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The Canadian Guide to Creative Writing and Publishing
by Patricia WesterhofThe essential guide for Canadian writers seeking to have their work published today.How do you get your writing published in Canada? What are the industry standards for publishable work and how do you reach them? This lively, practical guide shows you how to think more creatively, cultivate a strong writing voice, and make your sentences powerful. It explains the elements of style and offers writing prompts to help you apply what you learn. It gives strategies for finding critique partners and beta readers and for getting useful feedback before you send your drafts to agents or editors. The chapters are packed with up-to-date information about the publishing industry, including how to find an agent, how to submit manuscripts to literary journals, how to query independent presses, and how to apply for writing grants. The Canadian Guide to Creative Writing & Publishing confidently leads you through the process of polishing your writing and finding an audience for your work.
Canadian Hockey Literature
by Jason BlakeHockey occupies a prominent place in the Canadian cultural lexicon, as evidenced by the wealth of hockey-centred stories and novels published within Canada. In this exciting new work, Jason Blake takes readers on a thematic journey through Canadian hockey literature, examining five common themes - nationhood, the hockey dream, violence, national identity, and family - as they appear in hockey fiction.Blake examines the work of such authors as Mordecai Richler, David Adams Richards, Paul Quarrington, and Richard B. Wright, arguing that a study of contemporary hockey fiction exposes a troubled relationship with the national sport. Rather than the storybook happy ending common in sports literature of previous generations, Blake finds that today's fiction portrays hockey as an often-glorified sport that in fact leads to broken lives and ironic outlooks. The first book to focus exclusively on hockey in print, Canadian Hockey Literature is an accessible work that challenges popular perceptions of a much-beloved national pastime.
Canadian Literary Fare (Carleton Library Series)
by Nathalie Cooke Shelley BoydWhen writers place food in front of their characters – who after all do not need sustenance – they are asking readers to be alert to the meaning and implication of food choices. As readers begin to listen closely to these cues, they become attuned to increasingly layered stories about why it matters what foods are selected, prepared, served, or shared, and with whom, where, and when. In Canadian Literary Fare Nathalie Cooke and Shelley Boyd explore food voices in a wide range of Canadian fiction, drama, and poetry, drawing from their formational blog series with Alexia Moyer. Thirteen short vignettes delve into metaphorical taste sensations, telling of how single ingredients such as garlic or ginger, or food items such as butter tarts or bannock, can pack a hefty symbolic punch in literary contexts. A chapter on Canada’s public markets finds literary food voices sounding a largely positive note, just as Canadian journalists trumpet Canada’s bountiful and diverse foodways. But in chapters on literary representations of bison and Kraft Dinner, Cooke and Boyd bear witness to narratives of hunger, food scarcity, and social inequality with poignancy and insistence.Canadian Literary Fare pays heed to food voices in the works of Tomson Highway, Rabindranath Maharaj, Alice Munro, M. NourbeSe Philip, Eden Robinson, Fred Wah, and more, inviting readers to listen for stories of foodways in the literatures of Canada and beyond.
Canadian Literature and Medicine: Carelanding (Routledge Studies in Literature and Health Humanities)
by Shane NeilsonCanadian Literature and Medicine breaks new ground by formulating a series of frameworks with which to read and interpret a national literature derived from the very fabric of that literature – in this case Canadian. Canadian literature is of particular interest because of its consideration of coloniality, Indigeneity, and coincident development alongside a nascent socialized medical system currently under threat from neoliberalism. The first chapters of the book carefully track the development of Canada’s socialized medical system as it manifests in the imaginations of the nation’s poets and authors who depict care. Reciprocal flows are investigated in which these poets and authors are quoted in policy documents. The archive-based methodology is sustained in subsequent chapters that rely upon a unique interdisciplinary mix of medical history, philosophy of medicine, medical policy, theory inherent to the field of Canadian literature (focusing in particular on the garrison mentality as a form of aesthetic protest and the feminist ethics of care), and Indigenous ways of knowing.
The Canadian Modernists Meet (Reappraisals: Canadian Writers)
by Dean IrvineThe Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature.The Canadian Modernists Meetis the first collection of its kind: a gathering of texts by literary critics, textual editors, biographers, literary historians, and art historians whose collective research contributes to the study of modernism in Canada. The collection stages a major reassessment of the origins and development of modernist literature in Canada, its relationship to international modernist literature, its regional variations, its gender and class inflections, and its connections to visual art, architecture, and film. It presents a range of scholarly perspectives, drawing upon the multidisciplinarity that characterizes the international field of modernist studies.
Canadian Primal: Poets, Places, and the Music of Meaning
by Mark DickinsonOver the past few decades, a group of writers we might call the Thinking and Singing poets have stood at the forefront of poetry in Canada. These five poets – Dennis Lee, Don McKay, Robert Bringhurst, Jan Zwicky, and Tim Lilburn – are major voices in an era of ecological devastation and spiritual unease. Their diverse, questioning work suggests new ways to confront some of the most pressing issues of our time.In vibrant prose, Mark Dickinson explores the relationship between the lives of these poets and their writing, examining their intersecting careers and friendships, and the ways they learned from and challenged one another. Canadian Primal uses an unconventional approach, blending biography with literary analysis and drawing from meetings and correspondence with each poet over many years to trace the people and events that inspired the creation of important texts. Dickinson tracks how each of the writers arrived at poetry as a way of being, and at the heart of their poetics he finds both a musical intelligence and the crucial importance of the land.Canadian Primal is literary biography reconceived as an adventure of the mind, body, and spirit. Ebullient, intelligent, and eminently readable, it reminds us that we can live on the earth in a different way, true to the defining experiences of our lives, surrounded by meaning and presence beyond our imagining.
Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes (Studies in Global Science Fiction)
by Amy J. Ransom Dominick GraceCanadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.
The Canadian Style: A Guide to Writing and Editing
by Dundurn Press Limited Public Works Government Services Canada Translation BureauThe revised edition of The Canadian Style is an indispensable language guide for editors, copywriters, students, teachers, lawyers, journalists, secretaries and business people – in fact, anyone writing in the English language in Canada today. It provides concise, up-to-date answers to a host of questions on abbreviations, hyphenation, spelling, the use of capital letters, punctuation and frequently misused or confused words. It deals with letter, memo and report formats, notes, indexes and bibliographies, and geographical names. It also gives techniques for writing clearly and concisely, editing documents and avoiding stereotyping in communications. There is even an appendix on how to present French words in an English text.
Canadian Suburban: Reimagining Space and Place in Postwar English Canadian Fiction
by Cheryl CowdyThough a large proportion of Canadians live in suburban communities, the Canadian cultural imaginary is filled with other landscapes. The wilderness, the prairie, cityscapes, and small towns are the settings by which we define our nation, rather than the strip mall, the single-family home, and the developing subdivision, which for many are ubiquitous features of everyday life.Canadian Suburban considers the cultures of suburbia as they are articulated in English Canadian fiction published from the 1960s to the present. Cheryl Cowdy begins her excursion through novels set between 1945 and 1970, the heyday of modern suburban development, with works by canonical authors such as Margaret Laurence, Richard B. Wright, Margaret Atwood, and Barbara Gowdy. Her investigation then turns to the meaning of the suburbs within fiction set after the 1970s, when a more corporate model of suburbanization prevailed, and ends with an investigation of how writers from immigrant and racialized communities are radically transforming the suburban imaginary. Cowdy argues there is no one authentic suburban imaginary but multiple, at times contradictory, representations that disrupt prevalent assumptions about suburban homogeneity.Canadian Suburban provides a foundation for understanding the literary history of suburbia and a refreshing reassessment of the role of space and place in Canadian culture and identity.
The Canadian Writer's Market, 18th Edition
by Joanna KaraplisThe essential guide for freelance writers, now completely updated and revised. The Canadian Writer's Market is the authority on who publishes what and how best to bring your work to their attention. It offers practical advice on everything from manuscript preparation to copyright law, from information on pay rates to writers' workshops. This useful guide also includes comprehensive and up-to-date listings for: comsumer magazines; literary and scholarly journals; trade, business, and professional publications; daily newspapers; book publishers; literary agents; awards, competitions, and grants; writers' organizations and support agencies; writers' workshops, courses, and retreats.
The Canadian Writer's Market, 19th Edition: The Essential Guide for Freelance Writers
by Heidi WaechtlerThe essential guide for freelance writers, now completely updated and revised. The Canadian Writer's Market is the authority on who publishes what and how best to bring your work to their attention. It offers practical advice on everything from manuscript preparation to copyright law, from information on pay rates to writers' workshops. This useful guide also includes comprehensive and up-to-date listings for: consumer magazines; literary and scholarly journals; trade, business, and professional publications; daily newspapers; book publishers; literary agents; awards, competitions, and grants; writers' organizations and support agencies; writers' workshops, courses, and retreats.From the Trade Paperback edition.
A Canadian Writer’s Reference: Platinum Edition
by Diana Hacker Nancy SommersA Hacker handbook has always been a how-to manual for building confidence as a college writer. Diana Hacker conceived A Writer’s Reference as a quick-access innovation in handbook format, and Nancy Sommers continues to reinvent its content for an evolving course emphasizing critical reading and writing. For more than 20 years, the book has allowed students to build confidence and take ownership of their college writing experience. <P><P> A Canadian Writer’s Reference, and a variety of exciting digital options together represent a next-level tool for college writers. What’s most exciting? An emphasis on help that is personal, practical, and digital. A Canadian Writer’s Reference is reimagined as a system that helps students target their needs and see their successes; that offers innovative practice with writing, reading, thinking, and research; and that lives in an engaging multimedia environment.
Canadians and Americans: Myths and Literary Traditions
by Katherine L. MorrisonMuch can be learned from a nation's literature. Examining three hundred years of cultural traditions, Katherine L. Morrison, a former American, now a Canadian, takes the reader through the historical, political, and sociological milieu of Canada and the United States to dispel misconceptions that they share near-identical social attitudes and historical experiences.To most Americans and much of the rest of the world, America and Canada differ little except in terms of climate. It is true that they share a common British heritage and immigration patterns, but there are subtle cultural differences between the two countries. These may appear insignificant to Americans, but they are not insignificant to Canadians. Comparing mythologies each of the countries share about the other, the author examines national views of their histories, from the common origin of both nations in the American Revolution, through the two world wars. She also examines the role of nature and images of place and home in Canadian and American literary writing, noting the disparate historical development of the two national literatures. Using specific works by recognized authors of their time, Morrison considers the role of religion and the church, violence and the law, and humor and satire, in the literature of both countries. The book also explores the role of women, race, and class in the literature of both countries. It concludes with a discussion of the tenacity of national myths, and draws some tentative conclusions.Now published in paperback in the United States, Morrison's broad-based approach to a largely unexplored subject will invite future study as well as improve understanding between Canada and the United States. Canadians and Americans will be of interest to cultural historians, American studies specialists, political scientists, and sociologists.
Canary Fever
by John CluteCanary Fever is a collection of reviews about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. The title refers to the canary in the coal mine, who whiffs gas and dies to save miners; reviewers of fantastika can find themselves in a similar position, though words can only hurt us.
Canary Fever
by John CluteCanary Fever is a collection of reviews about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. The title refers to the canary in the coal mine, who whiffs gas and dies to save miners; reviewers of fantastika can find themselves in a similar position, though words can only hurt us.
Cancelled Words: Rediscovering Thomas Hardy
by Rosemarie MorganThe manuscript of Hardy's first great novel Far From the Madding Crowd vanished shortly after its first publication. Rediscovered in 1918 it sheds remarkable new light on the whole of Hardy's work. The manuscript pages, some of which are reproduced here in facsimile, reveal Hardy's original composition in the novel, and the reluctantly `cancelled words' which were the result of a long struggle with Sir Leslie Stephen, Hardy's editor. Cancelled Words reveals the manner in which Hardy worked, his resistance to censorship, his obsessive attention to detail and precision, and the often concealed processes underlying his authorship. Ultimately, it serves to shape our understanding of the development of the modern novel.
Cancer Poetry
by Iain TwiddyThis is the first critical study to offer a sustained analysis of the theme of cancer in contemporary poetry. In discussing works by major poets, including Paul Muldoon, Jo Shapcott and Christopher Reid, Cancer Poetry traces the complex ways in which poets represent cancer, and assesses how poetry can be instrumental to emotional recovery.
Candide (Norton Critical Editions #0)
by Voltaire Nicholas CronkCandide has been delighting readers since 1759 with its satiric wit, provocations, and warnings. The novella has never been out of print and has been translated into every conceivable language. The text of this Norton Critical Edition remains that of Robert M. Adams’s superlative translation, accompanied by explanatory annotations. The Norton Critical Edition also includes: · A full introduction by Nicholas Cronk. · Six background studies of Enlightenment ideas and themes (by Richard Holmes, Adam Gopnik, W. H. Barber, Dennis Fletcher, Haydn Mason, and Nicholas Cronk), five of these new to the Third Edition. · Seven critical essays—five of them new to this edition—representing a wide range of approaches to Candide. Contributors include J. G. Weightman, Robin Howells, James J. Lynch, Philip Stewart, Erich Auerbach, and Jean Starobinski. · A revised and expanded Selected Bibliography.
Candide
by Francois VoltaireCandide, Voltaire's biting portrayal of eighteenth-century European society, is a central text of the Enlightenment and essential reading for history students today. Preserving the text's provocative nature, Daniel Gordon's new translation enhances Candide's read-ability and highlights the text's wit and satire for twentieth-century readers. The introduction places the work and its author in historical context, showing students how the complexities of Voltaire's life relate to the events, philosophy, and characters of Candide. A related documents section -- with personal correspondence to and from Voltaire -- gives students another lens through which to view this influential thinker. Helpful editorial features include explanatory notes throughout the text and a chronology of Voltaire's life.
Candide (Third Edition) (Norton Critical Editions)
by Voltaire Nicholas CronkCandide has been delighting readers since 1759 with its satiric wit, provocations, and warnings. The novella has never been out of print and has been translated into every conceivable language. The text of this Norton Critical Edition remains that of Robert M. Adams’s superlative translation, accompanied by explanatory annotations. The Norton Critical Edition also includes: · A full introduction by Nicholas Cronk. · Six background studies of Enlightenment ideas and themes (by Richard Holmes, Adam Gopnik, W. H. Barber, Dennis Fletcher, Haydn Mason, and Nicholas Cronk), five of these new to the Third Edition. · Seven critical essays—five of them new to this edition—representing a wide range of approaches to Candide. Contributors include J. G. Weightman, Robin Howells, James J. Lynch, Philip Stewart, Erich Auerbach, and Jean Starobinski. · A revised and expanded Selected Bibliography.
The Candy Men
by Nile SouthernA Rabelaisian satire loosely based on Voltaire's Candide, Terry Southern and Mason Hoffenberg's Candy became one of the most famous novels of the tumultuous 1960's. Detailing its humble beginnings in Paris through its agonizing three-year writing gestation (often on paper napkins, lost or destroyed) and the authors' wily business dealings first with French-based publisher Maurice Girodias, then Putnam is America, this book follows with unblinking scrutiny Candy's underground (then mainstream) success, its blatant piracy, its legal shenanigans, and its all-star movie flop. Replete with deceptions and self-deceptions, midnight dope runs, and general pandemonium, THE CANDY MEN is as much fun to read as the original novel itself. And far more instructive.
El caníbal de la guerrero y otros demonios de la ciudad: Los casos más sobresalientes del periodismo policiaco en México
by Marcos Hernández ValerioUna vibrante colección de reportajes sobre los casos más sonados del periodismo policíaco y de nota roja en México de los últimos años. En este libro se examinan desde un ángulo de periodismo criminológico, los perfiles y los casos más relevantes del crimen callejero. Están en todos lados: en la calle, en tu trabajo, en la escuela, incluso en casa. El detonante de los demonios de la ciudad son los celos, el abandono, la miseria, la avaricia, el desempleo o la falta de oportunidades en la vida. No distinguen edad, género, clase social o credos al cometer los actos más viles: asesinatos, violaciones, robos, estafas y secuestros. Los criminalistas señalan como causantes de estas conductas a los propios padres, profesores y tutores de los futuros delincuentes, cuando se deshumaniza a las personas y son tratadas con crueldad o "educadas" sin principios éticos. Entre otros demonios de la ciudad, en este libro se examina el caso de José Luis Calva Zepeda, aquien los medios informativos calificaron como "el Caníbal de la Guerrero" o "el Caníbal Poeta". Este personaje se decía dramaturgo, novelista, poeta, periodista y sanador, además de ser amante de la zoofilia, la pornografía y la violencia. Para cautivar a sus víctimas, les escribía poemas y manipulaba sus emociones. La falta de amor durante su infancia, maltratos, frustraciones y abusos sexuales, constituyeron su personalidad psicópata. Como en muchas ocasiones, no fueron las pesquisas policiacas las que condujeron a su arresto: fue capturado por casualidad. En El Caníbal de la Guerrero y otros demonios de la ciudad, la investigación periodística fue enriquecida con entrevistas a expertos, para explicar las causas que originaron estos terribles delitos. También incluye un pliego de imágenes.
Canines in Cervantes and Velázquez: An Animal Studies Reading of Early Modern Spain (New Hispanisms: Cultural and Literary Studies)
by John BeusterienThe study of the creation of canine breeds in early modern Europe, especially Spain, illustrates the different constructs against which notions of human identity were forged. This book is the first comprehensive history of early modern Spanish dogs and it evaluates how two of Spain’s most celebrated and canonical cultural figures of this period, the artist Diego Velázquez and the author Miguel de Cervantes, radically question humankind’s sixteenth-century anthropocentric self-fashioning. In general, this study illuminates how Animal Studies can offer new perspectives to understanding Hispanism, giving readers a fresh approach to the historical, literary and artistic complexity of early modern Spain.
Canis Modernis: Human/Dog Coevolution in Modernist Literature (Animalibus: Of Animals and Cultures #19)
by Karalyn Kendall-MorwickModernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce’s Ulysses to the highbred canine subject of Virginia Woolf’s Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition—facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs’ status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization.Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies.
Canis Modernis: Human/Dog Coevolution in Modernist Literature (Animalibus)
by Karalyn Kendall-MorwickModernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce’s Ulysses to the highbred canine subject of Virginia Woolf’s Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition—facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs’ status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization.Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies.