, the histories of an extraordinary group of talented women—publishers like Sylvia Beach, Caresse Crosby, Margaret Anderson, and Jane Heap, novelists Jean Rhys, Gertrude Stein, and Edith Wharton. She examines in some depth the writing produced by poets, journalists and novelists, thus combining literary criticism and social history in a seamless running narrative.” —NPR“Through their writings, including unpublished and newly available documentary sources of the period, Djuna Barnes, Nancy Cunard, Jean Rhys, Gertrude Stein, Edith Wharton and others are revealed as significant in the development of modernism, imagism and other avant-garde movements in which they were overshadowed or ignored by their male counterparts. . . . Benstock tracks the sexually liberated lifestyles and the creative originality of these women with a wealth of documentation.” —Publishers Weekly“An inspiration, setting a standard for literary history and feminist criticism that will be difficult to surpass.” —American Literature

Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture

Media portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. Karen E. H. Skinazi delves beyond this stereotype in Women of Valor to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves. She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values. Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power.

Women of Will

From one of the country's foremost experts on Shakespeare and theatre arts, actor, director, and master teacher Tina Packer offers an exploration--fierce, funny, fearless--of the women of Shakespeare's plays. A profound, and profoundly illuminating, book that gives us the playwright's changing understanding of the feminine and reveals some of his deepest insights. Packer, with expert grasp and perception, constructs a radically different understanding of power, sexuality, and redemption. Beginning with the early comedies (The Taming of the Shrew, Two Gentlemen of Verona, The Comedy of Errors), Packer shows that Shakespeare wrote the women of these plays as shrews to be tamed or as sweet little things with no definable independent thought, virgins on the pedestal. The women of the histories (the three parts of Henry VI; Richard III) are, Packer shows, much more interesting, beginning with Joan of Arc, possibly the first woman character Shakespeare ever created. In her opening scene, she's wonderfully alive--a virgin, true, sent from heaven, a country girl going to lead men bravely into battle, the kind of girl Shakespeare could have known and loved in Stratford. Her independent resolution collapses within a few scenes, as Shakespeare himself suddenly turns against her, and she yields to the common caricature of his culture and becomes Joan the Enemy, the Warrior Woman, the witch; a woman to be feared and destroyed . . . As Packer turns her attention to the extraordinary Juliet, the author perceives a large shift. Suddenly Shakespeare's women have depth of character, motivation, understanding of life more than equal to that of the men; once Juliet has led the way, the plays are never the same again. As Shakespeare ceases to write about women as predictable caricatures and starts writing them from the inside, embodying their voices, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Juliet is just as passionately in love as Romeo--risking everything, initiating marriage, getting into bed, fighting courageously when her parents threaten to disown her--and just as brave in facing death when she discovers Romeo is dead. And, wondering if Shakespeare himself fell in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare writes the women as if he were a woman, giving them desires, needs, ambition, insight.Women of Will follows Shakespeare's development as a human being, from youth to enlightened maturity, exploring the spiritual journey he undertook. Packer shows that Shakespeare's imagination, mirrored and revealed in his female characters, develops and deepens until finally the women, his creative knowledge, and a sense of a larger spiritual good come together in the late plays, making clear that when women and men are equal in status and sexual passion, they can--and do--change the world. Part master class, part brilliant analysis--Women of Will is all inspiring discovery.From the Hardcover edition.

Women of Words in Le Morte Darthur

Offering a new reading of Malory's famed text, Le Morte Darthur, this book provides the first full-length survey of the alterations Malory made to female characters in his source texts. Through detailed comparisons with both Old French and Middle English material, Siobh#65533;n M. Wyatt discusses how Malory radically altered his French and English source texts to create a gendered pattern in the reliability of speech, depicting female discourse as valuable and truthful. Malory's authorial crafting indicates his preference for a certain "type" of female character: self-governing, opinionated, and strong. Simultaneously, the portrayal of this very readable "type" yields characterization. While late medieval court records indicate an increasingly negative attitude towards female speech and a tendency to punish vociferous women as "scolds," Malory makes the words of chiding damsels constructive. While his contemporary writers suppress the powers of magical women, Malory empowers his enchantress characters; while the authors of his French source texts accentuate Guinevere's flaws, Malory portrays her with sympathy.

Women on the Edge: Ethnicity and Gender in Short Stories by American Women (Wellesley Studies in Critical Theory, Literary History and Culture #Vol. 19)

This collection of essays explores the intertwining social conditions of ethnicity and gender as they are represented in short stories by contemporary American women. The introduction to the collection explains the theoretical understanding of gender and ethnicity as social constructions that provide a context for individual experience. The collection brings together analyses of short stories that focus on major ethnic cultures in the United States: Mexican American, Puerto Rican, Japanese American, Asian American, African American, Jewish American, white Protestant American, and Native American. Each essay testifies to the struggles of women within patriarchal cultures in America, and each explores how different ethnic identities set the terms of these gender struggles. The essays also reveal the complications of other important social issues, such as class, sexual preference, and religion. Individually, each essay contributes a significant new analysis of a short story or collection by an important contemporary American writer. Together, the essays indicate the complexity and significance of this cultural approach to women's fiction, demonstrate the critical theories that are currently developing in the fields of gender and ethnic studies, and suggest that neither ethnicity nor gender can legitimately be considered alone.

Women on the Move: Body, Memory and Femininity in Present-Day Transnational Diasporic Writing

Women on the Move: Body, Memory and Feminity in Present-day Transnational Diasporic Writing explores the role of women in the current globailized era as active migrants. the authors have brought together a collection of essays from scholars in diaspora, migration and gender studies to take a look at the female experince of migration and globalization by covering topics such as vulnerability, empowerment, trauma, identity, memory, violence and gender contruction, which will continue to shape contemporary literature and the culture at large.

Women on War in Spain’s Long Nineteenth Century: Virtue, Patriotism, Citizenship (Toronto Iberic)

The ways in which women have historically authorized themselves to write on war has blurred conventionally gendered lines, intertwining the personal with the political. Women on War in Spain’s Long Nineteenth Century explores, through feminist lenses, the cultural representations of late nineteenth- and early twentieth-century Spanish women’s texts on war. Reshaping the current knowledge and understanding of key female authors in Spain’s fin de siècle, this book examines works by notable writers – including Rosario de Acuña, Blanca de los Rios, Concepción Arenal, and Carmen de Burgos – as they engage with the War of Independence, the Third Carlist War, Spain’s colonial wars, and World War I. The selected works foreground how women’s representations of war can challenge masculine conceptualizations of public and domestic spheres. Christine Arkinstall analyses the works’ overarching themes and symbols, such as honour, blood, the Virgin and the Mother, and the intersecting sexual, social, and racial contracts. In doing so, Arkinstall highlights how these texts imagine outcomes that deviate from established norms of femininity, offer new models to Spanish women, and interrogate the militaristic foundations of patriarchal societies.

Women on Women: An Anthology of American Lesbian Short Fiction

This groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, "Women on Women" ranges from the subtlety and restraint of Willa Cather's "Tommy, the Unsentimental" to Sapphire's daring and highly erotic "Eat" and Valerie Miner's suspenseful "Trespassing." Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present.

Women, Performance and the Material of Memory: The Archival Tourist, 1780-1915

This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.

Women Players in England, 1500–1660: Beyond the All-Male Stage (Studies in Performance and Early Modern Drama)

Offering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was 'all male' in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. English spectators saw women players in professional and amateur contexts, in elite and popular settings, at home and abroad. Women acted in scripted and improvised roles, performed in local festive drama, and took part in dancing, singing, and masquing. English travelers saw professional actresses on the continent and Italian and French actresses visited England. Essays in this volume explore: the impact of women players outside London; the relationship between women's performance on the continent and in England; working women's participation in a performative culture of commerce; the importance of the visual record; the use of theatrical techniques by queens and aristocrats for political ends; and the role of female performance on the imitation of femininity. In short, Women Players in England 1500-1660 shows that women were dynamic cultural players in the early modern world.

Women Poets in the Victorian Era: Cultural Practices and Nature Poetry

Examining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.

Women Poets, Male Publishers: Myth vs. Market in Post-1960s Britain (New Directions in Book History)

We are often told that the women’s movement of the 1960s and 1970s led to the rediscovery of forgotten women writers. Without feminist presses such as Virago, these women would have sunk into obscurity. Thanks to Carmen Callil and other trailblazing feminist publishers, a canon of women’s literature emerged, and living writers managed to survive and sometimes thrive in a literary marketplace that had so far been dominated by men. Although obstacles remained, the story is one of the triumphs over a misogynistic publishing industry—a sector that had once sought to erase women writers of the past, marginalise living authors, and close the doors to any future legacy. There are two problems with this oft-repeated story. First, it focuses mainly on fiction rather than poetry (founded in 1973, Virago did not start publishing poetry until the early 1980s). Second, it neglects the major role that conservative male publishers played in (re)discovering women poets in post-1960s Britain. With the growing influence of the Women’s Liberation movement, these publishers realised that there was a growing market for poetry by women. At the same time, the Arts Council of Great Britain started pushing for more diversity, nudging its “clients” to make more room for women and ethnic minorities. Drawing on extensive archival work and oral history interviews, this open access book pushes the boundaries of a scholarship that has focused mainly on women’s poetry in relation to women’s presses. Archival documents show the influence of the Arts Council and the market in pushing conservative publishers towards more diversity. This evolution has had long-term consequences on the canon of women’s poetry, a canon that was largely shaped by conservative publishing houses rather than radical feminist presses.

Women, Power, and Ethnicity: Working Toward Reciprocal Empowerment

Powerful women aren't just men walking around in dresses!As women continue to assume positions of social leadership in increasing numbers, the dynamics of the social construction of power need to be examined. Have women adopted traditionally male patterns of behavior in an effort to gain and maintain power in business, industry, politics, academics, etc.? And if not, what kind of power are women practicing? The authors of Women, Power, and Ethnicity: Working Toward Reciprocal Empowerment endeavored to find out by conducting a research study on how women from various racial and ethnic backgrounds compare and contrast the attributes associated with existing power paradigms (traditional, empowerment, personal authority) with an alternate model of power--reciprocal empowerment.Reciprocal empowerment is a discursive and behavioral style of interaction grounded in reciprocity initiated by people who feel a sense of personal authority. Reciprocal empowerment enables people with mutual self-interests to rise above obstacles based on social and political structures and to use personal authority to discuss and act on issues openly and honestly in order to effect change. Using a qualitative methodology, Women, Power, and Ethnicity includes the results of surveys and interviews with women from seven different ethnic groups in the United States to determine if the concept or reciprocal empowerment resonates with them. The answer: Yes!Women, Power, and Ethnicity is organized by surveys and interview findings on women from seven cultural groups living in the United States (African, Asian, Caribbean, European, Latin, Middle Eastern, Native American). Each chapter includes: analyses of ethnographic findings, surveys, and interviews concise historical information effects of immigration, where applicable tables and diagrams direct quotes and much more!Women, Power, and Ethnicity examines women's attitudes toward power in several social forums--home, job, religion, politics, and society in general. The book is an essential resource for teachers and students of communication studies, women studies, gender studies, ethnic studies, and social sciences.

Women, Power and Subversion: Social Strategies in British Fiction, 1778-1860 (Routledge Revivals)

First published in 1981, this book explores the reactions of some female writers to the social effects of industrial capitalism between 1778 and 1860. The period set in motion a crisis over the status of middle-class women that culminated in the constructed idea of "women’s proper sphere". This concept disguised inequities between men and women, first by asserting the reality of female power, and then by restricting it to self-sacrificing influence. In this book, Judith Newton analyses novels such as Fanny Burney’s Evelina, Jane Austen’s Pride and Prejudice, Charlotte Brontë’s Villette and George Eliot’s The Mill on the Floss in order to demonstrate how some female writers reacted to the issue by covertly resisting inequities of power and reconciling ideologies in their art. She argues that in this time period, novels became increasingly rebellious as well as ambivalent . Heroines were endowed with power, and emphasis was given to female ability, rather than to feminine influence.

Women, 'Race' and Writing in the Early Modern Period

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.