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Activity Book, Grade 5, Unit 2: Early American Civilizations

by Core Knowledge Foundation

NIMAC-sourced textbook

Activity Book, Grade 5, Unit 6: The Renaissance

by Core Knowledge Foundation

NIMAC-sourced textbook

Activity Workbook: Side By Side Book 2 (Third Edition)

by Steven J. Molinsky Bill Bliss Carolyn Graham Peter S. Bliss

The Side by Side Activity Workbooks offer a variety of exercises for reinforcement, fully coordinated with the student texts. A special feature of the Activity Workbooks is the inclusion of GrammarRaps for practice with rhythm, stress, and intonation and GrammarSongs from the Side by Side TV videos. Periodic check-up tests are also included in the workbooks. Side by Side Plus is a standards-based and grammar-based English language program for adult and young-adult learners, The program builds students’ general language proficiency and prepares them for their life-skill roles in the community, family, school, and at work.

El acto de leer

by Wolfgang Iser

El nuevo clásico radical, un texto esencial de la teoría literaria que cambiará nuestra manera de entender la lectura. «¿Qué le sucede al lector cuando da vida a un texto? Iser comenzó planteando preguntas sobre los efectos que desencadenan los libros y acabó concluyendo que sin nosotros, sin los lectores, no existiría la literatura».Cristina Oñoro Wolfgang Iser defendió que el sentido y la potencia de las obras nacen de la interacción con el lector. Sus ideas sobre la lectura y los espacios vacíos del texto abrieron un mundo de posibilidades y mostraron hasta qué punto los libros pueden reclamar nuestra presencia e implicación. Este texto de referencia para la teoría literaria contemporánea, que entabló un intenso diálogo con las principales corrientes de su tiempo, supuso un cambio esencial en nuestra mirada sobre la literatura y el arte en general.

El acto de nombrar

by Elena Bazán

EL LENGUAJE IDENTIFICA, DEFINE Y EXPLICA, PERO TAMBIÉN ACOMPAÑA Y CONECTA. En el lenguaje actual de las mujeres nombrar es poder, por eso esta obra propone palabras y situaciones cercanas a las mujeres, pero jamás exclusivas porque, como el lenguaje, este es un libro plural, cualquier persona interesada en el debate de por qué y cómo se expresan, es bienvenida a estas páginas. La autora se ocupa fundamentalmente de palabras, pero también de anécdotas, de casos reales, recuerdos, entrevistas, reflexiones, datos, estadísticas, referentes históricos y actuales; lugares, instituciones, consignas, canciones, lemas… pues cuando se trata de palabras todo suma. El léxico no tiene lugar exclusivo en la boca, en las hojas y en la mente, tiene pulso propio, cambia y nos enfrenta siempre; por esto, escoger entre un término y otro es trascendental y cambia nuestra vida. El acto de nombrar es una amplia reflexión de cómo las palabras nos significan: si supiéramos nombrar y detallar qué sentimos,cómo vivimos, qué nos pasa, tendríamos más herramientas para entender, empatizar, sobrevivir, ganar en el día a día. Las palabras: sororidad, violencia, feminicidio, memoria, elle, techo de cristal, carga mental, amor propio, feminismos y libertad, entre otras, cubren nuestras escuelas, oficinas, los talleres, las fábricas, las calles, los espacios íntimos y públicos, las exigencias sociales, las conversaciones y las expresiones literarias porque hoy, más que nunca, las mujeres apuestan por un lenguaje de inclusión, justicia, tolerancia y reconocimiento para lograr una sociedad más equitativa y una convivencia más luminosa entre todas las personas a través de un lenguaje revulsivo/ disruptivo, encendido/comprendido.

The Actor Within: Intimate Conversations with Great Actors

by Rose Eichenbaum

In Rose Eichenbaum's third work on the confluence of art making and human expression, she delves into the lives of thirty-five celebrated actors through intimate conversations and photographic portraits. With her probing questions and disarming manner, she captures the essential character of her subjects while shining a light on the art that defines them. The work provides extraordinary insights on the craft of acting with discussions of process, techniques, tools of the trade, and how to advice for aspiring actors from seasoned veterans. These stars of stage and screen, known for signature roles and critically acclaimed performances, emerge in The Actor Within with masks and wardrobe removed. Here, they speak their own lines, tell their own stories, and raise the curtain on what it means to live the actor's life—the challenge of mastering their craft, the drama of big breaks and career woes, the search for meaningful roles, and above all, having the courage to bare their souls before theater audiences or the camera. For the artists featured in this work, acting is more than a profession; it is how they make their way in the world and artfully merge their inner sense of humanness with universal truths. This collection serves as an important inspirational resource for anyone interested in making art, regardless of medium.The Actor Within includes interviews with Karl Malden, Ruby Dee, Ed Harris, Piper Laurie, Marcia Gay Harden, William H. Macy, Ellen Burstyn, Joe Mantegna, Debra Winger, Julia Stiles, Elliott Gould, Elijah Wood, Stockard Channing, Bill Pullman, Amanda Plummer, Marlee Matlin, Charles Durning, Marsha Mason, and many others.

Acts of Modernity: The Historical Novel and Effective Communication, 1814–1901 (Ashgate Series in Nineteenth-Century Transatlantic Studies)

by David Buchanan

In Acts of Modernity, David Buchanan reads nineteenth-century historical novels from Scotland, America, France, and Canada as instances of modern discourse reflective of community concerns and methods that were transatlantic in scope. Following on revolutionary events at home and abroad, the unique combination of history and romance initiated by Walter Scott’s Waverley (1814) furthered interest in the transition to and depiction of the nation-state. Established and lesser-known novelists reinterpreted the genre to describe the impact of modernization and to propose coping mechanisms, according to interests and circumstances. Besides analysis of the chronotopic representation of modernity within and between national contexts, Buchanan considers how remediation enabled diverse communities to encounter popular historical novels in upmarket and downmarket forms over the course of the century. He pays attention to the way communication practices are embedded within and constitutive of the social lives of readers, and more specifically, to how cultural producers adapted the historical novel to dynamic communication situations. In these ways, Acts of Modernity investigates how the historical novel was repeatedly reinvented to effectively communicate the consequences of modernity as problem-solutions of relevance to people on both sides of the Atlantic.

Acts of Poetry: American Poets' Theater and the Politics of Performance

by Heidi R Bean

American poets’ theater emerged in the postwar period alongside the rich, performance-oriented poetry and theater scenes that proliferated on the makeshift stages of urban coffee houses, shared apartments, and underground theaters, yet its significance has been largely overlooked by critics. Acts of Poetry shines a spotlight on poets’ theater’s key groups, practitioners, influencers, and inheritors, such as the Poets’ Theatre, the Living Theatre, Gertrude Stein, Bunny Lang, Frank O’Hara, Amiri Baraka, Carla Harryman, and Suzan-Lori Parks. Heidi R. Bean demonstrates the importance of poets’ theater in the development of twentieth-century theater and performance poetry, and especially evolving notions of the audience’s role in performance, and in narratives of the relationship between performance and everyday life. Drawing on an extensive archive of scripts, production materials, personal correspondence, theater records, interviews, manifestoes, editorials, and reviews, the book captures critical assessments and behind-the-scenes discussions that enrich our understanding of the intertwined histories of American theater and American poetry in the twentieth century.

Actual Fictions: Literary Representation and Character Network Analysis (Elements in Digital Literary Studies)

by Roel Smeets

This Element sheds a new light on the ubiquitous yet complex notion of mimesis. By systematically comparing the social dynamics of the Dutch population at a given time with the social dynamics of characters in Dutch literary fiction published in the same period, it aims to pinpoint the ways in and the extent with which literary fiction either mirrors or shapes the societal context from which it emerged. While close-reading-based scholarship on this topic has been limited to qualitative interpretations of allegedly exemplary works, the present study uses the data-driven tools of social network analysis to systematically determine the imitative elements of the social dynamics of characters within larger-scale, representative collections of books of literary fiction.

The Actual One: How I Tried, And Failed, To Avoid Adulthood Forever

by Isy Suttie

‘Isy Suttie turns the painful process of growing-up into something laugh-out-loud funny, and for that I could kiss her’ – Bryony Gordon, author of THE WRONG KNICKERS

Acute Melancholia and Other Essays: Mysticism, History, and the Study of Religion (Gender, Theory, and Religion)

by Amy Hollywood

Acute Melancholia and Other Essays deploys spirited and progressive approaches to the study of Christian mysticism and the philosophy of religion. Ideal for novices and experienced scholars alike, the volume makes a forceful case for thinking about religion as both belief and practice, in which traditions marked by change are passed down through generations, laying the groundwork for their own critique. Through a provocative integration of medieval sources and texts by Jacques Derrida, Judith Butler, Talal Asad, and Dipesh Chakrabarty, this book redefines what it means to engage critically with history and those embedded within it.

Ad Critique: How to Deconstruct Ads in Order to Build Better Advertising

by Nancy R. Tag

Ad Critique teaches advertising, marketing, and management students--both the "suits" and the "creatives"--how to effectively judge and critique creativity in advertising. This textbook is an instruction manual; a facilitator of dialogue; a companion piece to classroom content. Its lessons result in actual skills that enable students to look at the creative product and embolden them to say something constructive and worthwhile.

Adages: Ii1 to Iv100

by Desiderius Erasmus Margaret Mann Phillips R.A.B. Mynors

Erasmus' Adagia has been called 'one of the world's biggest bedside books,' and certainly the more than 4000 proverbs and maxims gathered and commented on by Erasmus, sometimes in a few lines and sometimes in full-scale essays, have great appeal for both scholar and educated layman. The aim of the Adages was to recapture, in this handy portmanteau form, the outlook and way of life of the classical world through its customs, legends, and social institutions, and to put within reach of a modern public the accumulated wisdom of the past. Each adage is traced in the works of as many authors as Erasmus had to hand; always an authority is given (usually several) and often a close reference providing chapter and verse. The commentaries in the Adages give a forthright and often eloquent expression of Erasmus' opinions on the world of his day, dovetailing with his satirical works on the one hand and his popular evangelical writings on the other. Many, if not most, of the proverbs cited by Erasmus are still in our common stock of speech today. The Collected Works of Erasmus is providing the first complete translation of Erasmus' Adagia. This volume contains the initial 300 adages with notes that identify the classical sources and indicate how Erasmus' reading and thinking developed over the quarter-century spanned by the eight revisions of the original work. Volume 31 of the Collected Works of Erasmus series.

Adages IV iii 1 to V ii 51: Adages Iv Iii 1 To V Ii 51 (Collected Works of Erasmus #36)

by Desiderius Erasmus Betty Knott-Sharpe John Grant

This sixth of seven volumes devoted to the Adages in the Collected Works of Erasmus completes the translation and annotation of the more than 4000 proverbs gathered and commented on by Erasmus in his Adagiorum Chiliades (Thousands of Adages, usually known more simply as the Adagia). This volume’s aim, like that of the others, is to provide a fully annotated, accurate, and readable English version of Erasmus' commentaries on these Greek and Latin proverbs, and to show how Erasmus continued to expand this work, originally published in 1508, until his death in 1536. An indication of Erasmus' unflagging interest in classical proverbs is that almost 500 of the 951 adages translated in this volume did not make their first appearance until the edition of 1533. Following in the tradition of meticulous scholarship for which the Collected Works of Erasmus is widely known, the notes to this volume identify the classical sources and illustrate how the content of his commentaries on the adages often reflects Erasmus' scholarly and editing interests in the classical authors at a particular time. The work was highly acclaimed and circulated widely in Erasmus' time, serving as a conduit for transmitting classical proverbs into the vernacular languages, in which many of the proverbs still survive to this day. Volume 36 of the Collected Works of Erasmus series.

Adam Bede (SparkNotes Literature Guide Series)

by SparkNotes

Adam Bede (SparkNotes Literature Guide) by Geoge Elliot Making the reading experience fun!Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysisexplanations of key themes, motifs, and symbolsa review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers.

Adam in Seventeenth Century Political Writing in England and New England

by Julia Ipgrave

Designed to contribute to a greater understanding of the religious foundations of seventeenth century political writing, this study offers a detailed exploration of the significance of the figure and story of Adam at that time. The book investigates seventeenth-century writings from England and New England-examining writings by Roger Williams and John Eliot, Gerrard Winstanley, John Milton, and John Locke-to explore the varying significance afforded to the Biblical figure of Adam in theories of the polity. In so doing, it counters over-simplified views of modern secular political thought breaking free from the confines of religion, by showing the diversity of political models and possibilities that Adamic theories supported. It provides contextual background for the appreciation of seventeenth-century culture and other cultural artefacts, and feeds into current scholarly interest in the relationship between religion and the public sphere, and in stories of origins and Creation.

Adam Smith: A Primer (Classic Thinkers)

by Craig Smith

Almost everyone has heard of Adam Smith, founding father of modern economics and author of Wealth of Nations. There is, however, much more to him than this. This new introduction gives a crystal clear overview of the entirety of Smith’s thought. It demonstrates how Smith’s economic theories fit into a larger system of thought that encompasses moral philosophy, philosophy of science, legal and political theory, and aesthetics. Examining the central arguments of his major works, ranging from The Theory of Moral Sentiments to his lectures on jurisprudence and beyond, Smith’s thought is explained in its full intellectual and historical context. As the book unfolds, the long-standing caricature of Adam Smith as an uncritical defender of capitalism red in tooth and claw is systematically challenged, revealing a far more complex and nuanced figure whose rich legacy remains highly relevant today. Comprehensive yet concise, this book will be the leading introduction to Adam Smith’s ideas for generations of students, scholars and general readers, relevant to areas ranging from philosophy and the history of economic thought to political theory.

Adam Smith’s Moral Sentiments in Vanity Fair: Lessons in Business Ethics from Becky Sharp (Issues in Business Ethics #49)

by Rosa Slegers

According to Adam Smith, vanity is a vice that contains a promise: a vain person is much more likely than a person with low self-esteem to accomplish great things. Problematic as it may be from a moral perspective, vanity makes a person more likely to succeed in business, politics and other public pursuits. “The great secret of education,” Smith writes, “is to direct vanity to proper objects:” this peculiar vice can serve as a stepping-stone to virtue. How can this transformation be accomplished and what might go wrong along the way? What exactly is vanity and how does it factor into our personal and professional lives, for better and for worse?This book brings Smith’s Theory of Moral Sentiments into conversation with William Makepeace Thackeray’s Vanity Fair to offer an analysis of vanity and the objects (proper and otherwise) to which it may be directed. Leading the way through the literary case study presented here is Becky Sharp, the ambitious and cunning protagonist of Thackeray’s novel. Becky is joined by a number of other 19th Century literary heroines – drawn from the novels of Jane Austen, Charlotte Brontë and George Eliot – whose feminine (and feminist) perspectives complement Smith’s astute observations and complicate his account of vanity. The fictional characters featured in this volume enrich and deepen our understanding of Smith’s work and disclose parts of our own experience in a fresh way, revealing the dark and at times ridiculous aspects of life in Vanity Fair, today as in the past.

Adam Usk's Secret

by Steven Justice

Adam Usk, a Welsh lawyer in England and Rome during the first years of the fifteenth century, lived a peculiar life. He was, by turns, a professor, a royal advisor, a traitor, a schismatic, and a spy. He cultivated and then sabotaged figures of great influence, switching allegiances between kings, upstarts, and popes at an astonishing pace. Usk also wrote a peculiar book: a chronicle of his own times, composed in a strangely anxious and secretive voice that seems better designed to withhold vital facts than to recount them. His bold starts tumble into anticlimax; he interrupts what he starts to tell and omits what he might have told. Yet the kind of secrets a political man might find safer to keep--the schemes and violence of regime change--Usk tells openly. Steven Justice sets out to find what it was that Adam Usk wanted to hide. His search takes surprising turns through acts of political violence, persecution, censorship--and, ultimately, literary history. Adam Usk's narrow, eccentric literary genius calls into question some of the most casual and confident assumptions of literary criticism and historiography, making stale rhetorical habits seem new. Adam Usk's Secret concludes with a sharp challenge to historians over what they think they can know about literature and to literary scholars over what they think they can know about history.

Adam's Tongue: How Humans Made Language, How Language Made Humans

by Derek Bickerton

How language evolved has been called "the hardest problem in science. " In Adam's Tongue, Derek Bickerton--long a leading authority in this field--shows how and why previous attempts to solve that problem have fallen short. Taking cues from topics as diverse as the foraging strategies of ants, the distribution of large prehistoric herbivores, and the construction of ecological niches, Bickerton produces a dazzling new alternative to the conventional wisdom. Language is unique to humans, but it isn't the only thing that sets us apart from other species--our cognitive powers are qualitatively different. So could there be two separate discontinuities between humans and the rest of nature? No, says Bickerton; he shows how the mere possession of symbolic units--words--automatically opened a new and different cognitive universe, one that yielded novel innovations ranging from barbed arrowheads to the Apollo spacecraft. Written in Bickerton's lucid and irreverent style, this book is the first to thoroughly integrate the story of how language evolved with the story of how humans evolved. Sure to be controversial, it will make indispensable reading both for experts in the field and for every reader who has ever wondered how a species as remarkable as ours could have come into existence. '

Adaptable English Language Teaching: Advances and Frameworks for Responding to New Circumstances (ISSN)

by A. Mehdi Riazi Nima A. Nazari

In an age of rapid technological transformation and evolving teaching settings, the ELT community must adapt to the needs of emerging situations and a diverse range of learners. Adaptable English Language Teaching addresses this need by bringing together contributions from renowned scholars around the world with insights on all major areas of English language teaching with an emphasis on adaptability—of teaching method, context, skills, and priorities.Organized around an innovative past-present-future structure, chapters offer methods, strategies, and perspectives that are adaptable to any difficult or under-resourced context. It delves into engaging through online applications, understanding emerging trends in computer-assisted language learning and teaching, and the implementation of virtual classroom and multimodality in ELT.Given its multifaceted focus, this book will provide ELT practitioners, trainers, trainees, and researchers with invaluable insights and research findings to effectively navigate and adapt to emerging circumstances.

Adaptation and Appropriation (The New Critical Idiom)

by Julie Sanders

From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores: multiple definitions and practices of adaptation and appropriation the cultural and aesthetic politics behind the impulse to adapt the global and local dimensions of adaptation the impact of new digital technologies on ideas of making, originality and customization diverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of art the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.

Adaptation and Beyond: Hybrid Transtextualities (Routledge Interdisciplinary Perspectives on Literature)

by Eva C. Karpinski Ewa Kębłowska-Ławniczak

This interdisciplinary collection focuses on recent adaptations, both experimental and popular, that put hybridity, transtextuality, and transmediality at play. It reframes adaptation in terms of the transmedia concept of "world-building," which accurately captures the complexity and multidirectionality of contemporary scattered and ubiquitous practices of adaptation. The Editors argue that the process of moving stories or their elements across different media platforms and repurposing them for new uses results in the production of hybrid transtextualities. The book demonstrate how hybrid textualities augment narrative and literary forms as goals of their world-building, finding unexpected sites of cross-pollination, expansion, and appropriation in spoken-word and dance performance, (auto)biographical comics, advertising, Chinese Kun opera, and popular song lyrics. This yoking of hybridity and transmediality yields not only diversified and often commercialized aesthetic forms but also enables the emergence a unique cultural space in-between, a mezzaterra capable of addressing current political issues and mobilizing broader audiences

Adaptation and Nation: Theatrical Contexts for Contemporary English and Irish Drama (Adaptation in Theatre and Performance)

by Catherine Rees

This book takes a novel approach to theatrical adaptation, focusing not primarily on filmic adaptations but instead on modern drama based on older, classic playtexts. The specific focus of the book is the exploration of the new national setting given to the reworked version. In exploring the way in which contemporary dramatists in England and Ireland represent a different national setting for their reworked adaptation, we can examine the specific social and political context for the new play, unearthing the cultural conditions at the time of the new setting. In examining only plays that consciously relocate the national setting for their new work, we can also explore resonances between the two different national contexts, analysing cultural and political echoes as well as shifts both geographical and temporal.

Adaptation as Communication: Adaptors as Communicators

by Anne Furlong

This book offers a consistent, theoretically grounded, accessible account of adaptation across a range of instances, employing Relevance Theory as its explanatory framework and arguing that every adaptation is an independent communicative act. The author establishes the principles of the study in the first part, introducing and contextualising the theory developed by Sperber and Wilson, before going on in the second part to demonstrate the strength of the approach, and its relevance and utility within adaptation studies and beyond through a wide array of examples. The volume will open up discussion in areas previously underserved by adaptation studies and consider broader implications, such as where we draw the line when we think about 'adaptation'. This book will be of interest to students and scholars in a range of fields including adaptation studies, relevance theory, linguistic pragmatics, stylistics, narratology, intertextuality, literature and film studies.

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