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The Cambridge Companion to Tom Stoppard
by Katherine E. KellyThis collection of fifteen essays offers both student and theatergoer a guide to the stage plays, novel, and screenplays of one of the most celebrated British dramatists since Noel Coward. Readers will find that the general and accessible description and analyses in these essays makes the large body of Stoppard's writing clear and approachable while preserving its rich humor. This is the first collection of essays to appear in many years addressing all of Stoppard's major work. It provides insights into the recent plays, Arcadia and Invention of Love, as well as the first extended examination of his work for screen, including a discussion of his co-authored, academy award-winning screenplay Shakespeare in Love. Photographs from key productions, a biography and chronology complete the volume and prepare the reader for future work by this extraordinary writer.
The Cambridge Companion to Toni Morrison
by Justine TallyNobel laureate Toni Morrison is one of the most widely studied of contemporary American authors. Her novels, particularly Beloved, have had a dramatic impact on the American canon and attracted considerable critical commentary. This 2007 Companion introduces and examines her oeuvre as a whole, the first evaluation to include not only her famous novels, but also her other literary works (short story, drama, musical, and opera), her social and literary criticism, and her career as an editor and teacher. Innovative contributions from internationally recognized critics and academics discuss Morrison's themes, narrative techniques, language and political philosophy, and explain the importance of her work to American studies and world literature. This comprehensive and accessible approach, together with a chronology and guide to further reading, makes this an essential book for students and scholars of African American literature.
The Cambridge Companion to Transnational American Literature: Transnational American Literature
by Yogita GoyalFor two decades, the 'transnational turn' in literary studies has generated enormous comment and controversy. This Companion provides a comprehensive account of the scope, impact, and critical possibilities of the transnational turn in American literary studies. It situates the study of American literature in relation to ethnic, postcolonial, and hemispheric studies. Leading scholars open up wide-ranging examinations of transnationalism in American literature - through form and aesthetics, theories of nation, gender, sexuality, religion, and race, as well as through conventional forms of historical periodization. Offering a new map of American literature in the global era, this volume provides a history of the field, key debates, and instances of literary readings that convey the way in which transnationalism may be seen as a method, not just a description of literary work that engages more than one nation. Contributors identify the key modes by which writers have responded to major historical, political, and ethical issues prompted by the globalization of literary studies.
The Cambridge Companion to Travel Writing
by Peter Hulme Tim YoungsThe Cambridge Companion to Travel Writing brings together specialists from Anthropology, History, Literary and Cultural Studies to offer a broad and vibrant introduction to travel writing in English between 1500 and the present. This comprehensive introduction to the subject features specially commissioned contributions, including six essays surveying the period's travel writing; a further six focusing on geographical areas of particular interest - Arabia, the Amazon, Tahiti, Ireland, Calcutta, the Congo and California; and three final chapters analysing some of the theoretical and cultural dimensions to this enigmatic and influential genre of writing. Several invaluable tools are also provided, including an extensive list of further reading, and a detailed five-hundred year chronology listing important events and publications. This volume will be of interest to teachers and students alike.
The Cambridge Companion to Twentieth-Century British and Irish Women's Poetry
by Jane DowsonThis Companion provides new ways of reading a wide range of influential women's poetry. Leading international scholars offer insights on a century of writers, drawing out the special function of poetry and the poets' use of language, whether it is concerned with the relationship between verbal and visual art, experimental poetics, war, landscape, history, cultural identity or 'confessional' lyrics. Collectively, the chapters cover well established and less familiar poets, from Edith Sitwell and Mina Loy, through Stevie Smith, Sylvia Plath and Elizabeth Jennings to Anne Stevenson, Eavan Boland and Jo Shapcott. They also include poets at the forefront of poetry trends, such as Liz Lochhead, Jackie Kay, Patience Agbabi, Caroline Bergvall, Medbh McGuckian and Carol Ann Duffy. With a chronology and guide to further reading, this book is aimed at students and poetry enthusiasts wanting to deepen their knowledge of some of the finest modern poets.
The Cambridge Companion to Twentieth-Century English Poetry
by Neil CorcoranThe last century was characterised by an extraordinary flowering of the art of poetry in Britain. These specially commissioned essays by some of the most highly regarded poetry critics offer a stimulating and reliable overview of English poetry of the twentieth century. The opening section on contexts will both orientate readers relatively new to the field and provide provocative syntheses for those already familiar with it. Following the terms introduced by this section, individual chapters cover many ways of looking at the 'modern', the 'modernist' and the 'postmodern'. The core of the volume is made up of extensive discussions of individual poets, from W. B. Yeats and W. H. Auden to contemporary poets such as Simon Armitage and Carol Ann Duffy. In its coverage of the development, themes and contexts of modern poetry, this Companion is the most useful guide available for students, lecturers and readers.
The Cambridge Companion to Twentieth-Century Irish Drama
by Shaun RichardsThe essays in this collection cover the entire range of Irish drama, from the late nineteenth-century melodramas (anticipating the rise of the Abbey Theatre) to the contemporary Dublin of theater festivals. In addition to studies of individual playwrights, the collection includes an examination of the relationship between the theater and its political context as reflected through its ideology, staging and programming. Including a complete chronology and bibliography, this collection will be an important introduction to one of the world's most vibrant theater cultures.
The Cambridge Companion to Twentieth-Century Literature and Politics (Cambridge Companions to Literature)
by Christos Hadjiyiannis Rachel PotterFor a long time, people had been schooled to think of modern literature's relationship to politics as indirect or obscure, and often to find the politics of literature deep within its unconsciously ideological structures and forms. But twentieth-century writers were directly involved in political parties and causes, and many viewed their writing as part of their activism. This Companion tell a story of the rich and diverse ways in which literature and politics over the twentieth century coincided, overlapped – and also clashed. Covering some of the century's most influential political ideas, moments, and movements, nineteen academic experts uncover new ways of thinking about the relationship between literature and politics. Liberalism, communism, fascism, suffragism, pacifism, federalism, different nationalisms, civil rights, women's rights, sexual rights, Indigenous rights, environmentalism, neoliberalism: twentieth-century authors wrote in direct response to political movements, ideas, events, and campaigns.
The Cambridge Companion to Twentieth-Century Russian Literature
by Evgeny Dobrenko Marina BalinaIn Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both migr literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and migr literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.
The Cambridge Companion to Twenty-First-Century American Poetry (Cambridge Companions to Literature)
by Timothy YuA new poetic century demands a new set of approaches. This Companion shows that American poetry of the twenty-first century, while having important continuities with the poetry of the previous century, takes place in new modes and contexts that require new critical paradigms. Offering a comprehensive introduction to studying the poetry of the new century, this collection highlights the new, multiple centers of gravity that characterize American poetry today. Essays on African American, Asian American, Latinx, and Indigenous poetries respond to the centrality of issues of race and indigeneity in contemporary American discourse. Other essays explore poetry and feminism, poetry and disability, and queer poetics. The environment, capitalism, and war emerge as poetic preoccupations, alongside a range of styles from spoken word to the avant-garde, and an examination of poetry's place in the creative writing era.
The Cambridge Companion to Ulysses
by Sean LathamFew books in the English language seem to demand a companion more insistently than James Joyce's Ulysses, a work that at once entices and terrifies readers with its interwoven promises of pleasure, scandal, difficulty and mastery. This volume offers fourteen concise and accessible essays by accomplished scholars that explore this masterpiece of world literature. Several essays examine specific aspects of Ulysses, ranging from its plot and characters to the questions it raises about the strangeness of the world and the density of human cultures. Others address how Joyce created this novel, why it became famous and how it continues to shape both popular and literary culture. Like any good companion, this volume invites the reader to engage in an ongoing conversation about the novel and its lasting ability to entice, rankle, absorb, and enthrall.
The Cambridge Companion to Utopian Literature
by Gregory ClaeysSince the publication of Thomas More's genre-defining work Utopia in 1516, the field of utopian literature has evolved into an ever-expanding domain. This Companion presents an extensive historical survey of the development of utopianism, from the publication of Utopia to today's dark and despairing tendency towards dystopian pessimism, epitomised by works such as George Orwell's Nineteen Eighty-Four and Margaret Atwood's The Handmaid's Tale. Chapters address the difficult definition of the concept of utopia, and consider its relation to science fiction and other literary genres. The volume takes an innovative approach to the major themes predominating within the utopian and dystopian literary tradition, including feminism, romance and ecology, and explores in detail the vexed question of the purportedly 'western' nature of the concept of utopia. The reader is provided with a balanced overview of the evolution and current state of a long-standing, rich tradition of historical, political and literary scholarship.
The Cambridge Companion to Victorian and Edwardian Theatre
by Kerry PowellThis 2004 Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre, both in its own time and on the contemporary stage. The volume opens with a brief overview and introduction surveying the theatre of the time followed by an essay contextualizing the theatre within the frame of Victorian and Edwardian culture as a whole. Succeeding chapters examine specific aspects of performance, production, and theatre, including the music, the actors, stagecraft and the audiences themselves; plays and playwriting and issues of class and gender are also explored. Chapters also deal with comedy, farce and melodrama, while other essays bring forward new topics and approaches that cross the boundaries of traditional investigation, including analysis of the economics of theatre and of the theatricality of personal identity.
The Cambridge Companion to Victorian Women's Poetry (Cambridge Companions to Literature)
by Linda K. HughesThe Victorian period has a strong tradition of poetry written by women. In this Companion, leading scholars deliver accessible and cutting-edge essays that situate Victorian women's poetry in its relation to print culture, diverse identities, and aesthetic and cultural issues. The book is inclusive in method, demonstrating, for example, the benefits of both distant and close reading approaches, and featuring major figures like Elizabeth Barrett Browning and Christina Rossetti and over one hundred poets altogether. Thematically arranged, the chapters deliver studies on a comprehensive array of subjects that address women's poetry in its manifold forms and investigate its global context. Essays shed light on children's poetry, domestic relations, sexualities, and stylistic artifice and conclude by looking at how women poets placed their published poems and how we can 'place' Victorian women poets today.
The Cambridge Companion to Victorian Women’s Writing
by Linda H. PetersonThe Cambridge Companion to Victorian Women's Writing brings together chapters by leading scholars to provide innovative and comprehensive coverage of Victorian women writers' careers and literary achievements. While incorporating the scholarly insights of modern feminist criticism, it also reflects new approaches to women authors that have emerged with the rise of book history; periodical studies; performance studies; postcolonial studies; and scholarship on authorship, readership, and publishing. It traces the Victorian woman writer's career - from making her debut to working with publishers and editors to achieving literary fame - and challenges previous thinking about genres in which women contributed with success. Chapters on poetry, including a discussion of poetry in colonial and imperial contexts, reveal women's engagements with each other and male writers. Discussions on drama, life writing, reviewing, history, travel writing, and children's literature uncover the remarkable achievement of women in fields relatively unknown.
The Cambridge Companion to Virgil
by Charles MartindaleVirgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectives both traditional and innovative on Virgil's works, and a renewed sense of why Virgil matters today. The Companion is divided into four main sections, focussing on reception, genre, context, and form. This ground-breaking book not only provides a wealth of material for an informed reading but also offers fresh and sophisticated insights which point to the shape of Virgilian scholarship and criticism to come.
The Cambridge Companion To Virginia Woolf
by Susan SellersVirginia Woolf is now hailed as one of the greatest, most innovative writers of our age. This landmark collection of essays by leading scholars in the field addresses the full range of her intellectual perspectives - literary, artistic, philosophical and political. The Cambridge Companion to Virginia Woolf provides original, new readings of all nine novels and fresh insight into Woolf's letters, diaries and essays allowing easy reference to individual themes and texts. The progress of Woolf's thinking is revealed from Bloomsbury aestheticism through her hatred of censorship, corruption and hierarchy to her concern with all aspects of modernism. The volume reflects the changing face of Woolf scholarship especially in the light of new feminist approaches, and explores the immense range of social and political issues behind her ongoing search for new narrative forms.
The Cambridge Companion to Voltaire
by Nicholas CronkAs a leading thinker of the European Enlightenment, Voltaire is a central figure in France's collective cultural memory. The popularity of Candide has made him perhaps best known as a writer of tales. Yet these represent only a fraction of his entire oeuvre. Voltaire created a style of authorship which made him the most famous writer in Europe and turned his name into a brand for a certain style of writing and thinking. This Companion covers his plays, fiction, pamphlets, correspondence, biblical criticism, and historical, political and philosophical thought, to give a wide-ranging view of his writings. The most comprehensive book on Voltaire available in English, it makes accessible the most recent research in France as well as the English-speaking world, in a series of original essays and a guide to sources. The essays demonstrate why Voltaire remains an essential point of reference in defining the modern intellectual today.
The Cambridge Companion to W. B. Yeats
by Marjorie Howes John KellyThis accessible and thought-provoking Companion is designed to help students experience the pleasures and challenges offered by one of the twentieth century's greatest poets. A team of international contributors examine Yeats's poetry, drama and prose in their historical and national contexts. The essays explain and synthesise major aspects and themes of his life and work: his lifelong engagement with Ireland, his complicated relationship to the English literary tradition, his literary, social, and political criticism and the evolution of his complex spiritual and religious sense. First-time readers of Yeats as well as more advanced scholars will welcome this comprehensive account of Yeats's career with its useful chronological outline and survey of the most important trends in Yeats scholarship. Taken as a whole, this Companion comprises an essential introduction for students and teachers of Yeats.
The Cambridge Companion to W.E.B. Du Bois
by Shamoon ZamirW. E. B. Du Bois was the pre-eminent African American intellectual of the twentieth century. As a pioneering historian, sociologist and civil rights activist, and as a novelist and autobiographer, he made the problem of race central to an understanding of the United States within both national and transnational contexts; his masterwork The Souls of Black Folk (1903) is today among the most widely read and most often quoted works of American literature. This Companion presents ten specially commissioned essays by an international team of scholars which explore key aspects of Du Bois's work. The book offers students a critical introduction to Du Bois, as well as opening new pathways into the further study of his remarkable career. It will be of interest to all those working in African American studies, American literature, and American studies generally.
The Cambridge Companion to W. H. Auden
by Stan SmithThis volume brings together specially commissioned essays by some of the world's leading experts on the life and work of W. H. Auden, one of the major English-speaking poets of the twentieth century. The volume's contributors include a prize-winning poet, Auden's literary executor and editor, and his most recent, widely acclaimed biographer. It offers fresh perspectives on his work from Auden critics, alongside specialists from such diverse fields as drama, ecological and travel studies. It provides scholars, students and general readers with a comprehensive and authoritative account of Auden's life and works in clear and accessible English. Besides providing authoritative accounts of the key moments and dominant themes of his poetic development, the Companion examines his language, style and formal innovation, his prose and critical writing and his ideas about sexuality, religion, psychoanalysis, politics, landscape, ecology, and globalisation. It also contains a comprehensive bibliography of writings about Auden.
The Cambridge Companion to Wallace Stevens
by John N. SerioWallace Stevens is a major American poet and a central figure in modernist studies and twentieth-century poetry. This Companion introduces students to his work. An international team of distinguished contributors presents a unified picture of Stevens' poetic achievement. The Introduction explains why Stevens is among the world's great poets and offers specific guidance on how to read and appreciate his poetry. A brief biographical sketch anchors Stevens in the real world and illuminates important personal and intellectual influences. The essays following chart Stevens' poetic career and his affinities with both earlier and contemporary writers, artists, and philosophers. Other essays introduce students to the peculiarity and distinctiveness of Stevens' voice and style. They explain prominent themes in his work and explore the nuances of his aesthetic theory. With a detailed chronology and a guide to further reading, this Companion provides all the information a student or scholar of Stevens will need.
The Cambridge Companion to Walter Benjamin
by David S. FerrisThis Companion offers a comprehensive introduction to the work and thought of the highly influential twentieth-century critic and theorist Walter Benjamin. The volume provides examinations of the different aspects of Benjamin's work that have had a significant effect on contemporary critical and historical thought. Topics discussed by experts in the field include Benjamin's relation to the avant-garde movements of his time, the form of the work of art, his theories on language and mimesis, modernity, his relation to Brecht and the Frankfurt School, his significance and relevance to modern cultural studies, his formative interpretation of Romanticism, and his autobiographical writings. The volume is aimed at readers who may be coming to Benjamin for the first time or who have some knowledge of Benjamin but would like to know more about the issues and concepts central to his work. Additional material includes a guide to further reading and a chronology.
The Cambridge Companion to War Writing
by Kate McloughlinWar writing is an ancient genre that continues to be of vital importance. Times of crisis push literature to its limits, requiring writers to exploit their expressive resources to the maximum in response to extreme events. This 2009 Companion focuses on British and American war writing, from Beowulf and Shakespeare to bloggers on the 'War on Terror'. Thirteen period-based chapters are complemented by five thematic chapters and two chapters charting influences. This uniquely wide range facilitates both local and comparative study. Each chapter is written by an expert in the field and includes suggestions for further reading. A chronology illustrates how key texts relate to major conflicts. The Companion also explores the latest theoretical thinking on war representation to give access to this developing area and to suggest new directions for research. In addition to students of literature, the volume will interest those working in war studies, history, and cultural studies.
The Cambridge Companion to Wilkie Collins
by Jenny Bourne TaylorWilkie Collins was one of the most popular writers of the nineteenth century. He is best known for The Woman in White, which inaugurated the sensation novel in the 1860s, and The Moonstone, one of the first detective novels; but he wrote over 20 novels, plays and short stories during a career that spanned four decades. This Companion offers a fascinating overview of Collins's writing. In a wide range of essays by leading scholars, it traces the development of his career, his position as a writer and his complex relation to contemporary cultural movements and debates. Collins's exploration of the tensions which lay beneath Victorian society is analysed through a variety of critical approaches. A chronology and guide to further reading are provided, making this book an indispensable guide for all those interested in Wilkie Collins and his work.