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The Wounded Body: Memory, Language and the Self from Petrarch to Shakespeare
by Fabrizio Bondi Massimo Stella Andrea TorreThis edited collection explores the image of the wound as a ‘cultural symptom’ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone’s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound—from Petrarch’s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare—could respond to the emergence of Modernity as a new cultural feature.
Wounded Fiction: Modern Poetry and Deconstruction (Routledge Library Editions: Literary Theory #2)
by Joseph AdamsonThis book, first published in 1988, does not concern the theory of poetry so much as the poetry of theory: a poetry that theorizes, that has a "view" on things, that thinks. What or what things does poetry think about, and what do we mean by thinking? The author attempts to answer these questions by examining the work of three poets – Wallace Stevens, César Vallejo, and René Char – and reflects upon the poetry itself. This title will be of interest to students of literature and literary theory.
Wounded Fiction: Modern Poetry and Deconstruction (Routledge Library Editions: Literary Theory)
by Joseph AdamsonThis book, first published in 1988, does not concern the theory of poetry so much as the poetry of theory: a poetry that theorizes, that has a "view" on things, that thinks. What or what things does poetry think about, and what do we mean by thinking? The author attempts to answer these questions by examining the work of three poets – Wallace Stevens, César Vallejo, and René Char – and reflects upon the poetry itself. This title will be of interest to students of literature and literary theory.
Wounded Hearts
by Jennifer TravisThe literary study of emotion is part of an important revisionary movement among scholars eager to recast emotional politics for the twenty-first century. Looking beyond the traditional categories of sentiment, sensibility, and sympathy, Jennifer Travis suggests a new approach to reading emotionalism among men. She argues that the vocabulary of injury, with its evaluations of victimhood and its assessments of harm, has deeply influenced the cultural history of emotions.From the Civil War to the early twentieth century, Travis traces the history of male emotionalism in American discourse. She argues that injury became a comfortable vocabulary--particularly among white middle-class men--through which to articulate and to claim a range of emotional wounds. The debates about injury that flourished in the cultural arenas of medicine, psychology, and the law spilled over into the realm of fiction, as Travis demonstrates through readings of works by Stephen Crane, William Dean Howells, Willa Cather, Henry James, and Edith Wharton. Travis concludes by linking this history to twenty-first-century preoccupations with "pain-centered politics," which, she cautions, too often focuses only on women and racial minorities.
The Wounded Hero in Contemporary Fiction: A Paradoxical Quest (Routledge Studies in Contemporary Literature)
by Susana Onega Jean-Michel GanteauThe Wounded Hero in Contemporary Fiction tracks the emergence of a new type of physically and/or spiritually wounded hero(ine) in contemporary fiction. Editors, Susana Onega and Jean-Michel Ganteu bring together some of the top minds in the field to explore the paradoxical lives of these heroes that have embraced, rather than overcome, their suffering, alienation and marginalisation as a form of self-definition.
A Wounded Innocence: Sketches For A Theology Of Art
by Alejandro R. Garcia-RiveraWhat is the theological significance of art? Why has the Church always encouraged the arts? What is so profoundly human about the arts? In A Wounded InnocenceAlejandro R. Garcia-Rivera answers these questions in a series of sketches" that are mixed spiritual and theological reflections on various works of art written in a poetic style. These reflections explore the relationship between the multi-dimensional spiritual and the arts. <P><P> The first *sketch, - *The Beginning of Art, - introduces the rest that go on to explore further the human, artistic, and theological implications of a wounded innocence. Each *sketch - reflects on a particular human work of art. Some are conventional works of art. Others may never find their way into a museum but, then, that is one of the implications coming out of this book. A museum does not define what a work of art is, its human depth does. In these deeply studied yet spiritually written reflections on each work of art, it is hoped that the reader will find his and her own creative depth described, perhaps even revealed. <P><P> A Wounded Innocenceis both inspiring and informative. Readers will learn about art, spirituality, and theology, and will find themselves inspired to look at works of art, and even to produce a work of art. It sets a new way of doing theology that is at the same time spiritual. More importantly, Garcia-Rivera describes a theology of art. <P><P> Chapters are *The Beginning of Art, - *The End of Art, - *Human Freedom and Artistic Creativity, - *Heaven-with-Us, - *The Human Aspect of Atonement, - *The Tyger and the Lamb, - and *A Wounded Innocence. - Includes black and white art. <P><P> Alejandro R. Garcia-Rivera, PhD, is associate professor of systematic theology at the Jesuit School of Theology at Berkeley. The author of numerous articles, he also wrote a Catholic Press Association award-winning book on theology and aesthetics titled The Community of the Beautiful(The Liturgical Press).
The Wounded Storyteller: Body, Illness & Ethics
by Arthur W. FrankUpdated second edition: “A bold and imaginative book which moves our thinking about narratives of illness in new directions.” —Sociology of Heath and IllnessSince it was first published in 1995, The Wounded Storyteller has occupied a unique place in the body of work on illness. A collective portrait of a so-called “remission society” of those who suffer from illness or disability, as well as a cogent analysis of their stories within a larger framework of narrative theory, Arthur W. Frank’s book has reached a large and diverse readership including the ill, medical professionals, and scholars of literary theory.Drawing on the work of such authors as Oliver Sacks, Anatole Broyard, Norman Cousins, and Audre Lorde, as well as from people he met during the years he spent among different illness groups, Frank recounts a stirring collection of illness stories, ranging from the well-known—Gilda Radner’s battle with ovarian cancer—to the private testimonials of people with cancer, chronic fatigue syndrome, and disabilities. Their stories are more than accounts of personal suffering: They abound with moral choices and point to a social ethic.In this new edition Frank adds a preface describing the personal and cultural times when the first edition was written. His new afterword extends the book’s argument significantly, discussing storytelling and experience, other modes of illness narration, and a version of hope that is both realistic and aspirational. Reflecting on his own life during the creation of the first edition and the conclusions of the book itself, he reminds us of the power of storytelling as way to understand our own suffering.“Arthur W. Frank’s second edition of The Wounded Storyteller provides instructions for use of this now-classic text in the study of illness narratives.” —Rita Charon, author of Narrative Medicine“Frank sees the value of illness narratives not so much in solving clinical conundrums as in addressing the question of how to live a good life.” —Christianity Today
The Wounded Surgeon: The Poetry of Lowell, Bishop, Berryman, Jarrell, Schwartz, and Plath
by Adam Kirsch"One of the most promising young poet-critics in America" (Los Angeles Times) examines a revolutionary generation of poets. Robert Lowell, Elizabeth Bishop, Sylvia Plath, John Berryman, Randall Jarrell, and Delmore Schwartz formed one of the great constellations of talent in American literature. In the decades after World War II, they changed American poetry forever by putting themselves at risk in their poems in a new and provocative way. Their daring work helped to inspire the popular style of poetry now known as "confessional." But partly as a result of their openness, they have become better known for their tumultuous lives--afflicted by mental illness, alcoholism, and suicide--than for their work. This book reclaims their achievement by offering critical "biographies of the poetry"--tracing the development of each poet's work, exploring their major themes and techniques, and examining how they transformed life into art. An ideal introduction for readers coming to these major American poets for the first time, it will also help veteran readers to appreciate their work in a new light.
Wounds Are Where Light Enters: Stories of God's Intrusive Grace
by Walter Wangerin Jr.Many know the acclaimed author Walter Wangerin Jr., the storyteller who gave us the national bestseller The Book of the Duncow.In Wounds Are Where Light Enters, you’ll see how God’s love breaks into our lonely moments in unexplainable ways. Wangerin tells the stories of memorable characters facing the same struggles we all face as we try to trust in God’s faithfulness.Wounds Are Where Light Enters is a collection of stories that are warm, sometimes funny, sometimes not, but always taking unexpected turns to find the care of God in all the pathways of life. In them we find the grace that enables us to live with the answers we see and the answers we don’t see. In this collection we meet Arthur Bias, the retired black police officer who loves those who hate, Agnes Brill, the shrill piano teacher of patience, Junie Piper, precious of the homeless, Melvin, who honors his aging mother by honoring the little girl she has become, Lucian, the lover of thieves, and Blue Jack, the hammer of God. Readers will discover in these stories a powerful display of God’s working in the lives of all of us. They’ll find a place where he works even in the dark, even in the struggles, even in the wounds. This is the place where God’s light enters.
Wounds of Passion: A Writing Life
by Bell HooksWith her customary boldness and insight, Bell Hooks critically reflects on the impact of birth control and the women's movement on our lives. Resisting the notion that love and writing don't mix, she begins a fifteen-year relationship with a gifted poet and scholar, who inspires and encourages her. Writing the acclaimed book "Ain't I a Woman: Black Women and Feminism" at the age of nineteen, she begins to emerge as a brilliant social critic and public intellectual. "Wounds of Passion" describes a woman's struggle to devote herself to writing, sharing the difficulties, the triumphs, the pleasures, and the dangers. Eloquent and powerful, this book lets us see the ways one woman writer works to find her own voice while creating a love relationship based on feminist thinking. With courage and wisdom she reveals intimate details and provocative ideas, offering an illuminating vision of a writer's life.
Woven Shades of Green: An Anthology of Irish Nature Literature
by Tim WenzellWoven Shades of Green is an annotated selection of literature from authors who focus on the natural world and the beauty of Ireland. The anthology begins with the Irish monks and their largely anonymous nature poetry, written at a time when Ireland was heavily forested. A section follows devoted to the changing Irish landscape, through both deforestation and famine, including the nature poetry of William Allingham, James Clarence Mangan, essays from Thomas Gainford and William Thackerary, and novel excerpts from William Carleton and Emily Lawless. The anthology then turns to the nature literature of the Irish Literary Revival, including Yeats and Synge, but also the poetry of many others, and an excerpt from George Moore’s novel The Lake. Part four of the anthology shifts to modern Irish nature poetry, beginning with Patrick Kavanaugh, and continuing with late twentieth-century, early twenty-first-century poetry of Seamus Heaney, Eavan Boland, and others. Finally, the anthology concludes with a section on various Irish naturalist writers, and the unique prose and philosophical nature writing of John Moriarty, followed by a comprehensive list of environmental organizations in Ireland, which seek to preserve the natural beauty of this unique country. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
WPAing in a Pandemic and Beyond: Revision, Innovation, and Advocacy
by Todd Ruecker Sheila Carter-TodWriting program administrators have a long history of advocating for their students, fellow faculty, and programs. This advocacy includes defending their work against other entities that seek to dictate the work, challenging institutional policies that define student success in a narrow way or create untenable conditions for writing faculty workloads, and making antiracism a central part of writing programs. The COVID-19 pandemic undoubtedly created a variety of additional challenges for those working in education at all levels. WPAs suddenly had to navigate new public health mandates alongside student and instructor fears as well as pressures by administrations and publics to teach in person. The chapters in this collection include a variety of voices who have been involved in writing program administration in recent years to reflect on the work done in this moment of crisis. Through both short vignettes and longer chapters, this book explores the complicated interactions between WPA work and navigating times of crisis to provide insights for moving forward. Authors explore a variety of topics including professional development, curricular change, advocating in the face of intransigent administrations and others, caring for students, and taking time for self-care. Pointing to specific actions for continued advocacy, WPAing in a Pandemic and Beyond will be of great interest to WPAs and writing studies scholars.
WPAs in Transition: Navigating Educational Leadership Positions
by Courtney Adams WootenWPAs in Transition shares a wide variety of professional and personal perspectives about the costs, benefits, struggles, and triumphs experienced by writing program administrators making transitions into and out of leadership positions. Contributors to the volume come from various positions, as writing center directors, assistant writing program administrators, and WPAs; mixed settings, including community colleges, small liberal arts colleges, and research institutions; and a range of career stages, from early to retiring. They recount insightful anecdotes and provide a scholarly context in which WPAs can share experiences related to this long-ignored aspect of their work. During such transitions, WPAs and other leaders who function as both administrators and faculty face the professional and personal challenges of redefining who they are, the work they do, and with whom they collaborate. WPAs in Transition creates a grounded and nuanced experiential understanding of what it means to navigate changing roles, advancing the dialogue around WPAs’ and other administrators’ identities, career paths, work-life balance, and location, and is a meaningful addition to the broader literature on administration and leadership. Contributors: Mark Blaauw-Hara, Christopher Blankenship, Jennifer Riley Campbell, Nicole I. Caswell, Richard Colby, Steven J. Corbett, Beth Daniell, Laura J. Davies, Jaquelyn Davis, Holland Enke, Letizia Guglielmo, Beth Huber, Karen Keaton Jackson, Rebecca Jackson, Tereza Joy Kramer, Jackie Grutsch McKinney, Kerri K. Morris, Liliana M. Naydan, Reyna Olegario, Kate Pantelides, Talinn Phillips, Andrea Scott, Paul Shovlin, Bradley Smith, Cheri Lemieux Spiegel, Sarah Stanley, Amy Rupiper Taggart, Molly Tetreault, Megan L. Titus, Chris Warnick
Wrapped in Rainbows: The Life of Zora Neale Hurston
by Valerie BoydWith the Harlem Renaissance, the Great Depression, and World War II as the historical backdrops, this riveting biography not only positions Hurston's work in her time, but offers implications for our own. "Wrapped in Rainbows" is a compelling profile of one of the most intrepid and inspiring writers of the 20th century.
Wrath: A Dictionary for the Enraged
by Media AdamsThe Seven Deadly Sins have sliced up the dictionary and taken what's theirs. No one vice is too greedy as each volume prides itself on having more than 500 entries. Word lovers will lust after these richly packaged volumes--and once you've collected all seven, you'll be the envy of all your friends.Wrath: A Dictionary for the EnragedAnger will never cause a loss of words again--as long as the Wrathful keep this reference clutched in their fists during their next fit. Speech will be their weapon as they launch a verbal assault on anyone who's wronged them.
Wreck the Halls: Cake Wrecks Gets "Festive"
by Jen YatesLaugh your way through the season with more of those “epic fails, with frosting" from the creator of Cake Wrecks (The New York Times).From thankless Thanksgiving turkeys and confusing Christmas conundrums, to less-than-happy Hanukkah horrors and New Year’s meltdowns, Wreck the Halls has an icing-smeared disaster for every occasion. With additional chapters on Black Friday, family communication, and navigating the murky waters of politically correct cake greetings (Winter!), Wreck the Halls combines Jen Yates’s signature blend of wit and sarcasm with the most hilarious frosting fails this side of winter solstice. Get ready for some sweet relief from the holiday madness—and plenty of laughs.
Wreck the Halls: Cake Wrecks Gets "Festive"
by Jen YatesLaugh your way through the season with more of those “epic fails, with frosting" from the creator of Cake Wrecks (The New York Times).From thankless Thanksgiving turkeys and confusing Christmas conundrums, to less-than-happy Hanukkah horrors and New Year’s meltdowns, Wreck the Halls has an icing-smeared disaster for every occasion. With additional chapters on Black Friday, family communication, and navigating the murky waters of politically correct cake greetings (Winter!), Wreck the Halls combines Jen Yates’s signature blend of wit and sarcasm with the most hilarious frosting fails this side of winter solstice. Get ready for some sweet relief from the holiday madness—and plenty of laughs.
The Wreckage of Intentions: Projects in British Culture, 1660-1730 (Alembics: Penn Studies in Literature and Science)
by David AlffThe seventeenth and eighteenth centuries in Britain saw the proposal of so many endeavors called "projects"—a catchphrase for the daring, sometimes dangerous practice of shaping the future—that Daniel Defoe dubbed his era a "Projecting Age." These ideas spanned a wide variety of scientific, technological, and intellectual interventions intended for the betterment of England. But for all the fanfare surrounding them, few such schemes actually materialized, leaving scores of defunct visions, from Defoe's own attempt to farm cats for perfume, to Mary Astell's proposal to charter a college for women, to countless ventures for improving land, streamlining government, and inventing new consumer goods. Taken together, these failed plans form a compelling alternative history of a Britain that might have been.The Wreckage of Intentions offers a comprehensive and critical account of projects, exploring the historical memory surrounding these concrete yet incomplete efforts to advance British society during a period defined by revolutions in finance and agriculture, the rise of experimental science, and the establishment of constitutional monarchy. Using methods of literary analysis, David Alff shows how projects began as written proposals, circulated as print objects, spurred physical undertakings, and provoked responses in the realms of poetry, fiction, and drama. Mapping this process discloses the ways in which eighteenth-century authors applied their faculties of imagination to achieve finite goals and, in so doing, devised new ways of seeing the world through its future potential. Approaching old projects through the language, landscapes, data, and personas they left behind, Alff contends this vision was, and remains, vital to the functions of statecraft, commerce, science, religion, and literature.
The Wreckage of Philosophy: Carlo Michelstaedter and the Limits of Bourgeois Thought (Toronto Italian Studies)
by Mimmo CangianoThe work of Carlo Michelstaedter (1887–1910) was the first to analyze modernist philosophy in strict connection with social changes in mass society. Revealing how Michelstaedter was able to unveil the relations between pivotal early-modernist philosophies and social restructurings, The Wreckage of Philosophy examines the ongoing processes of "specialization," "rationalization," and "atomization." It points out how Michelstaedter connected the main theoretical expressions of modernism with the decisive social transformations of the early twentieth century, taking into consideration the key players of modernist philosophy, such as Friedrich Nietzsche, Henri Bergson, Ernst Mach, and William James. By following Michelstaedter’s analysis and strategies, The Wreckage of Philosophy focuses on several intertwined issues: the distinct philosophical positions within the modernist area; the connections between philosophy and modernist literature; the relations between intellectual positions and social upheavals; and the early-twentieth-century links among traditional philosophy, critique of language, and epistemology of technique.
Wrede on Writing: Tips, Hints, And Opinions On Writing
by Patricia C. WredeThe authoritative guide to the craft and business of writing. Patricia C. Wrede has been a stalwart of the sci-fi/fantasy world for decades, publishing dozens of books across multiple series, storming bestseller lists and corralling accolades from critics and fans alike. Now, with brilliant insight and a sparkling wit, Wrede shows beginning writers the ropes in Wrede on Writing. Wrede tackles all issues for writers, from the basic how-to’s to the more advanced topics on character development and worldbuilding. In her conversational tone, she gives writers the tips and tricks her experience has brought. After Wrede on Writing, authors will have the knowledge to put their tools to better use. Thinking of starting a book? Trying to finish one? Wrede on Writing will guide you towards that superior draft to send to agents, to publishers, and to readers. Before she became a successful full-time writer, Patricia C. Wrede worked in finance, and she also provides for authors an extensive look at how to manage the money—from royalties to determining the financial potential of your next project, Wrede provides authors with deep insight into the business of writing. A brilliant guide from a literary stalwart, Wrede on Writing is the book everyone with a novel under their beds or inside their heads should read.
Wrestling With Shylock
by Edna Nahshon Michael ShapiroShakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play.
Wrestling with the Left: The Making of Ralph Ellison's Invisible Man
by Barbara FoleyIn Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison's celebrated novel but also on his early radicalism and the relationship between African American writers and the left during the early years of the cold war. Foley scrutinized thousands of pages of drafts and notes for the novel, as well as the author's early journalism and fiction, published and unpublished. While Ellison had cut his ties with the Communist left by the time he began Invisible Man in 1945, Foley argues that it took him nearly seven years to wrestle down his leftist consciousness (and conscience) and produce the carefully patterned cold war text that won the National Book Award in 1953 and has since become a widely taught American classic. She interweaves her account of the novel's composition with the history of American Communism, linking Ellison's political and artistic transformations to his distress at the Communists' wartime policies, his growing embrace of American nationalism, his isolation from radical friends, and his recognition, as the cold war heated up, that an explicitly leftist writer could not expect to have a viable literary career. Foley suggests that by expunging a leftist vision from Invisible Man, Ellison rendered his novel not only less radical but also less humane than it might otherwise have been.
Wrestling with the Muse: Dudley Randall and the Broadside Press
by Melba Joyce BoydAnd as I groped in darkness and felt the pain of millions,gradually, like day driving night across the continent,I saw dawn upon them like the sun a vision.—Dudley Randall, from "Roses and Revolutions"In 1963, the African American poet Dudley Randall (1914–2000) wrote "The Ballad of Birmingham" in response to the bombing of a church in Alabama that killed four young black girls, and "Dressed All in Pink," about the assassination of President Kennedy. When both were set to music by folk singer Jerry Moore in 1965, Randall published them as broadsides. Thus was born the Broadside Press, whose popular chapbooks opened the canon of American literature to the works of African American writers. Dudley Randall, one of the great success stories of American small-press history, was also poet laureate of Detroit, a civil-rights activist, and a force in the Black Arts Movement. Melba Joyce Boyd was an editor at Broadside, was Randall's friend and colleague for twenty-eight years, and became his authorized biographer. Her book is an account of the interconnections between urban and labor politics in Detroit and the broader struggles of black America before and during the Civil Rights era. But also, through Randall's poetry and sixteen years of interviews, the narrative is a multipart dialogue between poets, Randall, the author, and the history of American letters itself, and it affords unique insights into the life and work of this crucial figure.
Wretched Writing: A Compendium of Crimes Against the English Language
by Ross Petras Kathryn PetrasWretched writing is the lowest of the low; it is a felonious assault on the English language. Exuberantly excessive, it is a sin committed often by amateurs and all-too-frequently by gifted writers having an off day. In short, it’s very bad writing. Truly bad. Appallingly bad. It’s also very funny. A celebration of the worst writing imaginable, Wretched Writing includes inadvertently filthy book titles, ridiculously overwrought passages from novels, bombastic and confusing speeches, moronic oxymorons, hyperactive hyperbole, horribly inappropriate imagery in ostensibly hot sex scenes, mangled clichés, muddled metaphors, and unintended double entendres. Sit back and enjoy these deliciously dreadful samples, and try not to cringe too much. .
A Wrinkle in Time (SparkNotes Literature Guide Series)
by SparkNotesA Wrinkle in Time (SparkNotes Literature Guide) by Madeleine L'Engle Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers