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Christine de Pizan and the Fight for France (G - Reference, Information and Interdisciplinary Subjects)
by Tracy AdamsIn Christine de Pizan and the Fight for France, Tracy Adams offers a reevaluation of Christine de Pizan’s literary engagement with contemporary politics. Adams locates Christine’s works within a detailed narrative of the complex history of the dispute between the Burgundians and the Armagnacs, the two largest political factions in fifteenth-century France. Contrary to what many scholars have long believed, Christine consistently supported the Armagnac faction throughout her literary career and maintained strong ties to Louis of Orleans and Isabeau of Bavaria. By focusing on the historical context of the Armagnac-Burgundian feud at different moments and offering close readings of Christine’s poetry and prose, Adams shows the ways in which the writer was closely engaged with and influenced the volatile politics of her time.
Christine de Pizan and the Fight for France
by Tracy AdamsIn Christine de Pizan and the Fight for France, Tracy Adams offers a reevaluation of Christine de Pizan’s literary engagement with contemporary politics. Adams locates Christine’s works within a detailed narrative of the complex history of the dispute between the Burgundians and the Armagnacs, the two largest political factions in fifteenth-century France. Contrary to what many scholars have long believed, Christine consistently supported the Armagnac faction throughout her literary career and maintained strong ties to Louis of Orleans and Isabeau of Bavaria. By focusing on the historical context of the Armagnac-Burgundian feud at different moments and offering close readings of Christine’s poetry and prose, Adams shows the ways in which the writer was closely engaged with and influenced the volatile politics of her time.
Christine's Vision: Christine's Vision (Routledge Revivals #Vol. 68b)
by Christine de PizanOriginally published in 1993, this book offers a translation of Christine de Pizan's Christine's Vision, as translated by Glenda K. McLeod. One of France's first professionl writers, Christine de Pizan wrote a large and remarkable body of work, distinguished not only for its variety and quality but also for its unusual blend of introspective and public commentary. As Christine's Vision makes clear, Christine sensed the similarities between her fate and France's and felt a close bond with her adopted land.
The Christmas ABC (Little Golden Book)
by Eloise Wilkin Florence Johnson"C" is for Christmas-y fun in this festive Little Golden Book reissue from 1962. Classic illustrations from Eloise Wilkin show her famously adorable toddlers decorating the tree, opening gifts, and running to the mailbox! Young readers will see themselves in this book as they learn their ABCs and aniticipate Santa's visit.
Christmas ABCs: A Golden Alphabet Book
by Andrea Posner-SanchezA Christmas alphabet board book illustrated with classic Little Golden Book artwork--from A to Z!A is for angels. B is for bells--especially ones that jingle. C is for candy canes.Celebrate Christmas from A to Z with this sturdy board book, perfect for little hands! Fans--both young and old--of classic Little Golden Books will love seeing artwork from beloved titles illustrated by Eloise Wilkin, Richard Scarry, and others used on every page of this delightful alphabet book. Illustrations from favorite Little Golden Books including The Little Golden Holiday Book, The Night Before Christmas, Christmas Carols, and Christmas Mice are featured. This new book with a classic look makes a great holiday gift!
Christmas Books for Children (Elements in Publishing and Book Culture)
by Eugene GiddensThis Element traces the varied and magical history of Christmas publications for children. The Christmas book market has played an important role in the growth of children's literature, from well-loved classics to more ephemeral annuals and gift books. Starting with the eighteenth century and continuing to recent sales successes and picturebooks, Christmas Books for Children investigates continuities and new trends in this hugely significant part of the children's book market.
A Christmas Cornucopia: The Hidden Stories Behind Our Yuletide Traditions
by Mark ForsythBY THE SUNDAY TIMES NO.1 BESTSELLING AUTHOR OF A SHORT HISTORY OF DRUNKENNESSDiscover the unpredictable origins and etymologies of our Christmas customs this festive season. For something that happens every year of our lives, we really don't know much about Christmas. We don't know that the date we celebrate was chosen by a madman, or that Christmas, etymologically speaking, means "Go away, Christ". We're oblivious to the fact that the advent calendar was actually invented by a Munich housewife to stop her children pestering her for a Christmas countdown. And we would never have guessed that the invention of crackers was merely a way of popularising sweet wrappers. Luckily, like a gift from Santa himself, Mark Forsyth is here to unwrap this fundamentally funny gallimaufry of traditions and oddities, making it all finally make sense - in his wonderfully entertaining wordy way.'Witty and revelatory. Blooming brilliant' Raymond Briggs 'Everything we ever thought about Christmas is wrong! Great stuff' Matthew Parris
Christmas in My Heart, A Fourth Treasury: Stories To Share The Spirit Of The Season
by Joe WheelerAn illustrated hardcover gift edition of the inspirational classic that has brought peace to millions. For ober a decade, readers have drawn new hpe and spiritual strength from this simple tale of a humble man with the power to transform his neighbors' lives.
Christmas in My Heart A Second Treasury: More Heartwarming Tales of Holiday Joy
by Joe WheelerAccording to the New York Times Book Review, there are a few secrets to a good Christmas story:It should have a meaning.It should include a dying child.It should make readers cry.Any promise is possible.It should be short enough to read in one sitting.Most important, it should tell a story.If these are what make a Christmas story good, Christmas in My Heart, A Second Treasury will bring you nonstop Christmas joy. From cover to cover, all fourteen of these stories represent the best in holiday memories. And in reading them, you are creating memories for years to come.Amid the hustle and bustle of Christmas shopping, decorating, concerts, and parties, it is sometimes easy to forget what makes this time of year so special. Nothing brings the real reason for Christmas into focus better than reading beloved stories that touch our hearts. And no one brings us those stories better than Joe Wheeler, whose Christmas in My Heart won the favor of loyal readers from coast to coast.In Christmas in My Heart, A Second Treasury, Wheeler works his magic once again, bringing the joy of Christmas alive for even those Scrooges among us. Its traditional and contemporary stories set this apart as a collector's item in the making--one destined to stand the test of time. Whether we are laughing with Miss Enderby in "Jolly Miss Enderby," crying with Dr. Loomis in "The Tiny Foot," or feeling the warm glow of happiness in "Christmas Is for Families," all of these wonderful stories bring us true peace.Whether you buy it because Joe Wheeler is so well known, or because the individual stories in this edition touch your heart, Christmas in My Heart, A Second Treasury is the best gift you can give anyone this Christmas, even yourself.
Christmas in My Heart, A Third Treasury: Further Tales of Holiday Joy
by Joe WheelerJoe Wheeler's bestselling Christmas in My Heart series brings joy to readers by reawakening the true spirit of the season within themselves. His two previous collections make gifts that send a cherished message of love and help families establish a cozy holiday tradition of reading these stories together. In Christmas in My Heart: A Third Treasury, Wheeler offers more warm, tender, and beautiful stories, such as the tale of a young girl who dreams of getting a doll for Christmas or the story of the little orphan who radiates the love of holidays. No family will want to miss out on these lovely stories.
Christmas Long Ago from A to Z
by Bobbie KalmanThis beautifully illustrated book looks at Christmas traditions of the late 19th and early 20th centuries that have become a big part of how Christmas is celebrated today. Topics include how Santa came to be, the use of candles, why angels are a part of Christmas, Santa's workshop, elves and reindeer, parades, and much more.
Christoph Schlingensief's Realist Theater (Routledge Advances in Theatre & Performance Studies)
by Ilinca TodorutThis book is the first study of the prolific German filmmaker, performance artist, and TV host Christoph Schlingensief (1960–2010) that identifies him as a practitioner of realism in the theater and lays out how theatrical realism can offer an aesthetic frame sturdy enough to hold together his experiments across media and genres. This volume traces Schlingensief’s developing realism through his theater work in conventional theater venues, in less conventional venues, his opera work focusing on the production of Wagner’s Parsifal at Bayreuth, and his art installations on revolving platforms called Animatographs. This book will be of great interest to scholars of theater, film, and performance art and practitioners.
Christophe Honoré: A Critical Introduction (Contemporary Approaches to Film and Media Series)
by David A. Gerstner Julien NahmiasFrench filmmaker Christophe Honoré challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In Christophe Honoré: A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cinéastes to explore Honoré's three most recognized films, Dans Paris (2006), Les Chansons d'amour (2007), and La Belle personne (2008)--"the trilogy." Gerstner and Nahmias analyze Honoré's filmmaking as the work of a queer auteur whose cinematic engagement with questions of family, death, and sexual desire represent new ground for queer theory. Considering each of the trilogy films in turn, the authors take a close look at Honoré's cinematic technique and how it engages with France's contemporary cultural landscape. With careful attention to the complexity of Honoré's work, they consider critically contested issues such as the filmmaker's cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author. Christophe Honoré: A Critical Introduction reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume.
Christopher Columbus's Naming in the 'diarios' of the Four Voyages (1492-1504)
by Evelina GuzauskyteIn this fascinating book, Evelina Gužauskytė uses the names Columbus gave to places in the Caribbean Basin as a way to examine the complex encounter between Europeans and the native inhabitants.Gužauskytė challenges the common notion that Columbus's acts of naming were merely an imperial attempt to impose his will on the terrain. Instead, she argues that they were the result of the collisions between several distinct worlds, including the real and mythical geography of the Old World, Portuguese and Catalan naming traditions, and the knowledge and mapping practices of the Taino inhabitants of the Caribbean. Rather than reflecting the Spanish desire for an orderly empire, Columbus's collection of place names was fractured and fragmented - the product of the explorer's dynamic relationship with the inhabitants, nature, and geography of the Caribbean Basin.To complement Gužauskytė's argument, the book also features the first comprehensive list of the more than two hundred Columbian place names that are documented in his diarios and other contemporary sources.
Christopher Hitchens: and Other Conversations
by Christopher Hitchens“If someone says I’m doing this out of faith, I say, Why don’t you do it out of conviction?” —CHRISTOPHER HITCHENS One of his generation’s greatest public intellectuals, and perhaps its fiercest, Christopher Hitchens was a brilliant interview subject. This collection—which spans from his early prominence as a hero of the Left to his controversial support for the wars in Iraq and Afghanistan toward the end of his life— showcases Hitch’s trademark wit on subjects as diverse as his mistrust of the media, his love of literature, his dislike of the Clintons, and his condemnation of all things religious. Beginning with an introduction and tribute from his longtime friend Stephen Fry, this collection culminates in Hitchens’s fearless final interview with Richard Dawkins, which shows a man as unafraid of death as he was of everything in life.
Christopher Marlowe (The University Wits)
by Robert A. LoganIn uncovering the origin of the designation 'University Wits', Bob Logan examines the characteristics of the Wits and their influence on the course of Elizabethan drama. For the first time, Christopher Marlowe is placed in the context of the six University Wits, where his reputation stands out as the most prominent, and the impact of his university education on his works is clarified. The essays selected for reprinting assess the most significant scholarship written about Marlowe, including biographical studies, challenges to familiar assumptions about the poet/playwright and his works, compositions on groupings of his works, on individual works, and on subjects particular to Marlowe. Unique in its perspective and in the collection of essays, this book will interest all students and scholars of Renaissance poetry, drama, and specialized cultural contexts.
Christopher Marlowe: The Critical Heritage (Critical Heritage Ser.)
by Millar MacLureThis book begins with the malignant taunts of Robert Greene and the adulatory remarks of Christopher Marlowe's friends and literary associates, and ends with the abrasive comments of the younger G. B. Shaw and the rhapsodies of Swinburne.
Christopher Marlowe: Complete Plays (The Everyman Library #102)
by Christopher Marlowe J. M. DentTheir texts fully restored by recent scholarship, Marlowe's astonishing works can now be appreciated as originally written. For the first time, this edition boasts the complete plays - including two versions of Doctor Faustus.Blasphemy, perversion, defiance and transgression ... in a series of compelling tragedies, Marlowe challenged every authority of heaven and earth. From the proud wrath of Tamburlaine, the tyrant of Asia, to the racked anguish of Edward II, himself in thrall to unspeakable desires; from God's own Machiavel, the Duke of Guise, to Barabas, the Jew of Malta, curse of Christianity: all are taboo-breakers, to be broken in their turn. And in the tragedy of Doctor Faustus we perhaps read Marlowe's own: a tale of brilliance and audacity - and of terrible, inexorable punishment.Their texts fully restored by recent scholarship, Marlowe's astonishing works can now be appreciated as originally written. For the first time, this edition boasts the complete plays - including two versions of Doctor Faustus.
Christopher Marlowe: The Plays and Their Sources
by Mrs Vivien Thomas Vivien Thomas Prof William Tydeman William TydemanThis major work brings together, for the first time in a single volume, all the recognized sources of Marlowe's dramatic work. Many of the forty-two texts presented here are of outstanding interest in their own right. Together they illuminate the cultural milieu which fostered Marlowe's talent, and deepen our appreciation of his dramatic methods. * Each of the texts is accessibly presented for the modern reader and is fully annotated. * Works in Latin or foreign vernaculars are translated, many for the first time, and modern spelling and punctuation are used throughout. * The sources for each play are examined individually and are thoroughly edited. Few libraries provide the range of sources contained in this one volume. The editors include texts of works such as the English Faust-Book from which Marlowe borrowed heavily, and provide substantial extracts from other books with which he was no doubt familiar. This book is an invaluable resource for all those interested in Marlowe and the development of Elizabethan theatre.
Christopher Marlowe (Longman Critical Readers)
by Richard WilsonChristopher Marlowe has provoked some of the most radical criticism of recent years. There is an elective affinity, it seems, between this pre-modern dramatist and the post-modern critics whose best work has been inspired by his plays. The reason suggested by this collection of essays is that Marlowe shares the post-modern preoccupation with the language of power - and the power of language itself. As Richard Wilson shows in his introduction, it is no accident that the founding essays of New Historicism were on Marlowe; nor that current Queer Theorists focus so much on his images of gender and homosexuality. Marlowe staged both the birth of the modern author and the origin of modern sexual desire, and it is this unique conjunction that makes his drama a key to contemporary debates about the state and the self: from pornography to gays in the military.Gay Studies, Cultural Materialism, New Historicism and Reader Response Criticism are all represented in this selection, which the introduction places in the light not only of theorists like Althusser, Bataille and Bakhtin, but also of artists and writers such as Jean Genet and Robert Mapplethorpe. Many of the essays take off from Marlowe's extreme dramatisations of arson, cruelty and aggression, suggesting why it is that the thinker who has been most convincingly applied to his theatre is the philosopher of punishment and pain, Michel Foucault. Others explore the exclusiveness of this all-male universe, and reveal why it remains so offensive and impenetrable to feminism. For what they all make disturbingly clear is Marlowe's violent, untamed difference from the clichés and correctness of normative society.
Christopher Marlowe and English Renaissance Culture (Routledge Revivals)
by Darryll Grantley Peter RobertsFirst published in 1996, this volume asked the question: who – and what – was Christopher Marlowe? Dramatist, poet, atheist and possible spy, he was a man in contrast with his time. The authors here gather to explore Marlowe on the four hundredth anniversary of his death. They include significant interdisciplinary elements and focus on dramaturgy, textual criticism and biography. It is hoped that the diversity of approaches can further debates on both Marlowe and Renaissance culture.
Christopher Marlowe and the Failure to Unify (Studies in Performance and Early Modern Drama)
by Andrew DuxfieldIn this sustained full length study of Marlowe's plays, Andrew Duxfield argues that Marlovian drama exhibits a marked interest in unity and unification, and that in doing so it engages with a discourse of anxiety over social discord that was prominent in the 1580s and 1590s. In combination with the ambiguity of the plays, he suggests, this focus produces a tension that both heightens dramatic effect and facilitates a cynical response to contemporary evocations of and pleas for unity. This book has three main aims. Firstly, it establishes that Marlowe’s tragedies exhibit a profound interest in the process of reduction and the ideal of unity. Duxfield shows this interest to manifest itself in different ways in each of the plays. Secondly, it identifies this interest in unity and unification as an engagement in a cultural discourse that was particularly prevalent in England during Marlowe’s writing career; during the late 1580s and early 1590s heightened inter-confessional tension, the threat and reality of foreign invasion and public puritan dissent in the form of the Marprelate controversy provoked considerable public anxiety about social discord. Thirdly, the book considers the plays’ focus on unity in relation to their marked ambiguity; throughout all of the plays, unifying ideals and reductive processes are consistently subject to renegotiation with, or undercut entirely by, the complexity and ambiguity of the dramas in which they feature. Duxfield’s focus on unity as a theme throughout the plays provides a new lens through which to examine the place of Marlowe’s work in its cultural moment.
Christopher Marlowe at 450
by Sara Munson Deats Robert A. LoganThere has never been a retrospective on Christopher Marlowe as comprehensive, complete and up-to-date in appraising the Marlovian landscape. Each chapter has been written by an eminent, international Marlovian scholar to determine what has been covered, what has not, and what scholarship and criticism will or might focus on next. The volume considers all of Marlowe’s dramas and his poetry, including his translations, as well as the following special topics: Critical Approaches to Marlowe; Marlowe’s Works in Performance; Marlowe and Theatre History; Electronic Resources for Marlovian Research; and Marlowe’s Biography. Included in the discussions are the native, continental, and classical influences on Marlowe and the ways in which Marlowe has interacted with other contemporary writers, including his influence on those who came after him. The volume has appeal not only to students and scholars of Marlowe but to anyone interested in Renaissance drama and poetry. Moreover, the significance for readers lies in the contributors’ approaches as well as in their content. Interest in the biography of Christopher Marlowe and in his works has bourgeoned since the turn of the century. It therefore seems especially appropriate at this time to present a comprehensive assessment of past and present traditional and innovative lines of inquiry and to look forward to future developments.
Christopher Marlowe in Context
by Emily C. Bartels Emma SmithThe life and death of Christopher Marlowe has long been shrouded in mystery and subject to speculation. One of the foremost dramatists of his day, Marlowe and his writings exerted an influence not only on the work of his contemporaries, including Shakespeare, but also on literary culture to the present. Setting Marlowe's writings in their historical context, this collection showcases the most exciting critics writing on critical and contextual approaches to his poems and plays, discussing both major and lesser-known works. In three sections, 'Marlowe's works', 'Marlowe's world', and 'Marlowe's reception,' short chapters tell a story ranging from classical literature through to modern cinema. Other topics covered include religion, geography, audience, and women. Chapters on the critics and Marlowe now show how and why his works continue to resonate and a comprehensive further reading list provides helpful suggestions for those who want to find out more.
Christopher Marlowe the Craftsman: Lives, Stage, and Page
by M.L. StapletonContributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a "sculptor-poet." Throughout the body of his work-including not only the poems and plays, but also his forays into translation and imitation-a distinguished company of established and emerging literary scholars traces how Marlowe conceives an idea, shapes and refines it, then remakes and remodels it, only to refashion it further in his writing process. These essays necessarily overlap with one another in the categories of lives, stage, and page, which signals their interdependent nature regarding questions of authorship, theater and performance history, as well as interpretive issues within the works themselves. The contributors interpret and analyze the disputed facts of Marlowe's life, the textual difficulties that emerge from the staging of his plays, the critical investigations arising from analyses of individual works, and their relationship to those of his contemporaries. The collection engages in new ways the controversies and complexities of its subject's life and art. It reflects the flourishing state of Marlowe studies as it shapes the twenty-first century conception of the poet and playwright as master craftsman.