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Worlds Apart: Acting and Writing in Academic and Workplace Contexts (Rhetoric, Knowledge, and Society Series)
by Patrick Dias Aviva Freedman Peter Medway Anthony ParWorlds Apart: Acting and Writing in Academic and Workplace Contexts offers a unique examination of writing as it is applied and used in academic and workplace settings. Based on a 7-year multi-site comparative study of writing in different university courses and matched workplaces, this volume presents new perspectives on how writing functions within the activities of various disciplines: law and public administration courses and government institutions; management courses and financial institutions; social-work courses and social-work agencies; and architecture courses and architecture practice. Using detailed ethnography, the authors make comparisons between the two types of settings through an understanding of how writing is operative within the particularities of these settings. Although the research was initially established to further understanding of the relationships between writing in academic and workplace settings, it has evolved to examining writing as it is embedded in both types of settings--where social relationships, available tools, and historical, cultural, temporal, and physical location are all implicated in complex ways in the decisions people make as writers. Readers of this volume will discover that the uniqueness of each setting makes salient different aspects of writers and writing, resulting in complex, and potentially unsettling implications for writing theory and the teaching of writing.
Worlds at the End: Los Angeles, Infrastructure, and the Apocalyptic Imagination (Critical Race, Indigeneity, and Relationality)
by Pacharee SudhinarasetWorlds at the End attends to a body of literature that renders Los Angeles’s infrastructure, or its material foundations, as central to the rise and consolidation of colonial life. Pacharee Sudhinaraset employs a women-of-color feminist methodology to examine Indigenous, Black, Asian American, and Latinx literary works about apocalypse and the end times. Worlds at the End analyzes destruction, rupture, and continuance through texts ranging from Karen Tei Yamashita’s Tropic of Orange, which considers racial colonial infrastructure, to the work of Diné poet Esther Belin, which illuminates how the separation between the Indian reservation and LA is part of a broader infrastructural network of termination. And she unpacks Octavia Butler’s post-apocalyptic novel, Parable of the Sower, where LA’s freeways and roadways are routes of forced migration, colonization, and flight. Tearing down existing institutions that marginalize people of color and moving past them, Worlds at the End highlights the imaginaries of those subjugated, racialized, and made other, for whom modernity, freedom, and progress meant violence, brutality, and relegation to the status of devalued surplus populations. As Sudhinaraset deftly shows, the apocalypse marks moments of historical and spatial transition, offering stories of doomsdays that will give rise to resurgence and regeneration.
The World's Best Memoir Writing: The Literature of Life from St. Augustine to Gandhi, and from Pablo Picasso to Nelson Mandela
by Eve ClaxtonEve Claxton has taken the most intriguing portions of the world's most famous memoirs and compiled them in this volume. The reader experiences world history as the authors lived it and gains rare insight into the lives and personalities of some of the world's most important writers, thinkers, athletes and artists. From Charlie Chaplin's childhood walks through Victorian London and Alan Bennett's wartime boyhood in Yorkshire to the day Muhammad Ali discovered boxing and Mahatma Gandhi experimented with cigarettes; from Primo Levi's capture of fascist militia at twenty-one and Katherine Hepburn's first acting job at the same age to Charles Darwin on his lifelong love-his work-and Nelson Mandela on being released from prison at seventy-one. The World's Best Memoir Writing is a uniquely enjoyable immersion into some of the world's best, and most personal, writing.
Worlds Beyond: Miniatures and Victorian Fiction
by Laura ForsbergAn innovative study of how the Victorians used books, portraits, fairies, microscopes, and dollhouses to imagine miniature worlds beyond perception In 1856, Elizabeth Gaskell discovered a trove of handmade miniature books that were created by Charlotte and Branwell Brontë in their youth and that, as Gaskell later recalled, &“contained an immense amount of manuscript, in an inconceivably small space.&” Far from being singular wonders, these two-inch volumes were part of a wide array of miniature marvels that filled the drawers and pockets of middle- and upper-class Victorians. Victorian miniatures pushed the boundaries of scientific knowledge, mechanical production, and human perception. To touch a miniature was to imagine what lay beyond these boundaries. In Worlds Beyond, Laura Forsberg reads major works of fiction by George Eliot, Jane Austen, Charles Dickens, and Lewis Carroll alongside minor genres like the doll narrative, fairy science tract, and thumb Bible. Forsberg guides readers through microscopic science, art history, children&’s culture, and book production to show how Victorian miniatures offered scripts for expansive fantasies of worlds beyond perception.
Worlds Beyond Words: True Stories About the Power of Literacy (Quick Reads Ser.)
by Alison StokesA collection of real-life stories from people who have improved their lives through better literacy. Foreword by Scott QuinnellSome people take the power of words for granted. But for the thousands of people who struggle with poor literacy, words can be scary things. The men and women featured in this book have overcome their fears to improve their reading later in life. Whether they are famous businessmen or sports stars, teenagers in care, middle-aged mums, young soldiers or refugees forced to flee bloodshed in their own home countries, they all share a common desire to learn.Their stories will inspire others to follow journeys of their own.Alison Stokes is a writer and journalist, who writes for national magazines in the UK and US and regional newspapers in Wales. For many years she was a features editor at Trinity Mirror’s South Wales Echo. She also works as a part-time university lecturer in journalism and publishing manager.
Worlds Beyond Words: True Stories About the Power of Literacy (Quick Reads)
by Alison StokesA collection of real-life stories from people who have improved their lives through better literacy. Foreword by Scott QuinnellSome people take the power of words for granted. But for the thousands of people who struggle with poor literacy, words can be scary things. The men and women featured in this book have overcome their fears to improve their reading later in life. Whether they are famous businessmen or sports stars, teenagers in care, middle-aged mums, young soldiers or refugees forced to flee bloodshed in their own home countries, they all share a common desire to learn.Their stories will inspire others to follow journeys of their own.Alison Stokes is a writer and journalist, who writes for national magazines in the UK and US and regional newspapers in Wales. For many years she was a features editor at Trinity Mirror’s South Wales Echo. She also works as a part-time university lecturer in journalism and publishing manager.
Worlds Built to Fall Apart: Versions of Philip K. Dick (Univocal)
by David LapoujadePhilosophically analyzing the work of one of the twentieth century&’s most popular, and peculiar, science fiction authors Despite his enduring popularity, Philip K. Dick (1928–1982)—whose short stories and novels were adapted into or influenced many major films and television shows, including Blade Runner, Total Recall, The Truman Show, and The Man in the High Castle—has long been a marginal figure in American literature, even in the science fiction genre he helped revolutionize. Here, an influential French philosopher offers a major new perspective on an author who was known as much for his eccentricities and excesses as for his writing. For David Lapoujade, it is precisely the many ways in which Dick&’s works seem to hover on the brink of losing all touch with reality that make him such a singular figure, both as a sci-fi author and as a thinker of contemporary life. In Worlds Built to Fall Apart, Lapoujade defines sci-fi as a way of thinking through the creation of worlds and argues that Dick does so by creating worlds that fall rapidly to pieces. Whatever his mechanism to bring this about (drugs or madness, alien satellite transmissions or encroaching parallel universes), the effect is always to reveal reality to be a construction, in which certain people determine what appears as real to the rest of us. Orienting Dick within philosophy and drawing connections to a wide variety of other thinkers and artists, this remarkable reading shows how he proposes unstable, fluctuating futures in which tinkering with reality has become the best means of resisting total control. Engaging with most of Philip K. Dick&’s published works, as well as with several of his essays and his notorious psychic autobiography The Exegesis, Lapoujade hones in on the &“war of the psyches&” that underlies Dick&’s critique of reality. He puts Dick&’s work in conversation with a vast array of subjects—from cybernetics to schizoanalysis, and from Pop art to David Lynch, J. G. Ballard, and William S. Burroughs—revealing Dick&’s oeuvre to comprise a profound reality defined by artifice, precarity, and control. Retail e-book files for this title are screen-reader friendly.
Worlds Enough: The Invention of Realism in the Victorian Novel
by Elaine FreedgoodA short, provocative book that challenges basic assumptions about Victorian fictionNow praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction.Examining criticism of Victorian novels since the 1850s, Freedgood demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. She analyzes the characteristics of realism—denotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. She concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature.By re-examining the critical reception of the Victorian novel, Worlds Enough suggests how we can rethink our practices and perceptions about books we think we know.
The World's Greatest Brain Bogglers: Grades 3-9
On January 1st, a girl said to a boy, "Two days ago, I was 7, but next year I'll be 10." She was telling the truth. Try to figure out how this could be possible.―Pamela Massey, 12What do you have when you are sitting down that disappears when you stand up?―Lindsay Lingerman, 12Your students will love these collections of games, puzzles, logic puzzles, word finds, riddles, and mazes―all by kids just like them! Each puzzle or game is by a kid, because these challenges are collected from the pages of Creative Kids, a magazine by and for kids―so you know that the brain bogglers in these collections will be perfect for your students. Sit back as your students use logic to create a mismatched monster, decrypt secret messages, and solve picture puzzles.Filled with hours of fun and challenge, there is something for everyone in these books, from corny riddles, to perplexing crosswords, to complicated puzzles―all written by kids, but challenging for any age.
Worlds in Common?: Television Discourses in a Changing Europe
by Kay Richardson Ulrike H. MeinhofWorlds in Common? examines the newly emerging forms of language used in satellite television programmes, exploring a wide range of genres including twenty-four hour news broadcasting, culture channels, talk shows, local TV and European news. Focusing on the experiences of British and German viewers, the authors discuss these new forms of communication brought about by the technological and economic upheavals in Europe in the late 1990s. This interaction between media theories and media discourses, makes the book highly relevant for researchers in media and cultural studies as well as linguistics, and provides an important and innovatory link between these different approaches.
The World's Last Night: And Other Essays
by C. S. LewisA repackaged edition of the revered author’s anthology of satirical yet serious essays on evil.In these spirited essays, C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—discusses evil in the world. Blending irony, humor, and paradox, he tackles religion’s most difficult and intriguing questions regarding immorality, belief, and the meaning of prayer. Best of all, the infamous Screwtape makes a special cameo appearance in this funny and poignant collection.
Worlds Made Flesh: Chronicle Histories and Medieval Manuscript Culture (Studies in Medieval History and Culture)
by Lauryn MayerThis book focuses on the use of the past in two senses. First, it looks at the way in which medieval texts from the eighth to the fifteenth centuries discussed the past: how they presented history, what kinds of historical narratives they employed, and what anxieties gathered around the practice of historiography. Second, this study examines twentieth-century interactions with this textual past, and the problems that have arisen for critics trying to negotiate this radically different textual culture. Lauryn Mayer examines chronicle histories that have been largely ignored by scholars, bringing these neglected texts into dialogue with contemporaneous canonical works such as Troilus and Criseyde, The House of Fame, the Morte Darthur, Beowulf, and The Battle of Maldon.
The World's Major Languages
by Bernard ComrieThe World's Major Languages features over 50 of the world's languages and language families. This revised edition includes updated bibliographies for each chapter and up-to-date census figures. The featured languages have been chosen based on the number of speakers, their role as official languages and their cultural and historical importance. Each language is looked at in depth, and the chapters provide information on both grammatical features and on salient features of the language's history and cultural role. The World’s Major Languages is an accessible and essential reference work for linguists.
The Worlds of Carol Shields (Reappraisals: Canadian Writers)
by David Staines"Carol was a very fine writer and a remarkable human being, a wonderful person whose work I closely followed for more than 20 years. I interviewed her frequently over those years, with virtually every work she produced —novel, radio drama, play, book of stories. So I had a good sense of the span of her work and also her evolution as a stylist. But the key reason I wanted to make a book focusing on her life and work is that we were friends."—Eleanor WachtelThis book strikes the right balance between intimate accounts and literary analysis. It opens with reminiscences by close friend Eleanor Wachtel, which are followed by a study of Shields’ poetry by her daughter and grandson, then by various aspects of her fiction, including a detailed examination of her plays. It closes with reminiscences by four close friends: Jane Urquhart, Joan Clark, Wayson Choy and Martin Levin.The 23 contributors offer new insights, new theories, and new perspectives about Shields’ illuminating career. Only one piece—her obituary written by Margaret Atwood—has been previously published.
Worlds of Childhood: The Art and Craft of Writing for Children
by Maurice Sendak Rosemary Wells Jill Krementz Jean Fritz Jack Prelutsky Katherine PatersonSix prominent children's authors, including Maurice Sendak, Rosemary Wells, and Jack Prelutsky, agree that to enter the worlds that children inhabit, you must possess the magic word: honesty.
Worlds of Journalism: Journalistic Cultures Around the Globe (Reuters Institute Global Journalism Series)
by Thomas Hanitzsch Folker Hanusch Jyotika Ramaprasad Arnold S. de BeerHow do journalists around the world view their roles and responsibilities in society? Based on a landmark study that has collected data from more than 27,500 journalists in 67 countries, Worlds of Journalism offers a groundbreaking analysis of the different ways journalists perceive their duties, their relationship to society and government, and the nature and meaning of their work.Challenging assumptions of a universal definition or concept of journalism, the book maps a world populated by a rich diversity of journalistic cultures. Organized around a series of key questions on topics such as editorial autonomy, journalistic ethics, trust in social institutions, and changes in the profession, it details how the practice of journalism differs across the world in a range of political, social, and economic contexts. The book covers how journalism as an institution is created and re-created by journalists and how they experience their profession in very different ways, even as they retain a commitment to some basic, widely shared professional norms and practices. It concludes with a global classification of journalistic cultures that reflects the breadth of worldviews and orientations found in disparate countries and regions. Worlds of Journalism offers an ambitious, comparative global understanding of the state of journalism in a time when it is confronting a series of economic and political threats.
The Worlds Of Langston Hughes
by Vera M. KutzinskiThe poet Langston Hughes was a tireless world traveler and a prolific translator, editor, and marketer. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. In The Worlds of Langston Hughes, Vera Kutzinski contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking. Focusing on Hughes's autobiographies, translations of his poetry, his own translations, and the political lyrics that brought him to the attention of the infamous McCarthy Committee, she shows that translating and being translated-and often mistranslated-are as vital to Hughes's own poetics as they are to understanding the historical network of cultural relations known as literary modernism. As Kutzinski maps the trajectory of Hughes's writings across Europe and the Americas, we see the remarkable extent to which the translations of his poetry were in conversation with the work of other modernist writers. Kutzinski spotlights cities whose role as meeting places for modernists from all over the world has yet to be fully explored: Madrid, Havana, Buenos Aires, Mexico City, and of course Harlem. The result is a fresh look at Hughes, not as a solitary author who wrote in a single language, but as an international figure at the heart of a global intellectual and artistic formation.
The Worlds of Petrarch
by Giuseppe MazzottaAt the center of Petrarch's vision, announcing a new way of seeing the world, was the individual, a sense of the self that would one day become the center of modernity as well. This self, however, seemed to be fragmented in Petrarch's work, divided among the worlds of philosophy, faith, and love of the classics, politics, art, and religion, of Italy, France, Greece, and Rome. In recent decades scholars have explored each of these worlds in depth. In this work, Giuseppe Mazzotta shows for the first time how all these fragmentary explorations relate to each other, how these separate worlds are part of a common vision. Written in a clear and passionate style, The Worlds of Petrarch takes us into the politics of culture, the poetic imagination, into history and ethics, art and music, rhetoric and theology. With this encyclopedic strategy, Mazzotta is able to demonstrate that the self for Petrarch is not a unified whole but a unity of parts, and, at the same time, that culture emerges not from a consensus but from a conflict of ideas produced by opposition and dark passion. These conflicts, intrinsic to Petrarch's style of thought, lead Mazzotta to a powerful rethinking of the concepts of "fragments" and "unity" and, finally, to a new understanding of the relationship between them. Essential to students of Medieval and Renaissance literature, this book will engage anyone interested in the development of modernity as it has evolved in culture and is understood today.
Worlds of Wonder: Readings in Canadian Science Fiction and Fantasy Literature
by Jean-Francois Leroux Camille R. La BossiereThis book is a long-overdue tribute to this previously ignored genre, placing these works within a general context of Canadian literature and culture.
Worlds Within
by Vilashini CooppanCooppan (literature, U. of California-Santa Cruz) looks at the interplay between nationalism and psychoanalysis, scoffing at critics who say both may already be extinct. He explores both the psychic inside and the global outside in a series of national narratives that span the globe and the 20th century. They are inner territories, Conrad's Heart of Darkness and the postcolonial novel; W. E. B. Du Bois and the psychic politics of place; race, nation, and genre in Frantz Fanon; new nations and new novels; and Severo Sarduy's fantasmatic Cuba. Annotation c2010 Book News, Inc. , Portland, OR (booknews. com)
Worlds Woven Together: Essays on Poetry and Poetics (Literature Now)
by Vidyan RavinthiranWriting about poetry follows models provided either by academic scholarship or literary journalism, each with its pitfalls. The former distances the reader from the poem and effaces the critic’s personality. In literary journalism, the critic is front and center, but the discussion is introductory and prioritizes value judgments. In either case, entrenched practices and patterns of privilege limit one’s perspective. The situation worsens when it comes to minoritized poets and poets from the Global South, where the focus is on restrictive notions of identity: the stylistic innovations of literary works get ousted by prefabricated historical narratives.In Worlds Woven Together, the critic, poet, and scholar Vidyan Ravinthiran searches for alternatives, pursuing close, imaginative readings of a variety of writers. His essays are open-ended, attentive, and curious, unabashedly passionate and subjective yet keenly analytical and investigative. Discussing neglected authors and those well-known in the West, Ravinthiran sees politics as inseparable from literary form and is fascinated by the relation of the creative consciousness to the violences of history. The book features essays on writers including Mir Taqi Mir, Ana Blandiana, A. K. Ramanujan, Marianne Moore, Eunice de Souza, Czeslaw Milosz, Ted Hughes, Rae Armantrout, Arvind Krishna Mehrotra, Galway Kinnell, Dawn Lundy Martin, and Vahni Capildeo. Revealing serendipitous connections—between poems and cultures, between lines of verse and the lives we lead—Worlds Woven Together is for all readers fascinated by the mechanics and politics of poetry.
Worldwise: Édouard Roditi’s Twentieth Century
by Robert Schwartzwald and Sherry SimonCritic, translator, essayist, and gay man, Édouard Roditi (1910–1992) was a singular witness to the twentieth century. His writings over six decades are a unique account of a life lived at the flashpoints of history and at the margins of society, providing acute and unsparing observations of literature and political events.Worldwise brings together a wide range of Roditi’s writings, renewing appreciation for the polyglot writer. With editors offering insightful background information on Roditi – who was born in Paris and had Sephardic Jewish ancestors of Greek, Spanish, and Italian origin on his father’s side and Catholic and Ashkenazi Jewish connections on his mother’s – the book covers topics as diverse as gay life, Sephardic Judaism, and postwar Europe. A published surrealist poet by eighteen, Roditi would become an interpreter at the Nuremberg trials, a highly regarded literary translator, and a perceptive social analyst whose outspoken views irritated American, Soviet, and French authorities by turns. Roditi had a knack for spotting promising minds and created literary connections across continents and languages over a long, eclectic, and creative lifetime.With accounts of his family history and childhood, essays on writers such as Hart Crane and André Breton, and forays into literary, artistic, and political subcultures between the world wars, Worldwise highlights the crucial role Roditi played as a cultural mediator and broker, while revealing his trenchant views on art and history in the twentieth century, views that remain salient and enduring in our time.
Worm-Time: Memories of Division in South Korean Aesthetics
by We Jung YiWorm-Time challenges conventional narratives of the Cold War and its end, presenting an alternative cultural history based on evolving South Korean aesthetics about enduring national division. From novels of dissent during the authoritarian era to films and webtoons in the new millennium, We Jung Yi's transmedia analyses unearth people's experiences of "wormification"—traumatic survival, deferred justice, and warped capitalist growth in the wake of the Korean War. Whether embodied as refugees, leftists, or broken families, Yi's wormified protagonists transcend their positions as displaced victims of polarized politics and unequal development. Through metamorphoses into border riders who fly over or crawl through the world's dividing lines, they reclaim postcolonial memories buried in the pursuit of modernization under US hegemony and cultivate a desire for social transformation. Connecting colonial legacies, Cold War ideologies, and neoliberal economics, Worm-Time dares us to rethink the post-WWII consensus on freedom, peace, and prosperity.
Worm Work: Recasting Romanticism
by Janelle A. SchwartzWorms. Natural history is riddled with them. Literature is crawling with them. From antiquity to today, the ubiquitous and multiform worm provokes an immediate discomfort and unconscious distancing: it remains us against them in anthropocentric anxiety. So there is always something muddled, or dirty, or even offensive when talking about worms. Rehabilitating the lowly worm into a powerful aesthetic trope, Janelle A. Schwartz proposes a new framework for understanding such a strangely animate nature. Worms, she declares, are the very matter with which the Romantics rethought the relationship between a material world in constant flux and the human mind working to understand it.Worm Work studies the lesser-known natural historical records of Abraham Trembley and his contemporaries and the familiar works of Erasmus Darwin, Charles Darwin, William Blake, Mary Shelley, and John Keats, to expose the worm as an organism that is not only reviled as a taxonomic terror but revered as a sign of great order in nature as well as narrative. This book traces a pattern of cultural production, a vermiculture that is as transformative of matter as it is of mind. It distinguishes decay or division as positive processes in Romantic era writings, compounded by generation or renewal and used to represent the biocentric, complex structuring of organicism.Offering the worm as an archetypal figure through which to recast the evolution of a literary order alongside questions of taxonomy from 1740 to 1820 and on, Schwartz unearths Romanticism as a rich humus of natural historical investigation and literary creation.
Worrying about China: The Language of Chinese Critical Inquiry
by Gloria DaviesWhat can we do about China? This question, couched in pessimism, is often raised in the West but it is nothing new to the Chinese, who have long worried about themselves. In the last two decades since the “opening” of China, Chinese intellectuals have been carrying on in their own ancient tradition of “patriotic worrying.” As an intellectual mandate, “worrying about China” carries with it the moral obligation of identifying and solving perceived “Chinese problems”—social, political, cultural, historical, or economic—in order to achieve national perfection. In Worrying about China, Gloria Davies pursues this inquiry through a wide range of contemporary topics, including the changing fortunes of radicalism, the peculiarities of Chinese postmodernism, shifts within official discourse, attempts to revive Confucianism for present-day China, and the historically problematic engagement of Chinese intellectuals with Western ideas. Davies explores the way perfectionism permeates and ultimately propels Chinese intellectual talk to the point that the drive for perfection has created a moralism that condemns those who do not contribute to improving China. Inside the heart of the New China persists ancient moralistic attitudes that remain decidedly nonmodern. And inside the postmodernism of thousands of Chinese scholars and intellectuals dwells a decidedly anti-postmodern quest for absolute certainty.