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Women's Playwriting and the Women's Movement, 1890-1918 (Routledge Advances in Theatre & Performance Studies)
by Anna FarkasThe influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.
Women's Poetry of the 1930s: A Critical Anthology
by Jane DowsonWhere were the women of the so-called `Auden Generation'?During this era of rapidly changing gender roles,social values and world politics,women produced a rich variety of poetry.But until now their work has largely been lost or ignored;in Women's Poetry of the 1930s Jane Dowson finally redresses the balance and recovers women's place in the literary history of the interwar years.This comprehensive and beautifully edited collection includes: *Previously uncollected poems by authors such as Winifred Holtby and Naomi Mitchison *Poems which are now out of print,such as those by Vita Sackville-West and Frances Cornford *Poems previously neglected by poets including Ann Ridler and Sylvia Townsend Warner *An extensive critical introduction and individual biographies of each poet Poetry lovers,students and scholars alike will find Women's Poetry of the 1930s an invaluable resource and a collection to treasure.
Women's Political Communication in Africa: Issues and Perspectives (Contributions to Political Science)
by Sharon Adetutu OmotosoThis book examines women’s political communication in Africa, capturing previously unheard women’s voices, and presenting detailed information on overlooked communication strategies and forms of power relations employed by African women and women of African descent. By examining the disputes, accomplishments and/or setbacks experienced by women in political spaces, it underscores feminist intersections of political communication in Africa. It also explores the glamor, humor, harmony and tact that women as state and non-state actors have contributed to Africa’s political landscape through the realities of female soft power. The book addresses issues concerning how and why women do and should participate in politics; at what level they have employed political communication strategies; and which types. It also questions ideas and ideals that have guided or continue to guide feminist political communication in Africa’s growing democracy. Lastly, it highlights African women’s conscious approach and rejuvenated interest in developing their communication skills and strategies given their vital role in state-building.
Women's Political Writings, 1610-1725 Vol 1
by Mihoko Suzuki Susan Wiseman Hilda L SmithIncludes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.
Women's Political Writings, 1610-1725 Vol 2
by Mihoko Suzuki Susan Wiseman Hilda L SmithIncludes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.
Women's Political Writings, 1610-1725 Vol 3
by Mihoko Suzuki Susan Wiseman Hilda L SmithIncludes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.
Women's Political Writings, 1610-1725 Vol 4
by Mihoko Suzuki Susan Wiseman Hilda L SmithIncludes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.
Women’s Prophetic Writings in Seventeenth-Century Britain (Routledge Studies in Renaissance Literature and Culture)
by Carme FontThis study examines women’s prophetic writings in seventeenth-century Britain as the literary outcome of a discourse of social transformation that integrates religious conscience, political participation, and gender identity. The following pages approach prophecy as a culture, a language, and a catalyst for collective change as the individual prophet conceptualized it. While the corpus of prophetic writing continues to grow as the result of archival research, this monograph complements our particular knowledge of women’s prophecy in the seventeenth century with a global assessment of what makes speech prophetic in the first place, and what are the differences and similarities between texts that fall into the prophetic mode. These disparities and commonalities stand out in the radical language of prophecy as well as in the way it creates an authorial centre. Examining how authorship is represented in several configurations of prophetic delivery, such as essays on prophecy, poetic prophecy, spiritual autobiography, and election narratives, the different chapters consider why prophecy peaked in the years of the civil wars and how it evolved towards the eighteenth century. The analyses extrapolate the peculiarities of each case study as being representative of a form of textually-based activism that enabled women to gain a deeper understanding of themselves as creators of independent meaning that empowered them as individuals, citizens, and believers.
Women's Romantic Theatre and Drama: History, Agency, and Performativity
by Keir ElamAs theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.
Women's Somatic Training in Early Modern Spanish Theater (Women and Gender in the Early Modern World)
by Elizabeth Marie PetersenDrawing from early modern plays and treatises on the precepts and practices of the acting process, this study shows how the early modern Spanish actress subscribed to various somatic practices in an effort to prepare for a role. It provides today's reader not only another perspective to the performance aspect of early modern plays, but also a better understanding of how the woman of the theater succeeded in a highly scrutinized profession. Elizabeth Marie Cruz Petersen examines examples of comedias from playwrights such as Lope de Vega, Luis Vélez de Guevara, Tirso de Molina, and Ana Caro, historical documents, and treatises to demonstrate that the women of the stage transformed their bodies and their social and cultural environment in order to succeed in early modern Spanish theater. Women's Somatic Training in Early Modern Spanish Theater is the first full-length, in-depth study of women actors in seventeenth-century Spain. Unique in the field of comedia studies, it approaches the topic from a performance perspective, using somaesthetics as a tool to explain how an artist's lived experiences and emotions unite in the interpretation of art, reconfiguring her "self" via the transformation of habit.
Women's Theatrical Memoirs, Part I Vol 1
by Sue Mcpherson Sharon M Setzer Julia SwindellsBy the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.
Women's Theatrical Memoirs, Part I Vol 2
by Sharon M Setzer Julia Swindells Sue McphersonBy the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.
Women's Theatrical Memoirs, Part I Vol 3
by Sharon M Setzer Julia Swindells Sue McphersonBy the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.
Women's Theatrical Memoirs, Part I Vol 4
by Sharon M Setzer Julia Swindells Sue McphersonBy the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.
Women's Theatrical Memoirs, Part I Vol 5
by Sharon M Setzer Julia Swindells Sue McphersonBy the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.
Women's Theatrical Memoirs, Part II vol 9
by Sue McPherson Sharon M Setzer Julia SwindellsBy the close of the eighteenth century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection presents the lives of some of the most celebrated actresses of their day. These memoirs also provide insights into contemporary constructions of gender, sexuality and fame.
Women's Theology in Nineteenth-Century Britain: Transfiguring the Faith of Their Fathers (Literature and Society in Victorian Britain #3)
by Julie MelnykFirst published in 1998. This collection of original essays identifies and analyzes 19th-century women's theological thought in all its diversity, demonstrating the ways that women revised, subverted, or rejected elements of masculine theology in creating theologies of their own. While women's religion has been widely studied, this is the only collection of essays that examines 19th-century women's theology as suchA substantial introduction clarifies the relationships between religion and theology and discusses the barriers to women's participation in theological discourse as well as the ways women overcame or avoided these barriers. The essays analyze theological ideas in a variety of genres. The first group of essays discusses women's nonfiction prose, including women's devotional writings on the Apocalypse; devotional prose by Christina Rossetti and its similarities to the work of Hildegard von Bingen; periodical prose by Anna Jameson and Julia Wedgwood; and the letters of Harriet and Jemima Newman, sisters of John Henry Newman. Other essays examine the novel, presenting analysis of the theologies of novelists Emma Jane Worboise, Charlotte M. Yonge, and Mary Arnold Ward. Further essays discuss the theological ideas of two purity reformers, Josephine Butler and Ellice Hopkins, while the final essays move beyond Victorian Christianity to examine spiritualist and Buddhist theology by womenThis collection will be important to students and scholars interested in Victorian culture and ideas-literary critics, historians, and theologians-and particularly to those in women's studies and religious studies.
Women's Travel Writings in Iberia Vol 1
by Stephen Bending Stephen Bygrave Eroulla Demetriou Jose Ruiz Mas Maria Antonia Lopez-Burgos del BarrioLisbon and the Pyrenees form the basis of this lively collection of firsthand accounts of travel within Portugal and Spain in the early nineteenth century.
Women's Travel Writings in Iberia Vol 2
by Stephen Bending Stephen Bygrave Eroulla Demetriou Jose Ruiz Mas Maria Antonia Lopez-Burgos del BarrioLisbon and the Pyrenees form the basis of this lively collection of firsthand accounts of travel within Portugal and Spain in the early nineteenth century.
Women's Travel Writings in Iberia Vol 3
by Stephen Bending Stephen Bygrave Eroulla Demetriou Jose Ruiz Mas Maria Antonia Lopez-Burgos del BarrioLisbon and the Pyrenees form the basis of this lively collection of firsthand accounts of travel within Portugal and Spain in the early nineteenth century.
Women's Travel Writings in Iberia Vol 4
by Stephen Bending Stephen Bygrave Eroulla Demetriou Jose Ruiz Mas Maria Antonia Lopez-Burgos del BarrioLisbon and the Pyrenees form the basis of this lively collection of firsthand accounts of travel within Portugal and Spain in the early nineteenth century.
Women's Travel Writings in Iberia Vol 5
by Stephen Bending Stephen Bygrave Eroulla Demetriou Jose Ruiz Mas Maria Antonia Lopez-Burgos del BarrioLisbon and the Pyrenees form the basis of this lively collection of firsthand accounts of travel within Portugal and Spain in the early nineteenth century.
Women's Travel Writings in India 1777–1854: Volume III: Mrs A. Deane, A Tour through the Upper Provinces of Hindustan (1823); and Julia Charlotte Maitland, Letters from Madras During the Years 1836-39, by a Lady (1843) (Chawton House Library: Women’s Travel Writings)
by Éadaoin AgnewThe ‘memsahibs’ of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women’s travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women’s Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives – here reproduced for the first time in reset scholarly editions – were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women’s interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women’s passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women’s writing, travel writing, colonial and postcolonial studies, the history of women’s educational and missionary work, and Romantic-era and nineteenth-century literature. This volume includes two texts, Ann Deane, A Tour Through the Upper Provinces of Hindostan (1823) and Julia Maitland, Letters from Madras (1846).
Women's Travel Writings in India 1777–1854: Volume IV: Mary Martha Sherwood, The Life of Mrs Sherwood (1854) (Chawton House Library: Women’s Travel Writings)
by Betty HagglundThe ‘memsahibs’ of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women’s travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women’s Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives – here reproduced for the first time in reset scholarly editions – were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women’s interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women’s passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women’s writing, travel writing, colonial and postcolonial studies, the history of women’s educational and missionary work, and Romantic-era and nineteenth-century literature. This final volume reproduces a text by Mary Sherwood, called The Life of Mrs Sherwood (1854).
Women's Travel Writings in India 1777–1854: Volume II: Harriet Newell, Memoirs of Mrs Harriet Newell, Wife of the Reverend Samuel Newell, American Missionary to India (1815); and Eliza Fay, Letters from India (1817) (Chawton House Library: Women’s Travel Writings)
by Katrina O’Loughlin Michael GamerThe ‘memsahibs’ of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women’s travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women’s Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives – here reproduced for the first time in reset scholarly editions – were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women’s interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women’s passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women’s writing, travel writing, colonial and postcolonial studies, the history of women’s educational and missionary work, and Romantic-era and nineteenth-century literature. This second volume includes two texts, Harriet Newell, Memoirs of Mrs Harriet Newell (1815) and Eliza Fay, Original Letters from India (1817).