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Women Writing Home, 1700-1920 Vol 5: Female Correspondence Across the British Empire
by Deirdre Coleman Cecily Devereux Klaus Stierstorfer Susan Clair Imbarrato Charlotte J MacdonaldAssembles a range of women's letters from the former British Empire. These letters 'written home' are not only historical sources; they are also representations of the state of the Empire in far-off lands sent home to Britain and, occasionally, other centres established as 'home'.
Women Writing Home, 1700-1920 Vol 6: Female Correspondence Across the British Empire
by Deirdre Coleman Cecily Devereux Klaus Stierstorfer Susan Clair Imbarrato Charlotte J MacdonaldAssembles a range of women's letters from the former British Empire. These letters 'written home' are not only historical sources; they are also representations of the state of the Empire in far-off lands sent home to Britain and, occasionally, other centres established as 'home'.
Women Writing Latin: Early Modern Women Writing Latin (Women Writers of the World #3)
by Laurie J. Churchill Phyllis R. Brown Jane E. JeffreyThis book is part of a 3-volume anthology of women's writing in Latin from antiquity to the early modern era. Each volume provides texts, contexts, and translations of a wide variety of works produced by women, including dramatic, poetic, and devotional writing. Volume Three covers women's writing in Latin during the early modern period (1400-1700).
Women Writing Latin: Women Writing Latin in Roman Antiquity, Late Antiquity, and the Early Christian Era (Women Writers of the World #1)
by Laurie J. Churchill Phyllis R. Brown Jane E. JeffreyThis book is part of a 3-volume anthology of women's writing in Latin from antiquity to the early modern era. Each volume provides texts, contexts, and translations of a wide variety of works produced by women, including dramatic, poetic, and devotional writing. Volume One covers the age of Roman Antiquity and early Christianity.
Women Writing Latin: Medieval Modern Women Writing Latin (Women Writers of the World #Vol. 2)
by Laurie J. Churchill Phyllis R. Brown Jane E. JeffreyThis book is part of a 3-volume anthology of women's writing in Latin from antiquity to the early modern era. Each volume provides texts, contexts, and translations of a wide variety of works produced by women, including dramatic, poetic, and devotional writing. Volume Two covers women's writing in Latin in the Middle Ages.
Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (Performance In The Long Eighteenth Century: Studies In Theatre, Music, Dance Ser.)
by Leslie RitchieCombining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Women Writing the English Republic, 1625–1681
by Katharine GillespieScholars have fiercely debated the causes of the English Civil Wars and the rise of anti-monarchical and republican thought a century before the American Revolution. This ambitious and highly original book is the first to argue that women played a significant role in formulating and enacting English republican precepts. Even as feminists contend that republicanism's division of the private from the public sphere excluded women from political power, Gillespie demonstrates how seventeenth-century Englishwomen articulated republicanism's key insight: meaningful action, political or otherwise, does and should take place outside the purview of government, in spheres that not only include women, but that women helped construct. Drawing on the works of six women writers of the period, the book examines their writings and explores the key themes and concepts that they build upon.
Women Writing the Home Tour, 1682–1812
by Zoë KinsleyBetween the late seventeenth and the early nineteenth century, the possibilities for travelling within Britain became increasingly various owing to improved transport systems and the popularization of numerous tourist spots. Women Writing the Home Tour, 1682-1812 examines women's participation in that burgeoning touristic tradition, considering the ways in which the changing face of British travel and its writing can be traced through the accounts produced by the women who journeyed England, Scotland, and Wales during this important period. This book explores female-authored home tour travel narratives in print, as well as manuscript works that have hitherto been neglected in criticism. Discussing texts produced by authors including Celia Fiennes, Ann Radcliffe and Dorothy Wordsworth alongside the works of lesser-known travellers such as Mary Morgan and Dorothy Richardson, Kinsley considers the construction, and also the destabilization, of gender, class, and national identity through chapters that emphasize the diversity and complexity of this rich body of writings.
Women Writing the Neo-Victorian Novel: Erotic "Victorians"
by Kathleen RenkWomen Writing the Neo-Victorian Novel: Erotic “Victorians” focuses on the work of British, Irish, and Commonwealth women writers such as A.S. Byatt, Emma Donoghue, Sarah Waters, Helen Humphreys, Margaret Atwood, and Ahdaf Soueif, among others, and their attempts to re-envision the erotic. Kathleen Renk argues that women writers of the neo-Victorian novel are far more philosophical in their approach to representing the erotic than male writers and draw more heavily on Victorian conventions that would proscribe the graphic depiction of sexual acts, thus leaving more to the reader’s imagination. This book addresses the following questions: Why are women writers drawn to the neo-Victorian genre and what does this reveal about the state of contemporary feminism? How do classical and contemporary forms of the erotic play into the ways in which women writers address the Victorian “woman question”? How exactly is the erotic used to underscore women’s creative potential?
Women Writing the West Indies, 1804-1939: 'A Hot Place, Belonging To Us' (Routledge Research in Postcolonial Literatures #8)
by Evelyn O'CallaghanThis pioneering study surveys nineteenth- and twentieth-century narratives of the West Indies written by white women, English and Creole. It introduces a fascinating wealth of relatively unknown material and constitutes a timely interrogation of the supposed homogeneity of Caribbean discourse, especially with regard to 'race' and gender.
Women Writing Trauma in the Global South: A Study of Aminatta Forna, Isabel Allende and Anuradha Roy (Routledge Studies in Comparative Literature)
by Annemarie PabelThrough exploring complex suffering in the writings of Aminatta Forna, Isabel Allende and Anuradha Roy, Women Writing Trauma in the Global South dismantles conceptual shortcomings and problematic imbalances at the core of existing theorizations around psychological trauma. The global constellation of women writers from Sierra Leone, Chile and India facilitates a productive analysis of how the texts navigate intertwined experiences of individual and systemic trauma. The discussion departs from a recent critical turn in literary and cultural trauma studies and transgresses many interrelated boundaries of geocultural contexts, language and genre. Discovering the role of literary forms in reparative articulation and empathic witnessing, this critical intervention develops new ideas for an inclusive conceptual expansion of trauma from the global peripheries and contributes to the ongoing debate on marginalized suffering.
Women Writing Wonder: An Anthology of Subversive Nineteenth-Century British, French, and German Fairy Tales (The Donald Haase Series in Fairy-Tale Studies)
by Julie L. J. Koehler Shandi Lynne Wagner Anne E. Duggan Adrion DulaWomen Writing Wonder: An Anthology of Subversive Nineteenth-Century British, French, and German Fairy Tales is a translation and critical edition that fills a current gap in fairy-tale scholarship by making accessible texts written by nineteenth-century British, French, and German women authors who used the genre of the fairy tale to address issues such as class, race, and female agency. These shared themes crossed national borders are due to both communication among these writers and changes in nineteenth-century European societies that similarly affected women in Western Europe. In effect, the combined texts reveal a common, transnational tradition of fairy tales by women writers who grapple with gender, sexual, social, and racial issues in a post–French Revolution Europe. The anthology provides insight into the ways the fairy tale served as a vehicle for women writers—often marginalized and excluded from more official or public genres—to engage in very serious debates. Women Writing Wonder, divided into three parts by country, features tales that depict relationships that cross class and racial divides, thus challenging normative marriage practices; critically examine traditional fairy-tale tropes, such as "happily ever after" and the need for a woman to marry; challenge the perception that fairy-tale collecting, editing, and creation was male work, associated particularly with the Grimms; and demonstrate the role of women in the development of the emerging field of children’s literature and moral tales. Through their tales, these women question, among other issues, the genre of the fairy tale itself, playing with the conventional fairy-tale narrative to compose their proto-feminist tales. By bringing these tales together, editors and translators Julie L. J. Koehler, Shandi Lynne Wagner, Anne E. Duggan, and Adrion Dula hope both to foreground women writers’ important contributions to the genre and to challenge common assumptions about what a fairy tale is for scholars, students, and general readers.
Women’s Agency and Mobile Communication Under the Radar (Advances in Mobile Communication)
by Xin Pei Pranav Malhotra Rich LingThis volume maps the role of mobile communication in the daily lives of women around the globe, shedding light on “under-the-radar” use of mobile communication to display a nuanced understanding of social impacts that may affect the gender construction processes of women at the individual, institutional, and societal levels. A global team of authors focus on the use of mobile communication by women in the lower rungs of their respective societies, as well as those who migrate with marginalized statuses within and across the national borders, to demonstrate how “under-the-radar” use of mobile communication is deeply inscribed within diversified social, cultural, historical, and political milieus. Illuminating the social structural constraints faced by women under their dynamic negotiation of agentic mobile phone use for self-empowerment, the chapters cover women’s economic activities, health care, well-being, migration, gendered identity, and the practices of different gender roles. This comprehensive and interdisciplinary volume will be of interest to scholars and students of media and communication, new and digital media, mobile communication, gender studies, sociology, anthropology, political science, and cultural studies.
Women’s Agency in the Dune Universe: Tracing Women’s Liberation through Science Fiction
by Kara KennedyThis book undertakes the first large-scale analysis of women’s agency in Frank Herbert’s six-book science fiction Dune series. Kara Kennedy explores how female characters in the Bene Gesserit Sisterhood—from Jessica to Darwi Odrade—secure control and influence through five avenues of embodied agency: mind-body synergy, reproduction and motherhood, voices, education and memory, and sexuality. She also discusses constraints on their agency, tensions between individual and collective action, and comparisons with other characters including the Mentats, Bene Tleilaxu, and Honored Matres. The book engages with second-wave feminist theories and historical issues to highlight how the series anticipated and paralleled developments in the women’s liberation movement. In this context, it addresses issues regarding sexual difference and solidarity, as well as women’s demand to have control over their bodies. Kennedy concludes that the series should be acknowledged as a significant contribution to the genre as part of both New Wave and feminist science fiction.
Women’s Bookscapes in Early Modern Britain: Reading, Ownership, Circulation
by Leah Knight Micheline White Elizabeth SauerWomen in 16th- and 17th-century Britain read, annotated, circulated, inventoried, cherished, criticized, prescribed, and proscribed books in various historically distinctive ways. Yet, unlike that of their male counterparts, the study of women’s reading practices and book ownership has been an elusive and largely overlooked field. In thirteen probing essays, Women’s Bookscapesin Early Modern Britain brings together the work of internationally renowned scholars investigating key questions about early modern British women’s figurative, material, and cultural relationships with books. What constitutes evidence of women’s readerly engagement? How did women use books to achieve personal, political, religious, literary, economic, social, familial, or communal goals? How does new evidence of women’s libraries and book usage challenge received ideas about gender in relation to knowledge, education, confessional affiliations, family ties, and sociability? How do digital tools offer new possibilities for the recovery of information on early modern women readers? The volume’s three-part structure highlights case studies of individual readers and their libraries; analyses of readers and readership in the context of their interpretive communities; and new types of scholarly evidence—lists of confiscated books and convent rules, for example—as well as new methodologies and technologies for ongoing research. These essays dismantle binaries of private and public; reading and writing; female and male literary engagement and production; and ownership and authorship. Interdisciplinary, timely, cohesive, and concise, this collection’s fresh, revisionary approaches represent substantial contributions to scholarship in early modern material culture; book history and print culture; women’s literary and cultural history; library studies; and reading and collecting practices more generally.
Women's Cinema: The Contested Screen (Short Cuts)
by Alison ButlerWomen's Cinema provides an introduction to critical debates around women's filmmaking and relates those debates to a variety of cinematic practices. Taking her cue from the groundbreaking theories of Claire Johnston, Alison Butler argues that women's cinema is a minor cinema that exists inside other cinemas, inflecting and contesting the codes and systems of the major cinematic traditions from within. Using canonical directors and less established names, ranging from Chantal Akerman to Moufida Tlatli, as examples, Butler argues that women's cinema is unified in spite of its diversity by the ways in which it reworks cinematic conventions.
Women’s Colonial Gothic Writing, 1850-1930: Haunted Empire (Palgrave Gothic)
by Melissa EdmundsonThis book explores women writers’ involvement with the Gothic. The author sheds new light on women’s experience, a viewpoint that remains largely absent from male-authored Colonial Gothic works. The book investigates how women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The chapters show how Gothic themes told from a woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand. Edmundson argues that women’s Colonial Gothic writing tends to be more critical of imperialism, and thereby more subversive, than that of their male counterparts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies.
Women's Court and Society Memoirs, Part I Vol 1
by Amy Culley Katherine TurnerThese exhuberant stories of intrigue and scandal paint a vivid and colourful picture of society life.
Women's Court and Society Memoirs, Part I Vol 2
by Amy Culley Katherine TurnerThese exhuberant stories of intrigue and scandal paint a vivid and colourful picture of society life.
Women's Court and Society Memoirs, Part I Vol 3
by Amy Culley Katherine TurnerThese exhuberant stories of intrigue and scandal paint a vivid and colourful picture of society life.
Women's Court and Society Memoirs, Part I Vol 4
by Amy Culley Katherine TurnerThese exhuberant stories of intrigue and scandal paint a vivid and colourful picture of society life.
Women's Court and Society Memoirs, Part II vol 5
by Jennie Batchelor Amy Culley Katherine TurnerEach of the works in this collection documents the extraodinary fortunes of women whose real lives read like fiction.
Women's Court and Society Memoirs, Part II vol 6
by Jennie Batchelor Amy Culley Katherine TurnerEach of the works in this collection documents the extraodinary fortunes of women whose real lives read like fiction.
Women's Court and Society Memoirs, Part II vol 7
by Jennie Batchelor Amy Culley Katherine TurnerEach of the works in this collection documents the extraodinary fortunes of women whose real lives read like fiction.
Women's Court and Society Memoirs, Part II vol 8
by Jennie Batchelor Amy Culley Katherine TurnerEach of the works in this collection documents the extraodinary fortunes of women whose real lives read like fiction.