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Words from the Heart: An Emotional Dictionary
by Susie Dent'MAGIC' JO BRAND'HAPPIFYING' STEPHEN FRY'SUSIE DENT IS A NATIONAL TREASURE' RICHARD OSMANWhether it's the distress of a bad haircut (AGE-OTORI) or longing for the food someone else is eating (GROAKING), the pleasure found in other people's happiness (CONFELICITY) or the shock of jumping into icy water (CURGLAFF), there are real words to pinpoint exactly how you feel and Susie Dent, Queen of Countdown's Dictionary Corner and lexicographer extraordinaire, is going to help you find them. Here are 1001 terms everyone needs, whether it's the best kind of hug (CWTCH), the relief found in swearing (LALOCHEZIA), or the ability to endure till the end (PERTOLERANCE). It's time to rediscover the lost positives of language (and be more GORM); find out how a stork gave us the word for the love between parent and child, and who the first MAVERICK was. Packed with unexpected stories and unforgettable words, on a mission to describe the indescribable, this life-enhancing book will deepen your vocabulary as much as it extends it. Welcome to the first truly human dictionary, as idiosyncratic and unusual as you are.
Words (Hello Baby)
by Roger PriddyFrom a bright yellow sun to a juicy red strawberry, the high-contrast pictures in this board book will captivate babies. The alternating black and white backgrounds allow babies to focus on both the clearly defined pictures and the contrasting colors, as they look at and learn their very first words.
Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell
by Elizabeth Bishop Robert LowellRobert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.
Words in Collision: Multilingualism in English-Language Fiction
by Michael L. RossFor centuries, English-language writers have borrowed words and phrases from other languages in their fictional works. Words in Collision explores this tradition of language-mixing and its consequences. Returning to Shakespeare’s Henry V, Michael Ross asks why writers employ “foreign” phrases in their English-language texts, why this practice continues, and what it means. He finds that the insertion of “foreign elements,” rather than random or arbitrary, occurs in literary works that display a self-conscious preoccupation with language in general as a dynamic determinant of social relations. Discussing nineteenth-century works by Sir Walter Scott, Charlotte Brontë, and Henry James, the book demonstrates how multilingualism connects with themes of cosmopolitanism, estrangement, and resistance to social convention. In the second half of the book, the multilingual practices of canonical Anglo-American literature are compared with postcolonial texts by Caribbean, Nigerian, and Indian authors, including Chimamanda Ngozi Adichie and Arundhati Roy, whose choice of language is fraught with complex moral and artistic implications. Ross’s readings reveal both crucial departures and surprising underlying continuities in linguistic traditions often thought to be deeply divided in time, space, and politics. The first extended treatment of language-mixing in English texts, Words in Collision is critical to understanding past practices and future prospects for multilingualism in fiction.
Words in Motion: Toward a Global Lexicon
by Carol Gluck Anna Lowenhaupt TsingOn the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking specific words in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijāb in France changed the societies in which they moved even as the words were changed by them. Some words threatened to launch wars, as injury did in imperial Britain's relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from abroad could be transformed by those who wielded them to oppose the very powers that first introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen essays reveals commonality as well as distinctiveness across modern societies, making the world look different from the interdisciplinary and transnational perspective of "words in motion. " Contributors. Mona Abaza, Itty Abraham, Partha Chatterjee, Carol Gluck, Huri Islamoglu, Claudia Koonz, Lydia H. Liu, Driss Maghraoui, Vicente L. Rafael, Craig J. Reynolds, Seteney Shami, Alan Tansman, Kasian Tejapira, Anna Lowenhaupt Tsing
Words in My Hands: A Teacher, A Deaf-Blind Man, An Unforgettable Journey
by Diane ChambersBert Riedel, an 86-year-old deaf-blind pianist, cut off from the world since age 45, discovers a new life through hand-over-hand sign, taught to him by the author.
Words in the Mind
by Jean AitchisonFeaturing new coverage of the brain and language, and lexical corpora, the 4th edition of Words in the Mind offers readers the latest thinking about the ways in which we learn words, remember them, understand them, and find the ones we want to use. Explores the latest insights into the complex relationship between language, words, and the human mind, creating a rich and revealing resource for students and non-specialists alike Addresses the structure and content of the human word-store - the 'mental lexicon' - with particular reference to the spoken language of native English speakers Features a wealth of new material, including an all-new chapter focusing exclusively on the brain and language, and enhanced coverage of lexical corpora - computerized databases - and on lexical change of meaning Incorporates numerous updates throughout, including expansion of many notes and suggestions for further reading Comprises state-of-the-art research, yet remains accessible and student-friendly
Words in Time: A Plea for Historical Re-thinking
by Francesco BenignoThrough questions such as ‘What is power?’, ‘How are revolutions generated?’, ‘Does public opinion really exist?’, ‘What does terrorism mean?’ and ‘When are generations created?’, Words in Time scrutinizes the fundamental concepts by which we confer meaning to the historical and social world and what they actually signify, analysing their formation and use in modern thought within both history and the social sciences. In this volume, Francesco Benigno examines the origins and development of the words we use, critiquing the ways in which they have traditionally been employed in historical thinking and examining their potential usefulness today. Rather than being a general inventory or a specialized dictionary, this book analyses a selection of words particularly relevant not only in the idiom and jargon of the social sciences and history, but also in the discourse of ordinary people. Exploring new trends in the historical field of reflection and representing a call for a new, more conscious, historical approach to the social world, this is valuable reading for all students of historical theory and method.
Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam
by Cristin O'Keefe AptowiczWords in Your Face traces the rich history of slam poetry through the lens of the New York City scene that pioneered it. Author Cristin O'Keefe Aptowicz situates New York slam poetry in the history of oral tradition in poetry throughout history and around the world, with particular attention to the three major 20th century arts movements that helped set the stage for it: the Harlem Renaissance, the Beats, and hip hop. Aptowicz explores the birth of slam at the Nuyorican Poets’ Café and the genre’s explosive growth as the media responded with events like Lollapalooza and MTV’s Unplugged. The book expands the canvas by examining the connections between academia and slammers, especially the poets of color, the youth slammers, and the burgeoning hip hop poetry scene. Interviews with key players like Chicago’s Marc Smith and San Francisco’s Gary Mex Glazner help tell this fascinating story from the inside.
Words - An Integrational Approach (Routledge Advances in Communication and Linguistic Theory #1)
by Hayley G. DavisAims to reorient the study of language by taking into serious consideration the perspective on linguistic matters taken by lay speakers themselves, as a response to the now inescapable conclusion that traditional linguistic theory, with its focus on revealing 'the facts of language in general', cannot handle the necessary indeterminacy of what is said and understood.
Words Like Birds: Sakha Language Discourses and Practices in the City (Borderlands and Transcultural Studies)
by Jenanne FergusonWhat does it mean to speak Sakha in the city? Words Like Birds, a linguistic ethnography of Sakha discourses and practices in urban far eastern Russia, examines the factors that have aided speakers in maintaining—and adapting—their minority language over the course of four hundred years of contact with Russian speakers and the federal power apparatus.Words Like Birds analyzes modern Sakha linguistic sensibilities and practices in the urban space of Yakutsk. Sakha is a north Siberian Turkic language spoken primarily in the Sakha Republic (Yakutia) in the northeastern Russian Federation. For Sakha speakers, Russian colonization in the region inaugurated a tumultuous history in which their language was at times officially supported and promoted and at other times repressed and discouraged. Jenanne Ferguson explores the communicative norms that arose in response to the top-down promotion of the Russian language in the public sphere and reveals how Sakha ways of speaking became emplaced in villages and the city’s private spheres. Focusing on the language ideologies and practices of urban bilingual Sakha-Russian speakers, Ferguson illuminates the changes that have taken place in the first two post-Soviet decades, in contexts where Russian speech and communicative norms dominated during the Soviet era. Weaving together three major themes—language ideologies and ontologies, language trajectories, and linguistic syncretism—this study reveals how Sakha speakers transform and adapt their beliefs, evaluations, and practices to revalorize a language, maintain and create a sense of belonging, and make their words heard in Sakha again in many domains of city life. Like the moveable spirited words, the focus of Words Like Birds is mobility, change, and flow, the tracing of the situation of bilinguals in Yakutsk.
Words Like Daggers: Violent Female Speech in Early Modern England (Early Modern Cultural Studies)
by Kirilka StavrevaDramatic and documentary narratives about aggressive and garrulous women often cast such women as reckless and ultimately unsuccessful usurpers of cultural authority. Contending narratives, however, sometimes within the same texts, point to the effective subversion and undoing of the normative restrictions of social and gender hierarchies. Words Like Daggers explores the scolding invectives, malevolent curses, and ecstatic prophesies of early modern women as attested to in legal documents, letters, self-narratives, popular pamphlets, ballads, and dramas of the era. Examining the framing and performance of violent female speech between the 1590s and the 1660s, Kirilka Stavreva dismantles the myth of the silent and obedient women who allegedly populated early modern England. Blending gender theory with detailed historical analysis, Words Like Daggers asserts the power of women’s language—the power to subvert binaries and destabilize social hierarchies, particularly those of gender—in the early modern era. In the process Stavreva reconstructs the speech acts of individual contentious women, such as the scold Janet Dalton, the witch Alice Samuel, and the Quaker Elizabeth Stirredge. Because the dramatic potential of women’s powerful rhetorical performances was recognized not only by victims and witnesses of individual violent speech acts but also by theater professionals, Stavreva also focuses on how the stage, arguably the most influential cultural institution of the Renaissance, orchestrated and aestheticized women’s fighting words and, in so doing, showcased and augmented their cultural significance.
Words Like Loaded Pistols
by Sam LeithRhetoric is all around us. It's what inspires armies, convicts criminals, and makes or breaks presidential candidates. And it isn't just the preserve of politicians. It's in the presentation to a key client, the half-time talk in the locker room, and the plea to your children to eat their vegetables. Rhetoric gives words power: it persuades and cajoles, inspires and bamboozles, thrills and misdirects. You have been using rhetoric yourself, all your life. After all, you know what a rhetorical question is, don't you?In Words Like Loaded Pistols, Sam Leith traces the art of persuasion, beginning in ancient Syracuse and taking us on detours as varied and fascinating as Elizabethan England, Milton's Satanic realm, the Springfield of Abraham Lincoln and the Springfield of Homer Simpson. He explains how language has been used by the great heroes of rhetoric (such as Cicero and Martin Luther King Jr.), as well as some villains (like Adolf Hitler and Richard Nixon.)Leith provides a primer to rhetoric's key techniques. In Words Like Loaded Pistols, you'll find out how to build your own memory-palace; you'll be introduced to the Three Musketeers: Ethos, Pathos and Logos; and you'll learn how to use chiasmus with confidence and occultation without thinking about it. Most importantly of all, you will discover that rhetoric is useful, relevant - and absolutely nothing to be afraid of.
Words Like Loaded Pistols
by Sam LeithRhetoric is all around us. It’s what inspires armies, convicts criminals, and makes or breaks presidential candidates. And it isn’t just the preserve of politicians. It’s in the presentation to a key client, the half-time talk in the locker room, and the plea to your children to eat their vegetables. Rhetoric gives words power: it persuades and cajoles, inspires and bamboozles, thrills and misdirects. You have been using rhetoric yourself, all your life. After all, you know what a rhetorical question is, don’t you? In Words Like Loaded Pistols, Sam Leith traces the art of persuasion, beginning in ancient Syracuse and taking us on detours as varied and fascinating as Elizabethan England, Milton’s Satanic realm, the Springfield of Abraham Lincoln and the Springfield of Homer Simpson. He explains how language has been used by the great heroes of rhetoric (such as Cicero and Martin Luther King Jr. ), as well as some villains (like Adolf Hitler and Richard Nixon. ) Leith provides a primer to rhetoric’s key techniques. In Words Like Loaded Pistols, you’ll find out how to build your own memory-palace; you’ll be introduced to the Three Musketeers: Ethos, Pathos and Logos; and you’ll learn how to use chiasmus with confidence and occultation without thinking about it. Most importantly of all, you will discover that rhetoric is useful, relevant - and absolutely nothing to be afraid of.
Words Like Loaded Pistols: Rhetoric from Aristotle to Obama
by Sam LeithIn Words Like Loaded Pistols, Sam Leith traces the art of persuasion, beginning in ancient Syracuse and taking us on detours as varied and fascinating as Elizabethan England, Milton's Satanic realm, the Springfield of Abraham Lincoln and the Springfield of Homer Simpson. He explains how language has been used by the great heroes of rhetoric (such as Cicero and Martin Luther King Jr.), as well as some villains (like Adolf Hitler and Richard Nixon.) Words Like Loaded Pistols is a primer to rhetoric's key techniques; you'll find out how to build your own memory-palace; you'll be introduced to the Three Musketeers: Ethos, Pathos and Logos; and you'll learn how to use chiasmus with confidence and occultation without thinking about it. Most importantly of all, you will discover that rhetoric is useful, relevant - and absolutely nothing to be afraid of.
Words Like Loaded Pistols
by Sam LeithLeith, a British journalist and writer, offers a no-nonsense introduction to rhetoric for an intelligent, but non-academic audience. He uses both historical and contemporary, real and literary examples to present where western rhetoric comes from and how it has been taught/used over the ages; what the terms of rhetoric are; why different arguments work the way they do and why some arguments work while others don't. The aim of the book is to instill a practical awareness for rhetoric. He considers five parts of rhetoric--invention, arrangement, style, memory, and delivery--as well as three branches of oratory--deliberative, judicial, and epideictic rhetoric. Along the way he draws on great speeches and "champions of rhetoric," from Martin Luther King to Satan to Barack Obama to Hitler to Cicero. There is a glossary of rhetorical terms in the back. Annotation ©2012 Book News, Inc. , Portland, OR (booknews. com)
Words Like Loaded Pistols
by Sam LeithRhetoric is all around us. It's what inspires armies, convicts criminals, and makes or breaks presidential candidates. And it isn't just the preserve of politicians. It's in the presentation to a key client, the half-time talk in the locker room, and the plea to your children to eat their vegetables. Rhetoric gives words power: it persuades and cajoles, inspires and bamboozles, thrills and misdirects. You have been using rhetoric yourself, all your life. After all, you know what a rhetorical question is, don't you?In Words Like Loaded Pistols, Sam Leith traces the art of persuasion, beginning in ancient Syracuse and taking us on detours as varied and fascinating as Elizabethan England, Milton's Satanic realm, the Springfield of Abraham Lincoln and the Springfield of Homer Simpson. He explains how language has been used by the great heroes of rhetoric (such as Cicero and Martin Luther King Jr.), as well as some villains (like Adolf Hitler and Richard Nixon.)Leith provides a primer to rhetoric's key techniques. In Words Like Loaded Pistols, you'll find out how to build your own memory-palace; you'll be introduced to the Three Musketeers: Ethos, Pathos and Logos; and you'll learn how to use chiasmus with confidence and occultation without thinking about it. Most importantly of all, you will discover that rhetoric is useful, relevant - and absolutely nothing to be afraid of.
Words Made Flesh: Formations of the Postsecular in British Romanticism (Studies in Religion and Culture)
by Sean DempseyReligion is not merely a different way of thinking but is rather an alternative manner of being—it is both a way of attending to the world and a form of embodiment. Literature provides another key to legislating new ways of being in the world. Some of the best Romantic literature can be understood as experimental attempts to access and harness infrasensible energy—affects and dispositions operating beneath the threshold of consciousness—in the hope that by so doing it may become possible to project elusive affects into the practical world of conscious thinking and judgment. Words Made Flesh demonstrates how the Romantic poets Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley and the novelist Jane Austen affect, mediate, and ultimately alter our very sense of embodiment in ways that have lasting effects on readers’ affective, political, and spiritual lives. Such works, which unsettle habitual ways of seeing, are perennially valuable because they not only call attention to the dispositions we normally inhabit, but they also suggest ways of forging new patterns and forms of life through the medium of embodiment.Drawing on the work of these writers, Dempsey argues that Romanticism’s contribution to our understanding of the postsecular becomes clearer when considered in relation to three timely scholarly conversations not previously synthesized: secular and postsecular studies, affect theory, and media studies. By weaving together these three strands, Words Made Flesh clarifies how Romanticism provides a useful field guide to the new geography of the self ushered in by secular modernity, while also pointing toward potential postsecular futures. Ultimately, Dempsey argues for a view of literature that recognizes it as an essential component to ethical practice.
Words Matter: Meaning and Power
by Sally McConnell-GinetHistory and current affairs show that words matter - and change - because they are woven into our social and political lives. Words are weapons wielded by the powerful; they are also powerful tools for social resistance and for reimagining and reconfiguring social relations. Illustrated with topical examples, from racial slurs and sexual insults to preferred gender pronouns, from ethnic/racial group labels to presidential tweets, this book examines the social contexts which imbue words with potency. Exploring the role of language in three broad categories - establishing social identities, navigating social landscapes, and debating social and linguistic change - Sally McConnell-Ginet invites readers to examine critically their own ideas about language and its complicated connections to social conflict and transformation. Concrete and timely examples vividly illustrate the feedback loop between words and the world, shedding light on how and why words can matter.
Words, Music, and the Popular: Global Perspectives on Intermedial Relations (Palgrave Studies in Music and Literature)
by Susan Winnett Thomas GurkeWords, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or ‘the’ popular and what role(s) does music play in it? What is the function of the popular, and is ‘pop’ a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the ‘popular’? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?
The Words of Others
by Gary Saul MorsonIn this lively gambol through the history of quotations and quotation books, Gary Saul Morson traces our enduring fascination with the words of others. Ranging from the remote past to the present, he explores the formation, development, and significance of quotations, while exploring the "verbal museums" in which they have been collected and displayed--commonplace books, treasuries, and anthologies. In his trademark clear, witty, and provocative style, Morson invites readers to share his delight in the shortest literary genre. The author defines what makes a quote quotable, as well as the (unexpected) differences between quotation and misquotation. He describes how quotations form, transform, and may eventually become idioms. How much of language itself is the residue of former quotations? Weaving in hundreds of intriguing quotations, common and unusual, Morson explores how the words of others constitute essential elements in the formation of a culture and of the self within that culture. In so doing, he provides a demonstration of that very process, captured in the pages of this extraordinary new book.
Words of Our Mouth, Meditations of Our Heart: Pioneering Musicians of Ska, Rocksteady, Reggae, and Dancehall (Music / Interview Ser.)
by Kenneth BilbyCelebrating the legendary studio musicians of Jamaican popular music through personal photographs and interviews This is the first book devoted to the studio musicians who were central to Jamaica's popular-music explosion. With color portraits and interview excerpts, over 100 musical pioneers—such as Prince Buster, Robbie Shakespeare, Sly Dunbar, Lee "Scratch" Perry, and many of Bob Marley's early musical collaborators—provide new insights into the birth of Jamaican popular music in the recording studios of Kingston, Jamaica, in the 1950s, 1960s, and 1970s. Includes a listening guide of selected songs.
Words of the Inuit: A Semantic Stroll through a Northern Culture (Contemporary Studies on the North #8)
by Louis-Jacques Dorais"Words of the Inuit" is an important compendium of Inuit culture illustrated through Inuit words. It brings the sum of the author’s decades of experience and engagement with Inuit and Inuktitut to bear on what he fashions as an amiable, leisurely stroll through words and meanings. Inuit words are often more complex than English words and frequently contain small units of meaning that add up to convey a larger sensibility. Dorais’ lexical and semantic analyses and reconstructions are not overly technical, yet they reliably evince connections and underlying significations that allow for an in-depth reflection on the richness of Inuit linguistic and cultural heritage and identity. An appendix on the polysynthetic character of Inuit languages includes more detailed grammatical description of interest to more specialist readers. Organized thematically, the book tours the histories and meanings of the words to illuminate numerous aspects of Inuit culture, including environment and the land; animals and subsistence activities; humans and spirits; family, kinship, and naming; the human body; and socializing with other people in the contemporary world. It concludes with a reflection on the usefulness for modern Inuit—especially youth and others looking to strengthen their cultural identity —to know about the underlying meanings embedded in their language and culture. With recent reports alerting us to the declining use of the Inuit language in the North, "Words of the Inuit" is a timely contribution to understanding one of the world’s most resilient Indigenous languages.
Words of the World
by Sarah OgilvieMost people think of the Oxford English Dictionary (OED) as a distinctly British product. Begun in England 150 years ago, it took more than 60 years to complete and, when it was finally finished in 1928, the British prime minister heralded it as a 'national treasure'. It maintained this image throughout the twentieth century, and in 2006 the English public voted it an 'Icon of England', alongside Marmite, Buckingham Palace and the bowler hat. However, this book shows that the dictionary is not as 'British' as we all thought. The linguist and lexicographer, Sarah Ogilvie, combines her insider knowledge and experience with impeccable research to show that the OED is in fact an international product in both its content and its making. She examines the policies and practices of the various editors, applies qualitative and quantitative analysis, and finds new OED archival materials in the form of letters, reports and proofs. She demonstrates that the OED, in its use of readers from all over the world and its coverage of World English, is in fact a global text.
The Words of Winston Churchill: Speeches 1933-1940 (Routledge Interdisciplinary Perspectives on Literature)
by Jonathan Locke HartThis book focuses on a close analysis of selected speeches of Winston Churchill in the House of Commons and some of the responses from fellow MPs from 1933-1940 in peace and war, during the rise of Hitler, and concentrates on foreign affairs. The study will appeal to those interested in Churchill, freedom, tyranny, diplomacy, war and conflict, democracy, politics, the 1930s, the Second World War, Britain, the English-speaking world, Canada, the United States, the British Empire and Commonwealth, Europe, France, Asia, Germany, totalitarianism, Parliament and legislative assemblies, rhetoric, language, style, speech-writing, oral and written communication, literature, history and other areas. The debate between autocracy and the tyrannical totalitarian on the one hand and democracy on the other is the debate of those times and ours. The reader will find many parallels, some chilling, with our own times. Churchill and his contemporaries have much to teach us.Churchill was key to our world history and is a key to understanding what is at stake in the world now.